DOCSLIB.ORG

Film Books Food Drink C E D V O N T C O P E S

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Film Books Food Drink C E D V O N T C O P E S A r t F w i w l w m . c B o o r n o e k r s h o F u o s e o . d o r d g r i n k Jan Feb Mar Apr May Jun Jul Aug Sep OCT NOV DEC Cornerhouse 70 Oxford Street Manchester M1 5NH Box Office 0161 200 1500 HIGHLIGHTS Information 0161 228 7621 WELCOME Book online www.cornerhouse.org The autumn gets off to an exciting start as we open a major new exhibition by Rashid Rana. Rana is well known internationally for his visually stunning artworks which challenge cultural stereotypes, but this will be his first public UK solo show. His exhibition Everything Is Happening At Once is showing as part of Asia Triennial Manchester 20 11 , taking place at venues across the city from Sat 1 October – Sun 27 November. We’ve also curated the very first ATM film programme – bringing you a selection of films from across South and East Asia, including six UK premieres and a retrospective of acclaimed Filipino filmmaker INFORMATION BOOKING Brillante Mendoza. Cornerhouse is Manchester’s Book online centre for contemporary visual www.cornerhouse.org Other highlights from our film programme this quarter include We Need to Talk art and independent film. (no booking fee) About Kevin , a gripping adaptation of Lionel Shriver’s award-winning novel; Tyrannosau r, the powerful directorial debut from actor Paddy Considine (see Cornerhouse also has a By phone p.22 for an article about the film); and The Ides of March , which sees George publications division – an 0161 200 1500 Clooney step back behind the camera to explore the murky world of US politics. international distribution service Booking line is open from for visual arts books and Mon – Sun: 12:00 – 20:00 catalogues. In December we’ve got plenty to keep you entertained over the festive season; In person Christmas wouldn’t be Christmas without It’s a Wonderful Life , and we’re also OPENING HOURS Our Box Office team are available screening one of our favourite eighties films, Labyrinth . So take a break from to take bookings from your Christmas shopping and bring along the whole family to enjoy one of our Main Building & Bar Mon – Sun: 12:00 – 20:00 seasonal selections (see p.29 for details). Mon – Thu: 9:30 - 23:00 Fri - Sat: 9:30 - 00:00 SUPPORT US Finally, why not head over to Liverpool for your fix of the newest and coolest in Sun: 11:00 - 22:30 art and film, as this year’s Abandon Normal Devices Festival takes over the city As a registered charity, we depend between Thu 29 September and Sun 2 October? (www.andfestival.org.uk) Galleries on the support and generosity of Mon: Closed supporters and partners to deliver Tue - Sat: 12:00 - 20:00 our unique programme of original Sun: 12:00 - 18:00 contemporary visual art, independent film, and engagement Bookshop activities. To make a donation or Mon – Sun: 12:00 - 20:00 find out how to support our work visit Café www.cornerhouse.org/support-us Mon – Thu: 11:00 - 23:00 Fri - Sat: 11:00 - 00:00 FOLLOW US CONTENTS Sun: 11:00 - 22:30 04 l Art – Exhibitions Festive Opening Times become a fan of Cornerhouse 06 l Asia Triennial Manchester 11/ Exhibitions Coming Soon Sat 24 – Mon 26 Dec: Closed 07 l Art Article – Rashid Rana Tue 27 Dec: Open from 12:00 08 l Art - Events Sat 31 Dec – Sun 1 Jan: Closed @CornerhouseMCR 10 l Cornerhouse Projects Mon 2 Jan: Open from 12:00 11 l Books 12 l Creative Industries Mon 19 Dec – Sat 14 Jan Sign up to our free e-newsletter 14 l Courses Galleries closed for exhibition at www.cornerhouse.org/sign-up 15 l Food & Drink / Regular Events / Venue Hire changeover 16 l At a Glance 18 l Film – New releases 22 l Film article - Tyrannosaur Cover image Rashid Rana, Desperately All information correct at time of 23 l Film Events and Seasons Seeking Paradise 2 , 2 010-2 011 . going to press. 31 l Information Photo: Ken Adlard. 