Toronto Consort Artist Biographies
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Walter Pitman Fonds Inventory #241
page 1 Walter Pitman fonds Inventory #241 File: Title: Date(s): Note: Call Number: 2009-049/001 (1) C.M.C. [Canadian Music Centre] [ca. 2002-2004] Freedman - Morrison - The Music Makers (2) Donors- C.M.C., Laidlaw, Dundurn Press : 1999-2006 correspondence re. Music Makers (3) Gail Dixon Musical Analysis : [re. Freedman] ca. 2003 (4) Mary Morrison [biographical notes] [2002-2004?] (5) Harry Freedman basic materials - H.F. biography - CV ca. 1989, 1996. 2002-2005 (6) Thematic materials - H.F. themes : research notes ca. 1977-2003 (7) Interviews - H.F. [Freedman] and others ca. 2003-2004 (8) Research notes - CBC Archives - Freedman daughters ca. 2005 (9) Lyric Arts Trio - Compositions [60s-90s] : research notes for Freedman work (10) David Jaegar : Freedman research and drafts ca. 2005 (11) [Freedman] : research notes ca. 2003 (12) [Freedman] : research notes and clippings ca. 196- (13) C.M.C. Archives 1970s : Freedman research notes and ca. 197- clippings (14) [Freedman] : research clippings ca. 198- (15) [Freedman] : research clippings ca. 199- (16) Notes - National Archives [of Canada] 2004 Call Number: 2009-049/002 (1) National Archives [of Canada] : research notes 2004 (2) National Archives [of Canada] : research notes 2004 (3) National Archives [of Canada] : research notes ca. 2004 (4) Early scribblings [mostly Freedman] (5) Early written materials - Freedman : manuscript draft ca. 2004 1 of 2 (6) Early written materials - Freedman : manuscript draft ca. 2004 2 of 2 (7) Harry and Mary : Making music in Canada's twentieth 2004-2005 -
Maureen Batt, Soprano: Biography – May 2014 Noted by Opera Canada
Maureen Batt, soprano: Biography – May 2014 Noted by Opera Canada as a “young, lovely and captivating soprano,” and by the Halifax Herald as being “enthusiastically at home on stage” and having an “endlessly energetic and animated interpretation,” Maureen Batt is an accomplished concert and opera artist. Maureen’s opera credits include Belinda, Dido and Aeneas (Purcell), Silvia, L’isola disabitata (Haydn), Lauretta, Gianni Schicchi (Puccini), Rosa, Il campanello (Donizetti), Polly, The Threepenny Opera/Die Dreigroschenoper (Weill), Morgana, Alcina (Händel), Nina, Chérubin (Massenet), Susanna, Le nozze di Figaro (Mozart), Eusebia, Die Freunde von Salamanka (Schubert), Jenny, La Dame Blanche (Boieldieu), Papagena, Die ZauberFlöte (Mozart), Zerlina, Don Giovanni (Mozart), Annina, La Traviata (Verdi), Despina, Così Fan tutte (Mozart), Laetitia, The Old Maid and the ThieF (Menotti), Serpina, The Maid Mistress (Pergolesi), Limonia, Ten Belles Without a Ring (Von Suppe), Miss Silverpeal, The Impresario (Mozart). As an actor, she has appeared in Theatre St. Thomas University’s productions of Measure For Measure, Oh, What a Lovely War, and Caucasian Chalk Circle. She filmed a TV pilot for a series called Oznaberg, which premiered in the 2011 Silverwave Film Festival, and has since aired on Rogers Television. Her selected concert and oratorio credits include Handel’s Messiah and Esther, Mozart’s Vesperae solennes de ConFessore and Exsultate Jubilate, Bach’s BWV 187 Es wartet alles auF dich, BWV 4 Christ lag in Todes Banden, and BWV 245 St. John Passion. Maureen’s formal training includes a Master of Music from the University of Toronto, a Bachelor of Music from Dalhousie University, and a Bachelor of Arts from St. -
A Note from the Composer
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits. -
Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera. -
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director
Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Wednesday, April 17, 2019 at 8:00pm Thursday, April 18, 2019 at 8:00pm Saturday, April 20, 2019 at 8:00pm Juanjo Mena, conductor Joélle Harvey, soprano Marie-Nicole Lemieux, contralto Amadeus Choir Elmer Iseler Singers Gustav Mahler Symphony No. 2 in C Minor “Resurrection” I. Allegro maestoso II. Andante moderato III. In ruhig fliessender Bewegung IV. Urlicht. Sehr feierlich, aber schlicht V. Im Tempo des Scherzos There will be no intermission during this performance. As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. APRIL 17, 18 & 20, 2019 15 ABOUT THE WORKS Gustav Mahler Symphony No. 2 in C Minor “Resurrection” Born: Kalischt, Austria, July 7, 1860 77 Died: Vienna, Austria, May 18, 1911 min Composed: 1887–1894 Gustav Mahler conducted the first complete was the second movement funeral march performance of Symphony No. 2 himself, in from Beethoven’s Symphony No. 3. But his Berlin on December 13, 1895. concept, brought to life through the resources of the enormous orchestra he has chosen, During the closing months of 1887 and the is far angrier. Still, he repeatedly leavens it beginning of 1888, Mahler had worked feverishly with moments of peaceful consolation. The on two compositions simultaneously: his overriding sense of tragic momentum, however, First Symphony; and Totenfeier, an orchestral carries right through to the conclusion. funeral march. He finished them both before the latter year was out. Three years later, he The first of the three intermezzi is a gentle played Totenfeier on the piano for the eminent country dance. -
Eve CV April 2021
CURRICULUM VITAE Eve Egoyan, B.Mus., M.Mus., LRAM, ARAM, FRSC 135 Manning Avenue, Toronto, Ontario M6J 2K6 telephone: 416 603 4640 e-mail: [email protected] web: www.eveegoyan.com EDUCATION 1991 Master of Music: Piano Performance, University of Toronto Junior Fellow of Massey College 1988 Licentiate of the Royal Academy of Music, England 1985 Bachelor of Music: Piano Performance, University of Victoria AFFILIATIONS 2019 Associate of the Royal Academy of Music, London, England (ARAM) 2009 Fellow of the Royal Society of Canada (FRSC) OTHER TRAINING 1986-9 Royal Academy of Music, London, with Hamish Milne 1985-6 Hochschule der Künste, West Berlin, with Georg Sava 1981-5 Banff Centre of Fine Arts with György Sebök (summer masterclasses) AWARDS AND HONOURS 2019 Muriel Sherrin Award for music performance, Toronto Arts Foundation Associate of the Royal Academy of Music, London, England 2015 Selected as one of top 25 Canadian pianists of all time by the CBC Lois and Thomas Glenn Visiting Artist, University of Regina EVE EGOYAN: Curriculum Vitae (continued) 2014 “Eve Egoyan Exploratory Music Scholarship” offered to a student at the University of Victoria, B.C. 2012 Chalmers Arts Fellowship Member of the University of Victoria 50th Anniversary Honorary Cabinet 2011 “RETURNINGS” listed as the top pick for Classical CD’s of 2011 by Elissa Poole, Globe and Mail 2009 “Simple Lines of Enquiry” one of “2009: Ten Exceptional Recordings”, by Alex Ross, New Yorker Fellow of the Royal Society of Canada (FRSC) “CMC Ambassador” (one of 50 Canadian performers and conductors honoured by the Canadian Music Centre) 2007 Performance of Alvin Curran’s five-hour long Inner Cities at Glenn Gould Studio, Toronto, was selected as “Top 10 Live Performances in 2007”, David Fujino, Live Music Report 2002 K.M. -
Csecs / Scedhs & Neasecs 2017
CSECS / SCEDHS & NEASECS 2017 “from Cosmopolitans to Cosmopolitanisms” « Des Cosmopolites aux cosmopolitismes » PROGRAM / PROGRAMME The Program at a Glance / Le programme en un coup d’œil **Unless otherwise noted, all events will take place at the Chelsea Hotel, 33 Gerrard Street West **Sauf indication contraire, tous les événements auront lieu à l'hôtel Chelsea, 33 Gerrard Street West WEDNESDAY, OCTOBER 18 / MERCREDI 18 OCTOBRE 5:30-8:30 / 17h30-20h30 Reception / Réception Registration / Inscription Sponsored by The Lewis Walpole Library / Avec le soutien de la bibliothèque Lewis Walpole Arts and Letters Club, 14 Elm Street TBA CSECS Executive Meeting / Réunion du comité exécutif de la SCEDHS THURSDAY, OCTOBER 19 / JEUDI 19 OCTOBRE 8:30–4:45 / 9h30–16h45 Registration & Book Exhibits / Inscription & Exposition de livres 8:30–10:00 / 8h30–10h Sessions / Séances 10:30–12 / 10h30–12h Sessions / Séances 12:00–1:15 / 12h–13h15 Lunch / Déjeuner 12:00–1:15 / 12h–13h15 Graduate Student Roundtable 1 / Table ronde des étudiants de deuxième et troisième cycles 1 1:15–2:45 / 13h15–14h45 Gardiner Museum Tour 1, 18thc Porcelain Collections / Visite du musée Gardiner 1, collections de porcelaines du 18e siècle 1:15–2:45 / 13h15–14h45 Sessions / Séances 3:15–4 :45 / 15h15–16h45 Sessions / Séances 4:45–6:15 /16h45–18h15 Plenary Lecture / Conférence plénière, Sophie Wahnich, Chelsea Hotel The Program at a Glance / Le programme en un coup d'œil 8:00 / 20h Dido and Aeneas / Aeneas and Dido (Purcell, 1687 / Rolfe, 2007) Trinity-St Paul’s Centre, 427 Bloor -
Pages, V.1 (Duck Soup (New ®1.4-FINAL))
