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Pearl Jam Evolution
1 “L’uomo dalle parole d’oro” “I Pearl Jam sono migliori di quasi ogni altra band nella storia che abbia avuto quell’ enorme tipo di successo, l'hanno gestito in modo davvero eloquente. Penso che ciò rappresenti un grande esempio per gli altri musicisti di come sia davvero possibile controllare l’attenzione dei media. Penso siano riusciti a restare vitali. I dischi che hanno fatto non hanno necessariamente attratto lo stesso numero di fans di Ten, ma hanno comunque attratto un sacco di persone. Hanno venduto milioni di dischi senza dover fare video e senza dover fare una campagna pubblicitaria esagerata per ogni album.” (Chris Cornell) Stato di Washington, primi anni Ottanta. I complessi più amati dai ragazzi americani in quegli anni sono veloci, aggressive ed arrabbiate hardcore punk band come i Black Flag, i Minor Threat o i Dead Kennedys. Proprio questi ultimi, capitanati dall’istrionico Jello Biafra, giungono a Seattle nell’Ottobre 1984. Quella stessa sera, ad aprire il loro concerto c’è una band locale composta da musicisti che dopo pochi anni diventeranno personaggi chiave del sound di Seattle. Si tratta dei Green River. Fanno parte dei Green River: il cantante Mark Arm, il chitarrista Steve Turner, il batterista Alex Vincent, il bassista Jeff Ament e l’altro chitarrista, Stone Gossard. Il futuro chitarrista ritmico dei Pearl Jam nasce il 20 Luglio 1966 a Seattle. Da ragazzo vive sempre a Seattle insieme ai genitori, due avvocati di successo, e alle due sorelle, Shelley e Star. I suoi genitori, democratici convinti, lo mandano ad una scuola superiore alternativa e multiculturale, la Northwest School, dove le lezioni di storia includono discussioni prolungate sul coinvolgimento degli Stati Uniti negli assassinii politici. -
Anna Jochymek Kryształ Masy Przestrzeń Strachu W Społeczeństwie Współczesnym
Uniwersytet Artystyczny w Poznaniu Wydział Komunikacji Multimedialnej Interdyscyplinarne Studia Doktoranckie Anna Jochymek Kryształ masy Przestrzeń strachu w społeczeństwie współczesnym Praca doktorska napisana pod kierunkiem naukowym prof. dr hab. Piotra Kurki Styczeń 2020 2 Pracę dedykuję prof. Sharon Morris i dr Hayley Newman 3 4 OŚWIADCZENIE AUTORKI PRACY Ja, niżej podpisana: imię i nazwisko: Anna Jochymek autorka pracy dyplomowej pt. Kryształ masy. Przestrzeń strachu w społeczeństwie współczesnym Oświadczam, że ww. praca dyplomowa: została przygotowana przeze mnie samodzielnie, - nie narusza praw autorskich w rozumieniu ustawy z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych (tekst jednolity Dz. U. z 2006 r. Nr 90, poz. 631, z późn. zm.) oraz dóbr osobistych chronionych prawem cywilnym, - nie zawiera danych i informacji, które uzyskałam w sposób niedozwolony, nie była podstawą nadania stopnia doktora nauk, dyplomu wyższej uczelni lub tytułu zawodowego ani mnie, ani innej osobie. Oświadczam również, że treść pracy dyplomowej zapisanej na przekazanym przeze mnie jednocześnie nośniku elektronicznym jest identyczna z treścią zawartą w wydrukowanej wersji pracy. Jestem świadoma odpowiedzialności karnej za złożenie fałszywego oświadczenia. Anna Jochymek Styczeń 2020 5 6 PODZIĘKOWANIA Na wstępie chciałam podziękować mojemu promotorowi prof. dr hab. Piotrowi Kurce za bezwarunkowe zaufanie jakim mnie obdarzył i ogromne wsparcie jakiego mi udzielił decydując się na niemal zdalne prowadzenie mojego doktoratu, kiedy postanowiłam przeprowadzić się do Londynu – na zawsze zapamiętam nasze rozmowy na Skypie. Ogromnym zaufaniem obdarzyły mnie dwie wspaniałe artystki i akademiczki prof. Sharon Morris i dr Hayley Newman, których otwartość i wyrozumiałość nie miała granic i zaowocowała moim dwuletnim pobytem w Slade School of Fine Art (UCL). -
The Contribution of Grunge to Social Change
