Zlatan Stipišić Gibonni

Total Page:16

File Type:pdf, Size:1020Kb

Zlatan Stipišić Gibonni ZLATAN STIPIŠIĆ GIBONNI The Superbrands organisation has for the past 16 years been paying tribute to the strongest and his songs firmly on the throne of all-time favourite, the best brands in 88 countries. The categorisation of the awards was changed in 2007. The timeless hits. Superbrands organisers believed that it was high time to not only award product brands and It is not difficult to trace Gibonni’s musical companies on the world market, but also to award public figures that truly deserve it. roots; his father Ljubo Stipišić- Delmata is one of In the process of choosing laureates, the emphasis is put on products and companies that the greatest and most active archivists of traditional operate at the national and the international level. When choosing actual persons, the organisation Croatian songs and is a renowned ethnomusicologist. targets exclusively those persons who have become “super brands” through their personal Gibonni’s biography tells a tale of restless wandering, achievements, and are, as such, of great importance in their homeland as well as on the from his heavy metal band Osmi putnik to the kind international market. of musician Gibonni is today. From a historical point Sport and music are two categories with the highest number of distinguished representatives, of view, both Croatia’s and Gibonni's independence i.e. Croatia’s super ambassadors to the world. In the final election for the year 2010, we are date back to the virtually same period, i.e. to 1991 awarding the Superbrands for the second time to one of the greatest artist on the Croatian music when he released his first studio album “Samnom ili scene, the one and only, inimitable, Gibonni. bez mene” (With or without me). Some of the songs from his debut album still seem to be influenced by “heavy metal”, while others echo the spirit of Market History Dalmatia and rock music. Two years later his second Both the music and the entertainment industry Zlatan Stipišić Gibonni is called Zlatan only by his album “Noina arka” (Noah’s Arc) brings us two offer a myriad of artists. The demand for glitz, closest family members, whereas the public refer pivotal hits that shoot Gibonni right into stardom; sparkle and glamour is growing. Meanwhile, the to him as Gibonni, or even more commonly, they the festival hit “Dobri ljudi” (Good People) and competition is rising by the day and is becoming use the term of endearment - Gibo. Gibonni is a the music score for the film “Zlatne godine” (The more cut-throat in the race to achieve those name that has never been tied to any scandals. With Golden Years) about the Croatian Spring political parameters, especially in the media that are always each new move, he is always at the positive centre movement, co-written with Zrinko Tutić and his, to in pursuit of new sensations. The expectations are of media attention. Most of his lyrics and notes dig this day, closest associate and friend, producer Nikša high, but when the stage lights go down, there are deeply into the very core of human lives, setting Bratoš. A year later, he relatively quickly releases his very few true stars whose brilliance remains intact. third album “Kruna perja” (A Crown of Feathers) Much like in other categories, there are only a few packed with hits that are still played in concerts, such artists who are continuously present in the media. as “Lipa moja” (My Beautiful One) and “Dvije duše” Gibonni is, as a songwriter, the absolute leader (Two Souls). That same year he writes a smash hit among music artists. His timeless hits are a result of “Cesarica” for Oliver Dragojević that secures him a winning combination of short, yet powerful lyrics, the annual Croatian music award Porin for the song magical melodies and strong arrangements. Each of the year. His live album, simply entitled “Koncert” of his hits and albums so far is charged with a new (Concert), is released in 1995 and is followed two musical maturity and life wisdom. years later by “Ruža vjetrova” (Wind Rose) that Gibonni is an artist who establishes his includes tracks “Ako me nosiš na duši” (If I Prey authentic status with every single new work - a Upon Your Mind), “Ovo mi je škola” (A Lesson To status unparalleled to that of any other artist in the Learn)and “Tempera”. These hits mark the start of region. In the field of music and art, Gibonni truly his more commercial phase that proves to be a big is in a league of his own. The fact that he has been success with the masses and the critics. His next appointed the UNICEF Goodwill Ambassador sets album “Judi, zviri i beštimje“ (People, Beasts and an additional value on his work. Curses) is released in 1999 and marks a turning point 320 SUPERBRANDS in his