Many Left Without Tickets JMU Celebrates Founders Day Ground
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Maddeson Generations
Maddeson Lines - First Generation -------------------------------------------------- 1. Isaac Maddeson. Born in 1590 in London, England (historically Scotland). Isaac died in West Sherlow, Virginia, in 1624; he was 34. A descendant of Edward I of England. Encyclopedia of Virginia biography, under the editorial supervision of Lyon Tyler. (edited by Lyon Gardiner Tyler) Isaac Maddeson, came to Virginia in 1608, only a year after the founding of Jamestown, and was employed in exploring the country and probably in making maps, etc. He went to England in 1620 and while there, on July 10, 1621, the Virginia Company, in recognition of his services in the colony, presented him with two shares in the company. He seems to have returned to Virginia shortly, for immediately after the massacre of 1622, we find him actively employed against the Indians and becoming one of the best known soldiers of the colony. About the first of July, 1622, the governor sent Capt. Isaac Maddeson with thirty odd men to the Patomac, where it was thought corn could be purchased from the friendly Indians and a possible alliance with them be formed against the hostile tribes. Maddeson conducted the affair very badly, and, notwithstanding orders to the contrary was soon at odds with the well-disposed savages. He was led into this by tales of a conspiracy on the part of the Indians, which though quite unfounded, moved him into an indefensible treachery against them whereby he captured the chief and his son and killed many of their unfortunate tribesmen. The captives were finally ransomed for a quantity of corn. -
LITERACY : Proofreading
LITERACY : Proofreading Circle the missing commas. Write corrections on the lines below. One example is done for you. Find and correct 5 more errors. Blues is a music genre and musical form originated in the Deep South of the United States around the 1870s. The genre developed from roots and spirituals.Blues incorporated spirituals work songs field hollers shouts chants and rhymed simple narrative ballads.The blues form ubiquitous in jazz rhythm and blues and rock and roll is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Example : spirituals, work 1. …………………………………………………………… 2. ………………………………………………………….. 3. ………………………………………………………….. 4. ………………………………………………………….. 5. …………………………………………………………... LITERACY: LITERACY : Proofreading 8.WG7c Circle the missing commas. Write corrections on the lines below. One example is done for you. Find and correct 5 more errors. Blue notes usually thirds or fifths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics bass lines and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative often relating the racial discrimination and other challenges experienced by African-Americans. -
Basie, Ballads, Bebop & Blues
BASIE, BALLADS, BEBOP & BLUES RECOMMENDED CLASSIC & NEWER WORKS FOR THE JAZZ ENSEMBLE, GRADES 2 – 4+ Compiled by Dr. Michael Parkinson Chair, Department of Music Webster University, St. Louis, Missouri © 2006 Educational Specialist – Benge Trumpets, Conn-Selmer, Inc. With the assistance of Robert Waggoner, Jim Cochran, and Ron Allen AND Tom Whaley, CMEA Jazz Representative (2005-2007) Works selected from the following publishing sources: Advance, Alfred, Barnhouse, Doug Beach (Kendor), CPP-Belwin, DPZ, FJH, Hal Leonard Heritage, Increase Music, JPM, Jazz at Lincoln Center (Alfred-JLC), Kendor, Kjos, Little Bear, Ludwig, Matrix, Really Good Music, Second Floor (Leonard), Sierra, Smart Chart, Stitzel, Three-Two, UNC & Walrus Bold face = recommended works; CAPITALIZED = outstanding choices, * Playable by a smaller ensemble BALLADS: TITLE: COMP/ARR: SOURCE and/or RECORDING: FEATURES: PUB: GR: A Child is Born Thad Jones Trumpet/Flugel Kendoe 3 AFTER YOU’VE GONE Layton/M. Taylor 1920s standard, Publisher’s disc Swing 8th, ensemble, piano Leonard 4 All The Things You Are J. Kern/S. Kenton 1950s Stan Kenton Orchestra Trombones, piano, sax soli Sierra 4 ALWAYS & FOREVER P. Metheny/B. Curnow 1990s Pat Metheny Group & Bob Curnow Big Band Alto sax, flugel horn, or guitar Sierra 4 At First Light Ellen Rowe Original , publisher’s disc Alto sax, light rock ballad Sierra 3 AUTUMN Bob Florence 1980s Bob Florence Orchestra (opt. doubles) Tenor sax feature Walrus 4 Beauty and the Beast G. Goodwin Band/Tenor Leonard 5 Black, Brown & Beautiful Oliver Nelson 1970s Oliver Nelson Orchestra Alto Sax (Johnny Hodges) Sierra 3 BLUE B. Shew/G. Brisker 1970s Louie Bellson Orchestra Trumpet (Bobby Shew) Beach/Kendor 4 Blue & Sentimental C. -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
