Esports in Education Exploring Educational Value in Esports Clubs, Tournaments and Live Video Productions

Total Page:16

File Type:pdf, Size:1020Kb

Esports in Education Exploring Educational Value in Esports Clubs, Tournaments and Live Video Productions Esports in Education Exploring Educational Value in Esports Clubs, Tournaments and Live Video Productions By Paul William Richards Copyright © 2020 Paul William Richards All rights reserved. No part of this book may be reproduced in any manner without written permission except in the case of brief quotations included in critical articles and reviews. For information, please contact the author. Photographs by Michael Luttermoser Photography Copyright © by Michael Luttermoser. DISCLAIMER AND/OR LEGAL NOTICES Although the author and publisher have made every effort to ensure that the information in this book was correct at press time, the author and publisher do not assume and hereby disclaim any liability to any party for any loss, damage, or disruption caused by errors or omissions, whether such errors or omissions result from negligence, accident, or any other cause. ISBN: 9781673224436 DEDICATION To esports coaches who are helping students explore their dreams and achieve excellence in competitive video gaming. ADDITIONAL INFORMATION Free online course included with this book is available at: StreamGeeks.us/esportsEDU Esports scholarship available at: StreamGeeks.us/esports Free digital copy of this book is available at: PTZOptics.com/book Facebook Group : https://facebook.com/groups/esportsEDU CONTENTS Acknowledgments i 1 Meet the Future 1 2 Common Ground in Esports & Education 4 3 A Brief History of Video Games 6 4 The Study of Video Games 11 5 Getting the Most Educational Value Out of Video Games 17 6 From a Teen’s Pastime to the International Stage 28 7 What is Driving the Esports Phenomenon? 33 8 Types of Esports 36 9 Top Esports Tournaments 40 10 College Level Esports Programs 46 11 Careers in Esports 50 12 Esports and Traditional Sports Collide 56 13 An Insider View Into Esports 59 14 Starting an Esports Club at Your School 63 15 Side by Side Broadcast Clubs and Esports 73 16 Morning Announcements and Esports Shoutcasters 78 17 Hosting an Esports Tournament 91 18 Live-streaming a Basic Esports Tournament 93 19 Advanced Esports Tournament Live-streaming 98 20 How to Design an Audiovisual Display for Esports 113 21 An Optimistic View of Esports and Education 124 ACKNOWLEDGMENTS A big thank you to Jadd Schmeltzer from the Center for Educational Innovation, Emil Bodenstein from Alpha North Esports and Todd Conley from HighSchool.GG for the long conversations that helped structure this book. Thank you for all the introductions to folks in the esports industry who generously shared their time and expertise to help craft this book. i 1 MEET THE FUTURE The year is 2015 and the weather is beautiful in Los Angeles, California, where "The Summit 3 by GIGABYTE," a DOTA2 esports tournament is being held. DOTA stands for Defense of the Ancients, which is a strategy-based video game that requires exceptional mental and physical skills to compete on a world stage. This year's event features the top six teams in the world competing against one another for a grand prize. The three best teams from China have flown in from around the world to compete with two teams from America and one from Europe. This event has been billed as one of the biggest “East Versus West” showdowns in history. As expected, the event venue is buzzing with life. There are camera crews and the usual frenzy as everything gets set in place for the live broadcast. Meanwhile, players are taking one final look at their equipment to make sure everything is as it should be. Team leaders are going over strategies and giving final pep talks before the competition begins. At the same time, tens of thousands of spectators are waiting and an almost reverential hush spreads around the venue. As the countdown signal starts, players sink into their custom gaming chairs and stare intently at the bright computer displays in front of them. Over the shoulder of one player, through a glass-covered window, you can spy a stately palm tree overlooking a quiet street in a suburban neighborhood. This is the home of David Parker, the co-founder of BEYOND THE SUMMIT. Parker is helping organize the studio that is live streaming the competition online. The audience here is just as big, but instead of a huge stadium with thousands of screaming fans, viewers are spread all over the world inside everyday homes. The six five-man teams are playing what the industry considers a multiplayer online battle arena (MOBA) video game. There is a camera crew for this competition, complete with everything needed to create an immersive experience for the online audience. Parker and his team deliver viewers a similar experience to what audiences can see on the massive LED screens in stadiums. Live streams of this caliber today leverage new tools that allow viewers on Twitch and Mixer the ability to interact with the game that is being played and open interactive panels that will show player stats, inventories and other real-time developments. 