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LIST of STATUES in the NATIONAL STATUARY HALL COLLECTION As of April 2017
history, art & archives | u. s. house of representatives LIST OF STATUES IN THE NATIONAL STATUARY HALL COLLECTION as of April 2017 STATE STATUE SCULPTOR Alabama Helen Keller Edward Hlavka Alabama Joseph Wheeler Berthold Nebel Alaska Edward Lewis “Bob” Bartlett Felix de Weldon Alaska Ernest Gruening George Anthonisen Arizona Barry Goldwater Deborah Copenhaver Fellows Arizona Eusebio F. Kino Suzanne Silvercruys Arkansas James Paul Clarke Pompeo Coppini Arkansas Uriah M. Rose Frederic Ruckstull California Ronald Wilson Reagan Chas Fagan California Junipero Serra Ettore Cadorin Colorado Florence Sabin Joy Buba Colorado John “Jack” Swigert George and Mark Lundeen Connecticut Roger Sherman Chauncey Ives Connecticut Jonathan Trumbull Chauncey Ives Delaware John Clayton Bryant Baker Delaware Caesar Rodney Bryant Baker Florida John Gorrie Charles A. Pillars Florida Edmund Kirby Smith Charles A. Pillars Georgia Crawford Long J. Massey Rhind Georgia Alexander H. Stephens Gutzon Borglum Hawaii Father Damien Marisol Escobar Hawaii Kamehameha I C. P. Curtis and Ortho Fairbanks, after Thomas Gould Idaho William Borah Bryant Baker Idaho George Shoup Frederick Triebel Illinois James Shields Leonard Volk Illinois Frances Willard Helen Mears Indiana Oliver Hazard Morton Charles Niehaus Indiana Lewis Wallace Andrew O’Connor Iowa Norman E. Borlaug Benjamin Victor Iowa Samuel Jordan Kirkwood Vinnie Ream Kansas Dwight D. Eisenhower Jim Brothers Kansas John James Ingalls Charles Niehaus Kentucky Henry Clay Charles Niehaus Kentucky Ephraim McDowell Charles Niehaus -
Changing Faces Your State Hero in the U.S
Social Studies and the Young Learner 23 (4), pp. 4–9 ©2011 National Council for the Social Studies Changing Faces Your State Hero in the U.S. Capitol Dennis Denenberg here’s an exciting change occurring in the U.S. Capitol proposal — to replace one of Kansas’ statues! WHAT? How in our nation’s capital of Washington, D.C. — and YOU could anyone suggest removing a “hero” — where would the Tand YOUR STUDENTS can become involved in the old statue go? And why would anyone even bring up such an story. But before I can tell you how to play a role, I need to absurd proposal? It’s actually amusing how the idea surfaced. provide the plot! The Representative noticed that the toes of the Will Rogers statue from Oklahoma were all shiny. The statue of this beloved Pride in the Union 1930s humorist and cowboy was made of bronze, and people The story begins in 1864, while our nation was still experienc- rubbed his foot for good luck as they walked past it. But no ing the agony of the Civil War. Congressman Justin Morill one stopped to look at either of Kansas’ statues because, quite of Vermont sponsored a bill inviting every state to send two frankly, nobody knew who they were! So, what to do? Would statues of noteworthy individuals from that state for permanent Congress allow a state to take such a bold step? The citizens display in the expanded U.S. Capitol. A new wing of the House from Kansas decided not to wait; they forged ahead in the hope featuring a larger House Chamber was also constructed from Congress would accommodate their request. -
U.S. Capitol Visitor Guide
United States Capitol VISITOR GUide Welcome to the United States Capitol our visit to the GUIDED TOURS OF THE U.S. CAPITOL historic U.S. Guided tours of the U.S. Capitol begin at the Orientation Theaters on Capitol begins the lower level of the Capitol Visitor Center. “Out of Many, One,” Yas you enter the Capitol a 13-minute film, illustrates how this country established a new form of Visitor Center. With government; highlights the vital role that Congress plays in the its soaring spaces and daily lives of Americans; and introduces you to the building that houses skylight views of the the U.S. Congress. Capitol Dome, the Capitol Visitor Center Tours are free and are offered throughout the day between welcomes you on a 8:40 a.m. – 3:20 p.m., Monday – Saturday. Tour passes are required. journey of discovery. Advance Passes: Tours may The U.S. Capitol be booked in advance online at is home to the U.S. www.visitthecapitol.gov, through Congress and its two the offices of your senators or legislative bodies, representative, or through the the U.S. House of The Apotheosis of George Washington Office of Visitor Services by Representatives calling 202.226.8000. and the U.S. Senate. Through films, exhibits, and tours, you will learn about how Congress works, how this magnificent building was built, Same-Day Passes: A limited and how citizens can participate in this extraordinary experiment called number of passes are available representative democracy. each day at the Information Desks in Emancipation Hall on the lower The U.S. -
House Resolution 14 By: Representatives Williams of the 168Th, Ralston of the 7Th, Burns of the 159Th, Beverly of the 143Rd, Smyre of the 135Th, and Others
