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AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Vogue on Yves Saint Laurent
Model Carrie Nygren in Rive Gauche’s black double-breasted jacket and mid-calf skirt with long- sleeved white blouse; styled by Grace Coddington, photographed by Guy Bourdin, 1975. Linda Evangelista wears an ostrich-feathered couture slip dress inspired by Saint Laurent’s favourite dancer, Zizi Jeanmaire. Photograph by Patrick Demarchelier, 1987. At home in Marrakech, Yves Saint Laurent models his new ready-to-wear line, Rive Gauche Pour Homme. Photograph by Patrick Lichfield, 1969. DIOR’S DAUPHIN FASHION’S NEW GENIUS A STYLE REVOLUTION THE HOUSE THAT YVES AND PIERRE BUILT A GIANT OF COUTURE Index of Searchable Terms References Picture credits Acknowledgments “CHRISTIAN DIOR TAUGHT ME THE ESSENTIAL NOBILITY OF A COUTURIER’S CRAFT.” YVES SAINT LAURENT DIOR’S DAUPHIN n fashion history, Yves Saint Laurent remains the most influential I designer of the latter half of the twentieth century. Not only did he modernize women’s closets—most importantly introducing pants as essentials—but his extraordinary eye and technique allowed every shape and size to wear his clothes. “My job is to work for women,” he said. “Not only mannequins, beautiful women, or rich women. But all women.” True, he dressed the swans, as Truman Capote called the rarefied group of glamorous socialites such as Marella Agnelli and Nan Kempner, and the stars, such as Lauren Bacall and Catherine Deneuve, but he also gave tremendous happiness to his unknown clients across the world. Whatever the occasion, there was always a sense of being able to “count on Yves.” It was small wonder that British Vogue often called him “The Saint” because in his 40-year career women felt protected and almost blessed wearing his designs. -
The Demise and Transfiguration of Haute Couture
008-021_INDUMENTA_01 29/1/09 14:19 Página 8 The demise Pablo Pena González Doctor of Art History. Professor of Design History and transfiguration for the Region of Madrid [email protected] of Haute Couture ABSTRACT: Contrary to the prediction prêt-à-porter is an industry. This article of Yves Saint-Laurent, Haute Couture does not address the necessary, eternal has not died. After two decades of death and universal profession of tailoring, throes, breathing tubes still pump life but rather the Parisian institution that, through its veins to ensure that it contin- one day in its youth, looked in the mir- ues to lead luxury market advertising. ror and said, “I am haute.” And since Of course, this is not the state we fash- this article may be of interest to people ion professionals, whether designers or outside the industry, I will begin by ex- writers, would wish for, nor do we ap- plaining what “haute” means as applied prove of the postmodern direction that to couture. recent Haute Couture has taken, which a. “Haute” means “expensive.” Haute is progressively sullying rather than glo- literally means “high” and, if we analyse rifying the profession of fashion design- it semantically, couture cannot be high ers. This article offers numbers, state- any more than it could be fat. The epi- 1 As quoted by the journalist Corinne Jeammet. ments and reflections made by the thet “high” was appended in a Unless otherwise indicated, all quotes protagonists of Parisian couture, enough metaphorical sense, and I think this was appearing in the article are taken from the to certify the debacle of the last aristo- done to mask its gory significance: high cratic art in history. -
From 22Nd April to 16Th October Tel. : +33 (0) 254 209 922 Photo : © E
From 22nd April to 16th October www.domaine-chaumont.fr Tel. : +33 (0) 254 209 922 Photo : © E. Sander Photo Domaine de Chaumont-sur-Loire 20th Chaumont-sur-Loire International Garden Festival From 22 April to 16 October 2011 2011 theme : “Gardens of the future or the art of happy biodiversity” It is biodiversity that gives us the pleasure of discovery, the beauty of landscapes, the meeting of languages and the richness of exchanges. It makes the world a delight and fosters the possibility of a shared world arising out of our differences. The garden is both a source and an end in itself, the expression of nature in its original form, of transformation and organisation, of utility and pleasure, and thus all on its own brings together all the richness of the world, everything nature gives us and all that knowledge and history have brought in terms of transformations, organisation and rites, creativity and expression over the centuries. The garden is a celebration of the diversity of people and nature, of living species, of their coexistence and of the necessary balance between them. Nowadays, this balance is under threat. People have drawn on natural resources as if they were taking them from a bottomless well, without any concern for their conservation and their uniqueness. The ever-increasing speed at which species are being lost is jeopardising biodiversity and the multiplicity of nature’s life forces. “Over the last 50 years, the natural world has been in considerable decline. Species are dying out and with them the biological, chemical and structural characteristics that they carried with them. -