3 ESPORTS IN EDUCATION Over the next eight days of the tournament, tens of thousands of spectators will log onto their computers, mobile devices, and smart TVs to follow the game in real-time. Teams will be competing for a money pool of $270,000, a sum that quite small by today’s standards. Before the final day, live audiences will reach up to the one hundred thousand mark. Despite being separated by great distances, spectators can communicate online in the chat room and keep pace with a level of engagement that rivals what crowds are used to in traditional sports. This is the world of esports. Welcome to the future! Fast forward to the 2019 TwitchCon show in San Diego, California. I am speaking with a gentleman named Todd Conley from HighSchool.GG who is helping to design an esports curriculum for high schools around the country. Conley introduced me to a Mark "Garvey" Candella, who is the Director of Student Education and Youth Programs at Twitch. Together, we start talking about esports and the work I have done with school broadcast clubs. Garvey is working with University-level organizations to help prepare the education system to train students for careers in esports. This is where our story begins. I tell Conley that he is invited to our upcoming “StreamGeeks Summit” in New York City, where we plan to bring together the top minds in the live streaming industry. Our team is already working with education systems across the United States, preparing students to seek careers in the video production and broadcast industry. The broadcast industry which once consisted only of radio and television is now growing at a tremendous rate to keep up with online streaming media. This growth is fueled in part by esports. Helping students become better prepared for careers in an industry that combines video gaming, technology, and live streaming seemed to be a match made in heaven. Conley helped explain how middle and high school level students are often unsure of how their passion for esports could lead to a real-world career path other than competitive video gaming. Conley made a few calls and realized that the StreamGeeks Summit could help bridge the worlds of existing broadcast clubs and newly forming esports organizations in education. Students interested in esports could learn about video production and students involved with their school broadcast clubs could help live stream esports tournaments. A few weeks later, we had worked out an agreement with the Center for Educational Innovation (CEI), who helped us with the outreach to school districts in the five boroughs of New York City. In less than one month, we planned to host a student-run broadcast of an esports tournament in NYC. 4 ESPORTS IN EDUCATION This is a book for any student, parent or educator interested in the intersection of esports and education. Throughout the following chapters, readers will uncover the need for a strong educational system that can help support student interest in esports. This book explores esports from a perspective of acceptance and encouragement where educators have the chance to find common ground that can help students excel in a sport, they are passionate about. Understanding how to make esports more educational requires an understanding of esports, video gaming culture, and the latest studies on sports and technology. By reviewing the history of video games in our culture and comparing academic papers on relevant subjects this book hopes to help students, parents, and educators find a positive future for competitive video gaming as a varsity-level sport. Through in-depth expert interviews and examples set by leading educational organizations you will uncover how a teenage pastime has evolved into an international phenomenon that has set a course to change the way the world views competitive sports. If the esports and education systems in place today can come together to channel the excitement and energy behind competitive video gaming, there is the opportunity to create an inclusive and productive culture that can embolden today's youth to take on the challenges our world will face in the decades to come. It’s important to note that this book includes an online course that reviews each topic in the book in greater detail on Udemy.com. This online course and the book’s included glossary are available to enhance your learning. If you come across a vocabulary word that you are unfamiliar with, simply flip to the back of this book and look up the meaning of the word. If you would like to ask questions about a specific topic, you can enroll in the Udemy course and ask questions directly to the course instructor.
Recommended publications
  • Unpublished Letters by George Macdonald
    Defining Death as “More Life”: Unpublished Letters by George MacDonald Glenn Edward Sadler Who lives, he dies; who dies, he is alive. Phantastes ch. XIII ost readers of George MacDonald’s fiction, especially of his faerieM romances and fairytales, will recall his penetrating treatment of the subject of death and dying. A classic passage occurs, for example, at the conclusion of The Golden Key, when the Old Man of the Sea finally asks Mossy the ultimate question: [end of page 4] “You have tasted death now,” said the Old Man. “Is it good?” “It is good,” said Mossy. “It is better than life.” “No,” said the Old Man: “it is only more life.”1 Equally moving, in spite of its sentimentality, is the ending of At the Back of the North Wind, which depicts graphically Diamond’s dream-in- sleep death. Similarly, there is the ethereal death of the king, who becomes a sacrifice of “flaming red roses,” viewed by Curdie, at the end ofThe Princess and Curdie. As a writer of parables and fairytales, George MacDonald is at his best when he is seeing death through the eyes of a child. Through the eyes of his fictional children—Mossy, Diamond and Curdie—MacDonald envisions his cardinal belief in the cosmic role of the child, who as a redemptive figure participates in and exemplifies universal love and immortality. Mossy and Tangle become agents of life-giving renewal. Diamond is a source of lasting love. And Curdie is a symbol of universal victory over evil. In each case it is the process of dying-into-life (“more life”) that is MacDonald’s major concern: it is a theme which is to be found in everything he wrote.