career. The hits “Projdi vilo” (Go My Fairy), with new vocal tracks by Maya Azucena, now joined became the face of UNICEF as their goodwill “Činim pravu stvar” (Doing the Right Thing), “Divji by the outstanding Damir Urban. In the same year, ambassador. Towards the very end of 2009 he cvit” (Wild Flower) i “Posoljeni zrak i razlivena tinta” Gibonni releases a special extended, as well as a released a new single entitled “Žeđam” (Thirsty). (Salted Air and Smudged Ink) bring him 7 Porin limited Christmas edition of the album. This particular single stands out from his previous awards. His next release is a DVD entitled “Milenijski In March 2010 he releases his latest studio album ones due to the visually impressive video based koncert” (The Millenium Concert) recorded at the “Toleranca” and in December a limited edition of this on the animated motion picture “Guliver”, Croatian National Theatre “Ivan pl. Zajc” in Rijeka, album with a bonus DVD. directed by Zdenko Bašić and animated by Daniel where ISDN technology enabled him to be joined Šumberac. on stage by guests Vlatko Stefanovski and the vocal Discography and awards In March he releases his new studio album ensemble Cambi. “Toleranca” and starts a very successful and long- On his long awaited album “Mirakul” (Miracle), OSMI PUTNIK awaited tour in Croatia. In 2010 he releases 5 hit released in 2001, he collaborates with world- 1. Ulična molitva (Street Prayer) (Jugoton , 1986.) singles and attractive videos. He was nominated for renowned musical guests such as drummer Manu 2. Glasno glasnije (Loud louder) (PGP RTB, 1987.) MTV awards for Best Regional Act. Katche, base-players Pino Palladino and Tony Levin, 3. Drage sestre moje... nije isto bubanj i harmonika Promotion guitarist Vlatko Stefanovski, world music star Geoffrey (My dear sisters…drums and accordions are not As an eminent musician, Gibonni has always Oryema and the frontman of the Italian band the same thing) (PGP RTB, 1987.) sparked interest both for himself and his work, “Stadio”, Gaetano Cuerreri. The album has 13 tracks which is why other famous brands in Croatia and almost all of them have become smash hits. To GIBONNI have also wanted to be associated with his this day, “Mirakul” has been sold into 60,000 copies. 1. Samnom ili bez mene (Croatia Records, 1991.) name. In the marketing world, such means of In 2006, following the longest hiatus in his career, 2. Noina arka (Croatia Records, 1993.) collaboration is favourable for both parties. That he releases “Unca fibre (vodič za brodolomce i Song “Mi smo prvaci” (We Are The Champions) is why Gibonni was chosen to be endorsed by anđele čuvare)” (An Ounce of Fever (A Guide for becomes the anthem of the Croatian Olympic many brands such as: SMS, Alfa Romeo, Peugeot, Castaways and Guardian Angels)) for which he wins Committe. Toyota, Mercedes Benz, Samsung, etc. With the eight Porin awards. This album follows the trend of 3. Kruna od perja (Croatia Records, 1994.) release of his latest single “Žeđam” in 2009, collaborations with high-class musicians, such as the Porin award for song “Cesarica” performed by he has renewed his contract with his partner world's leading guitar virtuoso - Australian artist Oliver Dragojević. of many years, telecommunications company Tommy Emmanuel, American soul and jazz singer 4. Koncert (Croatia Records, 1995.) T-Mobile. Cooperation continued also on a very Maya Azucena and Croatian legends such as Goran 5. Ruža vjetrova (Croatia Records, 1997.) successful tour. Bare, Mladen Badovinec from the band T.B.F., Goran 6. Judi, zviri i beštimje (Dallas Records, 1999.) Bregović and Coco Mosquito from the band Jinx, 7 Porin awards www.facebook.com/GIBONNIfanovi who made a remix of the single “Sebi dovoljna” 7. Mirakul (Dallas Records, 2001.) 8 Porin awards dallasmusic.blog.hr (Self–sufficient). 8. Unca fibre (Dallas Records, 2006.) 8 Porin awards www.brodolomci.com The next step in his career is a series of 9. Acoustic/Electric (Dallas Records, 2007.) www.samsungmobile.com.hr/gibonni unforgettably brilliant concerts, resulting in a double 10. Toleranca (Dallas Records, 2010) live album “Acoustic/Electric”. New arrangements THINGS YOU DIDN’T KNOW ABOUT... added a new touch to the already established hits, COMPILATIONS such as “Mirakul” and “Posoljeni zrak i razlivena tinta” 1. 24 Karata/18 Velikih (24 Carats/18 Great ones) Gibonni (Croatia Records, 1999.) 2. Svi moji punti kad se zbroje (Box Set) (When all In the 80s Gibonni was a member of the my points add up) (Dallas Records, 2003.) Sarajevo band Divlje jagode. 3. Platinum Collection (Croatia Records, 2006.) 4. Kolekcija (Collection)(Croatia Records, 2006.) Gibonni has published a book of lyrics written in Braille, called “Dvije duše” (Two souls). The DVD profit from the sale goes to the blind in the 1.
