Guide to State Statues Brochure
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The George Wright Forum
The George Wright Forum The GWS Journal of Parks, Protected Areas & Cultural Sites volume 34 number 3 • 2017 Society News, Notes & Mail • 243 Announcing the Richard West Sellars Fund for the Forum Jennifer Palmer • 245 Letter from Woodstock Values We Hold Dear Rolf Diamant • 247 Civic Engagement, Shared Authority, and Intellectual Courage Rebecca Conard and John H. Sprinkle, Jr., guest editors Dedication•252 Planned Obsolescence: Maintenance of the National Park Service’s History Infrastructure John H. Sprinkle, Jr. • 254 Shining Light on Civil War Battlefield Preservation and Interpretation: From the “Dark Ages” to the Present at Stones River National Battlefield Angela Sirna • 261 Farming in the Sweet Spot: Integrating Interpretation, Preservation, and Food Production at National Parks Cathy Stanton • 275 The Changing Cape: Using History to Engage Coastal Residents in Community Conversations about Climate Change David Glassberg • 285 Interpreting the Contributions of Chinese Immigrants in Yosemite National Park’s History Yenyen F. Chan • 299 Nānā I Ke Kumu (Look to the Source) M. Melia Lane-Kamahele • 308 A Perilous View Shelton Johnson • 315 (continued) Civic Engagement, Shared Authority, and Intellectual Courage (cont’d) Some Challenges of Preserving and Exhibiting the African American Experience: Reflections on Working with the National Park Service and the Carter G. Woodson Home National Historic Site Pero Gaglo Dagbovie • 323 Exploring American Places with the Discovery Journal: A Guide to Co-Creating Meaningful Interpretation Katie Crawford-Lackey and Barbara Little • 335 Indigenous Cultural Landscapes: A 21st-Century Landscape-scale Conservation and Stewardship Framework Deanna Beacham, Suzanne Copping, John Reynolds, and Carolyn Black • 343 A Framework for Understanding Off-trail Trampling Impacts in Mountain Environments Ross Martin and David R. -
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür Ve Sanat Araştırmaları Dergisi Vol
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 9, No. 3, September 2020 DOI: 10.7596/taksad.v9i3.2768 Citation: Borysovych, O. V., Chaiuk, T. A., & Karpova, K. S. (2020). Black Lives Matter: Race Discourse and the Semiotics of History Reconstruction. Journal of History Culture and Art Research, 9(3), 325- 340. doi:http://dx.doi.org/10.7596/taksad.v9i3.2768 Black Lives Matter: Race Discourse and the Semiotics of History Reconstruction Oksana V. Borysovych1, Tetyana A. Chaiuk2, Kateryna S. Karpova3 Abstract The death of unarmed black male George Floyd, who was killed by a white police officer in Minneapolis, May 25, 2020, has given momentum to the Black Lives Matter (BLM) movement whose activists rallied in different parts of the world to remove or deface monuments to historic figures associated with racism, slavery, and colonialism. These social practices of toppling statues have a discursive value and, since they are meant to communicate a message to the broader society, these actions are incorporated into a semiotic system. This study examines signs and, therefore, the system of representations involved in toppling statues performed by BLM activists and documented in photos. The research employs a critical approach to semiotics based on Roland Barthes’ (1964) semiotic model of levels of signification. However, for a comprehensive analytical understanding, the study also makes use of a multidisciplinary Critical Discourse Analysis CDA approach which provides a systematic method to examine and expose power relations, inequality, dominance, and oppression in social practices. Besides its general analytical framework, the integrated CDA approach combines Fairclough’s (1995) three-dimensional analytical approach, which presupposes examining text, discursive practice, and sociocultural practice, with Reisigl and Wodak’s (2001, 2017) Discourse Historical Analysis (DHA), which investigates ideology and racism within their socio-cultural and historic context. -