    [Show full text]
  • It'sallfight Onthenight
    60 ............... Friday, December 18, 2015 1SM 1SM Friday, December 18, 2015 ............... 61 WE CHECK OUT THE ACTION AT CAPCOM CUP NEW TRACKLIST MUSIC By Jim Gellately It’s all fight 1. Runaway 2. Conqueror LOST IN VANCOUVER Who: Jake Morgan (vocals 3. Running With The /guitar), Connor Mckay (gui- Wolves tar), Brandon Sherrett (bass/ vocals), Tom Lawrence on the night 4. Lucky (drums). Where: Kirkcaldy/Edinburgh. 5. Winter Bird For fans of: Stereophonics, 6. I Went Too Far Catfish And The Bottlemen, Oasis. 7. Through The Eyes Jim says: Lost In Vancouver Of A Child only recently released their first couple of singles, but 8. Warrior their story goes back around 9. Murder Song (5, five years. They first got together at GLOBAL rivals in the By LEE PRICE By JACQUI SWIFT 4, 3, 2, 1) their local YMCA in Kirkcaldy, which runs a thriving youth world’s top fighting and T-shirts emblazoned A COFFEE shop in 10. Home music programme. game went toe-to- with the logos of their vari- Gatwick Airport’s 11. Under The Water Jake told me: “From the toe as they battled ous sponsors. age of 13, Brandon, Connor And the response from departures lounge 12. Black Water Lilies and myself had been getting to become Street the audience, who paid £25 is not the most guitar and song-writing les- Fighter champion. a ticket, was deafening. sons from a guy called Mark Before a sell-out crowd, At one point, the audito- glamorous setting Burdett. He got us playing in and hundreds of thousands rium chanted “USA! USA!” bands around the town.” following the action online, as a home favourite stepped to meet a fast-rising Jake and original drummer 32 gamers competed for a up, only to be silenced by James Ballingall were previ- share of £165,000 last week.
    [Show full text]
  • Building the Future of Esports Betting & Entertainment
    Building The Future of Esports Betting & Entertainment Nasdaq: GMBL Esports Entertainment Group (GMBL) is a Nasdaq-listed company Building the Future of Esports Betting and Entertainment. 3 What is esports? • Esports is organized competitive video gaming that is watched as a spectator event. Esports were already the fastest growing subsector of digital entertainment, and Covid-19 has only accelerated this trend. • The Esports audience is very valuable for advertisers because it is young, digital native and affluent. Research has found that esports fans are more likely to be influenced by their favorite team being sponsored by a brand than traditional sports fans are. • Despite the vast amount of eyeballs, Esports remain dramatically under-monetized relative to traditional sports. We believe wagering will play a major role in helping monetization in the space catch up. GAMING ASCENDANCY: MORE PEOPLE ARE PLAYING MORE There are 2.5B gamers globally (with some estimates as high as 3.5B). 2 out of 3 Americans are gamers. Video gaming is now more engaging than any other social media outlet (FB, Snapchat, IG) with gamers spending 51 minutes on average playing every day. Gaming industry is now bigger than movies or music Sources: Newzoo - 2019 Global Esports Market Report 5 ESPORTS DOMINANCE Esports tournaments have now outstripped all traditional sports events both in terms of viewership and prize pool. In 2019 the League of Legends championship drew a larger audience than the Super Bowl. And the winner of the Fortnite World Cup won more money than Tiger Woods at the Masters. Sources: Business Insider 6 Esports Viewers by Age Esports Worldwide Audience Size (millions) THE AUDIENCE IS LARGE & LUCRATIVE There are 518M esports viewers worldwide, growing to 645M by 2022.
