Resource Guide Kitchen Sink 2013
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Maureen Batt, Soprano: Biography – May 2014 Noted by Opera Canada
Maureen Batt, soprano: Biography – May 2014 Noted by Opera Canada as a “young, lovely and captivating soprano,” and by the Halifax Herald as being “enthusiastically at home on stage” and having an “endlessly energetic and animated interpretation,” Maureen Batt is an accomplished concert and opera artist. Maureen’s opera credits include Belinda, Dido and Aeneas (Purcell), Silvia, L’isola disabitata (Haydn), Lauretta, Gianni Schicchi (Puccini), Rosa, Il campanello (Donizetti), Polly, The Threepenny Opera/Die Dreigroschenoper (Weill), Morgana, Alcina (Händel), Nina, Chérubin (Massenet), Susanna, Le nozze di Figaro (Mozart), Eusebia, Die Freunde von Salamanka (Schubert), Jenny, La Dame Blanche (Boieldieu), Papagena, Die ZauberFlöte (Mozart), Zerlina, Don Giovanni (Mozart), Annina, La Traviata (Verdi), Despina, Così Fan tutte (Mozart), Laetitia, The Old Maid and the ThieF (Menotti), Serpina, The Maid Mistress (Pergolesi), Limonia, Ten Belles Without a Ring (Von Suppe), Miss Silverpeal, The Impresario (Mozart). As an actor, she has appeared in Theatre St. Thomas University’s productions of Measure For Measure, Oh, What a Lovely War, and Caucasian Chalk Circle. She filmed a TV pilot for a series called Oznaberg, which premiered in the 2011 Silverwave Film Festival, and has since aired on Rogers Television. Her selected concert and oratorio credits include Handel’s Messiah and Esther, Mozart’s Vesperae solennes de ConFessore and Exsultate Jubilate, Bach’s BWV 187 Es wartet alles auF dich, BWV 4 Christ lag in Todes Banden, and BWV 245 St. John Passion. Maureen’s formal training includes a Master of Music from the University of Toronto, a Bachelor of Music from Dalhousie University, and a Bachelor of Arts from St. -
Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera. -
Recent Honours & Awards
Mark G. Sirett 8 Graham Avenue Kingston, Ontario, Canada, K7L 2H3 Tel: [613] 929-3324 [email protected] Education: Degrees: D.M.A. Doctor of Musical Arts in Choral Conducting and Pedagogy, University of Iowa, 1990 M. A. Master of Arts, Choral Conducting and Pedagogy, University of Iowa, 1987 B. Mus. First Class, Queen’s University, Kingston, Ontario, 1975 Diplomas: A. Mus. Associate, Western Board of Music, Organ Performance, 1986 (Silver medalist) L.T.C.L. Licentiate, Trinity College of Music, London England, Piano performance, 1977 A.R.C.T. Associate, Royal Conservatory of Toronto, Piano performance, 1974 Additional Training: Graduate work in theory, University of Alberta, 1977-79 including studies with Violet Archer; Additional workshops/seminars: National Conductors’ Symposium with Jon Washburn and Vancouver Chamber Choir, 1981; conducting workshops with Eric Ericson, 1985 and 1988; Robert Shaw Institute, 1989; International Treble Choir Symposium, 1996; David Willcocks Workshop, 1996. Recent Honours & Awards Personal: • Mayor’s Award in the Arts—Creator, City of Kingston, 2019 • President’s Leadership Award, Choirs Ontario, 2008 • Distinguished Alumnus, Grant MacEwan University, Edmonton • Outstanding Conductor, Young Prague Choral Festival, Prague Czech Republic • International Jury Award for Imaginative and Creative Programming, Cork International Choral Festival, Ireland, 2002 • Iowa Foundation for the Arts Scholarship, Choral Conducting, 1988 Conducting: • Mathieson Trophy, Ontario Music Festivals, 2018 • Gold Award, Young -
Eve CV April 2021
