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“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
Reading Comprehension Gustav Holst
Gustav Holst Comprehension Gustav Holst was born in Cheltenham on September 21st 1874. He came from a line of talented musicians. Holst was taught how to play the piano by his father, however a problem with his nerves ruled out a career as a pianist. He later took up the trombone instead. His first conducting job was with a local church choir which he found to be excellent experience. Holst attended the Royal College of Music where he studied composition and met fellow student, Ralph Vaughn Williams, another great composer. The two became great friends for life. Holst’s wife was a soprano. He instantly fell in love with her but she was not particularly impressed by him at first. For a while, he supported himself and his wife by playing the trombone professionally alongside composing in his spare time. Holst became a teacher and worked at St Paul’s Girls’ School, Hammersmith where they opened a new music wing in his honour in 1913. The music wing housed a sound-proof room where Holst could work without being disturbed. Holst became very interested in astrology which was the inspiration for his best known piece, ‘The Planets’. This launched him into real stardom, however he was never happy to be in the limelight as he was a shy man. The first performance of ‘The Planets’ was given in September 1918. Each movement describes the planet’s character, for example, Venus is the bringer of peace, Uranus is about a magician and Saturn is based on the bringer of old age. -
The BBC National Orchestra of Wales Is the Nation's Only Full-Time
CC(3) AC 11 Communities and Culture Committee Inquiry into the „accessibility of arts and cultural activities in Wales‟ Submission by the BBC National Orchestra of Wales We are grateful for the opportunity to provide evidence for the Committee‟s Inquiry. The first part of our submission provides an overview of the Orchestra‟s work. The second part addresses a number of questions posed in the consultation letter. A. Background The BBC National Orchestra of Wales (BBC NOW) is the nation‟s only full-time professional symphony orchestra. It has an established reputation as one of the leading orchestral ensembles in the UK. It has won considerable audience and critical acclaim in recent years, under its conducting team, led by Thierry Fischer. The Orchestra‟s home is the newly-built Hoddinott Hall at the Wales Millennium Centre in Cardiff, and it produces extensive output for BBC Radio 3, BBC Radio Wales and BBC Radio Cymru. With the crucial funding support of Arts Council Wales, the Orchestra has also developed a major national role, touring throughout Wales each year (this role is described in more detail in our response to question 1) and delivering a highly-regarded community outreach and education programme (please see our response to question 2). In any one season, BBC NOW strives to present a broad repertoire of both past and contemporary music to allow audiences to experience works drawn from the whole panoply of orchestral music – from the baroque to present day film and jazz. The Orchestra works with a wide range of contemporary composers and has two positions specifically for composers within its artistic roster. -
Divine Art Is to Release a New Album Violin Muse with Madeleine Mitchell Featuring 7 World Premiere Recordings by UK Composers
Divine Art is to release a new album Violin Muse with Madeleine Mitchell featuring 7 world premiere recordings by UK composers Violin Muse Madeleine Mitchell Release Date: 20 October 2017 Label: Divine Art Review copies on request from late August Album launch: 25 October Royal College of Music More information below “One of the UK’s liveliest musical forces, the indefatigably adventurous violinist Madeleine Mitchell” The Times Divine Art is to release a new album, Violin Muse with Madeleine Mitchell, featuring 7 world premiere recordings by UK composers Guto Puw, Michael Nyman, Sadie Harrison, Geoffrey Poole, David Matthews, Michael Berkeley and Judith Weir. As an internationally renowned solo violinist with a critically acclaimed discography, Madeleine has been an inspiration to composers and painters alike over the years, including The Madeleine Series by painter Gerald Marks which were created between 1989-1991. Five of the works, by Puw, Nyman, Harrison, Poole and Matthews were written for and premiered by Mitchell. Judith Weir writes: “Madeleine Mitchell’s central position as an advocate of new violin music makes her the ideal performer to undertake this survey of recent work by UK composers”. On 7 September, Madeleine Mitchell will perform the world premiere of Grace Williams’ Violin Sonata (1938) with Konstantin Lapshin, in addition to the Weir and Harrison from Violin Muse, at Bangor University as part of the International Conference on Women’s Work in Music. On 25 October, 2-4pm, the Royal College of Music will host an album launch with a performance by Madeleine and Nigel Clayton and discussion with composer Guto Puw and RCM Head of Composition William Mival, followed by refreshments. -
Britten Spring Symphony Welcome Ode • Psalm 150
BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School -
The Council, 28/02/08