    [Show full text]
  • College Athletes Not Receiving Their Value
    New album Men’s 3 releases 4 Basketball Exciting new music Bearcats face of is scheduled to against tough be released in competitor in the upcoming Thursday’s game year THE NEWS RECORD / UNIVERSITY OF CINCINNATI NEWSRECORD.ORG THURSDAY, JAN. 12, 2016 College athletes not receiving their value UC athletes may not be getting the scholarships they count on MIKHAIL KLIMENTYEV | TASS | ABACA PRESS | TNS Russian President Vladimir Putin speaks during a reception at the State Kremlin Palace on December 28, 2016, in Moscow. Students react to Russian hacking TIM GOLDENBERG | CONTRIBUTOR With the inauguration of President-elect Donald Trump drawing closer, recent briefs from the intelligence community to government officials reported that the Russian Federation was directly involved in influencing the results of the U.S. Presidential Election. While the Obama administration already rolled out an initial set of retaliatory sanctions in response to the report, President-elect Trump’s response has been more doubtful. Congressmen FILE ART on both sides of the isle, including Senate Majority Leader Mitch McConnell, DAVID WYSONG | SPORTS EDITOR without any financial during the O’Bannon vs full scholarships in every paying as well,” said Huma. have called for a bipartisan assistance to claim. NCAA case. sport.’” The lack of financial probe into the situation. Many college athletes In addition, despite “What if all the oil Despite their cap on stability can hurt athletes, Trump repeatedly are awarded athletic football teams having companies got together scholarships, schools as many do not have expressed doubt on the scholarships from the 85 total scholarships to and decided to start price do not have to use every time for part-time jobs in conclusion that Russian schools they choose to award, some athletes fixing the price of gasoline, scholarship at their addition to classes and the President Vladimir Putin’s attend.
    [Show full text]
  • Esports High Impact and Investable
    Needham Insights: Thought Leader Series Laura A. Martin, CFA & CMT – [email protected] / (917) 373-3066 September 5, 2019 Dan Medina – [email protected] / (626) 893-2925 eSports High Impact and Investable For the past decade, eSports has been growing on the main stage in Asia and in stealth mode in the US. This report addresses questions we get most often from investors about eSports: ➢ What is eSports? Definitions differ. Our definition of eSports is “players competing at a video game in front of a live audience while being live-streamed.” By implication, viewing, attendance, and playing time are linked, and each creates revenue streams for eSports. ➢ How big is eSports? Globally, one out of every three (ie, 33%) 18-25 year olds spent more than an hour a day playing video games, 395mm people watched eSports, and 250mm people played Fortnite in 2018. eSports revenue will be $1.1B in 2019, up 26% y/y. ➢ Should investors care about eSports? We would argue “yes”, owing to: a) global scale; b) time spent playing and viewing; c) compelling demographics; d) eSports vs traditional sports trends; e) revenue growth; and, f) sports betting should supercharge US eSports. ➢ Is eSports a fad? We would argue “no”, owing to: a) many US Universities now offer Varsity eSports scholarships; b) new special purpose eSports stadiums are proliferating; c) billionaires are investing to make eSports successful; d) audience growth; and, e) Olympics potential. ➢ Why have you never heard of eSports? Because zero of the top 30 earning players in the world were from the US in 2018.
    [Show full text]
  • Last Ned Som
    STUDENTAVISA I TRONDHEIM NR. 08 - 100. ÅRGANG 29. APRIL - 12. AUGUST 2014 REPORTASJE Pustepause Kan mindfulness hjelpe på eksamensprestasjonen? side 22 Portrett: Norges yngste professor side 28 NYHET Vil ha studentombud på NTNU – Skal ivareta studenters rettigheter side 11 KULTUR Her finner du årets sommerpils side 42 2 INNHOLD 3 LEDER Ukraina 34 Siste innspurt Under Dusken møter studentopprørerne Norges yngste professor er 28 år, jobber i Lviv på NTNU, og heter Terje Lohndal. Hans fagfelt er språkvitenskap, og han er omtalt som lingvistikkens Mozart. I 03 Nyhetskommentar: Dimensjoneringsdebatten denne utgaven av Under Dusken har vi 04 Siden sist et portrettintervju av Terje, hvor han 06 Nyhet: Humaniora under press forteller nettopp hvordan han greide å 08 Nyhet: Mastersyken oppnå en slik tittel i så ung alder. Jeg 10 Nyhet: Karriere med kulturforståelse vil påstå at han er en inspirasjon for 11 Nyhet: Ønsker studentombud på NTNU mange studenter, kanskje spesielt nå i 12 Forskning: Har aldri vært sikrere eksamenstida. Nå som den grøssende Stensaas Mariann Illustrasjon: 14 Internasjonalt: Engelsklærer i Kina eksamensperioden er et faktum, ønsker 16 Studentliv: Hjelp mot eksamensnerver Under Dusken å gi deg inspirasjon og 28 Portrett: Terje Lohndal tips for å oppnå bedre karakterer og en Studentene er systemets lykkelige slaver bedre eksamenstid. Vår hovedrepor- Vi er flinke og lydige som aldri før. Kan det bli et demokratisk problem? 34 Småreportasje: Under Dusken i Ukraina tasje handler om den populære medita- 36 UD 100 år sjonsformen mindfulness, hvor du kan 38 Kulturkommentar: Folkehøgskoledebatten lære å være tilstede i øyeblikket, ved MARIUS FLATÅS 39 Kulturprofil: Oda Fiskum blant annet pusteøvelser.