Recommended publications
  • Sveučilište U Zagrebu Filozofski Fakultet Odsjek
    SVEU ČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET ODSJEK ZA POVIJEST UMJETNOSTI Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Mentor: dr.sc. Frano Dulibi ć Zagreb, 2014. Temeljna dokumentacijska kartica Sveu čilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Rad se bavi vizualnim identitetom suvremene hrvatske glazbene rock i pop produkcije od 1990. do 2010. godine. Prikazana je povijesni razvoj prakse formiranja omota albuma plo ča/CD-a kao vizualne prezentacije glazbenih djela, što rezultira vrijednim likovnim ostvarenjima. Predmet zanimanja je usmjeren na rock pop omote albuma, koji proizlaze iz supkulturnog miljea te se za njih veže odre đena estetika i ikonografija. Pokušalo se naglasiti vrijednost omota, kao umjetni čkih djela, čija vrijednost nadilazi omote marketinških proizvoda, čemu u prilog ide i uklju čivanje etabliranih umjetnika u dizajn omota. Drugi dio rada bavi se konkretno situacijom u Hrvatskoj od 1990. do 2010. godine, odnosno kako su odre đeni čimbenici, s jedne strane jugoslavensko naslje đe oblikovanja omota, raspad Jugoslavije, ratna i poslijeratna situacija, nova društveno-politi čka klima, potiskivanje rock žanra na marginu, s druge strane promjene na tehnološkoj razini, zamjena plo ča s CD-ovima, odnosno digitalizacija glazbe te razvoj profesionalne dizajnerske djelatnosti, utjecali na oblikovanje omota rock pop albuma glazbenika koji prevladavaju na glazbenim ljestvicama i dodjelama nagrada. U radu su navedeni najdominantniji predstavnici rock pop glazbe i njihova poetika, dizajneri albuma te pojedina čni omoti. Prezentirani su i primjeri valorizacije rock pop albuma kao umjetni čke prakse na podru čju Hrvatske.