Duck Soup § Clark Winslow Ross for Bass Trombone and Piano Commissioned by Kenneth Knowles through the assistance of The Newfoundland and Labrador Arts Council ©1994 (®2002) 2 DUCK SOUP (1994) CLARK WINSLOW ROSS Composed in 1994 at the request of trombonist Ken Knowles and funded by the Newfoundland and Labrador Arts Council, Duck Soup was conceived as a virtuosic piece for bass trombone and piano combining elements of play, jazz, and mystery. The title, taken from the Marx brothers movie of the same name, is meant to reflect the more lighthearted aspects of the work, but is also a reference to Ken Knowles’ avid hobby of bird-watching,. At times, I also had the music of jazz musician Charlie Parker, known as ‘the bird,’ in mind while composing this, although there are no overt references to his music; just an occasional foray into a more “jazzy” feel in some sections. Another composer about whom the same can be said was Olivier Messiaen, whose used bird songs in his music extensively. Again, no specific Messiaen elements or bird songs exist in this work, only occasional moments when such elements are hinted at. Duck Soup was revised in 2002 for a reading organized by the Canadian Music Centre. It was premiered in February of 1994 by Ken Knowles and Kristina Szutor. BIOGRAPHY Clark Winslow Ross is Associate Professor at Memorial University of Newfoundland's School of Music, where he teaches composition, theory, electronic music, orchestration, and classical guitar. He is one of Canada’s more active composers, with over 20 commissions and many performances of his works throughout Canada, in England, and the United States since moving to Newfoundland in the fall of 1992. -
2013: Other Events
Asian Heritage Month The Month of May is May is Asian Heritage Month. This acknowledges the long and rich history of Asian Canadians and their contributions to Canada. It also provides an opportunity for Canadians across the country to reflect on and celebrate the contributions of Canadians of Asian heritage to the growth and prosperity of Canada. In December 2001, the Senate adopted a motion proposed by Senator Vivienne Poy to officially designate May as Asian Heritage Month in Canada. In May 2002, the Government of Canada signed an official declaration to designate May as Asian Heritage Month. Events taking place in Toronto during Asian Heritage Month These events are not part of Asian Heritage Month Festival, nor are they funded by the Government of Canada through the Department of Canadian Heritage. 1. Textile Museum, Toronto: SHINE Exhibition Date: March 27th to September 2nd, 2013 Venue: Textile Museum of Canada, 55 Centre Avenue, Toronto Presented by: Textile Museum of Canada Description: For highlights, please go to http://www.vmacch.ca/Museums/TextileMuseum/textile.html 2. Embracing Our Art: An Exhibition of Local Asian Canadian Artists Dates and Time: May 1 -June 30, 2013 (The Cheng Yu Tung East Asian Library, Mon. - Thu. 9:00 am - 7:00 pm, Fri. 9:00 am - 6:00 pm; the Robarts Library, Mon. - Thu. 8:30 am - 11:00 pm, Sat. and Sun. 10:00 am - 5:00 pm) Venue: The Cheng Yu Tung East Asian Library & the Robarts Library (first floor exhibition area), University of Toronto, 130 St. George Street, Toronto, M5S 1A5 Presented by: The Cheng Yu Tung East Asian Library Description: In order to celebrate the Asian Heritage Month in Toronto, the Cheng Yu Tung East Asian Library (University of Toronto) has invited 25 local Asian Canadian artists to showcase their art works in the library. -
2014 TAC Annual Report FINAL.Indd
2014 Annual Report 200-26 Grand Trunk Crescent Toronto, Ontario M5J 3A9 www.torontoartscouncil.org 416.392.6800 Table of Contents 1. About Toronto Arts Council: Our Vision and Mandate ............................................... 3 2. Letter from the Chair and President ............................................................. 4 3. Letter from the Director & CEO .................................................................5 4. Toronto Arts Council Board of Directors and Staff .................................................. 6 5. Toronto Arts Council Committees .............................................................. 7 6. Impact of Grants ........................................................................... 8 7. TAC Online .............................................................................. 