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TDD 2715 Woodward Avenue
RETAIL | 2715 WOODWARD AVENUE Retail 2715 WOODWARD AVENUE This new $70-million development includes an all-new, five-story, 127,000-square-foot building. The Detroit Medical Center (DMC) announced in June they will occupy approximately 50,000 square feet with a state-of-the-art sports medicine facility. In October, the award-winning law firm Warner Norcross + Judd, LLP announced they would occupy 30,000 square feet on the third floor. The Woodward fronting retail contains approximately 14,086 square feet. 14,086 SQ. FT. OF RETAIL #DistrictDetroit | DistrictDetroit.com Retail 2715 WOODWARD AVENUE #DistrictDetroit | DistrictDetroit.com The EXPERIENCE The District Detroit is a dynamic urban destination in the heart of Detroit. One that includes something for everyone — a dense neighborhood experience with a variety of developments alongside Detroit’s premiere sports and entertainment venues. Connecting downtown Detroit to growing nearby neighborhoods such as Midtown, Corktown and Brush Park, The District Detroit is having a dramatic economic impact on Detroit and is a driving catalyst of the city’s remarkable resurgence. The District Detroit is delivering $1.4 billion+ in new investment in Detroit including the new Little Caesars Arena, the Mike Ilitch School of Business at Wayne State University and Little Caesars world headquarters campus expansion. Additionally, new office, residential and retail spaces will continue to add momentum to Detroit’s amazing comeback for years to come. $1.4 BILLION+ IN NEW INVESTMENT A FIRST OF ITS KIND #DistrictDetroit -
Los Veteranos Quieren Brindar La Última a Ilitch
110 DETROIT TIGERS (AL CENTRAL) (AL CENTRAL) DETROIT TIGERS 111 MLB MLB SU GRAN ESTRELLA LOS PRONÓSTICOS DEL SANEDRÍN DE @MLB_AS DETROIT MIGUEL CABRERA No sé si alguna vez valorare- mos en su justa medida el in- GAME DIVISIÓN CAMPEONATO PLAYOFFS menso privilegio que hemos DE DE MUNDIALES DE CARD tenido al disfrutar de Miguel Cabrera, opinión que seguro AMPEÓN SERIES SERIES WILD FUERA C SERIES que no comparten los pitchers TIGERS FERNANDO DÍAZ X X X X X X rivales. Tras un glorioso 2016, ‘Miggy’ apuesta por seguir con PEPE RODRÍGUEZ X X X X X X su extraordinaria carrera. LEÓN FELIPE GIRÓN X X X X X X LOS VETERANOS QUIEREN DANI GARCÍA X X X X X X CARLOS SAIZ X X X X X X CARLOS COELLO X X X X X X EDUARDO DE PAZ X X X X X X BRINDAR LA ÚLTIMA A ILITCH ANGEL LLUIS CARRILLO X X X X X X PEPE LATORRE X X X X X X En Detroit hay CARLOS PARRA X X X X X X una sensación LAS TRES CLAVES DEL EQUIPO s este un año muy especial de temporada Es por eso que tiene mucho de Epara la franquicia de los Ti- nostálgica y poético lo que han pretendido ha- El impacto que supongan los bates de Cabrera y gers, y no por lo que suceda, o vaya taciturna, que cer los Detroit Tigers en este 2017, Víctor Martínez. No hace falta ser un especialis- a suceder, en el diamante. Se trata que no es otra cosa que dar una úl- 1 ta en Física Cuántica para saber que el ataque del fallecimiento de Mike Ilitch. -
COOKBOOK for a CAUSE Volume 2
COOKBOOK FOR A CAUSE volume 2 TLC’S STARS SHARE FAVORITE RECIPES TO BENEFIT FEEDING AMERICA® FIGHTING HUNGER IN AMERICA ONE COOKBOOK at A TIME. The Pampered Chef® Cookbook for a Cause, Volume 2 benefits Feeding America®, the nation’s largest domestic hunger-relief organization. This year, the popular television network TLC® joined our mission to help fight hunger. TLC® stars from Cake Boss, Say Yes to the Dress, DC Cupcakes, The Little Couple, 19 Kids and Counting, What Not To Wear, and more, generously contributed their favorite recipes, in their own words. For each cookbook sold, we’ll donate $1 to Feeding America® to help provide eight meals to those in need.