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table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Brillante Mendoza
Didier Costet presents A film by Brillante Mendoza SYNOPSIS Today Peping will happily marry the young mother of their newborn baby. For a poor police academy student, there is no question of turning down an opportunity to make money. Already accustomed to side profits from a smalltime drug ring, Peping naively accepts a well-paid job offer from a corrupt friend. Peping soon falls into an intense voyage into darkness as he experiences the kidnapping and torture of a beautiful prostitute. Horrified and helpless during the nightmarish all-night operation directed by a psychotic killer, Peping is forced to search within if he is a killer himself... CAST and HUBAD NA PANGARAP (1988). His other noteworthy films were ALIWAN PARADISE (1982), BAYANI (1992) and SAKAY (1993). He played in two COCO MARTIN (Peping) Brillante Mendoza films: SERBIS and KINATAY. Coco Martin is often referred to as the prince of indie movies in the Philippines for his numerous roles in MARIA ISABEL LOPEZ (Madonna) critically acclaimed independent films. KINATAY is Martin's fifth film with Brillante Mendoza after SERBIS Maria Isabel Lopez is a Fine Arts graduate from the (2008), TIRADOR/SLINGSHOT (2007), KALELDO/SUMMER University of the Philippines. She started her career as HEAT (2006) and MASAHISTA/ THE MASSEUR (2005). a fashion model. In 1982, she was crowned Binibining Martin's other film credits include Raya Martin's NEXT Pilipinas-Universe and she represented the Philippines ATTRACTION, Francis Xavier Pasion's JAY and Adolfo in the Miss Universe pageant in Lima, Peru. After her Alix Jr.'s DAYBREAK and TAMBOLISTA. -
At Last, Filipino Cinema in Portugal July 10, 2013/ Tiago Gutierrez Marques
At Last, Filipino Cinema in Portugal July 10, 2013/ Tiago Gutierrez Marques A scene from Brillante Mendoza's "Captive" (Source: filmfilia.com) I didn't know anything about Filipino cinema until very recently, as it’s practically unheard of in Portugal where most people don't even know where the Philippines is on the world map. But there are signs of change. In 2010 a Portuguese cultural association called “Zero em Comportamento” (Zero Behavior), which is dedicated to the dissemination of movies that fall outside the mainstream commercial cinema, organized a four-day retrospective showing in Lisbon of movies directed by acclaimed Filipino director Brillante Mendoza. This also included a masterclass on independent filmmaking in the Philippines, for cinema students and professionals (http://zeroemcomportamento.wordpress.com/arquivo/bmendoza/). This rare opportunity got me very excited, and particularly my Portuguese father, who went to see almost all of the eight movies. At the end of each showing, the audience could directly ask Brillante Mendoza their questions. And just a few months ago, one of Mendoza's latest films, “Captive,” was released in commercial theaters in Lisbon and Porto (Portugal's second city) alongside the usual Hollywood blockbusters. I couldn't believe that we had reached a new milestone for Filipino cinema in Portugal. Director Brillante Mendoza won the Palme d'Or at the 2009 Cannes Film Festival for "Kinatay." (Source: Bauer Griffin) “Captive” is about the kidnapping of a group of tourists by the fearsome Abu Sayaf group from a resort in Honda Bay, in Palawan. They are taken to Mindanao. -
Book of Abstracts Edition 2016 09 10
Panels & Abstracts 16-18 SEPTEMBER 2016 SCHOOL OF ORIENTAL AND AFRICAN STUDIES, UNIVERSITY OF LONDON ASEASUK Conference 2016 Disclaimer: Panel and abstract details are current as of 9 September 2016. While every effort has been made to ensure the completeness of this information and to verify details provided, ASEASUK, SOAS, and the organisers of this conference accept no responsibility for incorrect or incomplete information. Additional updated versions of this book of abstracts will be made until mid-August 2016 at which time a final hard copy will be printed for distribution at the conference. Organizing Committee Professor Michael W. Charney (SOAS), Committee Chair Professor Ashley Thompson (SOAS) Professor Matthew Cohen (Royal Holloway) Professor Carol Tan (SOAS) Dr. Ben Murtagh (SOAS) Dr. Angela Chiu (SOAS) Ms. Jane Savory (SOAS) SOAS Conference Office Support Mr. Thomas Abbs Ms. Yasmin Jayesimi Acknowledgments The Organizing Committee would like to thank the following people for special assistance in planning this conference: Dr. Tilman Frasch (Manchester Metropolitan University), Dr. Laura Noszlopy (Royal Holloway), Dr. Carmencita Palermo (University of Naples “L'Orientale”), Dr. Nick Gray (SOAS), Dr. Atsuko Naono (Wellcome Unit for the History of Medicine, University of Oxford), Dr. Li Yi (SOAS), Dr. Thomas Richard Bruce, and the many others who lent assistance in various ways. © 2016 ASEASUK and the SOAS, the University of London 1 Contents PANEL 1 The Political Economy of Inclusion: Current Reform Challenges in Indonesia 3 -
