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Hip Hop America Pdf, Epub, Ebook
HIP HOP AMERICA PDF, EPUB, EBOOK Nelson George | 256 pages | 31 May 2005 | Penguin Putnam Inc | 9780143035152 | English | New York, NY, United States Hip HOP America PDF Book Kool Herc -- lay the foundation of the hip-hop movement. Stylistically, southern rap relies on exuberant production and direct lyrics typically about the southern lifestyle, trends, attitudes. Hill's brilliant songwriting flourished from song to song, whether she was grappling with spirituality "Final Hour," "Forgive Them, Father" or stroking sexuality without exploiting it "Nothing Even Matters". According to a TIME magazine article, Wrangler was set to launch a collection called "Wrapid Transit," and Van Doren Rubber was putting out a special version of its Vans wrestling shoe designed especially for breaking [source: Koepp ]. Another key element that's helping spread the hip-hop word is the Internet. Late Edition East Coast. Most hip-hop historians speak of four elements of hip-hop: tagging graffiti , b-boying break dancing , emceeing MCing and rapping. Taking Hip-Hop Seriously. Related Content " ". Regardless, the Bay Area has enjoyed a measurable amount of success with their brainchild. And then, in the mid to late s, there was a resurgence in the popularity of breaking in the United States, and it has stayed within sight ever since. Depending on how old you are, when someone says "hip-hop dance," you could picture the boogaloo, locking, popping, freestyle, uprocking, floor- or downrocking, grinding, the running man, gangsta walking, krumping, the Harlem shake or chicken noodle soup. Another thing to clear up is this: If you think hip-hop and rap are synonymous, you're a little off the mark. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
KEM.C.GUNN IK.OWENS)Kern 79
The most popular singles and tracks, acccrding to R813/110Hop iedi.4 audience impressions measured by Nielsen Broadcast Data Systems and sales datafrom a subset pane of aye RSEfil-lip-Hop stores compiled by Nie scn Souncszan.3reateSt Game, Sales and Greatest Gainer;IAErplay are awarded, respectively. tot the largest retail sales and airplay increases on the chart. Sm. Charts Lagaid for ruin od explanations. ei 2006. VNU Business Media, Inc. and Nielsen SoundScan, Inc. Allrights resene.' /JIRO TIONI-DRED lo SALES DATA COMPILED BY JUN Nelsen Nielsen 3 Snack -am P SoundSi..en 2- 2 System 41° 2006 1101. 13 &B /HIP -HOP SONGS Artist TITLE IMPRINT/PROMOTION LABEL e PRODUCER (SO I'M GONNA BE Donell Jones ' 1619EATE$T ITS Gm; DOWN Vung Joc 8 3 3 16 LAFACE/ZOEMIA 911.11011 pill0L9TNIT71 (IROBINSON,C.MOORE) Q BLOCK/BN) BOY SOUTH/ATLANTIC TIM a BOB (D JONES,T.KELLEY.B.ROBINSON) YOU Raheem DeVaughn WHAT YOU KNOW 8 55, 16 T.HUNTER (R.S.DEvAUGHN.T.HUNTER) 0 JIVE/20mA DJ TOOMP C.HARRIS,A.DAVIS.C.MAYEIELD,L.HUTSON,O.HATHAWAY) 00 GRAND HUSTLE/ATLANTIC ENOUGH CRYIN Mary J. Blige Featuring Brook-lyn ,{CANI TAKE YOU HOME Jamie Foxx - 3 ID Singer, wl-o ;s 0 J/RMG 411 R.JERKINS (M IBLIGE.R.JERKINS,S.GARRETT.S.C.CARTER) Co MATRIARN/GEFTEN/INTERSCOPE TIMBALAND (T.v.MOSLEY,S.GARRETT) set to opei Bubba Spanoot WHEN YOU'RE MAD Ne-Yo HEAT IT UP 59 I MR.COLLIPARK (W.mATHISN.CROOmS.S.ANDERSON) 00 NEW SOUTH/PURPLE RIBBONNIRGiN S.TAYLOR (S.SM1TH,S.TAYLOR) 00 DEE JAM/IONG for Mary Gucci Mane Featuring Mac Bre-Z GETT1N' SOME Shawnna Blige on GO AHEAD 57 5 6 $768 0 LATLARE/BIG -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here. -
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community. -
A Moral Call for a National Moratorium on Water, Power and Broadband Shutoffs