CURRICULUM VITAE Eve Egoyan, B.Mus., M.Mus., LRAM, ARAM, FRSC 135 Manning Avenue, Toronto, Ontario M6J 2K6 telephone: 416 603 4640 e-mail: [email protected] web: www.eveegoyan.com EDUCATION 1991 Master of Music: Piano Performance, University of Toronto Junior Fellow of Massey College 1988 Licentiate of the Royal Academy of Music, England 1985 Bachelor of Music: Piano Performance, University of Victoria AFFILIATIONS 2019 Associate of the Royal Academy of Music, London, England (ARAM) 2009 Fellow of the Royal Society of Canada (FRSC) OTHER TRAINING 1986-9 Royal Academy of Music, London, with Hamish Milne 1985-6 Hochschule der Künste, West Berlin, with Georg Sava 1981-5 Banff Centre of Fine Arts with György Sebök (summer masterclasses) AWARDS AND HONOURS 2019 Muriel Sherrin Award for music performance, Toronto Arts Foundation Associate of the Royal Academy of Music, London, England 2015 Selected as one of top 25 Canadian pianists of all time by the CBC Lois and Thomas Glenn Visiting Artist, University of Regina EVE EGOYAN: Curriculum Vitae (continued) 2014 “Eve Egoyan Exploratory Music Scholarship” offered to a student at the University of Victoria, B.C. 2012 Chalmers Arts Fellowship Member of the University of Victoria 50th Anniversary Honorary Cabinet 2011 “RETURNINGS” listed as the top pick for Classical CD’s of 2011 by Elissa Poole, Globe and Mail 2009 “Simple Lines of Enquiry” one of “2009: Ten Exceptional Recordings”, by Alex Ross, New Yorker Fellow of the Royal Society of Canada (FRSC) “CMC Ambassador” (one of 50 Canadian performers and conductors honoured by the Canadian Music Centre) 2007 Performance of Alvin Curran’s five-hour long Inner Cities at Glenn Gould Studio, Toronto, was selected as “Top 10 Live Performances in 2007”, David Fujino, Live Music Report 2002 K.M. -
Csecs / Scedhs & Neasecs 2017
CSECS / SCEDHS & NEASECS 2017 “from Cosmopolitans to Cosmopolitanisms” « Des Cosmopolites aux cosmopolitismes » PROGRAM / PROGRAMME The Program at a Glance / Le programme en un coup d’œil **Unless otherwise noted, all events will take place at the Chelsea Hotel, 33 Gerrard Street West **Sauf indication contraire, tous les événements auront lieu à l'hôtel Chelsea, 33 Gerrard Street West WEDNESDAY, OCTOBER 18 / MERCREDI 18 OCTOBRE 5:30-8:30 / 17h30-20h30 Reception / Réception Registration / Inscription Sponsored by The Lewis Walpole Library / Avec le soutien de la bibliothèque Lewis Walpole Arts and Letters Club, 14 Elm Street TBA CSECS Executive Meeting / Réunion du comité exécutif de la SCEDHS THURSDAY, OCTOBER 19 / JEUDI 19 OCTOBRE 8:30–4:45 / 9h30–16h45 Registration & Book Exhibits / Inscription & Exposition de livres 8:30–10:00 / 8h30–10h Sessions / Séances 10:30–12 / 10h30–12h Sessions / Séances 12:00–1:15 / 12h–13h15 Lunch / Déjeuner 12:00–1:15 / 12h–13h15 Graduate Student Roundtable 1 / Table ronde des étudiants de deuxième et troisième cycles 1 1:15–2:45 / 13h15–14h45 Gardiner Museum Tour 1, 18thc Porcelain Collections / Visite du musée Gardiner 1, collections de porcelaines du 18e siècle 1:15–2:45 / 13h15–14h45 Sessions / Séances 3:15–4 :45 / 15h15–16h45 Sessions / Séances 4:45–6:15 /16h45–18h15 Plenary Lecture / Conférence plénière, Sophie Wahnich, Chelsea Hotel The Program at a Glance / Le programme en un coup d'œil 8:00 / 20h Dido and Aeneas / Aeneas and Dido (Purcell, 1687 / Rolfe, 2007) Trinity-St Paul’s Centre, 427 Bloor -
Pages, V.1 (Duck Soup (New ®1.4-FINAL))