Brillante Ma. Mendoza Movies Are Always an Event to Watch out For
„Thy Womb“ , 2012 By Brillante Mendoza More information: http://www.brillantemamendoza.com/thywomb/ BRILLANTE MA MENDOZA is a living national treasure of Independent Cinema in the Philippines. He is the first and only Filipino to win the Best Director award for his film, Kinatay (The Execution of P.), at the 62nd Cannes Film Festival in 2009. "Brillante Ma. Mendoza movies are always an event to watch out for. The filmmaker holds the distinction of being the only Filipino director to win the Best Director trophy at the prestigious Cannes Film Festival in 2009 forKinatay. He bested among others such internationally acclaimed directors as Ang Lee, Pedro Almodovar, Jane Campion and Quentin Tarantino.- Published on August 29th, 2012 | by rodmagaru | " He is also the first and only Filipino to have competed in the official selection of all 3 major film festivals in the word – Cannes, Venice, and Berlin film festivals. He is likewise the first Filipino to win the grand prize, The Golden Leopard, for best film at the 58 th Locarno Film Festival in Switzerland in 2005 for his film, Masahista, which was shot in San Fernando, Pampanga. He is the first Filipino filmmaker to win the Best Director category at the Asia Pacific Screen Awards (Asia’s equivalent to the Oscars) for his film Thy Womb. "Director Brillante Mendoza received La Navicella/Venezia Cinema prize—The award is given by critics and the Rivisita del Cinematografo to the director of a film considered particularly relevant for the affirmation of human values.” Brillante Mendoza is the first Filipino filmmaker whose films had theatrical releases in major European cities as well as distribution in Europe and North America. -
Um Filme De Brillante Mendoza Sinopses Sinopse Curta
UM FILME DE BRILLANTE MENDOZA SINOPSES SINOPSE CURTA Peping vai casar-se com a mãe do seu filho recém-nascido. Pobre e sem posses, aceita uma oferta de trabalho bem pago que um amigo lhe faz. Mas ao constatar que o trabalho implica matar uma jovem mulher Peping mergulha numa viagem às trevas. SINOPSE Peping vai hoje casar-se com a jovem mãe do seu filho recém- -nascido. Para um estudante pobre da academia de polícia não se coloca a questão de recusar uma oportunidade de fazer dinheiro. Já acos- tumado a receber dinheiro sujo de um pequeno cartel de droga, Peping aceita, ingenuamente, uma oferta de trabalho bem pago que um amigo corrupto lhe faz. Rapidamente, Peping mergulha numa intensa viagem às trevas enquanto testemunha o rapto e a tortura de uma lindíssima pros- tituta. Horrorizado e impotente perante esta aterradora operação nocturna dirigida por um assassino psicótico, Peping vê-se forçado a perceber se ele próprio será um assassino... 2 COMENTÁRIOS DE BRILLANTE MENDOZA KINATAY Kinatay significa “esquartejar” em filipino. A história foi baseada em acontecimentos reais. Enquanto fazia pesquisa para o meu filme SLINGSHOT, entrevistei pequenos criminosos e deparei-me com a confissão de um estudante de criminologia que passou por uma situação semelhante à da personagem de Peping em KINATAY. Fas- cinou-me ouvir em primeira mão a experiência deste jovem. Pensei que daria um tema interessante para um filme. Atraía-me a ideia de confrontar a morte no momento e no lugar mais inesperados. É acerca de percebermos a total arbitrariedade da morte. TERROR Não diria que KINATAY é um filme de terror, embora tenha alguns elementos em comum com o género. -
New Media and the Karay-A Ethnic Group of the Philippines
The Dialogical Processes of Vernacular Mediation: New Media and the Karay-a Ethnic Group of the Philippines A thesis submitted to the University of Adelaide in fulfillment of the requirements for the degree of Doctor of Philosophy in Media MARIANE S.A. MEDINA UMALI B.Sc., Development Communication, University of the Philippines Los Baños Discipline of Media School of Humanities and Social Sciences June 2013 Abstract This thesis examines the extent to which vernacular mediation, or the ongoing, sociohistorically situated, and discursive communicative acts through new media technologies, enables the cultural participation and emancipation of marginal groups. It investigates how the ethnolinguistic group Karay-a appropriated the Internet and digital music and video production