    [Show full text]
  • Consumer Motivation, Spectatorship Experience and the Degree of Overlap Between Traditional Sport and Esport.”
    COMPETITIVE SPORT IN WEB 2.0: CONSUMER MOTIVATION, SPECTATORSHIP EXPERIENCE, AND THE DEGREE OF OVERLAP BETWEEN TRADITIONAL SPORT AND ESPORT by JUE HOU ANDREW C. BILLINGS, COMMITTEE CHAIR CORY L. ARMSTRONG KENON A. BROWN JAMES D. LEEPER BRETT I. SHERRICK A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Journalism and Creative Media in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2019 Copyright Jue Hou 2019 ALL RIGHTS RESERVED ABSTRACT In the 21st Century, eSport has gradually come into public sight as a new form of competitive spectator event. This type of modern competitive video gaming resembles the field of traditional sport in multiple ways, including players, leagues, tournaments and corporate sponsorship, etc. Nevertheless, academic discussion regarding the current treatment, benefit, and risk of eSport are still ongoing. This research project examined the status quo of the rising eSport field. Based on a detailed introduction of competitive video gaming history as well as an in-depth analysis of factors that constitute a sport, this study redefined eSport as a unique form of video game competition. From the theoretical perspective of uses and gratifications, this project focused on how eSport is similar to, or different from, traditional sports in terms of spectator motivations. The current study incorporated a number of previously validated-scales in sport literature and generated two surveys, and got 536 and 530 respondents respectively. This study then utilized the data and constructed the motivation scale for eSport spectatorship consumption (MSESC) through structural equation modeling.
    [Show full text]
  • Fighting Games, Performativity, and Social Game Play a Dissertation
    The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together.
    [Show full text]
  • Vlhová Do Boja! Chýbal, Práve Tento V Rakúskom Söldene Sa Obrovským Slalomom Žien Duel Mu Definitívne Zaèína Svetový Pohár V Zjazdovom Lyžovaní 2020/21
    www.nike.sk Sobota SUPERŠANCA 1X2 17. 10. 2020 76334 Michalovce – Dun. Streda 5,80 4,50 1,55 74. ročník • číslo 241 76335 Slovan – Sereď 1,20 7,30 13,5 cena 0,80 pre predplatiteľov 0,70 75722 Chelsea – Southampton 1,55 4,85 6,30 75723 Manch. City – Arsenal 1,53 5,05 6,30 75903 Bielefeld – Bayern Mníchov 13,8 7,90 1,23 76491 Real Madrid – Cadiz 1,25 7,05 14,2 76490 Getafe – Barcelona 5,10 3,90 1,81 76577 Crotone – Juventus 8,30 4,75 1,48 App Store pre iPad a iPhone / Google Play pre Android 75822 AZ Alkmaar – VVV Venlo 1,26 6,45 12,0 Za Hapala Strany 2 a 3 Tarkoviè?! Slovenská futbalová reprezentácia spozná v utorok nového „novembrového“ trénera Aj keï sa Sloven- sko dostalo do finále baráže o postup na maj- strovstvá Európy, predvádzala naša futbalová reprezentácia v poslednom období ve¾mi zlé výkony. Všetko vyvrcholilo zápa- som Ligy národov, v ktorom Hamšík a spol. prehrali s Izraelom 2:3, napriek tomu, že viedli 2:0. A aj keï na lavièke pre koronavírus Pavel Hapal Vlhová do boja! chýbal, práve tento V rakúskom Söldene sa obrovským slalomom žien duel mu definitívne zaèína Svetový pohár v zjazdovom lyžovaní 2020/21. zlomil trénerský Jednou z najväèších favoritiek nielen na dnešný väz. triumf, ale i na celkové prvenstvo v boji o ve¾ký FOTO TASR/ krištá¾ový glóbus, je Petra Vlhová. Želajme jej, nech MARTIN BAUMANN Strana 21 je pre òu tento boj úspešný! FOTO TASR/AP 2 FUTBAL sobota 17.