To: The Honorable Nancy Pelosi The Honorable Mitch McConnell Speaker Majority Leader U.S. House of Representatives U.S. Senate Washington, D.C. 20515 Washington, D.C. 20510 The Honorable Kevin McCarthy The Honorable Chuck Schumer Minority Leader Democratic Leader U.S. House of Representatives U.S. Senate Washington, D.C. 20515 Washington, D.C. 20510 cc: U.S. Senate Environment and Public Works Committee U.S. Senate Committee on Energy and Natural Resources U.S. Senate Committee on Commerce, Science, and Transportation Date: July 30, 2020 A Moral Call for a National Moratorium on Water, Power and Broadband Shutoffs Dear Senate Majority Leader McConnell, Minority Leader Schumer, Speaker Pelosi, Minority Leader McCarthy, Chairman Barrasso, and Ranking Member Carper, Chairwoman Murkowski, Ranking Member Manchin, Chairman Wicker, and Ranking Member Cantwell: On behalf of our congregants, members and supporters nationwide, we, the undersigned 537 faith leaders and organizations urge Congress to take decisive, moral action and implement a nationwide moratorium on the shut-offs of electricity, water, broadband, and all other essential utility services for all households, places of worship, and other non-profit community centers as part of the next COVID-19 rescue package. As faith leaders in the Christian, Muslim, Jewish, Buddhist, Baha’i, and other religious traditions, we call on you to come to the aid of struggling families and houses of worship across the country--and ensure that we all have access to water, power, and broadband during the ongoing coronavirus pandemic. Nearly 80% of the American population self identifies as being grounded in a faith ideology. -
Music Perception 13
Music Perception 13 LEARNING OBJECTIVES ISLE EXERCISES 13.1 Kurdish Music Example 13.1 Explain how frequency is related to pitch, chroma, and the octave. 13.2 Javanese Gamelan Music Example 13.2 Summarize the basic neuroscience of music, including how training and experience can affect the representation of music in the brain. 13.3 Ancient Greek Music 13.4 35,000-Year-Old Flute 13.3 Discuss how learning and culture affect music perception. distribute 13.5 Is This Music? 13.6 The Octave and or Tone Similarity INTRODUCTION 13.7 Pentatonic Music 13.8 Meter and Beat Wherever you travel, you will find music. It may sound very different from the music you are accustomed to hearing, but you will recognize it instantly as music. In Kurdistan, we 13.9 Bolero Clip find a unique culture of music featuring such instrumentspost, as the tanbur (a fretted string 13.10 Attack and Decay instrument), the qernête (a double-reed wind instrument), and the şimşal (a flutelike 13.11 Examples of Melody instrument) (Figure 13.1). Although most of you may never have heard of these instru- ments and may never have heard Kurdish music before, you would instantly recognize 13.12 Types of Scales them as musical instruments, and you might even like Kurdish music (see ISLE 13.1 for 13.13 Gestalt Principles an example of Kurdish music). Review copy, © Aurora Photos/Alamy 13.14 Gestalt Principle: Proximity: Bach’s Partita No. 3 in E major not 13.15 A Shave and a Haircut 13.16 Cross-Modal Matchings as a Simulation of Synesthesia Do 13.17. -
The Construction and Export of African American Images in Hip-Hop Culture
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2006 "Don't Believe the Hype": The onsC truction and Export of African American Images in Hip-Hop Culture. John Ike Sewell Jr. East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the African American Studies Commons, and the American Popular Culture Commons Recommended Citation Sewell, John Ike Jr., ""Don't Believe the Hype": The onC struction and Export of African American Images in Hip-Hop Culture." (2006). Electronic Theses and Dissertations. Paper 2193. https://dc.etsu.edu/etd/2193 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “Don’t Believe The Hype”: The Construction and Export of African American Images in Hip-Hop Culture ____________ A thesis presented to the faculty of the Department of Communication East Tennessee State University in partial fulfillment of the requirements for the degree Master of Arts in Professional Communication ____________ by John Ike Sewell, Jr. May 2006 ____________ Amber Kinser, Ph.D., Chair Primus Tillman, Ph.D. John Morefield, Ph.D. ____________ Keywords: Hip-hop, Rap Music, Imagery, Blackness, Archetype ABSTRACT “Don’t Believe the Hype:” The Construction and Export of African American Images in Hip-Hop Culture by John Ike Sewell, Jr. -