technologies to reinvent their stereotyped identities, develop collectivity, and work towards the goal of bringing socioeconomic emancipation to their homeland of Antique in Western Philippines. By following a cultural studies approach to examine three cases of vernacular mediation, this thesis aims to explore how the dialogical interaction of new media technologies, audience or individual agency, institutional logics, and asymmetries in power enable and shape a specific emancipatory aim without foreclosing their future potentials. Through an analysis of the musical subgenre Original Kinaray-a Music (OKM), the online community Kinaray-a.com, and the digital short film Handum produced by the marginal group, this thesis argues that vernacular mediation practices have the potential to facilitate cultural participation by enabling expressions and meanings to be reshaped and shared. The sharing of meanings adds to the social and cultural capitals of marginal individuals and enables them to forge social ties. -
Multi-Awarded Filmmaker Mendoza Recognised During Europe Day Reception; to Co-Launch the Mobile Application Phor EU
EUROPEAN UNION Delegation of the European Union to the Philippines 5 May 2016 Multi-awarded Filmmaker Mendoza recognised during Europe Day Reception; to co-launch the mobile application PHor EU Multi-awarded filmmaker Brillante Ma Mendoza will be recognised by the European Union Delegation to the Philippines at the Europe Day Reception on 5 May. Mendoza is a living treasure of Philippine independent cinema and is one of the most prominent and important Filipino filmmakers today. He is the first Filipino to have won in three major international film festivals showing authentic Filipino stories to the world. EU Ambassador Franz Jessen said that Mendoza is one of the great Filipino filmmakers who has honed his craft and has helped strengthen the cultural co-operation between the EU and the Philippines. "Filmmakers such as Brillante Ma Mendoza is a source of inspiration not only to Filipinos but also to Europeans for his craftsmanship, dynamism and innovation", Ambassador Jessen said. Mendoza was invited by Ambassador Jessen to co-launch the mobile application which is aimed at bringing EU closer to the hearts of the Filipino people. Mendoza is the perfect ambassador of goodwill between the EU and the Philippines mainly because of his significant role in bridging the cultural divide between and among the peoples of Europe and the Philippines. His recent film “Ma’ Rosa” is one of the more difficult movies that he has done so far because of the sensitivity of the topic – the corrupt police system. The movie will be shown in Cannes Film Festival this May 2016. "Ma' Rosa" is Brillante's 4th film to be shown at Cannes, the first one being Serbis in 2008, which was nominated for the coveted Palme d'Or (Golden Palm). -
13 Minutes Germany, 2015, 114 Minutes WORLD CINEMA NOW
13 Minutes Germany, 2015, 114 minutes WORLD CINEMA NOW Oliver Hirschbiegel, whose memorable Downfall chronicled the final days of Hitler, returns to Nazi Germany for this gripping examination of a forgotten hero: Georg Elser (a superb Christian Friedel) whose homemade bomb went off 13 minutes too late to assassinate the Nazi leader… Director: Oliver Hirschbiegel Cast: Christian Friedel, Katharina Schüttler, Burghart Klaussner, Johann von Bulow, Felix Eitner, 24 Weeks Germany, 2016, 102 minutes WORLD CINEMA NOW A German woman is told her unborn baby will probably have Down syndrome and must decide whether to abort the pregnancy in this moving drama. “A wrenchingly affecting picture... It’s an incredible, revealing performance from Jentsch (Sophie Scholl).” Screen Director: Anne Zohra Berrached Cast: Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske The 4th Company Mexico, 2016, 109 minutes WORLD CINEMA NOW International Premiere Car-thief Zambrano earns himself a spot on the football team of the world’s toughest prison, Mexico City’s Santa Martha, and becomes embroiled in the notorious 4th Company crime syndicate, a gang of prison enforcers who operate with the complicity of the corrupt authorities. Heavy-duty true story, and entertaining as heck. Directors: Amir Galván Cervera, Mitzi Vanessa Arreola Cast: Adrián Ladrón, Andoni Gracia, Hernán Mendoza, Gabino Rodríguez, Manuel Ojeda, , ’76 Nigeria, 2016, 118 minutes WORLD CINEMA NOW The failed 1976 Nigerian coup serves as the real-life backdrop for Izu Ojukwu's taut “Nollywood” love story between an army captain (Ramsey Nouah, excellent), who falls under suspicion after refusing to conspire with the plotters, and his wife (Rita Dominic), who is heavily pregnant. -
