The Green Caldron Includes Miss Constance Nicholas and Messrs
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Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature -
Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
ARSC Journal, Vol
WILLIE ROBYN: A RECORDING ARTIST IN THE 19205 (PART 2) By Tim Brooks Victor to Cameo The early 1920s must have been a heady time for young Robyn, with an exclusive Victor contract, a burgeoning stage and radio career, excellent reviews for his concert work, and talk of the Met. But by 1923 he had hit a plateau. The first setback was the loss ofhis agent, the enthusiastic Hugo Boucek. Boucek had run up large bills publicizing his artists. The economic depression of 1921-22 cut into concert revenues, and many concerts were canceled outright. Deeply in debt, Boucek skipped town, never to be heard from again. Left in the lurch, Robyn did not secure another agent, a move he later felt was a mistake. "I was the most mismanaged person that ever lived," he ruefully explained. The first matter he had to deal with was the expiration of his three-year Victor contract, in mid-1923. Victor was happy to renew, but for the same $7,000 per year as the previous term, and with Robyn still pretty much limited to the foreign series. Robyn insisted on more money, and another chance at popular recording. He made a new popular trial, "Dearest," on April 11th with Nat Shilkret accompanying on piano. Robyn scouted around for other options, and even made a test for Edison on May 24th. The test was reviewed by Thomas Edison himself, who noted of Robyn, 1 Has loud tremolo. Sings too loud. Ifsang less loud he would be much better and have less tremolo. He might do with proper songs. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/30/2011 to 12/06/2011 Last Period (TP) = 11/23/2011 to 11/29/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Freddy Cole Talk To Me HighNote 2011 12 9 3 2 20 Bill O'Connell Triple Play Plus Three Zoho 2011 11 4 7 3 41 Rene Marie Black Lace Freudian Slip Motema 2011 10 2 8 3 78 Mary Louise Knutson In The Bubble Meridian Jazz 2011 10 1 9 5 11 Joey DeFrancesco 40 HighNote 2011 9 5 4 5 284 Takuya Kuroda Edge Self-Released 2011 9 0 9 7 28 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 8 3 5 Tokyo 7 284 Sophie Milman In The Moonlight eOne 2011 8 0 8 9 5 Dr. Michael White Adventures In New Basin Street 2011 7 7 0 Orleans Jazz Pt. 1 9 7 Jeff McLaughlin Quartet Blocks Owl Studios 2011 7 6 1 9 284 Ken Fowser & Behn DuoTone Posi-Tone 2011 7 0 7 Gillece 9 284 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 7 0 7 13 1 Pat Martino Undeniable: Live At Blues HighNote 2011 6 10 -4 Alley 13 5 Alan Leatherman Detour Ahead AJL 2011 6 7 -1 13 11 Ron Carter Ron Carter's Great Big Sunnyside 2011 6 5 1 Band 13 11 Stefon Harris, David Ninety Miles Concord Picante 2011 6 5 1 Sanchez, Christian Scott 13 28 Cedar Walton The Bouncer High Note 2011 6 3 3 13 41 John Stein Hi Fly Whaling City Sound 2011 6 2 4 13 78 Lenora Zenzalai Helm I Love Myself When I'm Zenzalai 2011 6 1 5 Laughing 13 284 Ernest Stuart Solitary -
COMPLETE CATALOG with All Information
Available Pat Martino transcription books: PM #1 € 9,95/$ 15,95 Pat Martino: Solos 1968-1974 Bebop & Beyond: Sideman Years I (40 pages) PM #2 € 9,95/$ 15,95 Pat Martino: Solos 1963-1964 Swing To Bop: Sideman Years II (42 pages) PM #3 € 9,95/$ 15,95 Pat Martino: Solos 1964/1965 More Swing To Bop: Sideman Years III (38 pages) PM #4 € 9,95/$ 15,95 Pat Martino: Solos 1965 - 1967 Organ Standards: Sideman Years IV (41 pages) PM #5 € 9,95/$ 15,95 Pat Martino: Solos 1973-1977 In The Seventies: Sideman Years V (43 pages) PM #6 € 9,95/$ 15,95 Pat Martino: EL HOMBRE [1967] (34 pages) PM #7 € 9,95/$ 15,95 Pat Martino: STRINGS! [1967] (27 pages) PM #8 € 9,95/$ 15,95 Pat Martino: EAST! [1968] (35 