    [Show full text]
  • Siniša Škarica: TVORNICA GLAZBE, Priče Iz Dubrave, Bilješke Za
    RECENZIJE KNJIGA /REVIEWS AND BOOK REVIEWS 80 Informatol. 51, 2018., 1-2, 80-83 Siniša Škarica: TVORNICA GLAZBE, Priče iz nikativni odgovor, respektabilne stručne medijske Dubrave, Bilješke za biografiju ili Various Art- industrije, koja za njegov umjetnički glazbeni rad, ists, Knjiga prva: 1947. - 1969., Medijska industrija, dodjeljuje Siniši Škarici nagradu “životni Porin”, Zagreb, Croatia Records d.d. , 2017., 422 str. visoko strukovno glazbeno autorsko stvaralačko priznanje. Njegova peta životna profesionalna U povodu 70. godina postojanja, rada i uspješnog etapa, u funkciji glazbenog pisca i kreativnog diskografskog djelovanja “JUGOTON - CROATIA autora glazbene produkcije, je dodatni njegov RECORDSA” publicirana je antologijska knjiga društveni stvaralački doprinos razvoju glazbene i "TVORNICA GLAZBE: PRIČE IZ DUBRAVE", diskografske industrije. Njegova šesta, ne i uglednog autora SINIŠE ŠKARICE, diplomiranog posljednja, životna antologijska diskografska eta- pravnika, I međunarodno priznatog diskografa, pa je knjiga “TVORNICA GLAZBE, Priče iz Du- skladatelja, muzikologa, urednika i publiciste. brave. To je knjiga koja je, kako navodi samo- Svaka medijska epoha, i svako inkluzivno medijs- zatajni medijski ekspert i vrijedni direktor Croatia ko društvo, ima svoju jedinstvenu medijsku Records-a Želimir Babogredac, diskograf, novi- komunikaciju, medijsku industriju i dis- nar i televizijski utemeljitelj muzičke televizije kografsku produkciju na svim razinama global- CMC-a: “Slavimo ovaj jubilej s velikom radošću i ne, regionalne, nacionalne i lokalne diskografske očekivanjima. Punim srcem dajem podršku komunikacije. Suvremeni svijet diskografske nastanku ove epohalne knjige mog dragog pri- medijske industrije nalazi se u jednom velikom jatelja i suradnika Siniše Škarice, dugogodišnjeg interregnumu koji traga za novim stvaralačkim našeg djelatnika te glavnog i odgovornog uredni- oblicima medijske i diskografske komunikacije. ka.
    [Show full text]
  • Fabian Stilke, Marketing Director, Universal Music D.O.O
    1 Content 2 Foreword – Želimir Babogredac 3 Foreword – Branko Komljenović 4 Next steps 5 Understanding online piracy 7 Record labels in the digital world 8 Croatia Records 9 Menart 10 Dancing Bear 11 Aquarious Records 12 Dallas Records 13 Hit Records 14 Scardona 15 Deezer 16 Online file sharing development 18 Did you know? ABOUT HDU Croatian Phonographic Association (HDU) is a voluntary, non-partisan, non-profit, non-governmental organization which, in accordance with the law, promotes the interests of record labels - phonogram producers, as well as the interests of the Croatian record industry in general. Croatian Phonographic Association was established on 14 June 1995 and was originally founded as an association of individuals dealing with discography and related activities, since at that time this was the only form of association possible under the Law on Associations. Work and affirmation of HDU has manifested mainly in active participation in the implementation of Porin Awards, as well as in various other actions. The HDU is also active with its department for combating piracy that de-lists links from Google, removes pirated content from Web sites and participates in regional initiatives to close the portals that illegally distribute pirated content. Thanks to the successful work, HDU has become an official member of the International Federation of the Phonographic Industry (IFPI) at the beginning of 2007. 2 Foreword Foreword Želimir BabogredacBabogredac, President HDU Branko Komljenović, Vice President HDU The digital era is omnipresent. The Why the first edition of Digital report only work related to the digitization of music now when it is well known that the global experienced a significant upswing, and digital revolution is in full swing in most offer of legal music streaming services world discography markets? and services worldwide increases daily.