21 LC 47 0630 House Resolution 14 By: Representatives Williams of the 168th, Ralston of the 7th, Burns of the 159th, Beverly of the 143rd, Smyre of the 135th, and others A RESOLUTION 1 Creating the National Statuary Hall Collection Replacement Committee; and for other 2 purposes. 3 WHEREAS, in 1864, the United States Congress established the National Statuary Hall 4 Collection in the United States Capitol and authorized each state to contribute to the 5 collection two statues that represent important historic figures of each state; and 6 WHEREAS, Georgia currently has on display in the National Statuary Hall Collection 7 statues of Dr. Crawford W. Long and Alexander Hamilton Stephens; and 8 WHEREAS, pursuant to 2 U.S.C. § 2132, a state may request that the Joint Committee on 9 the Library of Congress approve the replacement of a statue the state has provided for display 10 in the National Statuary Hall Collection; and 11 WHEREAS, the late Congressman John Lewis was a distinguished Georgian who 12 passionately opposed hatred and discrimination, led in the Civil Rights Movement that 13 changed the course of history by bringing about the passage of civil rights legislation, and 14 received a Presidential Medal of Freedom for his efforts to create a just society and his years 15 of public service; and H. R. 14 - 1 - 21 LC 47 0630 16 WHEREAS, it is abundantly fitting and proper that this esteemed historic Georgian be 17 appropriately recognized in the United States Capitol. 18 NOW, THEREFORE, BE IT RESOLVED BY THE GENERAL ASSEMBLY OF 19 GEORGIA that the members of this body join in honoring the life and memory 20 Representative John Lewis and approve the replacement of the state's statue of Alexander 21 Hamilton Stephens with a statue of Representative John Lewis in the National Statuary Hall 22 Collection in the United States Capitol. -
Crouch, Casting the Republic in White
ISSN: 2471-6839 Cite this article: Christian Ayne Crouch, “Casting the Republic in White,” in Art and Politics in the US Capitol, special section, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021) doi.org/10.24926/24716839.11763. Casting the Republic in White Christian Ayne Crouch, Associate Professor, Historical Studies Program, Bard College You are looking at freedom here, as cast by the United States (fig. 1). Beneath a plaster cast of Thomas Crawford’s Statue of Freedom, the allegorical female figure who adorns the US Capitol dome, troops gather in the United States Capitol Visitor Center to protect Congress. This photograph appeared a week after the harrowing attempted coup at the Capitol, and, as versions of it circulated coast-to-coast, the image of the Statue of Freedom surrounded by National Guardsmen and women offered stability and calm to a divided nation. It was the antithesis of the images of seditionists and rioters invading, looting, and screaming that dominated the news media in the days following the insurrection. The Statue of Freedom is protected by and protecting these troops, standing vigilant over the brave, personifying the pledge of allegiance to a republic, one and indivisible, now in crisis. Consider her gladiatorial calm and the fact that she stands at rest, but armed and alert. We see the symbiosis between this goddess of the republic and the troops brought into her temple to aid in her defense. Fig. 1. “Impeachment of Donald Trump,” January 13, 2021. Photograph courtesy Kent Nishimura/Los Angeles Times via Getty Images Now look again. -
National Statuary Hall Collection: Background and Legislative Options
National Statuary Hall Collection: Background and Legislative Options Updated December 3, 2019 Congressional Research Service https://crsreports.congress.gov R42812 National Statuary Hall Collection: Background and Legislative Options Summary The National Statuary Hall Collection, located in the U.S. Capitol, comprises 100 statues provided by individual states to honor persons notable for their historic renown or for distinguished services. The collection was authorized in 1864, at the same time that Congress redesignated the hall where the House of Representatives formerly met as National Statuary Hall. The first statue, depicting Nathanael Greene, was provided in 1870 by Rhode Island. The collection has consisted of 100 statues—two statues per state—since 2005, when New Mexico sent a statue of Po’pay. At various times, aesthetic and structural concerns necessitated the relocation of some statues throughout the Capitol. Today, some of the 100 individual statues in the National Statuary Hall Collection are located in the House and Senate wings of the Capitol, the Rotunda, the Crypt, and the Capitol Visitor Center. Legislation to increase the size of the National Statuary Hall Collection was introduced in several Congresses. These measures would permit states to furnish more than two statues or allow the District of Columbia and the U.S. territories to provide statues to the collection. None of these proposals were enacted. Should Congress choose to expand the number of statues in the National Statuary Hall Collection, the Joint Committee on the Library and the Architect of the Capitol (AOC) may need to address statue location to address aesthetic, structural, and safety concerns in National Statuary Hall, the Capitol Visitor Center, and other areas of the Capitol. -
Father Damien, Hero of the Hawaiian People !
