TALENTS TOKYO 2019 Participants
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Apichatpong Weerasethakul
UNKNOWN FORCES: APICHATPONG WEERASETHAKUL April 18 – June 17, 2007 hold of and ask what I should do. I am consulting a fortune teller now for what the next film should be. She told me the main character (light skin, wide forehead), the locations (university, sports stadium, empty temple, mountain), and the elements (the moon and the water). RI: The backdrops of much of your work accentuate feelings of aloneness and isolation from others. Films like Tropical Malady (2004) and Worldly Desires (2005) traverse remote recesses of distant, even enchanted jungles. In FAITH (2006), you leave earth entirely in search of greater solitude in outer space. You seem interested in or at least drawn to obscure or enigmatic sites that have been left relatively unexplored, untouched, unimagined… AW: That’s what I got from the movies. When you are in a dark theater, your mind drifts and travels. In my hometown when I was growing up, there was nothing. The movie theater was a sanctuary where I was mostly addicted to spectacular and disaster films. Now, as a filmmaker, I am trying to search for similar feelings of wonder, of dreams. It’s quite a personal and isolated experience. Tropical Malady is more about a journey into one’s mind rather than Apichatpong Weerasethakul a real jungle. Or sometimes it is a feeling of “watching” movies. RI: Can you speak about your use of old tales and mythologies in your work? What significance do they hold for you? AW: It’s in the air. Thailand’s atmosphere is unique. It might be hard to understand for foreigners. -
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5 Foreword raymond Walravens 9 opening and Closing Ceremony / awards 10 world Cinema Amsterdam Competition 20 mexiCan landsCapes Features 22 new mexiCan Cinema presentation paula Astorga riestra 24 postCards From a new mexiCan Cinema Carlos BonFil 42 mexiCan landsCapes shorts 46 speCial sCreenings (out oF Competition) 51 speCials 55 world Cinema Amsterdam open Air 62 world Cinema Amsterdam on Tour 63 we would like to thank 67 index Filmmakers A – Z 69 index Films A – Z 70 sponsors and partners Foreword From 12 through 22 August, the best independently world Cinema Amsterdam Competition produced films from Latin America, Asia and Africa The World Cinema Amsterdam competition programme will be brought together in one festival: World Cinema features nine truly exceptional films, taking us on a Amsterdam. fascinating odyssey around the world in Chad, South Africa, Thailand, Malaysia, Turkey, the Philippines, World Cinema Amsterdam is a new initiative by Argentina, Mexico and Nicaragua, and presenting work independent art cinema Rialto, which for many years both by filmmakers who have more than earned their has been promoting the presentation of films and spurs and debut films by young, talented directors. filmmakers from Africa, Asia and Latin America. Award winners from renowned foreign festivals such as Cannes or Berlin, and films that have captured our In 2006, Rialto started working towards the realization attention elsewhere will have their Dutch or Amsterdam of its long-cherished dream: to set up a festival of its premieres during the festival. own dedicated to presenting the many pearls of world The most recent productions by the following cinema. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Brillante Mendoza