    [Show full text]
  • November 4 November 11
    NOVEMBER 4 ISSUE NOVEMBER 11 Orders Due October 7 23 Orders Due October 14 axis.wmg.com 11/1/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Hope, Bob Bob Hope: Hope for the Holidays (DVD) TL DV 610583538595 31845-X 12.95 9/30/16 Last Update: 09/20/16 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Bob Hope TITLE: Bob Hope: Hope for the Holidays (DVD) Label: TL/Time Life/WEA Config & Selection #: DV 31845 X Street Date: 11/01/16 Order Due Date: 09/30/16 UPC: 610583538595 Box Count: 30 Unit Per Set: 1 SRP: $12.95 Alphabetize Under: H ALBUM FACTS Genre: Television Description: HOPE FOR THE HOLIDAYS... There’s no place like home for the holidays. And there really was no place like Bob Hope’s home for the holidays with Bob, Dolores and the Hope family. They invited friends from the world of entertainment and sports to celebrate and reminisce about vintage seasonal sketches in the 1993 special Bob Hope’s Bag Full of Christmas Memories. Bob Hope’s TV Christmas connection began on December 24, 1950, with The Comedy Hour. Heartwarming and fun—that’s the way Bob planned it. No Christmas party would be complete without music, while flubbed lines in some sketches remain intact and a blooper really hits below the belt. The host of Christmases past hands out laughs galore! HIGHLIGHTS INCLUDE: A compilation of Bob’s monologues from his many holiday tours for the USO Department store Santas Robert Cummings and Bob swap stories on the subway Redd Foxx and Bob play reindeer reluctant to guide Santa’s sleigh
    [Show full text]
  • Prijedlozi Za Nominacije
    glazbena nagrada 2021. SADRŽAJ OPĆE NAGRADE STR. 4-19 SVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POSEBNA GLAZBENA PODRUČJA STR. 20-35 ZABAVNA, POP, ROCK, ALTERNATIVNA, HIP HOP I ELEKTRONIČKA GLAZBA 2 (KATEGORIJE 4-13) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM HIP HOP GLAZBE NAJBOLJI ALBUM ELEKTRONIČKE GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA STR. 36-39 (KATEGORIJE 14-16) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE TAMBURAŠKA, POP- FOLKLORNA GLAZBA I WORLD MUSIC ALBUM STR. 40-43 4 (KATEGORIJE 17-19) NAJBOLJI ALBUM TAMBURAŠKE GLAZBE NAJBOLJI ALBUM POP-FOLKLORNE GLAZBE NAJBOLJI WORLD MUSIC ALBUM 2 ARANŽMAN, PRODUCENT GODINE, SNIMKA ALBUMA STR. 44-53 (IZVAN KLASIČNE GLAZBE) 5 (KATEGORIJE 20-22) NAJBOLJI ARANŽMAN PRODUCENT GODINE NAJBOLJA SNIMKA ALBUMA KLASIČNA GLAZBA STR. 56-61 (KATEGORIJE 23-27) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PRODUKCIJA ALBUMA KLASIČNE GLAZBE SVA GLAZBENA PODRUČJA STR. 62-77 (KATEGORIJE 28-36) 7 NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM BOŽIĆNE GLAZBE NAJBOLJI ALBUM S RAZNIM IZVOĐAČIMA NAJBOLJI KONCERTNI ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) 3 NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 OPĆE NAGRADE SVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 Kategorija 1 / ALBUM GODINE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama.
    [Show full text]
  • Condition of Croatian Music Heritage. Croatian Art Music Sound Recordings
    Pregledni članak Condition of Croatian Music Heritage. Croatian Art Music Sound Recordings Željka Radovinović Academy of Music, Library Berislavićeva 16, Zagreb, Croatia [email protected] Summary Just over 130 years ago Thomas Edison invented the first practical machine for recording a sound. That event has changed the whole historical and sociologi- cal picture of sound-expressing arts – first of all music. The media for sound re- cording and reproduction have been developing rapidly – the older ones are going to ruin physically, and/or vanish in the flow of novelties on the market. Serious information institutions all over the planet make great efforts to pre- serve the recorded echoes of the history and keep them in a safe and wide ac- cessible form. Croatia came up early with the beginnings of sound industry. The changes in the cultural politics in the decades of state administration led it to a retardation in care for both material and intellectual value of recorded sound heritage – especially that of art music of Croatian composers and interpreters. The re- cordings have been recently kept on a few locations: Croatian Film Archive, sound archives of Croatian Radio in Zagreb and seven local stations; rich but closed for the general public are the archives of publishing companies. Some sound recordings, mostly gramophone records and CD-s are kept in the music departments of The National and University Library, public libraries and Acad- emy of Music Library in Zagreb. Until now, nobody has taken care of Croatian sound heritage systematically. Initiative is reduced to persistent private efforts of a group of enthusiasts, with- out official support of information experts and funds.