Y CYNGOR 28/02/08 THE COUNCIL, 28/02/08 Present: Councillor Meinir Owen (Chair) Councillor Evie Morgan Jones (Vice-chair) Councillors: S W Churchman, E T Dogan, Dyfed Edwards, Dylan Edwards, Elwyn Edwards, Huw Edwards, Trefor Edwards, T G Ellis, Alun Wyn Evans, Tomos Evans, W A Evans, Margaret Griffith, Selwyn Griffiths, Huw Price Hughes, Richard Parry Hughes, R J Hughes, Sylvia Humphreys, O P Huws, Dafydd Iwan, Peredur Jenkins, Anne Lloyd Jones, Arwel Jones, Brian Jones, Charles Jones, Dai Rees Jones, E Meinir Jones, Henry Jones, Iris Margretta Jones, John Gwilym Jones, Linda Wyn Jones, R L Jones, R Morris Jones, W Penri Jones, P.G.Larsen, Dewi Lewis, Dewi Llewelyn, Dilwyn Lloyd, Bill Lovelock, J W Meredith, W.M.Meredith, Godfrey Northam, Glyn Owen, M Sol Owen, W.Roy Owen, W Tudor Owen, Gerald Parry, Arwel Pierce, Emyr Pugh, D H Roberts, Caerwyn Roberts, Ieuan Roberts, Liz Saville Roberts, W Gareth Roberts, Jean Roscoe, Kathleen Thomas, M. L.Vaughan, Alan Williams, Ann Williams, Gwilym Williams, J.W.Williams Owain Williams and R H Wyn Williams. Also present: Harry Thomas (Chief Executive), Dilwyn O Williams (Strategic Director - Resources), Iwan Trefor Jones (Strategic Director - Development), D P Lewis (Strategic Director - Care), Dewi V Rowlands (Strategic Director - Environment), Dafydd Edwards (Head of Finance), Dilys Phillips (Monitoring Officer / Head of Administration and Public Protection), Geraint George (Head of Policy and Performance), Gwen Carrington (Head of Social Services), Gareth Wyn Jones (Senior Legal and Administrative -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
The Orchestra in History
Jeremy Montagu The Orchestra in History The Orchestra in History A Lecture Series given in the late 1980s Jeremy Montagu © Jeremy Montagu 2017 Contents 1 The beginnings 1 2 The High Baroque 17 3 The Brandenburg Concertos 35 4 The Great Change 49 5 The Classical Period — Mozart & Haydn 69 6 Beethoven and Schubert 87 7 Berlioz and Wagner 105 8 Modern Times — The Age Of The Dinosaurs 125 Bibliography 147 v 1 The beginnings It is difficult to say when the history of the orchestra begins, be- cause of the question: where does the orchestra start? And even, what is an orchestra? Does the Morley Consort Lessons count as an orchestra? What about Gabrieli with a couple of brass choirs, or even four brass choirs, belting it out at each other across the nave of San Marco? Or the vast resources of the Striggio etc Royal Wedding and the Florentine Intermedii, which seem to have included the original four and twenty blackbirds baked in a pie, or at least a group of musicians popping out of the pastry. I’m not sure that any of these count as orchestras. The Morley Consort Lessons are a chamber group playing at home; Gabrieli’s lot wasn’t really an orchestra; The Royal Wed- dings and so forth were a lot of small groups, of the usual renais- sance sorts, playing in turn. Where I am inclined to start is with the first major opera, Monteverdi’s L’Orfeo. Even that tends to be the usual renaissance groups taking turn about, but they are all there in a coherent dra- matic structure, and they certainly add up to an orchestra. -
The Perfect Fool Free
FREE THE PERFECT FOOL PDF Stewart Lee | 288 pages | 04 Nov 2002 | HarperCollins Publishers | 9781841153667 | English | London, United Kingdom Ed Wynn: The Perfect Fool by Robin Williams | The American Vaudeville Museum Goodreads helps you The Perfect Fool track of books you want to The Perfect Fool. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh The Perfect Fool try again. Open Preview See a Problem? Stephen Lang. Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — The Perfect Fool by J. The Perfect Fool by J. Stephen Lang. Stephen J. Meet Brian Ericson, a young man whose life seems perfect in every way. He is handsome and successful, and everything is going his way with the possible exception of his relationship with Kristen, the perfect woman he just broke up with. On a Beautiful November day, Brian sets out for a three-day weekend in the mountains. Taking what he believes will be a shortcut, things su Meet Brian Ericson, a young man whose life seems perfect in every way. Taking what he believes will be a shortcut, things suddenly take a turn for the worse. Lost and disoriented, Brian gets some help from a host of surprising characters, and must grapple with the foolish choices of his life. Download the Readers' Guide. Get A Copy. Paperbackpages. Published January 28th The Perfect Fool David C. Cook first published January More Details Original Title. Friend Reviews. To see The Perfect Fool your friends thought of this book, please sign up. -
View the Program!
cast EDWARD KYNASTON Michael Kelly v Shea Owens 1 THOMAS BETTERTON Ron Loyd v Matthew Curran 1 VILLIERS, DUKE OF BUCKINGHAM Bray Wilkins v John Kaneklides 1 MARGARET HUGHES Maeve Höglund v Jessica Sandidge 1 LADY MERESVALE Elizabeth Pojanowski v Hilary Ginther 1 about the opera MISS FRAYNE Heather Hill v Michelle Trovato 1 SIR CHARLES SEDLEY Raùl Melo v Set in Restoration England during the time of King Charles II, Prince of Neal Harrelson 1 Players follows the story of Edward Kynaston, a Shakespearean actor famous v for his performances of the female roles in the Bard’s plays. Kynaston is a CHARLES II Marc Schreiner 1 member of the Duke’s theater, which is run by the actor-manager Thomas Nicholas Simpson Betterton. The opera begins with a performance of the play Othello. All of NELL GWYNN Sharin Apostolou v London society is in attendance, including the King and his mistress, Nell Angela Mannino 1 Gwynn. After the performance, the players receive important guests in their HYDE Daniel Klein dressing room, some bearing private invitations. Margaret Hughes, Kynaston’s MALE EMILIA Oswaldo Iraheta dresser, observes the comings and goings of the others, silently yearning for her FEMALE EMILIA Sahoko Sato Timpone own chance to appear on the stage. Following another performance at the theater, it is revealed that Villiers, the Duke of Buckingham, has long been one STAGE HAND Kyle Guglielmo of Kynaston’s most ardent fans and admirers. SAMUEL PEPYS Hunter Hoffman In a gathering in Whitehall Palace, Margaret is presented at court by her with Robert Balonek & Elizabeth Novella relation Sir Charles Sedley. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The Perfect Fool (1923)
The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD.