Lightspeed Magazine, Issue 123 (August 2020)
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Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Contents ARTICLES Mother, Monstrous: Motherhood, Grief, and the Supernatural in Marc-Antoine Charpentier’s Médée Shauna Louise Caffrey 4 ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir Matthew Fogarty 17 John Banville’s (Post)modern Reinvention of the Gothic Tale: Boundary, Extimacy, and Disparity in Eclipse (2000) Mehdi Ghassemi 38 The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’s Suspiria (1977) Charlotte Gough 51 In the Shadow of Cymraeg: Machen’s ‘The White People’ and Welsh Coding in the Use of Esoteric and Gothicised Languages Angela Elise Schoch/Davidson 70 BOOK REVIEWS: LITERARY AND CULTURAL CRITICISM Jessica Gildersleeve, Don’t Look Now Anthony Ballas 95 Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. by Dawn Keetley and Angela Tenga Maria Beville 99 Gustavo Subero, Gender and Sexuality in Latin American Horror Cinema: Embodiments of Evil Edmund Cueva 103 Ecogothic in Nineteenth-Century American Literature, ed. by Dawn Keetley and Matthew Wynn Sivils Sarah Cullen 108 Monsters in the Classroom: Essays on Teaching What Scares Us, ed. by Adam Golub and Heather Hayton Laura Davidel 112 Scottish Gothic: An Edinburgh Companion, ed. by Carol Margaret Davison and Monica Germanà James Machin 118 The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Catherine Spooner, Post-Millennial Gothic: Comedy, Romance, and the Rise of Happy Gothic Barry Murnane 121 Anna Watz, Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’ John Sears 128 S. T. Joshi, Varieties of the Weird Tale Phil Smith 131 BOOK REVIEWS: FICTION A Suggestion of Ghosts: Supernatural Fiction by Women 1854-1900, ed. -
Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected]
FOR IMMEDIATE RELEASE CONTACT: Michaela Murphy July 7, 2011 773-398-4522 Photos Available at [email protected] www.playwrightsfoundation.org TOP BAY AREA ACTORS, DIRECTORS AND DRAMATURGS TAPPED FOR 2011 BAY AREA PLAYWRIGHTS FESTIVAL TheatreWorks’ Meredith McDonough, Marin Theatre Company’s Ryan Rilette & Bay Area Actors, Naomi Newman, Nicol Foster and Dan Hiatt Among the Artists Supporting our Playwrights in Annual New Play Festival SAN FRANCISCO – The 34th annual Bay Area Playwrights Festival (BAPF) has completed assembly of its artistic teams and is sure to continue its tradition of producing exciting, innovative theatrical experiences. The Festival lineup includes seven new plays in the making – allowing audiences to witness the creative process as it unfolds – and partake in a rich diversity of voices and topics, ranging from the challenges of welcoming home an Iraqi war veteran to Australian racial identity to life and death on the streets of Oakland. With exceptional directors orchestrating a cast of top Bay Area actors who bring their keen artistic sensibilities to each piece and talented dramaturgs helping the writers further shape their work (a dramaturg’s function is similar to that of a book editor), each play has been carefully staffed to provide playwrights and audiences with an amazing experience in new play development. As in years past, the Festival has attracted some of the most exciting up-and-coming directing talent who are eager to tackle the exciting new work brought by the emerging playwrights. Dan Dietz’s Home Below Zero will be directed by Meredith McDonough, who, despite being a relative newcomer to Bay Area theater, has made a significant mark since her arrival in 2009. -
Hugo Awards Issue H
HUGO ISSUE The Solitary Star SUNDAY, SEPTEMBER 1, 2013 2013 Hugo Awards Best Novel: Redshirts: A Novel with Three Codas by John Scalzi (Tor) Best Novella: “The Emperor's Soul” by Brandon Sanderson (Tachyon Publications) Best Novelette: “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris) Best Short Story: “Mono no aware” by Ken Liu (The Future is Japanese, VIZ Media LLC) Best Related Work: Writing Excuses, Season 7 by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson Best Graphic Story: Saga, Volume 1 written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics) Best Dramatic Presentation (Long