    [Show full text]
  • Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
    Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años.
    [Show full text]
  • 159/160 Prosinac 2009
    17. ZAJČEVI DANI U RIJECI — PRAIZVEDBA OPERE CASANOVA U ISTRI ALFIJA KABILJA/RAZGOVOR S DAVOROM KAJFEŠOM U POVODU 75. ROĐENDANA/ NATJEČAJI HDS–A ZA AUTORSKO STVARALAŠTVO/46. GLAZBENA TRIBINA U PULI/CHANSONFEST/ZAGREBFEST/CD IZLOG NOVINE HRVATSKOGA DRUŠTVA SKLADATELJA BROJ 159/160 PROSINAC 2009. CIJENA 20 kn ISSN 1330–4747 Sretan Božić i Nova godina Razgovor sa skladateljem i gitaristom Jasenkom Hourom, dobitnikom Nagrade Milivoj Körbler Hrvatskog društva skladatelja HDS JE KAO OLIMPIJSKI ODBOR Razgovarala: Ana Kuštrak asenko Houra osnivač je benda JPrljavo kazalište koji ove godi- ne slavi trideset godina postojanja. Osim što spada među najdugo- vječnije bendove na hrvatskom estradnom nebu, Prljavci su tako- CANTUS CANTUS CANTUS đer jedan od rijetkih domaćih ben- CANTUS CANTUS CANTUS dova čiji hitovi preživljavaju smje- nu generacija, ali i bend koji bez problema može napuniti gradske trgove i sportske dvorane. U ovom nam je razgovoru, između ostalo- ga, ispričao kako je sve krenulo, u čemu leži tajna njihova uspjeha i kako je kao član Hrvatskog druš- tva skladatelja zadovoljan radom HDS–ZAMP–a. Ove je godine Prljavo kazalište pro- slavilo trideset godina postojanja. Kako se osjećate i kako biste ih saželi? Iz ove perspektive mogu reći da postoje razdoblja kad ne razmi- šljam o tome koliko radim, što ra- dim i koliko sam dugo na sceni. S jedne je strane dobro da mi je glaz- CANTUS CANTUS CANTUS CANTUS ba omogućila da se ne propijem po CANTUS CANTUS CANTUS CANTUS Dubravi i da ne postanem razbijač. Danas postoji određena stagnacija našeg društva što je posljedica ne- dovoljne komunikacije sa svijetom oko sebe.
    [Show full text]
  • Prijedlozi Za Nominacije
    glazbena nagrada 2020. 27 Porin knjizica A4 KB crna.indd 1 28/01/20 00:14 SADržaj OPĆE NAGRADE stR. 4-17 sVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POsEBNA GLAZBENA PODRUČJA stR. 18-31 zabavna, POP, ROck, ALternativna i klupskA glazba 2 (KATEGORIJE 4-12) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM klupske GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA stR. 32-35 (KATEGORIJE 13-15) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE FOLkLORNA i EtNO GLAZBA stR. 36-39 (KATEGORIJE 16-20) 4 NAJBOLJI ALBUM FOLKLORNE GLAZBE NAJBOLJI ALBUM etno GLAZBE NAJBOLJI ALBUM klapske GLAZBE NAJBOLJI ALBUM TAMBURAŠKE GLAZBE najbolji ALBUM POP-folklorne glazbe 2 27 Porin knjizica A4 KB crna.indd 2 28/01/20 00:14 ARANŽMAN, PRODUKCIJA, sNiMkA stR. 40-57 (iZVAN kLAsiČNE GLAZBE) 5 (KATEGORIJE 21-23) NAJBOLJI ArANŽMAN NAJBOLJA PRODUKCIJA NAJBOLJA SNIMKA kLAsiČNA GLAZBA stR. 58-65 (KATEGORIJE 24-28) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PrODUKCIJA ALBUMA KLASIČNE GLAZBE sVA GLAZBENA PODRUČJA stR. 66-81 (KATEGORIJE 29-37) 7 najbolji ALBUM za DJECU NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM S rAZNIM IZVOĐAČIMA 3 NAJBOLJI koncertni ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 27 Porin knjizica A4 KB crna.indd 3 28/01/20 00:14 OPĆE NAGRADE sVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 27 Porin knjizica A4 KB crna.indd 4 28/01/20 00:14 Kategorija 1 / Album GODiNE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama.