pages) PM #9 € 9,95/$ 15,95 Pat Martino: FOOTPRINTS [1972] (36 pages) PM #10 € 9,95/$ 15,95 Pat Martino: LIVE! [1972] (29 pages) PM #11 € 9,95/$ 15,95 Pat Martino: CONSCIOUSNESS [1974] (38 pages) PM #12 € 9,95/$ 15,95 Pat Martino: WE'LL BE TOGETHER AGAIN [1976] (34 pages) PM #13 € 9,95/$ 15,95 Pat Martino: JOYOUS LAKE [1976] (32 pages) PM #14 € 14,95/$ 22,95 Pat Martino: THE RETURN [1987] (58 pages) PM #15 € 5,95/$ 8,95 P.M.'s solos on Bob Kenmotsu's BRONX TALE [1994] (17 pages) PM #16 € 9,95/$ 15,95 Pat Martino: INTERCHANGE [1994] (44 pages) PM #17 € 9,95/$ 15,95 Pat Martino: NIGHTWINGS [1994] (32 pages) PM #18 € 9,95/$ 15,95 Pat Martino: THE MAKER [1994] (32 pages) PM #19 € 9,95/$ 15,95 Pat Martino: STONE BLUE [1998] (36 pages) PM #20 € 9,95/$ 15,95 Pat Martino: EXIT [1976] (35 pages) PM #21 € 19,95/$30,95 Pat Martino: LIVE AT YOSHI's [2000] (70 pages) PM -
Londonjazz: LP REVIEW: George Benson – Beyond the Blue Horizon 14.01.15 13:45
LondonJazz: LP REVIEW: George Benson – Beyond the Blue Horizon 14.01.15 13:45 Diese Website verwendet Cookies, um die Bereitstellung von Diensten zu verbessern. Durch die Nutzung dieser Website erklären Sie sich mit der Verwendung von Cookies einverstanden. Home Venues Can We Help? Team LondonJazz - Facebook THE WEEKLY NEWSLETTER LP REVIEW: George Benson To subscribe for our weekly newsletter, Just email the Editor (in 'Team' – Beyond the Blue Horizon above) George Benson – Beyond the Blue Horizon (Speakers Corner/CTI 6009. LP review by Andrew Cartmel) Beyond the Blue Horizon, recorded by Rudy Van Gelder in 1971, was George Follow Benson’s debut on CTI records and sees the guitar prodigy moving out of the Tweets Follow shadow of Wes Montgomery and towards the sort of funky territory exemplified by Hippodrome 11 Jan Body Talk(reviewed here). That album featured Benson playing in the context of Casino Pete Cater Big Band what was virtually a big band, but here he is accompanied by an admirably stripped- @HippodromeLDN down small group of top players. It makes for a striking sound, and there is an We've got @LouiseGolbey agreeable hit of psychedelia to the proceedings, which points the way towards & very special guest @omarlyefookMBE live records like White Rabbit, which would be Benson’s next album for CTI. this Thursday. Don’t miss out! Tickets here: Miles Davis’s So What? introduces us to the keyboard work of Clarence Palmer. He bit.ly/1HNgPmS opens the tune with an ecclesiastical electric organ sound that rapidly becomes Retweeted by secular. Which is to say, he brings home the funk. -
Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone
Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together -
I Know Why the Caged Bird Sings by Maya Angelou
y f !, 2.(T I Know Why the Caged Bird Sings MAYA ANGELOU Level 6 Retold by Jacqueline Kehl Series Editors: Andy Hopkins and Jocelyn Potter Contents page Introduction V Chapter 1 Growing Up Black 1 Chapter 2 The Store 2 Chapter 3 Life in Stamps 9 Chapter 4 M omma 13 Chapter 5 A New Family 19 Chapter 6 Mr. Freeman 27 Chapter 7 Return to Stamps 38 Chapter 8 Two Women 40 Chapter 9 Friends 49 Chapter 10 Graduation 58 Chapter 11 California 63 Chapter 12 Education 71 Chapter 13 A Vacation 75 Chapter 14 San Francisco 87 Chapter 15 Maturity 93 Activities 100 / Introduction In Stamps, the segregation was so complete that most Black children didn’t really; absolutely know what whites looked like. We knew only that they were different, to be feared, and in that fear was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the employer; and the poorly dressed against the well dressed. This is Stamps, a small town in Arkansas, in the United States, in the 1930s. The population is almost evenly divided between black and white and totally divided by where and how they live. As Maya Angelou says, there is very little contact between the two races. Their houses are in different parts of town and they go to different schools, colleges, stores, and places of entertainment. When they travel, they sit in separate parts of buses and trains. After the American Civil War (1861—65), slavery was ended in the defeated Southern states, and many changes were made by the national government to give black people more rights. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