The Contribution of Grunge to Social Change Korać, Zrinka Undergraduate thesis / Završni rad 2014 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:606771 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Preddiplomski studij engleskog jezika i književnosti i mađarskog jezika i književnosti Zrinka Korać The Contribution of Grunge to Social Change Završni rad Mentor: doc.dr.sc. Jadranka Zlomislić Osijek, 2014. Korać 2 Abstract This paper explores grunge, a music genre that developed in Seattle, Washington during the 1990s. The aim is to show how grunge contributed to changes primarily in the American society as it moved from underground to mainstream and became a primary pop cultural movement in the 90s. It also became a subculture which has its special characteristics like a certain way of dressing, behaving etc. The paper follows the evolution of grunge from its beginning in the 1980s. Thanks to Sub Pop, an independent record label, and its creators Jonathan Poneman and Bruce Pavitt and their sense for business and self-promotion, grunge moved from underground to mainstream at the beginning of the 1990s with Nirvana’s album Nevermind as a landmark and their single “Smells like Teen Spirit” as the anthem of the Generation X. Furthermore, the paper explores how musicians engaged in different aspects of society like politics, campaigning and activism and how grunge became an essential part of fashion statements and different forms of art such as movies. -
Una Historia Oral Del Grunge
todo el mundo adora nuesTrA CIUDAD UNA HISTORIA ORAL DEL GRUNGE Mark Yarm Traducción: Óscar Palmer Yáñez Es Pop Ensayo ES POP EDICIONES TÍTULO ORIGINAL: Everybody Loves Our Town Crown Archetype Nueva York, 2011 ES POP ENSAYO Nº 10 1ª EDICIÓN: NOVIEMBRE 2015 Published by arrangement with Janklow & Nesbit Associates © 2011 by Mark Yarm © 2015 de la traducción: Óscar Palmer Yáñez © 2015 de esta edición: Es Pop Ediciones Mira el río alta, 8 - 28005 Madrid www.espop.es Portadilla: Chris Cornell de Soundgarden en el club Apocalypse de Toronto, 4 de noviembre de 1989 © Derek Von Essen. Págs. 16-17 y 18: The U-Men tocando tras un muro de llamas; Mike Tucker (izquierda) y Tommy Simpson, sus roadies, vertiendo gasolina en el foso del Mural Amphitheatre de Seattle, 1 de septiembre de 1985 © Valerie Broatch. Letra de “Overblown”, de Mudhoney © 1992 Better Than Your Music; utilizada con permiso. Las entrevistas aquí contenidas han sido editadas en pos de la claridad. CORRECCIÓN DE PRUEBAS: Kika Carmona, David Muñoz DISEÑO Y MAQUETA: El Pulpo Design LOGO: Gabi Beltrán IMPRESIÓN: Huertas Impreso en España ISBN: 978-84-944587-0-5 Depósito legal: M-32160-2015 4 TODO EL MUNDO ADORA NUESTRA CIUDAD índice InTRODUCCIÓN · 13 CAPÍTULO 1: SE VA A lIAR PARDA · 19 CAPÍTULO 2: eL eVANGeL IO SEGÚN BuZZ · 37 CAPÍTULO 3: ¡HOlA SeATtLE! · 48 CAPÍTULO 4: eL BAILE MÁS HeR MOSO · 59 CAPÍTULO 5: VIVIR A Gr iTOS · 70 CAPÍTULO 6: MARCHARSE DE CASA · 81 CAPÍTULO 7: UN TeRCeR SONIDO · 92 CAPÍTULO 8: LOS CUATRO TíOS MÁS rAROS DE eLLeNSBURG · 108 CAPÍTULO 9: AL BORDE DE lA QUIEBrA -
Last of the Giants Het Ware Verhaal Van Guns N’ Roses
Mick Wall Last of the Giants Het ware verhaal van Guns N’ Roses Arcade, Amsterdam 2017 Oorspronkelijke titel: Last of the Giants: Th e True Story of Guns N’ Roses Oorspronkelijk uitgegeven door: Trapeze, 2016 © Mick Wall, 2016 © Vertaling uit het Engels: Atty Mensinga, 2017 © Nederlandse uitgave: Arcade, Amsterdam 2017 Omslagontwerp: Loudmouth, Utrecht © Omslagbeeld: Getty Images Typografi e: Crius Group, Hulshout isbn 978 90 488 4220 9 isbn 978 90 488 4221 6 (e-book) nur 666 www.overamstel.com Arcade is een imprint van Overamstel uitgevers bv Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfi lm of op welke wijze ook, zonder voorafgaande schriftelijke toestemming van de uitgever. Inhoud Dankbetuiging Deel een – Down on the street 1. Do you know where the fuck you are? 2. Where the girls are pretty 3. Chicken à la lsd 4. Een kruis en vijf schedels 5. Much too high 6. Het ontbrekende miljoen 7. Stomme junks 8. Flying like a space brain 9. Th is Close to Heaven Deel twee – Real’s a dream 10. Th is Side of Hell 11. Bought Me an Illusion 12. Mooi en gestoord 13. 2000 Intentions 14. Th e Project 15. Smell the poppies 16. Blame it on the Falun Gong 17. In this lifetime 18. Where’s Izzy? Opmerkingen en bronnen Voor Axl, jij hebt gewonnen Dankbetuiging Mijn diepe dank aan al diegenen die geholpen hebben dit boek te realiseren, direct dan wel indirect, in de loop van de tijd en waar dan ook: Linda Wall, Anna Valentine, Robert Kirby, Malcolm Edwards, Alan Niven, Doug Goldstein, Vicky Hamilton, Emma Smith, Kate Walsh, Marleigh Price, Jessica Purdue, Krystyna Kujawinska, Mark Handsley, Craig Fraser, Mark Th omas, Jon Hotten, Dave Everley, Joe Daly, Vanessa Lampert, Steve Morant, Ian Clark en John Hawkins. -
History of Grunge