Donatella Versace's Day, Alber Elbaz's Deep Thoughts, Diana Vreeland's Family & Christian Louboutin's Garden FALL FA
Green=Pantone 8264 C Spine width = 7/32” (final) The The wall sTreeT journal Magazine wall sePTeMBer 2012 s T ree T journal Magazine FALL FASHION Donatella Versace’s Day, Alber Elbaz’s Deep Thoughts, Diana Vreeland’s Family & Christian Louboutin’s Garden se PTe MB er 2012 0912_WSJ_Cover_Shipped_02.indd 1 7/17/12 1:42 PM RALPH LAUREN__205608742.indd 2 7/17/12 2:06 PM RALPH LAUREN__205608742.indd 3 7/17/12 2:07 PM NEW YORK BEVERLY HILLS DALLAS CHICAGO GREENWICH BAL HARBOUR View the Runway Show and go behind the scenes with the Ralph Lauren application on your iPhone® or visit RALPHLAURENCOLLECTION.COM Ralph Lauren_ 205608743.indd 2 7/17/12 3:51 PM Ralph Lauren_ 205608743_2.indd 3 7/17/12 3:52 PM armani_205609334_US.indd 2 7/23/12 4:01 PM armani_205609334_US.indd 3 7/23/12 4:02 PM ESTEELAUDER_205607332_EK.indd 2 7/2/12 12:21 PM Constance is wearing Pure Color Nail Lacquer in GL Bête Noire, Vivid Shine Lipstick in FL Forbidden Apple and EyeShadow in 03 Cyber Lilac. esteelauder.com © 2012 Estée Lauder Inc. ESTEELAUDER_205607332_EK.indd 3 7/2/12 12:22 PM Ermenegildo_205608147_US.indd 2 7/10/12 2:21 PM Ermenegildo_205608147_US.indd 3 7/10/12 2:21 PM AMERICANA MANHASSET ATHENS BAL HARBOUR DALLAS DUBAI LAS VEGAS LOS ANGELES MADRID NEW YORK RIYADH SOUTH COAST PLAZA TORTUGA BAY OSCARDELARENTA.COM OSCAR DE LA RENTA.indd 2 7/18/12 1:54 PM OSCAR DE LA RENTA.indd 3 7/18/12 1:54 PM Omega_205608611.indd 2 7/16/12 4:29 PM Omega_205608611.indd 3 7/16/12 4:29 PM GUESS_205607865_EK 2 7/6/12 2:46 PM GUESS_205607865_EK 3 7/6/12 2:46 PM NEW YORK 717 MADISON AVENUE EAST HAMPTON 23 MAIN STREET LAS VEGAS FORUM SHOPS DEVIKROELL.COM devikroll_205608009_US.indd 2 7/23/12 3:56 PM devikroll_205608009_US.indd 3 7/23/12 3:57 PM september 28 88 FASHIONABLY LOUD AND INCREDIBLY BAROQUE The heavy jewels, brilliant embroidery and exquisite lace of fall’s finery shine among Paris’s glittering streets. -
Loulou De La Falaise
[Download free ebook] Loulou de la Falaise Loulou de la Falaise Ariel de Ravenel, Natasha Fraser-Cavassoni ebooks | Download PDF | *ePub | DOC | audiobook #635282 in Books imusti 2014-10-14 2014-10-14Original language:EnglishPDF # 1 13.10 x 1.28 x 9.95l, 1.25 #File Name: 0847843297272 pagesRizzoli International Publications | File size: 37.Mb Ariel de Ravenel, Natasha Fraser-Cavassoni : Loulou de la Falaise before purchasing it in order to gage whether or not it would be worth my time, and all praised Loulou de la Falaise: Loulou de la Falaise is the first monograph to celebrate the life and work of the style icon and muse to Yves Saint Laurent who became the embodiment of French chic. Renowned for her bohemian chic, daring style as well as for her lightness, nonchalance, and humor, Loulou de la Falaise was not only an influential fashion icon but also a breath of fresh air to the world of Parisian haute couture. The Anglo-French beauty assisted the designer Halston and modeled briefly for Diana Vreelands Vogue before moving to Paris in 1972 to work alongside the iconic designer Yves Saint Laurent. A true original, her sense of color and fantasy and her attitude would energize the mythic house and fashion in general. For almost forty years, de la Falaise would forge her professional reputation designing extraordinary jewelry and accessories both for Yves Saint Laurent as well as for her own line. This elegant volume is a life in pictures, with over 400 images by legendary contemporary photographers, from Helmut Newton and Richard Avedon to Steven Meisel and Bettina Rheims, as well as an essay by Pierre Berg and interviews with Loulou intimates such as Betty Catroux, Ins de la Fressange, Diane von Furstenberg, Christian Louboutin, Elsa Peretti, Paloma Picasso, Andr Leon Talley, and Oscar de la Renta. -
Passion for Fashion, 8/12/2020 2:00 PM