10 8. Spotlight on the Toronto Arts Foundation ........................................................ 11 9. 2014 Allocation Summary of Grants and Awards .................................................. 12 10. Recipients Listing: Organizations .............................................................. 14 11. Recipients Listing: Individual Artists ............................................................ 18 12. Auditor’s Report .......................................................................... 20 13. Financial Statements ........................................................................21 Toronto Arts Council Annual Report 2014 | 1 2 | Toronto Arts Council Annual Report 2013 Art connects individuals -
Ca Re Aml Evue Rev E De View L'ac W Cbm M
CAML REVIEW Page REVUE DE L’ACBM v. 37 no. 2 August/août 2009 Articles and Reports / Articles et rapports: Message du président / President’s Report Kirsten Walsh 3 IAML 2012 Montréal / AIBM 2012 à Montréal Joseph Hafner 6 Rencontre annuelle de la Section québécoise de l'ACBM / Annual Meeting of the Quebec Chapter of CAML 10 Five Cent Music: Publication of an Early Series of Canadian Sheet Music 12 Peter Higham Book Reviews / Comptes rendus: Music, Libraries, and the Academy: Essays in Honor of 31 Lenore Coral / Lisa Philpott Sonic Mosaics: Conversations with Composers / J. Drew 33 Stephen CD Reviews / Comptes rendus: The Fool ; The Death of Enkidu / Edward Jurkowski 35 Ings / Michael Berger 38 Lament in the Trampled Garden: Chamber Music by 40 Marjan Mozetich / Eric Hung Scherzo: Piano Music by Oskar Morawetz / Elaine Keillor 42 Back Cover The Conservation, Restoration, and Repair of Stringed Instruments and Their Bows (IPCI Canada) CAML Review, published three times a year, is the official organ of the Canadian Association of Music Libraries, Archives, and Documentation Centres. CAML Review is indexed in The Music Index and the Canadian Music Periodical Index. Revue de l’ACBM, publiée trois fois l’an, est l’organe officiel de l’Association canadienne des bibliothèques, archives et centres de documentation musicaux. La Revue de l’ACBM est indexée dans Music Index et L’Index des périodiques de musique canadiens. Editor / Éditrice: Cheryl Martin, Western Libraries, The University of Western Ontario, London, ON N6G 1G9. Tel: 519-661-2111 x88081; Email: [email protected] Associate Editor/ Éditrice-adjointe : Denise Prince, Conservatoire de musique de Québec, 4750, ave Henri-Julien, Montréal, Québec H2T 2C8. -
Season of Events
2017-2018 season of events Celebrating the Choral and Vocal Music of Imant Raminsh with the UofT Symphony Orchestra IMANT RAMINSH Wilma and Clifford Smith Visitor in Music composer and conductor HILARY APFELSTADT conductor Saturday, October 21, 2017 7:30 pm MacMillan Theatre, 80 Queen’s Park The Faculty of Music gratefully acknowledges the generous support of our presenting sponsors Program Composer Introduction – Dean Don McLean Women’s Chorus Psalm 121 Rise up my love Maxime Despax, viola Elaine Choi and Tracy Wong, conductors Men’s Chorus From The Dream We Carry V. Don’t Give Me the Whole Truth VI. The Dream We Carry Mark Ramsay, conductor Vocal Solo Three Spanish Lyrics Renae Wolfesburger, soprano (from the studio of Laura Tucker) Andrea Van Pelt, collaborative pianist Women’s Chamber Choir Vestigia Olivia LaPointe and Elisabeth Dubois, soloists Cassandra Leshchyshyn, violin Livia Coburn, cello In the Beginning Eszter Horváth, conductor Women’s Chamber Choir continued From Symphony of Psalms, No. 6 Seigneur, tous sais tout de moi Marco De Conno and Zachary Goldstein, clarinets (brief interval – in the hall) MacMillan Singers From Five Latvian Folksongs 1. Tek Saulīte (Hasten, Sun) Julia Frodyma, soloist 3. Trīs Januas Māsas (Three Lovely Sisters) Magnificat I. Magnificat – Et Exultavit II. Quia respexit III. Fecit potentiam IV. Suscepit Israel V. Gloria patri Jennifer Routhier, mezzo-soprano (from the studio of Laura Tucker) Ave verum corpus Imant Raminsh, conductor Intermission Missa Brevis in C minor I. Kyrie II. Gloria III. Sanctus – Benedictus IV. Agnus Dei Women’s Chamber Choir and Women’s Chorus Amy Moodie, soprano (from the studio of Lorna MacDonald) University of Toronto Symphony Orchestra Thank you to Imant Raminsh for his stellar music; to the Faculty of Music for selecting Mr.