Richatd Henry Lee 0Az-1Ts4l Although He Is Not Considered the Father of Our Country, Richard Henry Lee in Many Respects Was a Chief Architect of It
rl Name Class Date , BTocRAPHY Acrtvrry 2 Richatd Henry Lee 0az-1ts4l Although he is not considered the father of our country, Richard Henry Lee in many respects was a chief architect of it. As a member of the Continental Congress, Lee introduced a resolution stating that "These United Colonies are, and of right ought to be, free and independent States." Lee's resolution led the Congress to commission the Declaration of Independence and forever shaped U.S. history. Lee was born to a wealthy family in Virginia and educated at one of the finest schools in England. Following his return to America, Lee served as a justice of the peace for Westmoreland County, Virginia, in 1757. The following year, he entered Virginia's House of Burgesses. Richard Henry Lee For much of that time, however, Lee was a quiet and almost indifferent member of political connections with Britain be Virginia's state legislature. That changed "totaIIy dissolved." The second called in 1765, when Lee joined Patrick Henry for creating ties with foreign countries. in a spirited debate opposing the Stamp The third resolution called for forming a c Act. Lee also spoke out against the confederation of American colonies. John .o c Townshend Acts and worked establish o to Adams, a deiegate from Massachusetts, o- E committees of correspondence that seconded Lee's resolution. A Declaration o U supported cooperation between American of Independence was quickly drafted. =3 colonies. 6 Loyalty to Uirginia An Active Patriot Despite his support for the o colonies' F When tensions with Britain increased, separation from Britain, Lee cautioned ! o the colonies organized the Continental against a strong national government. -
Portland Daily Press: October 09,1863
DAILY PRESS. VOLUME II. FRIDAY PORTLAND, ME., MORNING, OCTOBER 0, 1863. WHOLE NO. 402. PORTLAND DAILY PRESS, MILITARY. BUSINESS CARDS. BUSINESS CARDS. MISCELLANEOUS. DRY GOODS. JOHN T. OILMAN. Editor, _____ FOR SALE & TO la at No. 82j EXCHANGE STREET, LET, published A CARD. IN FOX 11 LOCK, by Col. F. Fessenden’s .Util.* E. I'EIEX Al.ll. <'ouiitinir Koom to Let.-* N. A. FOSTER A CO. Regiment. SPECIAL ROOM over 90 DR. NOTICE. CorarajiThomas No. Commercial St S. C. FERNALD, THE LATEST NEWS! Block, to let. Appl/to N 7'erma : Attention, Veterans! MERCHANT „h1,„ J. MILLER. Tub TAILOR, 92 ( ommercialStreet. PORTLAND Daily Pkess is published every WVJ N T 1ST , ah1dtf_Over at $6.00 year in mornitig (Sundays excepted), tier ••SO!i to those from Portland! ST AIUDLE ANDERSON’S advance, to which will be added tvventy-fiye cents Knlistiiig No. 175 Nlidtll Street. STREET, To Lei for each three mouths' and it' not paid for at THOMAS fllHE commodious delay, Kbpkubnckr.Dr*. Bacon and Buerlin. LUCAS, Chamber tu tka north.,!.... the end ot the the will be discontinued. Has i year paper •502 Is Ihow rnliatiuK elsewhere in me just opened an Hoop Skirt and Corset uerol the new brick block, oru* r° fUm/.^d Single copies three cents. Stale, in i.d.lilisn Is the Ksuntira Portland, May 25,1863. tf Depot No. 145 Middle Milk Street. directly the The State I’uKsais every lliura- -and- Street Portland, facing ».r£,°f tow. Mam published the Toivuh may offer* Enquire at office or day morning,at $2.00 per Annum, ill advance; *2.26 ELEGANT OCEAN if within six months; and $2.60, il be STOCK INSURANCE CO. -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
INDIANS DISCOVERING LEWIS and CLARK Oil Painting by C