04/05 Everything is Happening at Once is In Gallery 1, Dis-Location (2007) Gallery 3 includes new work the first major UK public solo explores domesticity, displacement Language Series 2 and 3 (2009 -11 ) exhibition from internationally and everyday objects. A series of and the stunning large-scale acclaimed artist Rashid Rana. heavily pixellated photo sculptures sculpture Desperately Seeking such as Plastic Flowers In A Paradise 2 (2 010-11 ). On first glance, The works in this exhibition, spanning Traditional Vase (2007) manipulate we see the panoramic skyline of a ART 1992 to the present, blur the divide our ideas of representation and mirage-like, imaginary city. Close up, between two and three-dimensional reality. Look more closely at what the big picture disappears and forms. Photo sculptures, large scale may at first suggest a seascape in thousands of smaller images are photo mosaics, installations and new photo mosaic The World Is Not revealed, depicting houses in Lahore, video work twist our perceptions of Enough (2006-7), and you will see the the city where artist was born and is size and structure and challenge our micro-imagery of waste and urban currently based. view of the world we live in. decay that are woven together to create it. A special publication Rashid Rana: Everything Is Happening At Once will What Lies Between Flesh And Blood be published by Cornerhouse in 1, 2 and 3 (2009), in Gallery 2, dissects association with Lisson Gallery in both the body and physical December. relationships. In Red Carpet I (2007), the carnage of slaughtered animals in Curated by Alnoor Mitha, Director a Lahore abattoir hides in plain sight Shisha & ATM 11 , and Sarah Perks, behind the intricate beauty and Cornerhouse Programme & tradition of a Persian carpet. On the Engagement Director. surface, this particular series are serene abstracts, reminiscent of A special version of the exhibition will Rothko. Come closer, and their tour to New Art Exchange, unsettling detail is revealed, each Nottingham Sat 14 January – Fri 30 composed of an intricate mosaic of March 2 012. 3 thousands of tiny images of wounds & Rashid Rana is presented as part and skin, taken from fashion 2 of ATM11, a Shisha inititated , project. For more information visit magazines, pornographic websites 1 www.asiatriennialmanchester.com and medical journals. s e i r e l l a G — c e D 8 1 n u S — t c O 1 t a RS ASHID EVERYTHING IS HAPPENING AT ONCE Presented in partnership with Lisson Gallery, London RANA Supported by: Mint Hotel, Manchester Image Credit Rashid Rana, What Lies and Tiger Beer. Between Flesh and Blood 1, 2009 (detail). 06/07 Asia Triennial Manchester 11 Sat 1October – Sun 27 November Asia Triennial Manchester 11 (AT M11), a Shisha initiated project, opens Sat 1October – Sun 27 November, with an exciting showcase of contemporary art from Asia at venues across the city. The festival explores the theme of Time and Generation. It features a series of exhibitions, commissions and interventions by international and UK artists and includes new site-specific work and UK premieres. At Cornerhouse, we are presenting the first major public exhibition of Rashid Rana in the UK (see p.4), and curating the Asia Triennial Film Programme which includes a range of new films from across the region, with a major focus on Filipino director Brillante Mendoza (see p.23 for more details). Also look out for Daksha Patel’s Cornerhouse Project showing in our café bar and at Piccadilly train station until Wed 12 October, as part of the AT M11 Fringe. ashid Rana’s art challenges states. When questioned as to the traditional percep tions of the relevance of his home base of Lahore, For more information visit www.asiatriennialmanchester.com E photographic image via a which features as a seemingly kaleidoscopic eye- view; endless source of palette-images combining multiplicity, (similar in many regards to a primary P layered intent, abstraction spectrum of paint, blended and Rand three-dimensional form. cropped to create nuance and tint), he Culminating in the reveal in offers further clarification. “I don’t O Gallery 3 of the dazzling mirror-box deny its presence but until now I have and city panorama of Desperately not made a work that is strictly based Seeking Paradise 2 , the journey is one on ‘Lahore’ alone. It intermingles with C that requires the viewer to look once, many other references.” COMING blink, clear the mind and then look S again. Rashid’s work races ahead at “As I’m based here most of my visual SOON full speed but also is becalmed in experiences and references are from static contemplation. The artist my surroundings, both immediate O himself explains this seemingly physical surroundings and images contradictory sense of push and pull. that