Gene Ammons Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs -
Guide to the Reuben T. Durrett Collection of Shelby Family Papers 1742-1823
University of Chicago Library Guide to the Reuben T. Durrett Collection of Shelby Family Papers 1742-1823 © 2016 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Acquisition Information 3 Biographical Note 5 Scope Note 6 Related Resources 7 Subject Headings 10 INVENTORY 10 Series I: Evan Shelby 10 Series II: Isaac Shelby 20 Series III: John and James Shelby 30 Descriptive Summary Identifier ICU.SPCL.SHELBYFAMILY Title Durrett, Reuben T. Collection. Shelby Family Papers Date 1742-1823 Size 1.5 linear feet (3 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Reuben Thomas Durrett (1824-1913), lawyer, manuscript and book collector, and Kentucky historian. This collection contains the papers of the Shelby family, an eighteenth and nineteenth-century military and farming family in Kentucky and Maryland. The collection contains materials relating to the economic, military, and legal activities of Evan Shelby (1719-1794) and his son, Isaac Shelby (1750-1826), a revolutionary officer and the first governor of Kentucky. The collection also contains a small amount of material pertaining to John Shelby (1748-1814) and James Shelby (1752-1786). The collection includes correspondence, business records, military papers, and land records. The collection spans the years 1742-1823, with the bulk of the material concentrated in the period 1760-1796. Information on Use Access The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Durrett, Reuben T. Collection. Shelby Family Papers, [Box #, Folder #], Special Collections Research Center, University of Chicago Library. -
Final Copy 2019 01 31 Charl
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D. -
Tennessee State Library and Archives WINCHESTER, JAMES
State of Tennessee Department of State Tennessee State Library and Archives 403 Seventh Avenue North Nashville, Tennessee 37243-0312 WINCHESTER, JAMES (1752-1856) PAPERS, 1787-1953 Processed by: Manuscript Division Archival Technical Services Accession Number: THS 27 Date Completed: October 11, 1967 Location: I-D-3 Microfilm Accession Number: 794 MICROFILMED INTRODUCTION These papers for the years 1787-1953, relating primarily to the career and activities of General James Winchester, U.S. Army, were given to the Tennessee Historical Society by Mr. George Wynne, Castalian Springs, Tennessee. The materials in this collection measure 1.68 linear feet. There are no restrictions on the materials. Single photocopies of unpublished writings in the James Winchester Papers may be made for purposes of scholarly research. SCOPE AND CONTENT The papers of General James Winchester, numbering approximately 1,100 items and two volumes, contain accounts (bills, notes, receipts), personal and military; correspondence; land records including claims, records, deeds, grants, papers dealing with Memphis land surveys and commissions, court minutes, summonses, etc. Correspondence, mainly James Winchester’s incoming (1793-1825) and outgoing (1796-1826), comprises about half the collection. In addition to the military correspondence, a great portion deals with land speculation. The largest number of letters from any one man to Winchester is that of Judge John Overton, who, apart from being Winchester’s confidant and friend, was his partner in land dealings. There are 116 pieces of correspondence with Overton, and these are primarily on the subject of Memphis lands as Winchester, Overton, and Andrew Jackson were extensively involved in the establishment and early growth of the community. -
CONSUMING LINCOLN: ABRAHAM LINCOLN's WESTERN MANHOOD in the URBAN NORTHEAST, 1848-1861 a Dissertation Submitted to the Kent S