    [Show full text]
  • Esports UK National Survey Research Report
    eSports UK national survey Research report May 2018 We are a consultative custom market research agency, responsive, contact us agile and committed to our clients’ success above all. sector We have a long history of helping brands succeed and we continually Technology, Media Steve Evans [email protected] innovate new means for obtaining insight. We set ourselves apart as & Entertainment Denholm Scotford [email protected] we fuse sector expertise and award winning research designs with innovative tools and technology to deliver impactful, actionable Marketing & PR Ian Smith [email protected] insights that keep our clients ahead of what’s next. Expert in all areas of research design, implementation, analysis, and reporting, we have particular strengths in customer experience, brand and new product development. Working internationally from our offices, our activities span both business-to-business and consumer markets. Our legacy, expertise and relationships made us who we are but technology drives our future and speed of delivery allows us to anticipate challenges. www.harris-interactive.co.uk 2 About this report eSports are a form of competition using video games, commonly organised as multiplayer video game competitions between players or teams of players. The top echelon of players are typically professional gamers competing for high value prize money pots. Competitors in the 2017 International Dota 2 Championship battled for a total prize pool in excess of $20m, with the winning team taking home $10.9m. The largest competitions are held live in some of the world’s largest indoor arenas and streamed online to even bigger audiences.
    [Show full text]
  • Eshark Token
    eShark Token White Paper 10 September 2021 @2021 eShark Token. All right reserved List of content 3 Introduction 4 Abstract 5 eShark Token (ESHK) 6 Product Implementation 7 Market Description 8 E-Sport Tournament 9 Team Member 13 Problem 14 Fraudulent Transaction 15 Event Organizer Fraud 16 Solution 18 Product 19 Market Place 20 Voting Right 22 Coral Pools & Sharkie Swap 23 Coral Pools 24 Sharkie Swap 25 RoadMap 27 Tokens Distribution & Funds Allocation 28 Distribution of Tokens 29 Allocation of Funds 30 Disclaimer Introduction Abstract eShark Token is the future of trusted transaction management for Gamers and Investor, built on blockchain technology and smart contracts. We unite gamers, investors, traders and exchangers into a decentralized, open and fair network, to globalize the financial in gaming market. The smart contract technology that underlies the platform will provide an automate and absolutely transparent system for investing. eShark Token purpose is to connect gamers community worldwide through a platform that able to conduct safe and convenient transactions between users, players, companies, e-sports teams, game developers and game publishers. eShark also going to create a democratic ecosystem for gamers using the token as a form of voting rights through blockchain system for Online Tournament Platform, eSports Team, Event Organizer, Game Influencer, eSports Manager, Game Streamer and all related to Game industry. 4 eShark Token (ESHK) ESHK is a BEP20 – standard token that will be distributed as part of the Following the crowd sale, ESHK can be stored in any BEP20 – compliant wallet. Additional functions will be introduced in the future: • ESHK will be stored in ESHK wallet integrated to gaming platform.
    [Show full text]
  • How to Start a Career in E-Sports
    Moona Tuominen HOW TO START A CAREER IN E-SPORTS HOW TO START A CAREER IN E-SPORTS Moona Tuominen Bachelor’s Thesis Spring 2021 Business Information Technology Oulu University of Applied Sciences ABSTRACT Oulu University of Applied Sciences Business Information Technology Author(s): Moona Tuominen Title of Bachelor´s thesis: How to start a career in eSports Supervisor(s): Minna Kamula Term and year of completion: Spring 2021 Number of pages: 34 This thesis is about eSports, also known as electronic sports or competitive gaming. Gaming has grown as a business over the past few decades and eSports rival traditional sports in terms of revenue and viewership numbers. The industry is expected to continue growing, and as such, it is interesting to look at different career opportunities within the eSports industry. This paper lays out the history of competitive gaming and explores different career paths possible in the field of eSports, as well as ways to start a career in eSports. The aim of this thesis is to give a good, coherent picture of eSports as an industry, and to analyze the ways professionals in different positions and with different career paths have created their own careers in eSports. This research gives insight into the still quite new industry and the ways professionals from different backgrounds end up working for eSports organizations. Data used consists of written article interviews of professional gamers, YouTube videos of eSports professionals explaining what they do and how they ended up in the industry, as well as a short questionnaire. The conclusions of this thesis answer to the question: How to get a career in eSports? Keywords: Esports, Competitive Gaming, eSports Industry, Professional Gaming 3 CONTENTS 1 INTRODUCTION ..................................................................................................................
    [Show full text]