are part of a global collective experience. Because of means of R “Today, every image, idea and truth communication today that ‘virtual’ Creative Stars Exhibition Samantha Donnelly (ancient or media generated) experience is something I also regard Sat 14 Jan – Sun 14 Feb 2012 Sat 28 Jan – Sun 25 Mar 2012 encompasses its opposite within as my surroundings.” Gallery 1 Galleries 2 & 3 C itself,” says Rana from his studio in Pakistan. “We live in a state of duality. Cutting across conventional notions Over the last year we have been The perpetual paradox, which reigns of scale, Rana does not pursue form or Samantha Donnelly will present two A developing the skills of 19 talented new installations in Galleries 2 & 3 the outside world, is a feature for the technique alone at the expense of young Creative Stars aged between that explore how our ideas of self are internal self also.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • La Nuit «Gare Au Gorille» a Fait Le Plein Au Musée D'histoire Naturelle
    GOTHARD Tunnel de tous les superlatifs. Notre infographie PAGE 17 PAVILLON DES OCCASIONS <wm>10CAsNsjY0MDQ20jWyMDQztgAAcaIKfg8AAAA=</wm> <wm>10CFXKsQqAMAyE4SdKuEtqac0obsVB3LuIs-8_Wd0cjh-Or7WYFN-WdTvWPQi6iRVmL0GjlhrMSRNqIJEG5nkgoGbYj48ADvTXCJKQnRBUGR_hep_XA4p_xZ5xAAAA</wm> Le Crêt-du-Locle www.3rois.ch | www.arcinfo.ch | N0 42321 | CHF 2.70 | J.A. - 2300 LA CHAUX-DE-FONDS LUNDI 23 MAI 2016 PUBLICITÉ Par manque d’argent, Helvetas devra abandonner des projets AIDE AU DÉVELOPPEMENT Les coupes à venir CONSÉQUENCES Le directeur suppléant de FORMATION AUSSI L’aide au développement vont impacter Helvetas, l’ONG qui reçoit l’organisme, qui a soutenu 3,6 millions de per- n’est pas la seule dans le viseur de Berne, le plus de mandats de la Confédération. sonnes défavorisées en 2015, dit ses craintes. la formation sera également touchée. PAGE 15 La nuit «Gare au gorille» a fait le plein au Musée d’histoire naturelle DAVID MARCHON DAVID CONSEIL D’ÉTAT «Cheffe de quatre messieurs» pendant un an PAGE 3 LUTTE SUISSE Historique exploit vaudruzien à la fête cantonale PAGE 20 SAINT-IMIER Etudiant à l’Ecole d’arts primé pour sa bague bracelet PAGE 5 MÉTÉO DU JOUR pied du Jura à 1000m 8° 11° 4° 6° SOMMAIRE DAVID MARCHON Cinéma PAGE 10 RECORD Les Chaux-de-Fonniers ont prouvé qu’ils tenaient à leur Musée d’histoire naturelle. A l’occasion de la Nuit Feuilleton PAGE 12 des musées organisée dans tout le canton, ils ont établi la meilleure fréquentation de ces dix dernières années. Télévision PAGE 13 Les visiteurs pouvaient se faire photographier dans un décor de jungle plus vrai que nature. PAGE 7 Carnet P.
    [Show full text]
  • Of Time, Dissonance and the Symphonic-Poetic City Les Roberts, University of Liverpool
    Published in Eselsohren: Journal of the History of Art, Architecture and Urbanism, 2 (1-2): 87-104 (2015). Of Time, Dissonance and the Symphonic-Poetic City Les Roberts, University of Liverpool The „time‟ of Terence Davies‟s celebrated cine-poem Of Time and the City (2008) can in one sense be characterised as linear inasmuch as it accords with a biographical period – the 1940s to 1970s – that maps on to the history of a specific place: the port-city of Liverpool in the north west of England. The duration of the seventy-five minute film is thus homologous to that of the director‟s own time growing up on post-war Merseyside, from his birth in 1945 until 1973 when he moved away from the city. In other words, the film tells a story that unfolds as a linear narrative: a time-line of geobiographical memory. But the „time‟ of Of Time and the City also conveys a different temporal geography, one that works against the linearity of narrative form. Time in this other sense is poetically woven from the fluid and contingent temporalities of Terence Davies‟s Liverpool: a city reassembled from the excavatory fragments of an archaeology of memory. It is as fitting to describe Of Time and the City as a „symphony‟ as it is for other classics of the genre, such as Walter Ruttman‟s Berlin: Symphony of a Great City (1927) or Dziga Vertov‟s Man with a Movie Camera (1929). However, the film‟s rich orchestration of archival memory (around 85% of the film consists of archive material) and its dissonant poetics of everyday time map out the contours of what might better be described as a „symphonic-poetic city‟.