Father Damien, hero of the Hawaiian people ! Open letter to Mrs. Alexandria Ocasio-Cortez, US Representative Tremelo, August 20th, 2020 Dear Mrs. Ocasio-Cortez, For many members of our Father Damien family association, Hawaii is a bit like a second home: by participating in our group tours 'In the footsteps of Damien' or through individual visits to Hawaii and to Molokai, and by the local contacts that are maintained there. We are also very much interested in Hawaiian history, for an understanding of the world in which Damien – Kamiano for native Hawaiians – successfully integrated himself. Like many Belgians – fellow countrymen of Damien, who in 2005 elected him as 'Greatest Belgian' for his achievements at the other side of the world – we got a shock when reading in the newspaper that you chose, amongst the 102 statues in the U.S. Capitol’s National Statuary Hall Collection in Washington, the one of our relative Father Damien as a ‘typical example of white colonialism, patriarchy and white supremacist culture'; with the suggestion why in his place doesn’t stand the only and last queen of Hawaii, Lili'uokalani. At the same time, we had a 'déjà vu' feeling: in the years after Damien's death (1889), several attempts were made to criticize his work, deny his achievement and destroy his legacy; mostly by envious colleagues and local superiors with whom Damien had collided by his stubbornness. The very last attack dates back to 130 years ago : it was a letter by a certain Reverend Doctor Hyde addressed to the Bishop of Honolulu, in which he depicted Damien as ‘coarse, dirty, headstrong and bigoted, who had no hand in the reforms and improvements’ and decried the ‘extravagant newspaper laudations as if he was a most saintly philanthropist’. -
Guide to State Statues in the National Statuary Hall Collection
U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN CVC 19-107 Edition V Senator Mazie Hirono of Hawaii addresses a group of high school students gathered in front of the statue of King Kamehameha in the Capitol Visitor Center. TOM FONTANA U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN STATE PAGE STATE PAGE Alabama . 3 Montana . .28 Alaska . 4 Nebraska . .29 Arizona . .5 Nevada . 30 Arkansas . 6 New Hampshire . .31 California . .7 New Jersey . 32 Colorado . 8 New Mexico . 33 Connecticut . 9 New York . .34 Delaware . .10 North Carolina . 35 Florida . .11 North Dakota . .36 Georgia . 12 Ohio . 37 Hawaii . .13 Oklahoma . 38 Idaho . 14 Oregon . 39 Illinois . .15 Pennsylvania . 40 Indiana . 16 Rhode Island . 41 Iowa . .17 South Carolina . 42 Kansas . .18 South Dakota . .43 Kentucky . .19 Tennessee . 44 Louisiana . .20 Texas . 45 Maine . .21 Utah . 46 Maryland . .22 Vermont . .47 Massachusetts . .23 Virginia . 48 Michigan . .24 Washington . .49 Minnesota . 25 West Virginia . 50 Mississippi . 26 Wisconsin . 51 Missouri . .27 Wyoming . .52 Statue photography by Architect of the Capitol The Guide to State Statues in the National Statuary Hall Collection is available as a free mobile app via the iTunes app store or Google play. 2 GUIDE TO STATE STATUES IN THE NATIONAL STATUARY HALL COLLECTION U.S. CAPITOL VISITOR CENTER AlabaMa he National Statuary Hall Collection in the United States Capitol is comprised of statues donated by individual states to honor persons notable in their history. The entire collection now consists of 100 statues contributed by 50 states. -
A Igreja De Jesus Cristo Dos Santos Dos Últimos Dias. Agosto De 2000 I a Igreja De Jesus Cristo Dos Santos Dos Últimos Dias