Passion for Fashion, 8/12/2020 2:00 PM 1 An Hermès Ardennes leather Sac Doggy Medor 8 A fine and rare Gucci ink-blue crocodile cross-body bag, 1990s stamped to interior and handbag with bamboo handle, 1960s crocodylus signed to gilt press-studs, with gilt studs to front porosus, stamped to interior, with gilt hardware, flap, two interior pockets and lambskin leather a chain to each side held in place by a polished lining, 22cm, 8 1/2in long £400-600 lapis lazuli sphere, the semi-precious stone also 2 An Hermès cherry-red crocodile sac chaine inset to turnlock-clasp, leather interior with three d'ancre, late 1950s-early 1960s crocodylus pockets, 22cm, 8.5in long porosus, stamped to interior and signed to clasp, with top handle, gilt chain pull-clasp, two Please note there are export restrictions on this interior compartments with five pockets and red lot outside of the EU. Article 10 licence no. lambskin leather lining, 26cm, 10in long 593069/02 £2,000-3,000 9 A Gucci crocodile handbag, 1960s crocodylus Please note there are export restrictions on this porosus, stamped to interior, the gilt lift-clasp lot outside of the EU. Article 10 licence no. inset with four polished tiger's eyes, the top 593081/02 £800-1,200 handle with each end pierced with a gilt bar and 3 An Hermès cherry-red epsom leather Bolide the semi-precious stone, the leather lining with bag, 1994 blind stamp X, stamped and signed, four interior pockets, one with gilt 'shield' to zip- with gilt hardware, padlock, clochette, keys and pull, 18 1/2cm, 7 1/4in long shoulder strap, 35cm, 13.5in long £800-1,000 Please note there are export restrictions on this lot outside of the EU. -
Costume Institute Records, 1937-2008
Costume Institute Records, 1937-2008 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le Processing of this collection was funded by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on August 02, 2017 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute Records, 1937-2008 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Administrative Information .............................................................................................. 6 Related Materials .............................................................................................................. 7 Controlled Access Headings............................................................................................... 7 Collection Inventory............................................................................................................9 Series I. Collection Management..................................................................................9 Series II. Curators' and Administrators' Files............................................................ -
The Japanese Revolution in Paris Fashion Dress, Body, Culture Series Editor Joanne B
The Japanese Revolution in Paris Fashion Dress, Body, Culture Series Editor Joanne B. Eicher, Regents’ Professor, University of Minnesota Books in this provocative series seek to articulate the connections between culture and dress which is defined here in its broadest possible sense as any modification or supplement to the body. Interdisciplinary in approach, the series highlights the dialogue between identity and dress, cosmetics, coiffure, and body alterations as manifested in practices as varied as plastic surgery, tattooing, and ritual scarification. The series aims, in particular, to analyze the meaning of dress in relation to popular culture and gender issues and will include works grounded in anthropology, sociology, history, art history, literature, and folklore. ISSN: 1360-466X Previously published titles in the Series Helen Bradley Foster, “New Raiments of Self”: African American Clothing in the Antebellum South Claudine Griggs, S/he: Changing Sex and Changing Clothes Michaele Thurgood Haynes, Dressing Up Debutantes: Pageantry and Glitz in Texas Anne Brydon and Sandra Niessen, Consuming Fashion: Adorning the Transnational Body Dani Cavallaro and Alexandra Warwick, Fashioning the Frame: Boundaries, Dress and the Body Judith Perani and Norma H. Wolff, Cloth, Dress and Art Patronage in Africa Linda B. Arthur, Religion, Dress and the Body Paul Jobling, Fashion Spreads: Word and Image in Fashion Photography Fadwa El-Guindi, Veil: Modesty, Privacy and Resistance Thomas S. Abler, Hinterland Warriors and Military Dress: European Empires and Exotic Uniforms Linda Welters, Folk Dress in Europe and Anatolia: Beliefs about Protection and Fertility Kim K. P. Johnson and Sharron J. Lennon, Appearance and Power Barbara Burman, The Culture of Sewing Annette Lynch, Dress, Gender and Cultural Change Antonia Young, Women Who Become Men David Muggleton, Inside Subculture: The Postmodern Meaning of Style Nicola White, Reconstructing Italian Fashion: America and the Development of the Italian Fashion Industry Brian J. -
1062 Whole COPY.Indd
