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Update 4.9 'Omen of Change'
Update 4.9 ‘Omen of Change’ Contents Abyss ..................................................................................................................................................3 Instances ............................................................................................................................................5 Error Corrections ............................................................................................................................7 Fortress Battles ...................................................................................................................................8 New Fortress Battle Times ..............................................................................................................9 PvP .....................................................................................................................................................9 Items ..................................................................................................................................................9 Error Corrections .......................................................................................................................... 17 UI...................................................................................................................................................... 18 Error Corrections .......................................................................................................................... 24 Quests ............................................................................................................................................. -
Lab Assignment 1
CS181: Programming Languages Vladimir Vacic, Christos Koufogiannakis University of California, Riverside Lab Assignment 1 1. Given the following graph of possible flights between seven US cities: (graph taken from the web site of the American Mathematical Society, http://www.ams.org) a) Write a Prolog program that would check if there is a route from Fresno to Dallas, from Seattle to Boston, and from Atlanta to Fresno. b) Write a C program that does the same thing. Note: you have to write complete, working programs, run them and show the results. As far as C goes, the choice of data structure to store the relations between cities is yours. Warning: if there are cycles in the graph, Prolog might never find a solution and may never say that there are no solutions. If this happens in your assignment, make a note of that. 2. Given the partial family tree of the gods of the ancient Greeks encoded as a Prolog database: parent(chaos, gaea). parent(gaea, cyclope). parent(gaea, chronos). parent(gaea, coeus). parent(gaea, oceanus). parent(uranus, cyclope). parent(uranus, chronos). parent(uranus, coeus). parent(uranus, oceanus). parent(chronos, hades). parent(chronos, poseidon). parent(chronos, zeus). parent(rhea, hades). parent(rhea, poseidon). parent(rhea, zeus). parent(coeus, leto). parent(phoebe, leto). parent(leto, apollo). parent(leto, artemis). parent(zeus, apollo). parent(zeus, artemis). parent(oceanus, iapetus). parent(tethys, iapetus). parent(hera, ares). parent(zeus, ares). male(chaos). male(cyclope). male(uranus). male(chronos). male(coeus). male(oceanus). male(hades). male(poseidon). male(zeus). male(ares). male(apollo). male(iapetus). -
Minding Time in an Archetypal Cosmos
Minding Time in an Archetypal Cosmos Matthew T. Segall What is time? Who can give a brief or easy answer? Who can even form a conception of it to be put in words? Yet what do we mention more often or familiarly in our conversation than time? We must therefore know what we are talking about when we refer to it, or when we hear someone else doing so. But what, exactly, is that? I know what it is if no one asks; but if anyone does, then I cannot explain it. -Saint Augustine, Confessions1 Time as a whole and in its parts bears to Space as a whole and its corresponding parts a relation analogous to the relation of mind to its equivalent bodily or nervous basis; or to put the matter shortly . Time is the Mind of Space and Space the body of Time. -Samuel Alexander, Space, Time, and Deity2 Sixteen-hundred years after Augustine’s death, despite humanity’s tremendous advances in scientific knowledge and technological power, time remains as mysterious as ever. On the one hand, the experiential passage of time is among the most mundane facts of our day-to-day lives. We say, “I am twenty-nine years old,” or “Let’s meet Wednesday for lunch,” and no one has the slightest problem understanding what we mean. On the other hand, as even Augustine, one of the most philosophically learned persons of his era, was forced to admit, when we stop to ask “What is time?,” our intellect is stunned into silence. Despite time’s mysteriousness, many thinkers have overcome this silence to venture an answer. -
The Children of Earth and Starry Heaven: The
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2010 The hiC ldren of Earth and Starry Heaven: The Meaning and Function of the Formula in the 'Orphic' Gold Tablets Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons, and the Religion Commons Custom Citation R. G. Edmonds III, “The hiC ldren of Earth and Starry Heaven: The eM aning and Function of the Formula in the 'Orphic' Gold Tablets,” in Orfeo y el orfismo: nuevas perspectivas, Alberto Bernabé, Francesc Casadesús y Marco Antonio Santamaría (eds.), Alicante : Biblioteca Virtual Miguel de Cervantes (2010), pp. 98-121. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/98 For more information, please contact [email protected]. 4 THE CHILDREN OF EARTH AND STARRY HEAVEN: THE MEANING AND FUNCTION OF THE FORMULA IN THE ʹORPHICʹ GOLD TABLETS Radcliffe G. Edmonds III Bryn Mawr University The most striking aspect of the tiny gold tablets often known as the Orphic gold leaves is undoubtedly the enigmatic declaration: ʺI am the child of Earth and starry Heavenʺ. All of the tablets which, following Zuntzʹs classification, have been labelled B tablets, contain this mysterious formula, whether the scenario of the deceasedʹs journey through the underworld is described in greater or lesser detail1. The statement captures the imagination with its imagery and its simplicity, but also with its mysterious nature. -
Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic
UCLA UCLA Historical Journal Title Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic Permalink https://escholarship.org/uc/item/4hb1v94d Journal UCLA Historical Journal, 29(1) ISSN 0276-864X Author Ladouceur, John Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Christians and Pagans in Roman Nea Paphos: Contextualizing the ‘House of Aion’ Mosaic John Ladouceur Notre Dame University “Rather than retreats from public life, however, these residences were the forum made private.” —Peter Brown, on the late Roman villa1 Since its chance discovery in 1983 at the site of ancient Nea Paphos, the “House of Aion” floor mosaic has both fascinated and perplexed scholars. Located in the dining room (triclinium) of a wealthy Roman villa, the pavement, which contains five remarkably preserved panels depicting famous scenes from Greco-Roman mythology, is simply stunning in its artistic quality and scope. Constructed during the fourth century CE, the floor is a reflection of the considerable pros- perity of late Roman Cyprus and a window into the private world of a confident Mediterranean elite.2 Yet if the magnificence of the mosaic program has been conceded by all, its interpretation has proven more controversial. Although the scenes themselves are easily identifiable, being explicitly labeled by the artist, their meaning has been vigorously debated.3 Indeed, several prominent scholars, including the head exca- vator of the villa, W. A. Daszewski, have noticed an unsettling pattern in the layout of the panels.4 When read as part of a continuous sequence, the thematic content of these pagan scenes seems to mirror, in exact order, key scenes from the life of Jesus as depicted in the canonical Christian Gospels. -
The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton. -
Read Book Fate
FATE PDF, EPUB, EBOOK Jennifer Lynn Barnes | 355 pages | 10 Mar 2009 | Bantam Doubleday Dell Publishing Group Inc | 9780385735377 | English | New York, United States Moirai - Wikipedia Pausanias mentions an ancient role of Eileythia as "the clever spinner", relating her with destiny too. The Moirai assigned to the terrible chthonic goddesses Erinyes who inflicted the punishment for evil deeds their proper functions, and with them directed fate according to necessity. As goddesses of death they appeared together with the daemons of death Keres and the infernal Erinyes. In earlier times they were represented as only a few—perhaps only one—individual goddess. Homer's Iliad xxiv. In the Odyssey vii. At Delphi, only the Fates of Birth and Death were revered. Some Greek mythographers went so far as to claim that the Moirai were the daughters of Zeus —paired with Themis "fundament" , as Hesiod had it in one passage. Whether or not providing a father even for the Moirai was a symptom of how far Greek mythographers were willing to go, in order to modify the old myths to suit the patrilineal Olympic order, [56] the claim of a paternity was certainly not acceptable to Aeschylus , Herodotus , or Plato. Despite their forbidding reputation, the Moirai could be placated as goddesses. Brides in Athens offered them locks of hair, and women swore by them. They may have originated as birth goddesses and only later acquired their reputation as the agents of destiny. According to the mythographer Apollodorus , in the Gigantomachy , the war between the Giants and Olympians, the Moirai killed the Giants Agrios and Thoon with their bronze clubs. -
Greek Religious Thought from Homer to the Age of Alexander
'The Library of Greek Thought GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER Edited by ERNEST BARKER, M.A., D.Litt., LL.D. Principal of King's College, University of London tl<s } prop Lt=. GREEK RELIGIOUS THOUGHT FROM HOMER TO THE AGE OF ALEXANDER BY F. M. CORNFORD, M.A. Fellow and Lecturer of Trinity College, Cambridge MCMXXIII LONDON AND TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON tf CO. HOTTO (E f- k> ) loUr\ P. DOTTO/U TALKS ) f^op Lt=. 7 yt All rights reserved f PRINTED IN GREAT BRITAIN TO WALTER DE LA MARE INTRODUCTION The purpose of this book is to let the English reader see for himself what the Greeks, from Homer to Aristotle, thought about the world, the gods and their relations to man, the nature and destiny of the soul, and the significance of human life. The form of presentation is prescribed by the plan of the series. The book is to be a compilation of extracts from the Greek authors, selected, so far as possible, without prejudice and translated with such honesty as a translation may have. This plan has the merit of isolating the actual thought of the Greeks in this period from all the constructions put upon it by later ages, except in so far as the choice of extracts must be governed by some scheme in the compiler's mind, which is itself determined by the limits of his knowledge and by other personal factors. In the book itself it is clearly his business to reduce the influence of these factors to the lowest point; but in the introduction it is no less his business to forewarn the reader against some of the consequences. -
Introduction. Dionysus in Rome: Accommodation and Resistance