An Analysis of Attitudes and Values Via BET Programming Past and Present
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2015 Value Driven: An Analysis of Attitudes and Values Via BET Programming Past and Present Sasha M. Rice California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the African American Studies Commons Recommended Citation Rice, Sasha M., "Value Driven: An Analysis of Attitudes and Values Via BET Programming Past and Present" (2015). Electronic Theses, Projects, and Dissertations. 135. https://scholarworks.lib.csusb.edu/etd/135 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. VALUE DRIVEN: AN ANALYSIS OF ATTITUDES AND VALUES VIA BLACK ENTERTAINMENT TELEVISON (BET) PROGRAMMING PAST AND PRESENT ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies ______________________ by Sasha Marc Rice March 2015 VALUE DRIVEN: AN ANALYSIS OF ATTITUDES AND VALUES VIA BLACK ENTERTAINMENT TELEVISION (BET) PROGRAMMING PAST AND PRESENT ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Sasha Marc Rice March 2015 Approved by: Mary Fong, Committee Chair, Communication Studies Rueyling Chuang, Committee Member Eric Newman, Committee Member Copyright 2009 Sasha Marc Rice ABSTRACT This paper explores the general attitudes of African Americans towards the programming disseminated on the Black Entertainment Television (BET) network past and present (pre-Viacom/post-Viacom). -
Mixcraft-8-Manual.Pdf
USER MANUAL Written by Mitchell Sigman and Joseph Clarke Design and layout by Mitchell Sigman and Alan Reynolds TABLE OF CONTENTS Getting Started . 6 Mixcraft 8 Home Studio Limitations . 7 Important Sound Setup Information . 8 Quick Start. 10 Registration. 18 Mixcraft Reference .. 19 Tracks and Track Controls .. 32 Using Clips And The Main Clip Grid . 50 MIDI Basics . 60 MIDI Editing: Clips . 62 MIDI Editors: Piano Roll Editor . 71 MIDI Editors: Step Editor . .. 78 MIDI Editors: Score Editor . 85 Sound Tab . 88 Project Tab. 106 Recording MIDI Tracks . 107 Recording Audio . 114 Loop and Sound Effects Library . 122 Performance Panel . 143 Audio Mixer . 157 Video Tracks and Editing . 164 Loading and Saving Projects . 188 Automation and Controller Mapping . 193 Mixing Down To Audio and Video Files . 212 Burning Audio CD’s . 218 Publishing Mixcraft Projects Online . 220 Markers . 228 Effects . 234 Included Effects . 244 Virtual Instruments . 271 Included Virtual Instruments . 284 Alpha Sampler . 293 Omni Sampler . 298 Plug-In Management .. 307 ReWire . 309 Using Natively Supported Hardware Controllers . 311 Using Generic MIDI Controllers and Control Surfaces . .. 318 Musical Typing Keyboard (MTK) .. 321 Preferences . 323 Main Window Menus . 339 Keyboard Shortcuts . 350 Cursors . 356 Troubleshooting . 359 Glossary . 371 Appendix 1: Using Melodyne For Basic Vocal Tuning. 376 Appendix 2: Backing Up Mixcraft Projects and Data . 382 Appendix 3: Nifty Uses For Output Bus Tracks . 384 Appendix 4: Freesound Org. Creative Commons License Terms . 388 Appendix 5: Natively Supported Hardware Controllers . 390 Appendix 6: Copyrights and Trademarks . .. 391 GETTING STARTED Welcome to Mixcraft 8, a powerful recording DAW software offering the tools and performance power to create professional music and video projects..