Form): The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount) Best Dramatic Presentation (Short Form): Game of Thrones: “Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO) Best Editor – Short Form: Stanley Schmidt Best Editor – Long Form: Patrick Nielsen Hayden Best Professional Artist: John Picacio Best Semiprozine: Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker Best Fanzine: SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester Best Fancast: SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer) Best Fan Writer: Tansy Rayner Roberts Best Fan Artist: Galen Dara John W. Campbell Award for Best New Writer: Mur Lafferty Total number of valid ballots received: 1,848 Number of ballots needed to pass the 25% rule: 462 All categories passed easily Hugo Administration: Todd Dashoff Hugo Awards Subcommittee: Todd Dashoff, Vincent Docherty, Saul Jaffe, Steven Staton, Beth Welsh, Ben Yalow Hugo Final Ballot Counting Software: Jeff Copeland Hugo Packet: Beth Welsh o Hugo Packet Staff: Andrew A. -
Lightspeed Magazine, Issue 122 (July 2020)
TABLE OF CONTENTS Issue 122, July 2020 FROM THE EDITOR Editorial: July 2020 SCIENCE FICTION Zen and the Art of an Android Beatdown, or Cecile Meets a Boxer: A Love Story Tochi Onyebuchi The End of the World Measured in Values of N Adam-Troy Castro The Blue Fairy’s Manifesto Annalee Newitz The Swallows of the Storm Ray Nayler FANTASY Baba Yaga and the Seven Hills Kristina Ten A Siege of Cranes Benjamin Rosenbaum Great Gerta and the Mermaid Mari Ness Rosamojo Kiini Ibura Salaam EXCERPTS The Sin in the Steel Ryan Van Loan NONFICTION Book Reviews: July 2020 Chris Kluwe Media Review: July 2020 LaShawn M. Wanak Interview: Alaya Dawn Johnson Christian A. Coleman AUTHOR SPOTLIGHTS Kristina Ten Adam-Troy Castro Mari Ness Ray Nayler MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Lightspeed Team Also Edited by John Joseph Adams © 2020 Lightspeed Magazine Cover by Galen Dara www.lightspeedmagazine.com Editorial: July 2020 John Joseph Adams | 247 words Welcome to Lightspeed’s 122nd issue! Our cover art this month is from Galen Dara, illustrating our first original fantasy short of the month: “Baba Yaga and the Seven Hills,” by Kristina Ten. Is there a place for a centuries- old Russian witch in San Francisco? You’d be surprised! Mari Ness takes us to Neverland in her piratical tale of “Great Gerta and the Mermaid.” Plus, we have fantasy reprints by Benjamin Rosenbaum (“A Siege of Cranes”) and Kiini Ibura Salaam (“Rosamojo”). During lockdown, it was hard not to think in terms of apocalypses. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. -
The Grotesque of the Gothic: from Poe to the Present
Phillips 1 The Grotesque of the Gothic: From Poe to the Present A Four-Week Instructional Unit Plan designed by Amy Dyster Phillips ELAN 7408 Dr. Smagorinsky University of Georgia Fall, 2007 The Grotesque of the Gothic Phillips 2 Amy Phillips Dr. Smagorinsky ELAN 7408 Unit Rationale: The Grotesque of the Gothic: From Poe to the Present “Gothic” or “Goth” is a term still used today, but where did it come from? What does Gothic really mean? Why does dressing “Goth” imply wearing all or mostly black? And why are spooky images associated with both? Edgar Allen Poe had a lot to do with this. The Gothic genre, though having originated in England, was brought to America by Poe and the literary culture as we then knew it was transformed. This four-week unit is designed to outline for students the historical background of the Gothic, including biographical information on Poe’s life. Students will examine and analyze how the Gothic has changed from Poe’s time until now, and wrestle with questions such as “what is attractive about the emotional experience of fear”? In other words, “why do you enjoy scary movies?” Gothic (or gothick), a term originally used to describe that which was barbaric or barbarian, comes from the word Goth, the name of the Germanic tribes who destroyed Rome and wreaked havoc on the rest of Europe in the third through fifth centuries. Later, because of the architecture that flourished in Europe during the Middle Ages known for its non-classical style, the term Gothic came to take on other meanings, synonymous with Middle Ages and medieval. -