* We hope you’ll enjoy these recipes from the TLC® stars and the helpful tips and techniques from the experts in The Pampered Chef® Test Kitchens. As you gather around the table with family and friends, you can feel good that you’re helping another family in need to do the same. The Pampered Chef® The Pampered Chef® is the largest direct seller of everything you need to cook and entertain at home. At in-home Cooking Shows, guests see and try products, prepare and sample recipes, and learn quick and easy food preparation techniques and tips on how to entertain with style and ease — transforming the everyday into the extraordinary. TLC® is all about real-life reality, transporting the viewers into the lives of real-life extraordinary people with character. TLC® programs are entertaining, unfiltered and always reveal something worthwhile. TLC® is curious about people and finding the extraordinary in the everyday. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Marcia Milgrom Dodge Curriculum Vita Overview
MARCIA MILGROM DODGE CURRICULUM VITA OVERVIEW • Freelance director and choreographer of classic and world premiere plays and musicals in Broadway, Off-Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 credits as director and/or choreographer. Also a published and produced playwright. • First woman Director/Choreographer hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical. • Adjunct Faculty and Guest Director at American Musical and Dramatic Academy. Also at New York University’s CAP 21, Marymount Manhattan College, Fordham University and University at Buffalo. Responsibilities include teaching undergraduate classes in acting, musical theatre and dance, since 1996 • Member of Stage Directors and Choreographers Society (SDC), since 1979. Fourteen (14) years of Executive Board service. • BA from the University of Michigan; includes membership in the Michigan Repertory Theatre and M.U.S.K.E.T. • Member of Musical Theatre Educators Alliance-International (MTEA), an organization of teachers in musical theatre programs from the United States, England and Europe, since 2009. • Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 • Advisory Board Member, The Musical Theatre Initiative/Wright State University, since 2013 • Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 • The Skylight Artists Advisory Board, Skylight Theatre, Los Angeles, since 2014 • Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 • Associate Member of the Dramatists Guild, 2001-2015 • Member of Actors Equity Association, 1979-1988 EDUCATION & TRAINING BA in SPEECH COMMUNICATIONS & THEATRE, University Of Michigan, 1977 Dance Minor - Modern techniques include Martha Graham, Merce Cunningham, Horton, Luigi, Ethnic dance. -
Read Ebook {PDF EPUB} Garfield's Night Before Christmas by Jim Davis ISBN 13: 9780448090801
Read Ebook {PDF EPUB} Garfield's Night Before Christmas by Jim Davis ISBN 13: 9780448090801. Large format book using the original NIGHT BEFORE CHRISTMAS poem by Clement C. Moore and illustrated with hilarious Garfield drawings and "bubble" commentary. "synopsis" may belong to another edition of this title. Shipping: US$ 4.95 Within U.S.A. Other Popular Editions of the Same Title. Featured Edition. ISBN 10: 0816732922 ISBN 13: 9780816732920 Publisher: Watermill Press, 1988 Softcover. Grosse. 1988 Hardcover. Troll . 1996 Softcover. Ravett. 1989 Hardcover. RAVETT. 1990 Softcover. Customers who bought this item also bought. Top Search Results from the AbeBooks Marketplace. 1. Garfield's Night Before Christmas [Paperback] jim-davis. Book Description Grosset & Dunlap, 1988. Condition: New. New. Seller Inventory # Q-0448090805. Shop With Us. Sell With Us. About Us. Find Help. Other AbeBooks Companies. Follow AbeBooks. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. Garfield's Night Before Christmas by Jim Davis. From and To can't be the same language. That page is already in . Something went wrong. Check the webpage URL and try again. Sorry, that page did not respond in a timely manner. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Sorry, that page doesn't exist or is preventing translations. Something went wrong, please try again. Try using the Translator for the Microsoft Edge extension instead. A Garfield Christmas Special. A Garfield Christmas Special (also called A Garfield Christmas for short) is an animated Christmas special based on the newspaper comic strip Garfield by Jim Davis, originally broadcast on CBS on December 21, 1987. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
John Ahlers Biography
John Ahlers Biography For over a decade John has served as the TV Play by Play voice of the Anaheim Ducks on FSN Prime Ticket & KDOC. Since 2006 he has also handled the Play-by-Play duties for NHL games on Versus and NBC Sports Network. Prior to joining the Ducks he served as the Radio Play by Play voice of the Tampa Bay Lightning for three seasons. While with the Lightning he also was host of the Lightning’s TV Pre- Game Show and Weekly Magazine program for Sunshine Television Network. Before his time in Tampa, Ahlers was the TV & Radio Play by Play voice of the Detroit Vipers of the IHL for five seasons. During his time in Detroit he also worked as the voice of the IHL Game of the Week and Turner Cup Finals broadcasts for SportsChannel and Fox Sports Net. While with Vipers he also worked during off-seasons as the voice of the Detroit Neon of the Continental Indoor Soccer League for three years and the Detroit Shock of the WNBA for two. Along the way he served in the same capacity for the Salt Lake Golden Eagles of the IHL for a season and with the Louisville IceHawks of the ECHL for two years, where he also was the clubs Director of Public Relations. Following his graduation from Michigan State University, Ahlers began his Play by Play career as the voice of Michigan State hockey for a year before moving on to serve in the same capacity for the Colorado College hockey program for two seasons. -
Copyrighted Material
Index Abel, Allen (Globe and Mail), 151 Bukovac, Michael, 50 Abgrall, Dennis, 213–14 Bure, Pavel, 200, 203, 237 AHL (American Hockey League), 68, 127 Burns, Pat, 227–28 Albom, Mitch, 105 Button, Jack, and Pivonka, 115, 117 Alexeev, Alexander, 235 American Civil Liberties Union Political Calabria, Pat (Newsday), 139 Asylum Project, 124 Calgary Flames American Hockey League. see AHL (American interest in Klima, 79 Hockey League) and Krutov, 152, 190, 192 Anaheim Mighty Ducks, 197 and Makarov, 152, 190, 192, 196 Anderson, Donald, 26 and Priakin, 184 Andreychuk, Dave, 214 Stanley Cup, 190 Atlanta Flames, 16 Campbell, Colin, 104 Aubut, Marcel, 41–42, 57 Canada European Project, 42–44 international amateur hockey, 4 Stastny brothers, 48–50, 60 pre-WWII dominance, 33 Axworthy, Lloyd, 50, 60 see also Team Canada Canada Cup Balderis, Helmut, 187–88 1976 Team Canada gold, 30–31 Baldwin, Howard, 259 1981 tournament, 146–47 Ballard, Harold, 65 1984 tournament, 55–56, 74–75 Balogh, Charlie, 132–33, 137 1987 tournament, 133, 134–35, 169–70 Baltimore Skipjacks (AHL), 127 Carpenter, Bob, 126 Barnett, Mike, 260 Caslavska, Vera, 3 Barrie, Len, 251 Casstevens, David (Dallas Morning News), 173 Bassett, John F., Jr., 15 Catzman, M.A., 23, 26–27 Bassett, John W.H., Sr., 15 Central Sports Club of the Army (formerly Bentley, Doug, 55 CSKA), 235 Bentley, Max, 55 Cernik, Frank, 81 Bergland,Tim, 129 Cerny, Jan, 6 Birmingham Bulls (formerly Toronto Toros), Chabot, John, 105 19–20, 41 Chalupa, Milan, 81, 114 Blake, Rob, 253 Chara, Zdeno, 263 Bondra, Peter, 260 Chernykh, -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Second Anniversary