Duck Soup § Clark Winslow Ross for Bass Trombone and Piano Commissioned by Kenneth Knowles through the assistance of The Newfoundland and Labrador Arts Council ©1994 (®2002) 2 DUCK SOUP (1994) CLARK WINSLOW ROSS Composed in 1994 at the request of trombonist Ken Knowles and funded by the Newfoundland and Labrador Arts Council, Duck Soup was conceived as a virtuosic piece for bass trombone and piano combining elements of play, jazz, and mystery. The title, taken from the Marx brothers movie of the same name, is meant to reflect the more lighthearted aspects of the work, but is also a reference to Ken Knowles’ avid hobby of bird-watching,. At times, I also had the music of jazz musician Charlie Parker, known as ‘the bird,’ in mind while composing this, although there are no overt references to his music; just an occasional foray into a more “jazzy” feel in some sections. Another composer about whom the same can be said was Olivier Messiaen, whose used bird songs in his music extensively. Again, no specific Messiaen elements or bird songs exist in this work, only occasional moments when such elements are hinted at. Duck Soup was revised in 2002 for a reading organized by the Canadian Music Centre. It was premiered in February of 1994 by Ken Knowles and Kristina Szutor. BIOGRAPHY Clark Winslow Ross is Associate Professor at Memorial University of Newfoundland's School of Music, where he teaches composition, theory, electronic music, orchestration, and classical guitar. He is one of Canada’s more active composers, with over 20 commissions and many performances of his works throughout Canada, in England, and the United States since moving to Newfoundland in the fall of 1992. -
2013: Other Events
Asian Heritage Month The Month of May is May is Asian Heritage Month. This acknowledges the long and rich history of Asian Canadians and their contributions to Canada. It also provides an opportunity for Canadians across the country to reflect on and celebrate the contributions of Canadians of Asian heritage to the growth and prosperity of Canada. In December 2001, the Senate adopted a motion proposed by Senator Vivienne Poy to officially designate May as Asian Heritage Month in Canada. In May 2002, the Government of Canada signed an official declaration to designate May as Asian Heritage Month. Events taking place in Toronto during Asian Heritage Month These events are not part of Asian Heritage Month Festival, nor are they funded by the Government of Canada through the Department of Canadian Heritage. 1. Textile Museum, Toronto: SHINE Exhibition Date: March 27th to September 2nd, 2013 Venue: Textile Museum of Canada, 55 Centre Avenue, Toronto Presented by: Textile Museum of Canada Description: For highlights, please go to http://www.vmacch.ca/Museums/TextileMuseum/textile.html 2. Embracing Our Art: An Exhibition of Local Asian Canadian Artists Dates and Time: May 1 -June 30, 2013 (The Cheng Yu Tung East Asian Library, Mon. - Thu. 9:00 am - 7:00 pm, Fri. 9:00 am - 6:00 pm; the Robarts Library, Mon. - Thu. 8:30 am - 11:00 pm, Sat. and Sun. 10:00 am - 5:00 pm) Venue: The Cheng Yu Tung East Asian Library & the Robarts Library (first floor exhibition area), University of Toronto, 130 St. George Street, Toronto, M5S 1A5 Presented by: The Cheng Yu Tung East Asian Library Description: In order to celebrate the Asian Heritage Month in Toronto, the Cheng Yu Tung East Asian Library (University of Toronto) has invited 25 local Asian Canadian artists to showcase their art works in the library. -
2014 TAC Annual Report FINAL.Indd
2014 Annual Report 200-26 Grand Trunk Crescent Toronto, Ontario M5J 3A9 www.torontoartscouncil.org 416.392.6800 Table of Contents 1. About Toronto Arts Council: Our Vision and Mandate ............................................... 3 2. Letter from the Chair and President ............................................................. 4 3. Letter from the Director & CEO .................................................................5 4. Toronto Arts Council Board of Directors and Staff .................................................. 6 5. Toronto Arts Council Committees .............................................................. 7 6. Impact of Grants ........................................................................... 8 7. TAC Online .............................................................................. 10 8. Spotlight on the Toronto Arts Foundation ........................................................ 11 9. 2014 Allocation Summary of Grants and Awards .................................................. 12 10. Recipients Listing: Organizations .............................................................. 14 11. Recipients Listing: Individual Artists ............................................................ 18 12. Auditor’s Report .......................................................................... 20 13. Financial Statements ........................................................................21 Toronto Arts Council Annual Report 2014 | 1 2 | Toronto Arts Council Annual Report 2013 Art connects individuals -
Choral Spectacular: Celebrating 30 Years Tafelmusik Baroque Orchestra and Chamber Choir Directed by Ivars Taurins
Choral Spectacular: Celebrating 30 Years Tafelmusik Baroque Orchestra and Chamber Choir Directed by Ivars Taurins Date + Times: Trinity-St. Paul’s Centre Thurs March 29 – Sat March 31 at 8 PM Sun April 1 at 3:30 PM George Weston Recital Hall, Toronto Centre for the Arts Tues March 27 at 8:00 PM Ticket Prices: Trinity St. Paul’s Centre: Regular $39 – $89 65+ $35 - $79 Ages 30 & Under $20 - $79 George Weston Recital Hall: Regular: $36 - $76, 65+: $29 - $69, Ages 30 & Under: $20 - $69 Venues: Trinity-St. Paul’s Centre, 427 Bloor Street West Toronto Centre for the Arts: 5040 Yonge Street (North York) Box Office: Trinity-St. Paul’s Centre: 416.964.6337 / www.tafelmusik.org Toronto Centre for the Arts: 1.855.985.2787 (ARTS) / www.ticketmaster.ca Website: www.tafelmusik.org / www.facebook.com/tafelmusik.org The Tafelmusik Chamber Choir celebrates its 30th anniversary March 27 to April 1, 2012 with Choral Spectacular, a concert exploring the power of words and music from the baroque and beyond, specially selected by Choir Director Ivars Taurins: songs of praise and penitence, of love and regret, of joy and celebration. Choral Spectacular includes music by baroque composers Bach, Handel, Charpentier and Rameau, alongside works by 20th and 21st century composers Francis Poulenc, Frank Martin, Morten Lauridsen, John Tavener, Eric Whitacre and James Rolfe, whose new work Garden was commissioned for this special occasion. For a complete programme listing, visit the Tafelmusik website. Founded in 1981, the Tafelmusik Chamber Choir is one of the jewels in Canada’s choral crown. -
Mexico's Tambuco Percussion Ensemble and Voices
Soundstreams presents THE MUSIC OF JAMES MACMILLAN March 8, 2016 at 8:00 pm, Trinity-St. Paul’s Centre Scotland’s pre-eminent composer conducts his own choral masterpiece Seven Last Words from the Cross, plus works by R. Murray Schafer, James Rolfe, and Knut Nystedt. Thursday, February 4 // Toronto – Soundstreams continues its 2015/16 season this March with a visit from Scotland’s most celebrated composer and conductor, Sir James MacMillan. The Music of James MacMillan on March 8 at Trinity-St. Paul’s Centre features MacMillan conducting Choir 21 and the Virtuoso String Orchestra, and will include choral works by MacMillan, Canadian composers R. Murray Schafer and James Rolfe, and Norway’s Knut Nystedt. Audiences across Ontario will also have the opportunity to experience this exceptional program at engagements in Kingston and Kitchener on March 4 and 6. One of today’s most successful composers, Sir James MacMillan is also internationally active as a conductor, having served as Composer/Conductor for the BBC Philharmonic from 2000 to 2009. Emotionally