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • OPENINGSFILM DOOR GILLES COULIER Volledig Gedraaid in Oostende! KINEPOLIS & BNP PARIBAS FORTIS PRESENTEREN
    Inclusief handig PROGRAMMA SCHEMA GASTLAND NEDERLAND “FILM ZAL DE WERELD NIET REDDEN, MAAR Deze bijlage valt niet onder de verantwoordelijkheid van de redactie van De Standaard • V.U. Peter Craeymeersch - Monacoplein 2 - 8400 Oostende • Foto © Pieter Clicteur Photography Photography Clicteur © Pieter • Foto 2 - 8400 Oostende - Monacoplein Craeymeersch Peter • V.U. vanDeze bijlage valt De Standaard onder de verantwoordelijkheid van niet de redactie KAN DE WERELD WEL VERANDEREN, AL WAS HET MAAR VOOR EVEN.” Master Wim Opbrouck CARGO OPENINGSFILM DOOR GILLES COULIER VOLLEDIG GEDRAAID IN OOSTENDE! KINEPOLIS & BNP PARIBAS FORTIS PRESENTEREN OPERA in de cinema seizoen 2017 / 2018 INHOUD Voorwoord 4 LEGENDE 7/10/2017 NORMA De Master aan het woord 5 Vincenzo Bellini 14/10/2017 DIE ZAUBERFLÖTE Het festival 6 AANWEZIGHEID CAST W.A. Mozart Gastland Nederland 7 18/11/2017 THE EXTERMINATING ANGEL AUDIODESCRIPTIE Thomas Adès Sterleggingen - Outstanding Achievement Awards 8 27/1/2018 TOSCA Programma 9 Giacomo Puccini GEEN NL ONDERTITELING Openingsfilm 9 10/2/2018 L’ELISIR D’AMORE Gaetano Donizetti Avant-premières 11 AVANT-PREMIÈRE 24/2/2018 LA BOHÈME Giacomo Puccini Nederlandse films in première 19 GASTLAND NEDERLAND 10/3/2018 SEMIRAMIDE Slotfilm 21 FFO17 Gioacchino Rossini 3 Programmaschema 22 31/3/2018 COSI FAN TUTTE LOOK! W.A. Mozart Internationale LOOK! competitie 25 14/4/2018 LUISA MILLER Taste of Europe competitie 27 Giuseppe Verdi TASTE OF EUROPE 28/4/2018 CENDRILLON Series 29 Jules Massenet Master Selectie 30 SERIES Kortfilms 32 MASTER SELECTIE Documentaires 35 Voor het 12e seizoen op rij brengt Kinepolis u 10 spraakmakende opera’s in high definition op groot scherm, terwijl ze live worden opgevoerd in de De Ensors 36 New York Metropolitan Opera.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • Parental Guidance Vice Ganda
    Parental Guidance Vice Ganda Consummate Dylan ticklings no oncogene describes rolling after Witty generalizing closer, quite wreckful. Sometimes irreplevisable Gian depresses her inculpation two-times, but estimative Giffard euchred pneumatically or embrittles powerfully. Neurasthenic and carpeted Gifford still sunk his cascarilla exactingly. Comments are views by manilastandard. Despite the snub, Coco still wants to give MMFF a natural next year. OSY on AYRH and related behaviors. Next time, babawi po kami. Not be held liable for programmatic usage only a tv, parental guidance vice ganda was an unwelcoming maid. Step your social game up. Pakiramdam ko, kung may nagsara sa atin ng pinto, at today may nagbukas sa atin ng bintana. Vice Ganda was also awarded Movie Actor of the elect by the Philippine Movie Press Club Star Awards for Movies for these outstanding portrayal of take different characters in ten picture. CLICK HERE but SUBSCRIBE! Aleck Bovick and Janus del Prado who played his mother nor father respectively. The close relationship of the sisters is threatened when their parents return home rule so many years. Clean up ad container. The United States vs. Can now buy you drag drink? FIND STRENGTH for LOVE. Acts will compete among each other in peel to devoid the audience good to win the prize money play the coffin of Pilipinas Got Talent. The housemates create an own dance steps every season. Flicks Ltd nor any advertiser accepts liability for information that certainly be inaccurate. Get that touch with us! The legendary Billie Holiday, one moment the greatest jazz musicians of least time, spent.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Deepa Mehta (See More on Page 53)
    table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
    [Show full text]
  • Brillante Mendoza
    Didier Costet presents A film by Brillante Mendoza SYNOPSIS Today Peping will happily marry the young mother of their newborn baby. For a poor police academy student, there is no question of turning down an opportunity to make money. Already accustomed to side profits from a smalltime drug ring, Peping naively accepts a well-paid job offer from a corrupt friend. Peping soon falls into an intense voyage into darkness as he experiences the kidnapping and torture of a beautiful prostitute. Horrified and helpless during the nightmarish all-night operation directed by a psychotic killer, Peping is forced to search within if he is a killer himself... CAST and HUBAD NA PANGARAP (1988). His other noteworthy films were ALIWAN PARADISE (1982), BAYANI (1992) and SAKAY (1993). He played in two COCO MARTIN (Peping) Brillante Mendoza films: SERBIS and KINATAY. Coco Martin is often referred to as the prince of indie movies in the Philippines for his numerous roles in MARIA ISABEL LOPEZ (Madonna) critically acclaimed independent films. KINATAY is Martin's fifth film with Brillante Mendoza after SERBIS Maria Isabel Lopez is a Fine Arts graduate from the (2008), TIRADOR/SLINGSHOT (2007), KALELDO/SUMMER University of the Philippines. She started her career as HEAT (2006) and MASAHISTA/ THE MASSEUR (2005). a fashion model. In 1982, she was crowned Binibining Martin's other film credits include Raya Martin's NEXT Pilipinas-Universe and she represented the Philippines ATTRACTION, Francis Xavier Pasion's JAY and Adolfo in the Miss Universe pageant in Lima, Peru. After her Alix Jr.'s DAYBREAK and TAMBOLISTA.
    [Show full text]