A IGREJA DE JESUS CRISTO DOS SANTOS DOS ÚLTIMOS DIAS. AGOSTO DE 2000 I A IGREJA DE JESUS CRISTO DOS SANTOS DOS ÚLTIMOS DIAS. AGOSTO DE 2000 SUMÁRIO 2 MENSAGEM DA PRIMEIRA PRESIDÊNCIA: PENSAMENTOS INSPIRADORES PRESIDENTEGORDON B. HINCKLEY 6 DESPOJAR-SE DO HOMEM NATURAL ROBERT L. MILLET 12 "VI OUTRO ANJO VOAR" J. MICHAEL HUNTER 25 MENSAGEM DAS PROFESSORAS VISITANTES: PUREZA DE PENSAMENTO E AÇÃO 34 BOlÍVIA: BÊNÇÃOS EM ABUNDÃNCIA JUDY C. OLSEN NA CAPA Primeira Copo: O Anjo do Templo 44 APLICAR AS ESCRITURAS A NÓS MESMOS GEORGE A. HORTON JR. Washington D.C., de Avard Fairbanks; fotografia @ 1994 de Mark Edward Atkinson. Último Copo: O Anjo do ESPECIALMENTE PARA OS JOVENS Templo de Salt Lake, de Cyrus Dallin; 11 VERDADEIRO OU FALSO JUSTIN HAKANSON Fotografia de Craig Dimond. 20 COMO SERMOS FELIZES ÉLDERMARLlN K. JENSEN 24 MENSAGEM MÓRMON: SERÁ QUE AINDA POSSO COMER APESAR DISSO? 26 VOZES DA IGREJA: FÉ NO SENHOR JESUS CRISTO "QUERO UMA FAMíLIA ETERNA" ALFONSO CASTRO VÁZQUEZ VER PÁGIN "CONFIA NO SENHOR DE TODO O TEU CORAÇÃO" HUMBERTO EITI KAWAI "A FÉ EM DEUS DEU-ME FORÇAS" BRYAN WU "ACREDITO NO PODER DO SACERDÓCIO" RODRIGO MEDEIROS HONÓRIO CAPA DE O AMIGO Mulher do Guatemala foz uma 31 PERGUNTAS E RESPOSTAS: COMO FAZER BONS AMIGOS? tapeçaria, mesclando os fios 46 UMA DESOBRIGAÇÃO HONROSA ARNOLD LEMMON horizontais com os verticais. Ver "Uma Belo Tapeçaria', página 4. O AMIGO 2 DE UM AMIGO PARA OUTRO: BISPO KEITH B. MCMUlLlN 4 TEMPO DE COMPARTilHAR: UMA BELA TAPEÇARIA ANN JAMISON 6 FiCÇÃO: AMANDA PRADO, A ESPIÃ DO CTR LORI MORTENSEN 9 UM TEMPO PARA SERMOS VALENTES BISPO H. -
City of Walla Walla Arts Commission Support Services 15 N. 3Rd Avenue Walla Walla, WA 99362
City of Walla Walla Arts Commission Support Services 15 N. 3rd Avenue Walla Walla, WA 99362 CITY OF WALLA WALLA ARTS COMMISSION AGENDA Wednesday, November 4, 2020 – 10:00 AM Virtual Zoom Meting 15 N 3rd Ave 1. CALL TO ORDER 2. APPROVAL OF MINUTES a. October 7, 2020 minutes 3. ACTIVE BUSINESS a. Deaccession of Public Art • Recommendation to City Council on proposed code amendments to Chapter 2.42 Recommendation to City Council regarding the Marcus Whitman Statue b. City Flag Project • Update on Status of this Project – Lindsay Tebeck Public comments will be taken on each active business item. 4. STAFF UPDATE 5. ADJOURNMENT To join Zoom Meeting: https://us02web.zoom.us/j/85918094860 Meeting ID: 859 1809 4860 One tap mobile – 1(253) 215-8782 Persons who need auxiliary aids for effective communication are encouraged to make their needs and preferences known to the City of Walla Walla Support Services Department three business days prior to the meeting date so arrangements can be made. The City of Walla Arts Commission is a seven-member advisory body that provides recommendations to the Walla Walla City Council on matters related to arts within the community. Arts Commissioners are appointed by City Council. Actions taken by the Arts Commission are not final decisions; they are in the form of recommendations to the City Council who must ultimately make the final decision. ARTS COMMISSION ADVISORY COMMITTEE MEETING Minutes October 7, 2020 Virtual Zoom Meeting Present: Linda Scott, Douglas Carlsen, Tia Kramer, Lindsay Tebeck, Hannah Bartman Absent: Katy Rizzuti Council Liaison: Tom Scribner Staff Liaison: Elizabeth Chamberlain, Deputy City Manager Staff support: Rikki Gwinn Call to order: The meeting was called to order at 11:02 am I. -