Fiachra Mac Góráin Introduction. Dionysus in Rome: accommodation and resistance Abstract: This introductory chapter provides a wide-angle history of the presence of Dionysus/Bacchus/Liber on Italian soil from the archaic to the early Christian periods, covering archaeological and literary sources. In parallel, it surveys the main scholarly trends on the Italian versions of Dionysus, and emplots the con- tributions to this volume in a history of scholarship. The main focus of the chap- ter, which is programmatic for the volume, is the interface of Greek and Roman cultures, and whether it is possible to identify and define (an) Italian version(s) of Dionysus. It posits two aspects to the Romans’ reception of Bacchus, which may be termed ‘accommodation’ and ‘resistance’. The interplay between these two levels of response will inform an analytic narrative that assesses the relation- ship between the Greek Dionysus and the Roman Liber, embracing interpretatio and religious polymorphism, and addressing some of the most important Diony- sian manifestations in Roman culture: the founding of the temple of Ceres, Liber and Libera; the Bacchanalia; the Liberalia; Roman leaders’ uses of Dionysus; the poets’ references to Bacchus; and a brief glance at the Bacchic-Christian inter- face. As ‘our oldest living symbol’,1 Dionysus/Bacchus has evolved over many different forms. Until relatively recently, scholars believed that he was an import from the East, and a late addition to the Greek pantheon. Rohde, Nilsson, Wilamowitz and Otto all subscribed to different versions of the Nietzschean myth that an ecstatic Dionysus cult was assimilated from Thrace and tamed by the influence of Apollo.2 This view was based on the god’s slight role in the Homeric poems, coupled with For discussion of Dionysus in Rome and bibliographical advice, I wish to thank Clifford Ando, Andreas Bendlin, Tom Carpenter, Michael Crawford, Elena Giusti, Dan Hogg, Duncan MacRae, John North, Donncha O’Rourke, Richard Seaford, and Peter Wiseman. -
Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .G 2018. "Deviant Origins: Hesiodic Theogony and the Orphica." In In Oxford Handbook of Hesiod, edited by A. Loney & S. Scully, 225-242. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/125 For more information, please contact [email protected]. Deviant Origins: Hesiod’s Theogony and the Orphica Oxford Handbooks Online Deviant Origins: Hesiod’s Theogony and the Orphica Radcliffe G. Edmonds III The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry, Classical Religions and Mythologies Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.43 Abstract and Keywords Hesiod’s Theogony provides one of the most widely authoritative accounts of the origin of the cosmos, but his account has always been challenged by rivals claiming to be older, wiser, and better, and the name of Orpheus has always been privileged in the evidence for ancient rivals to Hesiod. The Orphic accounts play their variations on the Hesiodic themes, riffing in different ways on the idea of the ultimate origin of the cosmos; the processes of reproduction by which subsequent entities were generated; the conflicts between these divinities that created the changes from the original state to the current one; the way in which humans entered the story; and the final resolution of the conflicts and changes that created the current, normal order of Zeus. -
Pan's Labyrinth
Southey, 2016 Pan’s Labyrinth: A Critical Analysis by Safia Southey Table of Contents: Eyes and Obedience………………………………………………………….…….… 2 Stories, Fantasy and Reality……………………………………………………….…. 8 Hamlet Connections…………………………………………………………..……….14 Cinematography and Sound…………………………………………………….……..19 Good vs. Evil……………………………………………………………….……….…26 Folklore and Religion………………………………………………………….….…...31 Time………………………………………………………………………….…….…..41 Femininity…………………………………………………………………….…….….45 Appendix…………………………………………………………………….…….…...51 Works Cited……………………………………………………………………..….….79 1 Southey, 2016 Eyes and Obedience Guillermo del Toro’s Pan’s Labyrinth is an exploration into the life of a young girl, Ofelia. Ripped from her home and forced into the world of her stepfather, Captain Vidal and the Spanish Civil War, she hides herself away in her books and fairytales. When she is told by a Faun that she is the Princess of the Underworld, she immediately leaps at the chance to prove that she’s not mortal in order to distract herself from the patriarchal and violent world around her. Every character in the film must decide what part they play in her story, whether they will obey their superiors or create their own path, whether they will see beyond their instructions or blindly follow orders. Symbolism of eyes and sight appear everywhere, posing as a theme to guide the audience through the story and raise questions about what it really means to see. In Pan’s Labyrinth, only those who are able to open their eyes and not blind themselves with rage and make decisions beyond what they are expressly instructed to do are able to succeed. The film begins with a fantastical story about a Princess who lives in the Underworld realm who dreams of joining the human world. -
The Search for Immortality in Archaic Greek Myth
The Search for Immortality in Archaic Greek Myth Diana Helen Burton PhD University College, University of London 1996 ProQuest Number: 10106847 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10106847 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis considers the development of the ideology of death articulated in myth and of theories concerning the possibility, in both mythical and 'secular' contexts, of attaining some form of immortality. It covers the archaic period, beginning after Homer and ending with Pindar, and examines an amalgam of (primarily) literary and iconographical evidence. However, this study will also take into account anthropological, archaeological, philosophical and other evidence, as well as related theories from other cultures, where such evidence sheds light on a particular problem. The Homeric epics admit almost no possibility of immortality for mortals, and the possibility of retaining any significant consciousness of 'self' or personal identity after death and integration into the underworld is tailored to the poems rather than representative of any unified theory or belief. The poems of the Epic Cycle, while lacking Homer's strict emphasis on human mortality, nonetheless show little evidence of the range and diversity of types of immortality which develops in the archaic period.