INDIANS DISCOVERING LEWIS AND CLARK Oil Painting by C. M. Russell Montana Historical Society, Mackay Collection THE LEWIS AND CLARK TRAIL HERITAGE FOUNDATION, INC. President Incorporated 1969 under Missouri General Not-For-Profit Corporation Act IRS Exemption Certificate No. 501 (C)(3) - Identification No. 51-0187715. Montague~s OFFICERS - EXECUTIVE COMMITIEE President 1st Vice President 2nd Vice President message H. John Montague Donald F. Nell Robert K. Doerk, Jr. 2928 N.W. Verde Vista Terrace P.O. Box577 P.O. Box 50ll Portland, OR 97210 Bozeman, MT 59715 Great Falls, MT 59403 Edrie Lee Vinson, Secretary John E. Walker, Treasurer 1405 Sanders 200 Market St., Suite 1177 Helena, MT 59601 Portland, OR 97201 By any measure, the 19th Annual Meeting Marcia Staigmiller, Membership Secretary of the Lewis and Clark Trail Heritage Foun RR 4433; Great Falls, MT 59401 dation was a resounding success. Sincere DIRECTORS thanks and commendations seem inadequate Ruth Backer James R. Fazio Ralph H. Rudeen in reviewing the efforts by our hosts, John Cranford, NJ Moscow, ID Olympia, WA and Pat Foote. They presented a wonderful opportunity to pursue the objectives of the Raymond L. Breun Harry Fritz Arthur F. Shipley St. Louis, MO Missoula, MT Bismarck, ND Foundation. During the visits to the expedi tion campsites and the float trip down the Patti A. Thomsen Malcolm S. Buffum James P. Ronda Waukesha, WI Yellowstone River, one could empathize with Portland, OR Youngstown, OH Captain Clark and his party as they pro Winifred C. George John E. Foote, Immediate Past President ceeded down the Yellowstone River to its St. -
Illustrating Stories of the American West Karen Yarnall Introduction This Unit Is the Result from Taking the Delaware Teachers I
Illustrating Stories of the American West Karen Yarnall Introduction This unit is the result from taking the Delaware Teachers Institute seminar “The American West as Place, Process, and Story” with University of Delaware’s Barry Joyce, Associate Professor of History. Not only will it fit into our art curriculum, but it will also increase the students’ knowledge of the American West and add an appreciation of tales that are a part of it. This unit will allow students to make cross-curricular connections between social studies, literature, geography, reading, writing, and art. After studying the American West with its rich history, art, and stories, my students will then select and research a folk tale, legend, myth, story, tall tale or Native American story from the west and capture a moment from their selections on paper in a color illustration. They will analyze and evaluate their own work and that of their peers in critiques. The unit will culminate with an art show for the community featuring the student illustrations. As one of three art teachers at Newark High School in Newark, Delaware, I plan to teach this unit in two of my classes. My Art Fundamentals class is our foundations course with an enrollment of over 30 9th, 10th, 11th and 12th grade students. The other class is my small upper level Advanced Drawing class that is composed of juniors and seniors who have more advanced skills. Newark High School is a Title 1 school with a population that is over 50% minority, 43% low income and 7% special education. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
LIST of STATUES in the NATIONAL STATUARY HALL COLLECTION As of April 2017
history, art & archives | u. s. house of representatives LIST OF STATUES IN THE NATIONAL STATUARY HALL COLLECTION as of April 2017 STATE STATUE SCULPTOR Alabama Helen Keller Edward Hlavka Alabama Joseph Wheeler Berthold Nebel Alaska Edward Lewis “Bob” Bartlett Felix de Weldon Alaska Ernest Gruening George Anthonisen Arizona Barry Goldwater Deborah Copenhaver Fellows Arizona Eusebio F. Kino Suzanne Silvercruys Arkansas James Paul Clarke Pompeo Coppini Arkansas Uriah M. Rose Frederic Ruckstull California Ronald Wilson Reagan Chas Fagan California Junipero Serra Ettore Cadorin Colorado Florence Sabin Joy Buba Colorado John “Jack” Swigert George and Mark Lundeen Connecticut Roger Sherman Chauncey Ives Connecticut Jonathan Trumbull Chauncey Ives Delaware John Clayton Bryant Baker Delaware Caesar Rodney Bryant Baker Florida John Gorrie Charles A. Pillars Florida Edmund Kirby Smith Charles A. Pillars Georgia Crawford Long J. Massey Rhind Georgia Alexander H. Stephens Gutzon Borglum Hawaii Father Damien Marisol Escobar Hawaii Kamehameha I C. P. Curtis and Ortho Fairbanks, after Thomas Gould Idaho William Borah Bryant Baker Idaho George Shoup Frederick Triebel Illinois James Shields Leonard Volk Illinois Frances Willard Helen Mears Indiana Oliver Hazard Morton Charles Niehaus Indiana Lewis Wallace Andrew O’Connor Iowa Norman E. Borlaug Benjamin Victor Iowa Samuel Jordan Kirkwood Vinnie Ream Kansas Dwight D. Eisenhower Jim Brothers Kansas John James Ingalls Charles Niehaus Kentucky Henry Clay Charles Niehaus Kentucky Ephraim McDowell Charles Niehaus -
