The Little Match Girl Passion

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The Little Match Girl Passion The Little Match Girl Passion Trinity St. Paul’s Conducted By: Tan Dun Artistic Director: Lawrence Cherney 427 Bloor St W, Toronto, ON Lorem ipsum dolor sit amet, consectetur M5S 1X7 adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua 416.408.0208 Ut enim ad minim veniam, quis nostrud soundstreams.ca2017-2018 Concert Series exercitation ullamco laboris nisi. Little Match Girl.indd 1 2018-06-05 2:19 PM FROM THE ARTISTIC DIRECTOR Welcome to the last program in our 35TH season. uncanny ability to set text in highly imaginative It reflects both where we’ve come from and hints and unusual ways that are at the same time at future directions. appropriate and inevitable, two qualities rarely found together in new vocal music. Programming that pairs a distinguished Cana- dian composer with their international counter- Looking to the future, Soundstreams has part is nothing new to Soundstreams. For nearly become increasingly interested in breaking down 15 years we co-produced with CBC’s Two New some of the barriers we have all inherited from Hours a series based in the Glenn Gould Studio the traditions of Western classical music. that did just that. There was no one formula or Both works on tonight’s program require singers rationale for these pairings, but they ran the to acquire modest skills as percussionists, and gamut from affinity to complete contrast. the Lang explores the fertile terrain between “concert” music and “staged” works in intriguing Though the Glenn Gould Studio series came to and provocative ways. an end in 2007, the concept of pairing has remained one of the pillars of Soundstreams As they say, “stay tuned”. We hope tonight’s programming. And while we continue to feature explorations will intrigue and provoke you substantial new and existing instrumental works, sufficiently to join us next year for our 36TH it is perhaps in vocal music where we have season! particularly made our mark. David Lang and James Rolfe are soul mates – not that their music sounds the same – it doesn’t! But in both composers the relationships between word and music are so inextricably linked that we cannot imagine it any other way. They share an Lawrence Cherney Soundstreams would like to acknowledge this event takes place on the traditional territory of the Indigenous peoples who have occupied and made this land their home from time immemorial. These territories include the Haudenosaunee Confederacy, and most recently, the territory of the Mississaugas of the New Credit First Nation. ABOUT SOUNDSTREAMS Soundstreams is one of the world’s leading Encounters is a free discovery series featuring contemporary music companies, and the largest performances, discussions, and audience global presenter of new Canadian music. Artistic participation; the Emerging Composer Workshop Director Lawrence Cherney and Executive Director helps talented contemporary composers from Ben Dietschi are committed to showcasing the around the world launch their careers; Sound- work of living and international composers with Wave provides accessible tickets to young a focus on innovative thematic and experiential adults; and SoundMakers provides interactive programming. learning experiences online and in the classroom. Soundstreams also serves a broad community of music lovers through free outreach and education programs including Encounters, the Emerging Composer Workshop, SoundWave, and SoundMakers. SOUNDSTREAMS.CA Little Match Girl.indd 2-3 2018-06-05 2:19 PM THE LITTLE MATCH GIRL PASSION Trinity St. Paul’s Conducted By: Tan Dun Artistic Director: Lawrence Cherney 427 Bloor St W, Toronto, ON Lorem ipsum dolor sit amet, consectetur M5S 1X7 adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua 416.408.0208 Ut enim ad minim veniam, quis nostrud soundstreams.ca exercitation ullamco laboris nisi. CAST Vania Chan, Soprano Andrea Ludwig, Mezzo-Soprano Colin Ainsworth, Tenor Stephen Hegedus, Bass-Baritone Michael Bridge, Accordion PROGRAM James Rolfe I Think We Are Angels (b. 1961, Canada) ​​1. The end of the world 11. A lovesong 2. Shulamite 12. I love you 3. Sensual passion 13. Evensong 4. Love 14. I am sad 5. When you come 15. Inward, into the light 6. I think we are angels (solo) 16. Parted 7. I think we are angels (ensemble) 17. My blue piano 8. O your hands 18. I know 9. Giselheer as a boy 19. Friday night 10. Night secret Proud to support SoundMakers. David Lang the little match girl passion (b. 1957, USA) 1. come, daughter 9. have mercy, my god 2. it was terribly cold 10. she lighted another match We are working together with Soundstreams 3. dearest heart 11. from the sixth hour to make a difference in our communities. 4. an old apron 12. she again rubbed a match 5. penance and remorse ​​​​​13. when it is time for me to go 6. lights were shining 14. in the dawn of morning 7. patience, patience! 