potent, rhythmically thrilling, and richly reflective of his Catholic faith, Celtic cultural roots, and outspoken political conscience, MacMillan’s choral music has won worldwide critical and popular acclaim. In this concert, he conducts his own 1993 cantata Seven Last Words from the Cross. Combining dramatic narrative with spiritual meditation, this spellbinding sequence of seven adagio movements, inspired by the four gospel accounts of the Crucifixion, is justly regarded as one of his masterpieces. Also featured is his The Gallant Weaver, a tranquil piece based on a poem by Robert Burns, rich in Scottish flavor and evocative of Celtic folk music. -
Youthandeducation at Canada's National Artscentre
40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page a ANNUAL REPORT 2006—2007 Youth and Education at Canada’s National Arts Centre INSPIRING YOUNG CANADIANS THROUGH THE PERFORMING ARTS 40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page b ROLE The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today, the NAC works with thousands of artists from across Canada and around the world, and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works – classical music, English theatre, French theatre, dance, variety and community programming. It is also at the forefront of youth and education activities; supporting programmes for young and emerging artists, presenting programs for young audiences, and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America, and one of the largest in the world. ACCOUNTABILITY AND FUNDING The NAC reports to Parliament through the Minister of Canadian Heritage. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue – box office sales, the NAC Foundation, NAC catering, Le Café (restaurant), commercial parking and facility rentals. Each year, the NAC tables an annual report before Parliament. The Auditor General of Canada is the NAC’s external auditor. -
March Composer Concert
STUDENT COMPOSER CONCERT New works by composers from the University of Toronto, Faculty of Music Tuesday, March 19 @ 7:00pm Walter Hall, Edward Johnson Building University of Toronto PROGRAMME Hajime Sonata for Alto Saxophone and Piano Paul Kawabe (b.1997) I. Largo II. Allegro III. Andante Marco Wong - Alto Saxophone Stephen Clarke - Piano STARDUST Alex Allsopp (b.1998) Jack Gagner - Trombone Joseph Distefano - Trombone Bien Carandang - Bass Trombone Vivian Kwok - Piano Una Voce Elizabeth Legierski Elizabeth Legierski - Voice Sonata for Cello and Piano Evan Tanovich Else Sather - Cello Evan Tanovich - Piano Fireflies Michael Maevskiy (b.1997) Erika Wood, Hannah Mazurek - Soprano Annika Telenius, Mara Bowman - Alto Katharine Petkovski, Olivia Guselle - Alto Benjamin Gabbay, Kevin Mulligan - Tenor Kai Leung, Tristan Zaba - Bass Michael Maevskiy - Conductor Loučeni Emma Colette Moss (b.1999) Anika France-Forget - Soprano David John Walter Walsh - Tenor Emma Colette Moss - Piano Moonlit Clouds Michael Nunes (b.2000) Hannah Corbett - Violin Matthew Chan - Piano Desperation for Repose Adrian Punzalan (b. 1998) Adrian Punzalan - Piano INTERMISSION Sonata for Cello and Piano Julian Cruz (b.1998) Adagio – Allegro - Adagio Adagio Vivo Julian Cruz - Piano Brendan Rogers - Cello Multi-celled Organism Crescenzo DiCecco (b.1997) Crescenzo DiCecco – Piano Adam Kaleta - Marimba Ben Rosistan - Alto Saxophone Ester-ruth Teel - Organ Samuel Demets- Tenor Saxophone Ricci Ebron – Flute String Quartet No. 1 Jahred R. Warkentin I: Viola Feature II: Cello Feature Thea Coburn - Violin Justin Azerrad - Violin Shreya Jha - Viola Christopher Chan - Cello Two Robert Frost Songs Ricardo Ferro (b.2000) Come In A Dream Pang Abigail Sinclair - Voice Maria Fedyushina - Piano Echo, I.