National Register of Historic Places Inventory – Nomination Form
JEoua^lo 10-300 REV. (9/77) ! UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL REGISTER OF HISTORIC PLACES i INVENTORY-NOMINATION FORM SEE INSTRUCTIONS \UHOWTO COMPLETE NATIONAL REGISTER FORMS __________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS ____ INAME HISTORIC Mystic Bridge National RegiaLeg- District AND/OR COMMON LOCATION STREET & NUMBER East side of Mystic River. See Item 4. _NOT FOR PUBLICATION CITY. TOWN1 ^* CONGRESSIONAL DISTRICT VICINITY OF 2nd - Christopher J. Dodd STATE V CODE A XDUNTY , CODE Connecticut ^J CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X.DISTRICT —PUBLIC ^OCCUPIED _AoajauLiu RS , ,,., S^USEUM X — BUILDING(S) —PRIVATE —UNOCCUPIED , ^COMMERCIAL' ^—PAftK: —STRUCTURE X.BOTH —WORK IN PROGRESS —EDUCATIONAL XpfljvATE RESIDENCE _ SITE v^ PUBLIC ACQUISITION ACCESSIBLE —OBJMgi ^ N _ IN PROCESS —YES: RESTRICTED > _ GQVElifMENF ' —SCIENTIFIC —BEING CONSIDERED —YES: UNRESTRICTED ^.INDUSTRIAL " —TRANSPORTATION —NO ' ^MILITARY V • --'' —OTHER: lOOWNEl OF PROPERTY i See atibntinuation sheets l" STWilTA NUMBER STATE ^ '"'..y' — VICINITY OF VOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Hall STREET & NUMBER Elm St. CITY. TOWN STATE Stoning ton Connecticut REPRESENTATION IN EXISTING SURVEYS State Register of Historic Places DATE 1978 FEDERAL X-STATE COUNTY LOCAL DEPOSITORY FOR SURVEY RECORDS Connecticut Historical Commission CITY. TOWN STATE . Hartford Connecticut Fori^N" 10-^.Oa (Hev 10 74) UNIThD STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM Mystic Bridge District Mystic, CT CONTINUATION SHEET Prop. Owners . ITEM NUMBER 4 PAGE 1 All addresses are Mystic, CT 06355 unless otherwise noted. Property address and mailing address of owner(s) are the same unless ad ditional (mailing) address is given. -
The Articles of Confederation Creating A
THE ARTICLES OF CONFEDERATION During the American Revolution, Americans drafted the Articles of Confederation to set up a new government independent of Britain. The Articles served as the constitution of the United States until 1789, when a new constitution was adopted. In the years leading up to the American Revolution, tension grew between the colonists and Britain. In 1765, 27 delegates from nine colonies met to oppose legislation passed by Parliament imposing a stamp tax on trade items. The delegates to the Stamp Act Congress drew up a statement of rights and grievances and agreed to stop importing goods from Britain. Parliament repealed the Stamp Tax Act. But it continued to impose new taxes on the colonies, and hostility to Britain kept growing. In 1773, some colonists protested a tax on tea by dressing up as Indians, boarding three British ships, and dumping their cargo of tea into the harbor. In response to the Boston Tea Party, Britain closed the Port of Boston. In turn, colonists convened the First Continental Congress in Philadelphia in September 1774. There was significant disagreement among the delegates. Many had supported efforts to repeal the offensive laws, but had no desire for independence. Even after battles broke out at Lexington and Concord in 1775 and the colonies began assembling troops to fight the British, many delegates remained loyal to the king. John Hewes, a delegate from North Carolina wrote in July 1775: “We do not want to be independent; we want no revolution . we are loyal subjects to our present most gracious Sovereign.” Many delegates felt a strong sense of loyalty to the Empire.