What is a Critic? The Evil of Violence Conversation Cerith Mathias looks at the Gary Raymond explores the nature of Steph Power talks to Wales Window of Birmingham, arts criticism in a letter addressed to WNO’s David Alabama the future Pountney Wales Arts Review ANNIVERSARY SPECIAL Wales Arts Review - Anniversary Special 1 Wales Arts Contents Review Senior Editor Gary Raymond Managing Editor Phil Morris Design Editor Dean Lewis Fiction Editor John Lavin Music Editor Steph Power Non Fiction Up Front 3 A Letter Addressed to the Future: Editor What is a Critic? Ben Glover Gary Raymond Features 5 Against the Evil of Violence – The Wales Window of Alabama Cerith Mathias PDF Designer 8 An Interview with David Pountney, Artistic Ben Glover Director of WNO Steph Power 15 Epiphanies – On Joyce’s ‘The Dead’ John Lavin 20 Wales on Film: Zulu (1964) Phil Morris 22 Miles Beyond Glyndwr: What Does the Future Hold for Welsh Language Music? Elin Williams 24 Occupy Gezi: The Cultural Impact James Lloyd 28 The Thrill of it All: Glam! David Bowie Is… and the Curious Case of Adrian Street Craig Austin 31 Wales’ Past, Present and Future: A Land of Possibilities? Rhian E Jones 34 Jimmy Carter: Truth and Dare Ben Glover 36 Women and Parliament Jenny Willott MP 38 Cambriol Jon Gower 41 Postcards From The Basque Country: Imagined Communities Dylan Moore 43 Tennessee Williams: There’s No Success Like Failure Georgina Deverell 47 To the Detriment of Us All: The Untouched Legacy of Arthur Koestler and George Orwell Gary Raymond Wales Arts Review - Anniversary Special 2 by Gary Raymond In the final episode of Julian Barnes’ 1989 book, The History read to know we are not alone, as CS Lewis famously said, of the World in 10 ½ Chapters, titled ‘The Dream’, the then we write for similar reasons, and we write criticism protagonist finds himself in a Heaven, his every desire because it is the next step on from discursiveness; it is the catered for by a dedicated celestial personal assistant. -
Brock Poliquin Joy 2007.Pdf (9.590Mb)
s < i y ;-t Heroes on the Home Front: Heroism and Virtue in Post-9/11 American Cinema Joy Poliquin, Interdisciplinary MA in Popular Culture Department of Communications, Popular Culture and Film Submitted in partial fulfdment of the requirements for the degree of Master of Arts in Popular Culture Faculty of Social Sciences, Brock University © Joy Poliquin, October 2007 Table of Contents Introduction 1 Chapter One: A Review of Related Literature 9 Chapter Two: The Male US Film Hero as American Surrogate 25 Chapter Three: Re-sculpting the Heroic Image 37 Chapter Four: Reclaiming the Past: Hollywood Revisits Past Wars 46 Chapter Five: Justified Revenge - The Renegade Warrior 91 Conclusion: You're Either With Us or Against Us 131 Filmography 148 Bibliography 152 Appendix A: September 20, 2001 Address to a Joint Session of Congress 164 Appendix B: January 29, 2002 State of the Union Address 172 Appendix C: September 14, 2001 National Day of Prayer Speech... 181 Poliquin ii Abstract This thesis is intended to contribute to critical discussion of the American male hero in mainstream American war and action films post September 11, 2001 . The thesis investigates how these heroes' behaviour echoes a patriotic, conservative construction of the modern American as created through speeches given by George W. Bush in the wake of the events of September 11, 2001 . The thesis examines the hero in six primary sources: the war films We Were Soldiers, Behind Enemy Lines and The Great Raid and the action films Collateral Damage, Man on Fire and The Punisher. By analyzing the ideological subtext, political content, visual strategies and generic implications of the films, as well as the binary constructions of a selection of Bush speeches, and by reviewing historical representations of American male heroes on film produced in the wake of political events, the thesis concludes that the six films mobilize the USA's conservative viewpoint towards war and military action, and in concert with the speeches, contribute to an ongoing militarization of visual culture.