15. we sit and cry 8. ah! perhaps CREATIVE Jennifer Tarver, Creative Consultant John Hess, Musical Director/Vocal Coach Susie Burpee, Movement Artist Andjelija Djuric, Costume Designer Kim Purtell, Lighting Designer ® The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. M05234 (0116) SOUNDSTREAMS.CA 5 Little Match Girl.indd 4-5 2018-06-05 2:19 PM THE LITTLE COMPOSER BIOGRAPHIES MATCH GIRL PASSION PROGRAM ESSAY By David Jaeger The celebrated American composer David Lang (b. conclusion and unfolded it, as Christian composers 1957) composed the little matchgirl passion in 2007, have traditionally done in musical settings of the on a co-commission from the Carnegie Hall Passion of Jesus. Corporation in New York and The Perth Theatre and “The word Passion comes from the Latin word for Concert Hall in Australia. Conductor Paul Hillier and suffering. There is no Bach in my piece and there is his Theatre of Voices gave the World premiere of no Jesus – rather the suffering of the Little Match the work late in 2007 at Carnegie Hall. In 2008 the Girl has been substituted for Jesus’, (I hope) was awarded the Pulitzer little matchgirl passion elevating her sorrow to a higher plane.” Prize in Music. Lang subsequently adapted the work for performance by choir. It was Hillier’s Lawrence Cherney’s objective in designing tonight’s original interpretation of the work that struck program, was to pair Lang’s unique setting with a Soundstreams’ founder and artistic director, Canadian work possessing an equivalent David Lang James Rolfe Lawrence Cherney as a powerful musical achievement in the musical illumination of texts. expression that he wanted to share with the Cherney turned to Toronto composer James Rolfe David Lang is one of the most highly esteemed Toronto composer James Rolfe has been Soundstreams audience. (b. 1961), himself a celebrated composer for the and performed American composers writing commissioned and performed by ensembles, voice. Rolfe’s operas have been widely performed orchestras, choirs, theatres, and opera In his program note, Lang says, “My piece is called today. His works have been performed around by several opera companies: the COC, Toronto companies in Canada, the USA, Europe, Asia, and it sets Hans the world in most of the great concert halls. the little matchgirl passion Masque Theatre, Tapestry Opera, Vancouver Australia, and New Zealand. He has received a Christian Andersen’s story, in The Little Match Girl Opera, Edmonton Opera, and Pacific Opera Lang’s simple song #3, written as part of his Guggenheim Fellowship, the K. M. Hunter the format of Bach’s , St. Matthew Passion Victoria. Rolfe has worked with award-winning score for Paolo Sorrentino’s acclaimed film Music Award, the Louis Applebaum Composers interspersing Andersen’s narrative with my versions librettists: André Alexis, George Elliott Clarke, Anna Youth, received many honors in 2016, including Award, the Jules Léger Prize for New Chamber of texts of the crowd and character responses in Chatterton, Paul Bentley, Morris Panych, Steven Academy Award, Golden Globe, and Critics Music, SOCAN’s Jan V. Matejcek Concert the Bach. The libretto is by me, after texts by H.C. Heighton. Choice nominations, among others. Music Award, a Chalmers Arts Fellowship, and Andersen, H.P. Paull (the first translator of the story Lang’s the little match girl passion won the 2008 the Outstanding Choral Work Award from the into English, in 1872,) Picander (the nom de plume Rolfe’s new composition, I Think We Are Angels Pulitzer Prize for Music. Lang has also been the Association of Canadian Choral Communities. of Christian Friedrich Henrici, the librettist of the was co-commissioned for Soundstreams by recipient of the Rome Prize, Le Chevalier des Bach,) and the Gospel according to Saint Matthew. Michael and Sonia Koerner and Stanley H. Witkin, The Queen of Puddings Music Theatre and it receives its World premiere production on Arts et des Lettres, and Musical America’s 2013 Company production of Mr. Rolfe’s opera “What drew me to is that the The Little Match Girl this occasion. The work is a cycle of nineteen songs Composer of the Year. Lang’s tenure as Carnegie Beatrice Chancy played to sold-out houses and strength of the story lies not in its plot, but in the with words by the Jewish-German poet, Hall’s 2013–2014 Richard and Barbara Debs rave reviews in Toronto, Dartmouth, and fact that all its parts – the horror and the beauty – Else (1869–1945), who was associated Composer’s Chair saw his critically acclaimed Edmonton. The company later produced Inês, are constantly suffused with their opposites. The Lasker-Schüler with the Blue Rider group of expressionist artists festival collected stories showcase different which was nominated for a Dora Award. Three girl’s bitter present is locked together with the such as Wassily Kandinsky, Paul Klee and Franz modes of storytelling in music.
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