Didier Costet presents A film by Brillante Mendoza SYNOPSIS Today Peping will happily marry the young mother of their newborn baby. For a poor police academy student, there is no question of turning down an opportunity to make money. Already accustomed to side profits from a smalltime drug ring, Peping naively accepts a well-paid job offer from a corrupt friend. Peping soon falls into an intense voyage into darkness as he experiences the kidnapping and torture of a beautiful prostitute. Horrified and helpless during the nightmarish all-night operation directed by a psychotic killer, Peping is forced to search within if he is a killer himself... CAST and HUBAD NA PANGARAP (1988). His other noteworthy films were ALIWAN PARADISE (1982), BAYANI (1992) and SAKAY (1993). He played in two COCO MARTIN (Peping) Brillante Mendoza films: SERBIS and KINATAY. Coco Martin is often referred to as the prince of indie movies in the Philippines for his numerous roles in MARIA ISABEL LOPEZ (Madonna) critically acclaimed independent films. KINATAY is Martin's fifth film with Brillante Mendoza after SERBIS Maria Isabel Lopez is a Fine Arts graduate from the (2008), TIRADOR/SLINGSHOT (2007), KALELDO/SUMMER University of the Philippines. She started her career as HEAT (2006) and MASAHISTA/ THE MASSEUR (2005). a fashion model. In 1982, she was crowned Binibining Martin's other film credits include Raya Martin's NEXT Pilipinas-Universe and she represented the Philippines ATTRACTION, Francis Xavier Pasion's JAY and Adolfo in the Miss Universe pageant in Lima, Peru. After her Alix Jr.'s DAYBREAK and TAMBOLISTA. -
At Last, Filipino Cinema in Portugal July 10, 2013/ Tiago Gutierrez Marques
At Last, Filipino Cinema in Portugal July 10, 2013/ Tiago Gutierrez Marques A scene from Brillante Mendoza's "Captive" (Source: filmfilia.com) I didn't know anything about Filipino cinema until very recently, as it’s practically unheard of in Portugal where most people don't even know where the Philippines is on the world map. But there are signs of change. In 2010 a Portuguese cultural association called “Zero em Comportamento” (Zero Behavior), which is dedicated to the dissemination of movies that fall outside the mainstream commercial cinema, organized a four-day retrospective showing in Lisbon of movies directed by acclaimed Filipino director Brillante Mendoza. This also included a masterclass on independent filmmaking in the Philippines, for cinema students and professionals (http://zeroemcomportamento.wordpress.com/arquivo/bmendoza/). This rare opportunity got me very excited, and particularly my Portuguese father, who went to see almost all of the eight movies. At the end of each showing, the audience could directly ask Brillante Mendoza their questions. And just a few months ago, one of Mendoza's latest films, “Captive,” was released in commercial theaters in Lisbon and Porto (Portugal's second city) alongside the usual Hollywood blockbusters. I couldn't believe that we had reached a new milestone for Filipino cinema in Portugal. Director Brillante Mendoza won the Palme d'Or at the 2009 Cannes Film Festival for "Kinatay." (Source: Bauer Griffin) “Captive” is about the kidnapping of a group of tourists by the fearsome Abu Sayaf group from a resort in Honda Bay, in Palawan. They are taken to Mindanao. -
Book of Abstracts Edition 2016 09 10
Panels & Abstracts 16-18 SEPTEMBER 2016 SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON ASEASUK Conference 2016 Disclaimer: Panel and abstract details are current as of 9 September 2016. While every effort has been made to ensure the completeness of this information and to verify details provided, ASEASUK, SOAS, and the organisers of this conference accept no responsibility for incorrect or incomplete information. Additional updated versions of this book of abstracts will be made until mid-August 2016 at which time a final hard copy will be printed for distribution at the conference. Organizing Committee Professor Michael W. Charney (SOAS), Committee Chair Professor Ashley Thompson (SOAS) Professor Matthew Cohen (Royal Holloway) Professor Carol Tan (SOAS) Dr. Ben Murtagh (SOAS) Dr. Angela Chiu (SOAS) Ms. Jane Savory (SOAS) SOAS Conference Office Support Mr. Thomas Abbs Ms. Yasmin