PYRAMIDE Présente PYRAMIDE Présente
PYRAMIDE présente PYRAMIDE présente Jaclyn Jose Un film de Brillante Ma Mendoza Durée du film : 1h50 RELATIONS PRESSE : DISTRIBUTION : LE PUBLIC SYSTÈME CINÉMA PYRAMIDE Céline Petit 5 rue du Chevalier de Saint-George 25 rue Notre-Dame-des-Victoires 75008 Paris SORTIE LE 30 NOVEMBRE 75002 Paris 01 42 96 01 01 01 41 34 22 42 [email protected] Photos et dossier de presse téléchargeables sur www.pyramidefilms.com Synopsis Ma’ Rosa a quatre enfants. Elle tient une petite épicerie dans un quartier pauvre de Manille où tout le monde la connaît et l’apprécie. Pour joindre les deux bouts, elle et son mari Nestor y revendent illégalement des narcotiques. Un jour ils sont arrêtés. Face à des policiers corrompus, les enfants de Rosa feront tout pour racheter la liberté de leurs parents. Entretien avec BRILLANTE MA MENDOZA Comment est née l’idée de Ma’ Rosa ? situations qu’elle avait provoqués. Le scénario s’est écrit petit à petit, j’ai Il y a quatre ans, quelqu’un m’a raconté cette histoire que sa famille et lui également fait des recherches sur la police philippine. avaient vécue. Cette personne est aujourd’hui devenue l’un des personnages On peut donc dire que Ma’ Rosa est tiré d’une histoire vraie. C’est ma du film, mais vous me permettrez de ne pas dire lequel... Son histoire m’a méthode de travail depuis quelques années : chercher des expériences touché : c’est un secret de polichinelle aux Philippines, tout le monde sait réelles, trouver un « référent », une personne qui servira en quelque sorte de qu’il y a à la fois un problème de drogue et un problème de corruption. -
Lola Wins Best Feature Film at Dubai Film Fest
Msgr. Gutierrez Zena Sultana Babao Balik Tanaw Stir to life the little 2010: A Year of Mystery, Rosa Rosal: Florence child in you Wonder, and Hope Nightingale of... January 1 - 7, 20010 San Diego Braces for More Fatalities in H1N1 Outbreak By Elena Shore, A Philippine Christmas New America Media Philippine Scene SAN DIEGO – In April 2009, a 10-year-old boy in A Bittersweet New Year’s Eve San Diego became the first known case of H1N1 (“swine When the celebrations died flu”) in the United States. down by twelve-thirty, ev- Eight months later, as the eryone went to the terrace second wave of the flu appears to partake in that evening’s to be dying down, San Diego media noche: hot choco- health officials said they ex- late, Chinese ham, quezo pect to see more fatalities. de bola, sausages, cakes, “We can’t predict whether breads, sweets and oth- we’ll see another wave or ers. Media noche, the meal multiple waves or if it will among family members at go away. Every pandemic is the New Year, is a cherished different,” said Dr. Ben Sun tradition in the Philippines of the California Department that enhances the Filipinos’ of Public Health’s pandemic Upland farmers transport their livestock to safer areas outside close family ties. Their me- influenza response team. the 8-kilometer danger zone of Mount Mayon which saw increased dia noche that early morn- “More illnesses and fatalities volcanic activity in Legazpi town, Albay Province, South Philip- ing of January 1st, 1996 is a are expected.” pines. -
Lire Le Dossier De Presse Ma' Rosa (Cannes2016)
PRESS/PRESSE LE PUBLIC SYSTÈME CINÉMA PARIS : 25, rue Notre-Dame-des-Victoires 75002 Paris, France Tél. : +33 1 41 34 23 50 CANNES : 29, rue Bivouac Napoléon 06400 Cannes, France [email protected] Tél. : +33 7 86 23 90 85 Céline PETIT: [email protected] FRENCH DISTRIBUTOR/DISTRIBUTEUR PYRAMIDE 5 rue du Chevalier de Saint-George, 75008 Paris, France Tél. : +33 1 42 96 01 01 - Fax. +33 1 40 20 02 21 www.pyramidefilms.com INTERNATIONAL SALES/VENTES INTERNATIONALES FILMS DISTRIBUTION Philippines - 110 min – Color/Couleur – 1.78 5 rue Nicolas Flamel 75004 Paris, France Tél. : +33 1 53 10 33 99 FRENCH RELEASE/SORTIE FRANCE: NOVEMBER 9TH, 2016 www.filmsdistribution.com Ma’ Rosa has four children. She owns a small convenient store in a poor neighborhood of Manila where everybody SYNOPSIS likes her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police. Ma’ Rosa a quatre enfants. Elle tient une petite épicerie dans un quartier pauvre de Manille où tout le monde la connaît et l’apprécie. Pour joindre les deux bouts, elle et son mari Nestor y revendent illégalement des narcotiques. Un jour ils sont arrêtés. Face à des policiers corrompus, les enfants de Rosa feront tout pour racheter la liberté de leurs parents. The idea of this film came up four years ago when I became indirectly involved with the said incident. It captured my interest to tell this story because it showed a unique but also disturbing characteristic of a common Filipino family.