CONSUMING LINCOLN: ABRAHAM LINCOLN’S WESTERN MANHOOD IN THE URBAN NORTHEAST, 1848-1861 A dissertation submitted to the Kent State University College of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy By David Demaree August 2018 © Copyright All right reserved Except for previously published materials A dissertation written by David Demaree B.A., Geneva College, 2008 M.A., Indiana University of Pennsylvania, 2012 Ph.D., Kent State University, 2018 Approved by ____________________________, Chair, Doctoral Dissertation Committee Kevin Adams, Ph.D. ____________________________, Members, Doctoral Dissertation Committee Elaine Frantz, Ph.D. ____________________________, Lesley J. Gordon, Ph.D. ____________________________, Sara Hume, Ph.D. ____________________________ Robert W. Trogdon, Ph.D. Accepted by ____________________________, Chair, Department of History Brian M. Hayashi, Ph.D. ____________________________, Dean, College of Arts and Sciences James L. Blank, Ph.D. TABLE OF CONTENTS TABLE OF CONTENTS ..............................................................................................................iii LIST OF FIGURES ...................................................................................................................... iv ACKNOWLEDGMENTS...............................................................................................................v INTRODUCTION ..........................................................................................................................1 -
Read the Article a Visit to Vermont from Historic Roots Magazine About
I HISTORIC ROOTS HISTORIC ROOTS Ann E. Cooper, Editor Deborah P. Clifford, Associate Editor ADVISORY BOARD Sally Anderson Nancy Chard Marianne Doe Mary Leahy Robert Lucenti Caroline L. Morse Meg Ostrum Michael Sherman Marshall True Catherine Wood Publication of Historic Roots is made possible in part by grants from the A.D. Henderson Foundation and Vermont-NEA. A Magazine of Vermont History Vol. 4 August 1999 No. 2 A VISIT TO VERMONT By SYDNEY N. STOKES, JR. In 1791, the United States was a new country. The battle for independence was over. A constitution had been drafted and adopted. A new government was at work in the nation's capital, Philadelphia. George Washington was president. It was not easy, running the new country. In Congress, members from individual states and from the north and the south disagreed fiercely. They disagreed about how the new government should work. They differed on how to admit new states and on trade policies. Members of the president's cabinet' argued about whether there should be a strong, centralized government or a looser organization of states. They debated whether business or farming should be the focus of economic life. The new government also had to Thomas Jefferson in 1791. develop ways of dealing with foreign countries, especially Britain and France. As Secretary of State, Thomas Jefferson was 1 A cabinet is a group of people who serve as advisors to a country's leader. 4 5 A VISIT TO VERMONT take a trip to find out what people were thinking away from the capital city. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
The Rise of Religious Freedom and How It Shaped Political Theology in the United States
The Rise of Religious Freedom and How It Shaped Political Theology in The United States Hugh Whelchel Executive Director Institute for Faith, Work & Economics The Rise of Religious Freedom and How It Shaped the Political Theology of the United States Abstract: The idea of religious freedom did not rise out of Hinduism or Islam. It also did not originate from the enlightenment but instead arose from the teaching of the holy scriptures as understood throughout the history of the church. The seeds of religious freedom were sown by the early church fathers, grew in the rich soil plowed by the reformers and began to bear fruit with the American founding fathers and the birth of a new nation founded in part by a desire for religious freedom. This paper will look at the development of religious freedom both theologically and historically within the church and the impact it had on the US founding fathers and the unique political theology they developed. On May 6, 1776, thirty-two “sons of Virginia” representing every county of the state met at Williamsburg to pass a resolution calling for the Virginia delegates at the Continental Congress to move for independence from Britain.1 This Virginia Convention was also tasked with drafting a bill of rights and a constitution for the now independent state of Virginia. At the age of fifty-one, elder statesman George Mason of Gunston Hall emerged from retirement to represent Fairfax County and agreed to write the first draft of both the Virginia Declaration of Rights and the Virginia Constitution. After a few changes and additions, the Declaration of Rights was read to the entire Convention on May 27, 1776.