Jayesimi Acknowledgments The Organizing Committee would like to thank the following people for special assistance in planning this conference: Dr. Tilman Frasch (Manchester Metropolitan University), Dr. Laura Noszlopy (Royal Holloway), Dr. Carmencita Palermo (University of Naples “L'Orientale”), Dr. Nick Gray (SOAS), Dr. Atsuko Naono (Wellcome Unit for the History of Medicine, University of Oxford), Dr. Li Yi (SOAS), Dr. Thomas Richard Bruce, and the many others who lent assistance in various ways. © 2016 ASEASUK and the SOAS, the University of London 1 Contents PANEL 1 The Political Economy of Inclusion: Current Reform Challenges in Indonesia 3 -
New Service to Ease Road Accident Case Procedures
SPORT | Page 1 BUSINESS | Page 1 Energy-reliant countries told INDEX to diversify DOW JONES QE NYMEX QATAR 2 – 9, 28 COMMENT 26, 27 Talented young Rio REGION 10 BUSINESS 1 – 8, 13 – 16 their 17,535.29 9,681.54 47.82 ARAB WORLD 10 - 12 CLASSIFIED 9 – 12 athletes take part in +34.35 +43.28 -0.59 INTERNATIONAL 13 – 25 SPORTS 1 – 12 +0.20% +0.45% -1.22% QOC’s Shine event economies Latest Figures published in QATAR since 1978 TUESDAY Vol. XXXVII No. 10098 May 24, 2016 Sha’baan 17, 1437 AH GULF TIMES www. gulf-times.com 2 Riyals Prime Minister meets Erdogan New service In brief to ease road YEMEN | Response Qatar condemns Aden explosion accident case Qatar has voiced “strong condemnation” of an explosion that targeted Yemeni army recruits in the Khormaksar area in Aden, which left several people killed and wounded. In a statement, the procedures Foreign Ministry stressed that the crime “contradicts all moral Traff ic investigators deployed rectly with the insurance companies. and humanitarian principles and at insurance firms will register The accident victim will receive a text values”. The statement reiterated accidents electronically through message with details of the case and Qatar’s “firm stance regarding the the tablets given to them s/he can then approach the insurance necessity of eradicating all forms fi rm for repairing the vehicle. of violence and resolutely pursuing n a move aimed at simplifying pro- The new service is being provided its perpetrators because of the cedures for motorists involved in as part of an integrated link between risk it poses to the lives of people Iroad accidents, the General Direc- the Traffi c Directorate and insurance and the threat it causes to safety torate of Traffi c has opened ve fi traffi c companies to complete procedures in- and peace”, the off icial Qatar News investigation offi ces on the premises of volved in traffi c accident cases at the Agency (QNA) said. -
Page 1 DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR
DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR Riego de Rios, Maria Isabelita TITLE A Composite Dictionary of Philippine Creole Spanish (PCS). INSTITUTION Linguistic Society of the Philippines, Manila.; Summer Inst. of Linguistics, Manila (Philippines). REPORT NO ISBN-971-1059-09-6; ISSN-0116-0516 PUB DATE 89 NOTE 218p.; Dissertation, Ateneo de Manila University. The editor of "Studies in Philippine Linguistics" is Fe T. Otanes. The author is a Sister in the R.V.M. order. PUB TYPE Reference Materials - Vocabularies/Classifications/Dictionaries (134)-- Dissertations/Theses - Doctoral Dissertations (041) JOURNAL CIT Studies in Philippine Linguistics; v7 n2 1989 EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Creoles; Dialect Studies; Dictionaries; English; Foreign Countries; *Language Classification; Language Research; *Language Variation; Linguistic Theory; *Spanish IDENTIFIERS *Cotabato Chabacano; *Philippines ABSTRACT This dictionary is a composite of four Philippine Creole Spanish dialects: Cotabato Chabacano and variants spoken in Ternate, Cavite City, and Zamboanga City. The volume contains 6,542 main lexical entries with corresponding entries with contrasting data from the three other variants. A concludins section summarizes findings of the dialect study that led to the dictionary's writing. Appended materials include a 99-item bibliography and materials related to the structural analysis of the dialects. An index also contains three alphabetical word lists of the variants. The research underlying the dictionary's construction is -
