Reconciling Individual and Group Justice with the Need for Repose in Nazi-Looted Art Disputes CREATION OF AN INTERNATIONAL TRIBUNAL Jennifer Anglim Kreder† Nazi-looted art has been the subject of much recent litigation1 and many news reports.2 Given both the vast † Associate Professor of Law, Salmon P. Chase College of Law, Northern Kentucky University; J.D. Georgetown University Law Center; B.A. University of Florida. The Author was a litigation associate at Milbank, Tweed, Hadley & McCloy LLP where she worked on art disputes and inter-governmental Holocaust negotiations and litigation before entering academia. The Author wishes to thank Carol Bredemeyer, Amy Diers, Shirley Ketron, Kristin Messer, and Megan Mersch for their assistance. Special thanks to Derek Fincham, Tom Kline, Norman Palmer, Randy Schoenberg, Kurt Siehr, and Matthias Weller for their comments and suggestions. A draft of this Article was presented at the Association of American Law Schools- American Society of International Law Joint Conference on International Law in Vancouver, Canada on June 18, 2007, at Chase on November 8, 2007, at Washington University School of Law on November 30, 2007, and at the Association of American Law Schools Annual Meeting to the Section on International Human Rights on January 4, 2008. Thanks to all those who offered comments. This Article is dedicated to Alex and Brodie. The author may be contacted via e-mail at
[email protected]. 1 See Stephen W. Clark, World War II Restitution Cases, SL077 A.L.I.-A.B.A. 541 (2006) (describing numerous Nazi-looted art claims faced by American institutions); see also Austria v.