200 of the Best Songs from Jazz of The
200 OF THE BEST SONGS FROM BOOGIEWOOGIE.RU OF THE'50S JAZZCompiled and edited by Rob DuBoff Song Index ........................................2 Artist Index ...................................... 226 This series would not have been possible without encouragement from my family and friends. Thanks to: Grandma Lydia for helping me brainstorm for prospective titles, Mark Vinci and Mark Davis for sparking my interest in song collection, Jim and Jane Hall for their enthusiasm, Noel Silverman for being my advocate, Doug and Wendy for giving me perspective, and especially my parents, Arlene and Andy, for their tremendous support, confidence and guidance. Special gratitude to Heather for being my sounding board, problem solver, editor, frequently-more-accurate extra set of ears and most importantly, my best friend. Without your unconditional support this project would not be. THE JAZZ BIBLE" and JAZZLINES PUBLICATIONS'" are trademarks used under license from Hero Enterprises, Inc. Compiled and edited by Rob DuBoff for Jazzlines Publications", a division of Hero Enterprises, Inc. ISBN 0-7935-5808-5 HALOLEONARD@ PdCORPORATION 7777 W. BLUEMOUND RD. P.O.BOX 13819 MILWAUKEE, WI 53213 For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. Visit Hal Leonard Online at www.halleonard.com 2 ZOO OF THE BEST SONGS FROBOOGIEWOOGIE.RUM JAcZ Z0 NO FT TE HN TE S W ADIOS STAN KENTON 11 AFTERNOON IN PARIS THE MODERN JAZZ QUARTET 12 ALICE IN -
Glenn Miller Archives
Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal. -
Londonjazz: LP Review: George Benson – Body Talk 01.12.14 09:32
LondonJazz: LP Review: George Benson – Body Talk 01.12.14 09:32 Diese Website verwendet Cookies, um die Bereitstellung von Diensten zu verbessern. Durch die Nutzung dieser Website erklären Sie sich mit der Verwendung von Cookies einverstanden. Home Venues Can We Help? Team LondonJazz - Facebook THE WEEKLY NEWSLETTER LP Review: George Benson – To subscribe for our weekly newsletter, Just email the Editor (in 'Team' Body Talk above) Tweets Follow LondonJazz 1h News BIMHUIS 40! @LondonJazz NEWS: Three out-of- London gigs for NEON Quartet nblo.gs/11IW3m Expand Sinclair Jazz 15h Photos @SinclairJazz New Twitter for Dec 14 onwards for David Sinclair jazzphotographs.com 25 year archive of high quality jazz photos @ddbprods plz RT Retweeted by LondonJazz News Expand STONEY LANE RECORDS George Benson – Body Talk Mike Collins 15h @jazzyblogman (Speakers Corner/CTI 6033. LP review by Andrew Cartmel) My CD REVIEW for @LondonJazz : Euan Following on the furry heels of White Rabbit and recorded in 1973, Body Talk was Burton - Too Much Love George Benson’s sixth CTI album (counting the A&M issues), and by now the nblo.gs/11IwUP guitarist’s recordings for Creed Taylor had settled into a smooth and relatively Retweeted by lucrative groove — although nothing like the enormous commercial success that LondonJazz News was to come with Benson’s move to Warner Bros, his subsequent album Breezin’ Expand and his vocal rendition of This Masquerade (a top ten hit and a Grammy winner) — Breezin’ was the first jazz album to go platinum. Tweet to @LondonJazz But it’s Benson’s sequence of albums for Creed Taylor Incorporated which arguably (Birmingham) represent the cream of his work, and are indisputably the purest in terms of jazz.