Brillante Ma. Mendoza Movies Are Always an Event to Watch out For
„Thy Womb“ , 2012 By Brillante Mendoza More information: http://www.brillantemamendoza.com/thywomb/ BRILLANTE MA MENDOZA is a living national treasure of Independent Cinema in the Philippines. He is the first and only Filipino to win the Best Director award for his film, Kinatay (The Execution of P.), at the 62nd Cannes Film Festival in 2009. "Brillante Ma. Mendoza movies are always an event to watch out for. The filmmaker holds the distinction of being the only Filipino director to win the Best Director trophy at the prestigious Cannes Film Festival in 2009 forKinatay. He bested among others such internationally acclaimed directors as Ang Lee, Pedro Almodovar, Jane Campion and Quentin Tarantino.- Published on August 29th, 2012 | by rodmagaru | " He is also the first and only Filipino to have competed in the official selection of all 3 major film festivals in the word – Cannes, Venice, and Berlin film festivals. He is likewise the first Filipino to win the grand prize, The Golden Leopard, for best film at the 58 th Locarno Film Festival in Switzerland in 2005 for his film, Masahista, which was shot in San Fernando, Pampanga. He is the first Filipino filmmaker to win the Best Director category at the Asia Pacific Screen Awards (Asia’s equivalent to the Oscars) for his film Thy Womb. "Director Brillante Mendoza received La Navicella/Venezia Cinema prize—The award is given by critics and the Rivisita del Cinematografo to the director of a film considered particularly relevant for the affirmation of human values.” Brillante Mendoza is the first Filipino filmmaker whose films had theatrical releases in major European cities as well as distribution in Europe and North America. -
Apichatpong Weerasethakul Bankonk, Thailand, 1970 Lives and Works in Chai Mai, Thailand
kurimanzutto apichatpong weerasethakul Bankonk, Thailand, 1970 lives and works in Chai Mai, Thailand education & residencies 2016 Member of the Academy of Motion Picture Arts and Sciences, United States. Jury member for the Sundance Film Festival, United States. 2001 Artist Residency at Sapporo Artist In Residence Program (S-AIR), Japan. 1997 MFA in Film-making at The School of the Art Institute of Chicago. 1994 BA in Architecture at Khon Kaen University, Thailand. grants & awards 2018 International Federation of Film Archives (FIAF) Award, Thailand. 2017 Commandeur de l'Ordre des Arts et des Lettres awarded by the Minister of Culture, France. 2016 The Prince Claus Awards awarded by The Prince Claus Fund, The Netherlands. Grand Prize awarded by the Bildrausch Film Festival, Basel, Switzerland. (Cemetery of Splendour) Asia Pacific Screen Award awarded by Brisbane City Council, Australia. (Cemetery of Splendour) 2015 Gijon Film Festival Award awarded by City Council of Gijón, Spain. 2014 The Yanghyun Art Prize. Korea. 2013 Fukuoka Prize (Art and Culture) awarded by The Fukuoka City International Foundation, Japan. The Sharjah Biennial Prize awarded by the 11th Sharjah Biennial, United Arab Emirates. The Silver Mirror Honorary Award awarded by the Films From the South kurimanzutto Festival, Norway. 2011 Commandeur de l'Ordre des Arts et des Lettres awarded by the Minister of Culture, France. 2010 Palme d’Or awarded by the Cannes Film Festival, France. (Uncle Boonmee Who Can Recall His Past Lives) Asia Art Award Forum awarded by the Asia Art Award Forum Committee, CJ Culture Foundation, Alternative Space LOOP, Korea Sports Promotion Foundation, Korea. Hugo Boss Award Nominee awarded by the Solomon R. -