10 Celebrity sells ‘Our customers appreciate the association with stardom.’ In 1975, Giorgio Armani sold his Volkswagen. The money went into a pool of US$10,000 that Armani and his partner Sergio Galleoti had got together to open their Milanese fashion house. Having left medical school to enter the fashion business in 1957, Armani had worked as a buyer for the department store La Rinascente. But it was as a designer at Cerruti, which he joined in the early 1960s, that he learned the techniques that were to make his career. The charismatic Nino Cerruti was a master of marketing: he once convinced Lancia to paint a fleet of cars in the same shade as his new range of suits, and then enlisted the curvaceous actress Anita Ekberg to break a bottle of champagne over one of them for the cameras. The effectiveness of such publicity coups was not lost on Armani, who would use relationships with celebrities as the cornerstone of his marketing strategy. Armani’s clothes alone were impressive enough – although the casual deconstructed look of his suits is familiar today, it was revolutionary at the time – but it took a movie star to transfer the designs from the fashion press to the public eye. The star was Richard Gere, and the vehicle was a film called American Gigolo (1980). Designers had been dressing stars for years – Hubert de Givenchy was famous for outfitting Audrey 122 Fashion Brands Hepburn – but this was arguably the first time a set of clothes had played such a prominent role in a film, almost becoming an extension of the main character. -
Yves Saint Laurent - Designer to Collector; Or, ‘The Funeral of My Collection’
Art Appreciation Lecture Series 2016 Collectors & Collections: classical to contemporary Yves Saint Laurent - designer to collector; Or, ‘the funeral of my collection’ Professor Peter McNeil, Imagining Fashion Futures Lab at UTS Please follow us on instagram: imaginingfashionfutures 2-3 November 2016 Lecture summary: Taste isn’t what you buy, it’s what you eliminate. Pierre Bergé Yves Saint Laurent (Yves Henri Donat Mathieu-Saint-Laurent, 1936-2008) was a celebrated twentieth-century fashion designer - perhaps less well known as a collector by the general public - until the great auction of his personal effects and collections by Christie’s Paris in February 2009. The result was a staggering 340 million Euro (486 million AUD). Saint Laurent was born in Algeria to a comfortable family and moved to Paris aged 17 (1953). In 1954 he was one of three young men (along with Karl Lagerfeld) to win prizes in the International Wool Secretariat prize, with its strong Australian connections. He was talent spotted by Christian Dior and worked with him as head designer before Dior died unexpectedly of a heart attack in 1957. Saint Laurent was permitted to take over the house. In 1958 he created the trapeze line and began to design for celebrities such as Farah Diba. In 1960 he was ‘drafted’ into the military - after lobbying not to have him conscripted that went on for some years - a devastating event for this young homosexual man who had led a sheltered home life. He was admitted to a military hospital and at the same time also fired by Dior, as his line had been struggling. -
FA05 Layout 001-032 V4 Copy.Qxd 7/9/16 4:49 PM Page 2
SP17 cover INSIDE LEFT_FULL SIZE V8.qxd:Layout 1 7/9/16 11:24 AM Page 1 TABLE OF CONTENTS RIZZOLI 100 Buildings . .24 Toscanini . .46 The Adirondacks . .44 Watches International XVIII . .102 Adobe Houses . .32 What to Eat for How You Feel: The Appalachian Trail . .44 The New Ayurvedic Kitchen . .11 The Art of Dressing . .39 The Art of Elegance . .13 SKIRA RIZZOLI The Art of Flower Arranging . .28 American Treasures . .51 Ballet for Life . .29 Andrew Wyeth . .50 BEAMS . .36 Carpenters Workshop Gallery . .59 Chocolat . .18 Daniel Lismore . .56 Cinecitta . .46 Enrico Baj . .55 Civil War Battlefields . .21 The Hidden Art . .54 Creating Home . .6 House Style . .48 The Decorated Home . .5 Jim Lambie . .58 Digit@l Girls . .27 Manolo Blahnik: The Art of Shoes . .49 Dior by Mats Gustafson . .47 Mark Tobey . .57 Dora Maar . .14 Painting a Nation . .56 Elizabeth Peyton . .15 Ryan McGinley . .52 Entertaining in the Country . .30 Takashi Murakami . .53 Fashion Forward: 300 Years of Fashion . .3 FuturPiaggio . .42 RIZZOLI/ GAGOSIAN GALLERY The Garden of Peter Marino . .34 Alberto Giacometti, Yves Klein . .81 Gâteaux . .7 Line into Color, Color into Line: Helen Frankenthaler . .80 Giorgio Armani . .76 Painting Paintings (David Reed) 1975 . .80 Grand Complications . .102 Sterling Ruby . .79 Harry Winston . .78 Highland Retreats . .40 UNIVERSE How They Decorated . .38 1000 T-Shirts . .65 I Actually Wore This . .26 Big Shots . .62 In Full Flower . .9 The Bucket List . .60 Jean Dubuffet: Anticultural Positions . .74 Color Your Own Masterpiece . .75 La Colle Noire . .78 Complete Guide to Boating and Seamanship . .71 Les Francaises .