    [Show full text]
  • Music As a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia1 Catherine Baker
    Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia1 Catherine Baker Abstract: Using illustrations from the Yugoslav wars of the 1990s and their aftermath, this paper argues that understanding popular music and public discourses about it can help to understand the dynamics of ethnopolitical conflict. Studies of war and conflict have approached music as political communication, as an object of securitization, as a means of violence, and as a symbol of ethnic difference, while international law in the context of another case of collective violence, Rwanda, has even begun to question whether performing or broadcasting certain music could constitute incitement to genocide. Drawing on post- structuralist perspectives on the media and ethnicization in conflicts, this paper explores and interrogates the discourse of popular music as a weapon of war that was in use during and after the violent break-up of Yugoslavia. Music during the Yugoslav wars was used as a tool of humiliation and violence in prison camps, was used to provoke fear of the ethnic Other in line with a strategy of ethnic cleansing and was conceptualized as a morale asset for the troops of one’s own side. A discourse of music as a weapon of war was also in use and persisted after the war, when its referent was shifted to associate music-as-a-weapon not to the brave and defiant in-group so much as the aggressive Other. This was then turned against a wider range of signifiers than those who had directly supported the Other’s troops and had the effect of perpetuating ethnic separation and obstructing the re-formation of a (post- )Yugoslav cultural space.
    [Show full text]
  • Kastafsko Kulturno Leto 2.7.-31.8.2021
    GODINA ZAJEDNIŠTVA LET VA KUMPANIJE 30th KASTAV SUMMER OF CULTURE KASTAV SUMMER OF CULTURE KASTAV K th KO U S LT 30 F U KASTAFSKO A R T N S O A K KULTURNO L E T O LETO 2.7.-31.8.2021. 30. KASTAFSKO KULTURNO LETO KULTURNO 30. KASTAFSKO 30. KASTAFSKO KULTURNO LETO 30th KASTAV SUMMER OF CULTURE GODINA ZAJEDNIŠTVA LET VA KUMPANIJE 2 3 UVODNA RIJEČ INTRODUCTION Dragi prijatelji! Dear friends! Festival Kastafsko kulturno leto, točnije njegovo The Kastav Summer of Culture, cele- brating its 30th year of existence, is hosting jubilarno 30. izdanje, diže festivalsku zastavu 2. its festival flag on 2nd July 2021. It will be srpnja 2021. godine. Slijede dva mjeseca kulture va followed by two months of culture in a kumpanije koje ćemo okruniti, za naš Kastav, važ- company which we will crown with im- nim obljetnicama. U ovim specifičnim uvjetima portant anniversaries for Kastav. In these th obilježavanja 30. godine Festivala, proslavit ćemo i specific conditions of celebrating the 30 anniversary of the Festival, we will also 100 godina Glazbenog društva Spinčići te 30 godina celebrate the 100th anniversary of the Glaz- muške Klape Kastav. Ove godine slavimo zajedniš- beno društvo Spinčići and the 30th anni- tvo. Zajedno ćemo iščekivati glazbeni program koji versary of the Klapa Kastav. This year we će sadržavati žanrove popa i rocka, klapske pjesme, are celebrating togetherness. Together we ali i pjesme na našoj čakavštini. Dramski program will look forward to a music program that will include genres of pop and rock, klapa će vas do suza nasmijati, ali i potaknuti na promi- songs, but also songs in our Chakavian lan- šljanje.
    [Show full text]
  • Popular Music and Narratives of Identity in Croatia Since 1991
    Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
    [Show full text]