Film Festivals, Film Criticism, and the Internet in the Early Twenty-First Century
Portland State University PDXScholar University Honors Theses University Honors College 1-1-2012 Instant Canons: Film Festivals, Film Criticism, and the Internet in the Early Twenty-First Century Morgen Ruff Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Ruff, Morgen, "Instant Canons: Film Festivals, Film Criticism, and the Internet in the Early Twenty-First Century" (2012). University Honors Theses. Paper 13. https://doi.org/10.15760/honors.13 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. INSTANT CANONS: FILM FESTIVALS, FILM CRITICISM, AND THE INTERNET IN THE EARLY TWENTY- FIRST CENTURY by Morgen Ruff A thesis submitted in partial fulfillment of the requirements for the Bachelor of Arts degree in Film Studies in the School of Fine and Performing Arts of Portland State University May 2012 Thesis Supervisor: Professor Mark Berrettini 2 Above and beyond the loss of material, the living history of cinema, like any other history, is riddled with memory losses which, while aggravated and accelerated by the physical extinction of so many works, also encompass vast amounts of significant achievement extant but little seen or heard of. What were revered classics for one generation of filmgoers slip into oblivion for the next, the result of everything from changes in taste to trends in the economics of theatrical and non-theatrical distribution to the withering of repertory cinema -- conditions all symbiotically linked to a host of other factors as well. -
TOKYO Filmex EVENT LIST 2017 2017/11/8 * Q&A: Guests Will Meet the Audience in a Q&A Or Talk Session After the Screening
TOKYO FILMeX EVENT LIST 2017 2017/11/8 * Q&A: Guests will meet the audience in a Q&A or Talk session after the screening. * Programs and schedules are subject to change. DateTime Title 種別 Guests Venue HARA Kazuo (Film Director) Japan KUNIZANE Mizue (Producer) Japan 19:10 Opening Ceremony Ceremony(15min) Ellen Y. D. KIM (Festival Director, Producer) Korea TOHO Cinemas Nichigeki 1 11/18 sat Milena GREGOR (Artistic director of Arsenal) German Clarence TSUI (Film Critic) Hong Kong Q&A(20min) 19:30 "Love Education" Sylvia CHANG(Director, Actress) Taiwan TOHO Cinemas Nichigeki 1 Introduction(5min) Jean-Michel FRODON (Film Critic) France Symposium (120min) Clarence TSUI (Film Critic) Hong Kong 12:00-14:00 International Critic Forum Asahi Hall 1: Keynote speech Chris FUJIWARA(Film Critic) U.S. 2: Panel discussion SAITO Atsuko (Film Critic) Japan 11/19 sun 14:30 "Legend of the Mountain" Q&A(20min) Sylvia CHANG (Director, Actress) Taiwan Asahi Hall SAITO Atsuko (Film Critic, Sbtitle Translatur) Japan 18:00-19:05 Semnar:Subtitle Translation Seminar(60min) Square B HIGUCHI Yuko (Subtitle Cultual study Group, Translator) Japan IGARASHI Kohei (Dirctor) Japan 19:10 "The Night I Swam" Q&A(20min) Asahi Hall Damien MINIVEL (Director) France 13:20 "Angels Wear White" Q&A(20min) Vivian QU (Director) China Asahi Hall 11/20 mon KUROSAWA Kiyoshi (Director) Japan 18:50 "I walked with a Zombie" Talk show(40min) Asahi Hall SHINOZAKI Makoto (Director) Japan 11:20 "Immortals in the Village" Q&A(20min) YU Guangyi (Director) China Asahi Hall 11/21 tue 14:40 "The Conformist" Q&A(20min) CAI Shangjun (Director) China Asahi Hall 18:20 "Samui Song" Q&A(20min) Pen-ek RATANARUANG (Director) Thailand Asahi Hall 12:40 "Missing Johnny" Q&A(20min) HUANG Xi (Director) Thaiwang Asahi Hall 11/22 wed 18:50 "Centaur" Q&A(20min) Aktan ARYM KUBAT (Director) Kyrgyzstan Asahi Hall Open Campas "Effective communication strategy 13:00-14:00 at international film festivals" Lecture(60min) Richard LORMAND (Communication Strategist, Film Press Plus) U.S.