HISTORY OF GRUNGE NOTES: -If you don’t know which part is yours, ask! -Watch live footage if you’re having trouble. -Do not learn any live, demo, or cover versions of these songs. Album only. -If there are any shouts or group vocals, everyone on the song should learn ‘em. -This show will be in Mid/Late June -You are only allowed to miss three (3) rehearsals with no penalty. If you miss 4, you’ll lose one or two songs (at the discretion of the directors). If you miss 5, you’ll be asked to step down from your responsibilities. -Please contact Tyler if you have any questions or problems. [email protected] Melvins – Boris (1) Drums- Mauricio Contreras Bass- Chris Salinas Guitar lead- Nathaniel Bazer Guitar- Dagger DelaVergne Vocals- Anton Mabey Green River - Swallow My Pride (1) Drums- Jaden Lesser Bass- Danielle Smith Guitar- Nate Coady Guitar lead- Austin George Backup Vocals- Nate Coady Vocals- Kelly Ports 10 Minute Warning - Face First (2) Drums- Keagan Reilly Bass- Nathaniel Bazer Guitar lead- Evan Ojeda Guitar- Aidan Fay Vocals- Kelly Ports Nirvana – Blew (2) Drums- Drew Alvarez Bass- Ethan Lockwood Guitar lead- Dagger Delavergne Guitar- Aidan Batista Vocals- Sophie Mueller Temple of the Dog - Hunger Strike (3) Drums- Drew Alvarez Bass- Chris Salinas Guitar- Bella Castaneda Guitar- Nate Coady Vocals (Cornell)- Danielle Smith Vocals (Vedder)- Kelly Ports Screaming Trees - Nearly Lost You (3) Drums- Mauricio Contreras -
The Contribution of Grunge to Social Change
The Contribution of Grunge to Social Change Korać, Zrinka Undergraduate thesis / Završni rad 2014 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:606771 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-01 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Preddiplomski studij engleskog jezika i književnosti i mađarskog jezika i književnosti Zrinka Korać The Contribution of Grunge to Social Change Završni rad Mentor: doc.dr.sc. Jadranka Zlomislić Osijek, 2014. Korać 2 Abstract This paper explores grunge, a music genre that developed in Seattle, Washington during the 1990s. The aim is to show how grunge contributed to changes primarily in the American society as it moved from underground to mainstream and became a primary pop cultural movement in the 90s. It also became a subculture which has its special characteristics like a certain way of dressing, behaving etc. The paper follows the evolution of grunge from its beginning in the 1980s. Thanks to Sub Pop, an independent record label, and its creators Jonathan Poneman and Bruce Pavitt and their sense for business and self-promotion, grunge moved from underground to mainstream at the beginning of the 1990s with Nirvana’s album Nevermind as a landmark and their single “Smells like Teen Spirit” as the anthem of the Generation X. Furthermore, the paper explores how musicians engaged in different aspects of society like politics, campaigning and activism and how grunge became an essential part of fashion statements and different forms of art such as movies. -
Esports in Education Exploring Educational Value in Esports Clubs, Tournaments and Live Video Productions
Esports in Education Exploring Educational Value in Esports Clubs, Tournaments and Live Video Productions By Paul William Richards Copyright © 2020 Paul William Richards All rights reserved. No part of this book may be reproduced in any manner without written permission except in the case of brief quotations included in critical articles and reviews. For information, please contact the author. Photographs by Michael Luttermoser Photography Copyright © by Michael Luttermoser. DISCLAIMER AND/OR LEGAL NOTICES Although the author and publisher have made every effort to ensure that the information in this book was correct at press time, the author and publisher do not assume and hereby disclaim any liability to any party for any loss, damage, or disruption caused by errors or omissions, whether such errors or omissions result from negligence, accident, or any other cause. ISBN: 9781673224436 DEDICATION To esports coaches who are helping students explore their dreams and achieve excellence in competitive video gaming. ADDITIONAL INFORMATION Free online course included with this book is available at: StreamGeeks.us/esportsEDU Esports scholarship available at: StreamGeeks.us/esports Free digital copy of this book is available at: PTZOptics.com/book Facebook Group : https://facebook.com/groups/esportsEDU CONTENTS Acknowledgments i 1 Meet the Future 1 2 Common Ground in Esports & Education 4 3 A Brief History of Video Games 6 4 The Study of Video Games 11 5 Getting the Most Educational Value Out of Video Games 17 6 From a Teen’s Pastime to the