Capitol Buildings and Grounds
CAPITOL BUILDINGS AND GROUNDS UNITED STATES CAPITOL OVERVIEW OF THE BUILDING AND ITS FUNCTION The United States Capitol is among the most architecturally impressive and symbolically important buildings in the world. It has housed the meeting chambers of the Senate and the House of Representatives for almost two centuries. Begun in 1793, the Capitol has been built, burnt, rebuilt, extended, and restored; today, it stands as a monument not only to its builders but also to the American people and their government. As the focal point of the government's Legislative Branch, the Capitol is the centerpiece of the Capitol Complex, which includes the six principal Congressional office buildings and three Library of Congress buildings constructed on Capitol Hill in the 19th and 20th centuries. In addition to its active use by Congress, the Capitol is a museum of American art and history. Each year, it is visited by an estimated seven to ten million people from around the world. A fine example of 19th-century neoclassical architecture, the Capitol combines function with aesthetics. Its designs derived from ancient Greece and Rome evoke the ideals that guided the Nation's founders as they framed their new republic. As the building was expanded from its original design, harmony with the existing portions was carefully maintained. Today, the Capitol covers a ground area of 175,170 square feet, or about 4 acres, and has a floor area of approximately 161¤2 acres. Its length, from north to south, is 751 feet 4 inches; its greatest width, including approaches, is 350 feet. Its height above the base line on the east front to the top of the Statue of Freedom is 287 feet 51¤2 inches; from the basement floor to the top of the dome is an ascent of 365 steps. -
Utah History Encyclopedia
PAINTING AND SCULPTURE IN UTAH Avard Fairbanks with models for "Pony Express" William W. Major (1804-1854) was the first Mormon painter to arrive in Utah (in 1848). From Great Britain, he spent five years headquartered in Great Salt Lake City painting portraits and making visits to various locations in the surrounding area in order to paint both landscapes and the faces of other settlers as well as of leaders among the indigenous Native American tribes. Meanwhile, virtually everything in the city of Salt Lake that could be in any way called sculpture was created by either the British woodcarver Ralph Ramsay (1824-1905) or the British stonecarver William Ward (1827-93). The three most significant pioneer painters were Danquart Weggeland (1827-1918), a Norwegian; C.C.A. Christensen (1831-1912), a Dane; and George M. Ottinger (1833-1917), originally from Pennsylvania. Christensen′s greatest achievement was the painting of numerous somewhat awkward but charming scenes showing episodes either from early Mormon history or from the Book of Mormon. Like Christensen, neither Ottinger nor Weggeland had much formal artistic training, but each produced a few somewhat more sophisticated figure and landscape paintings and advised their students to go east where they could study in Paris. Certainly, that is what Deseret′s young sculpture students would do; Parisian training played a major role in the artistic evolution of famed romantic realist bronze sculptor Cyrus E. Dallin (1861-1944), of Springville, Utah, as well as in that of Mt. Rushmore′s sculptor, Gutzun Borglum (1867-1941) and his talented brother, Solon Borglum (1868 1922), both of Ogden, Utah.