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Syllabus Midlife Nabokov - 44842
Syllabus Midlife Nabokov - 44842 Last update 29-07-2018 HU Credits: 2 Degree/Cycle: 2nd degree (Master) Responsible Department: English Academic year: 0 Semester: 2nd Semester Teaching Languages: English Campus: Mt. Scopus Course/Module Coordinator: Leona Toker Coordinator Email: [email protected] Coordinator Office Hours: Mondays 17:15-18:15, room 7824 Teaching Staff: Prof Leona Toker page 1 / 4 Course/Module description: The course is devoted to a shift of concerns and values that began in Vladimir Nabokovs fiction in the late 1930s. It focuses on the features that replaced the motif of the happiness of freedom that characterized much of his early fiction. Methodologies of close reading will be used to analyze the relationship between his narrative art and the ethical concerns of his fiction up to the late 1950s: though Nabokov refused to put literature at the service of political engagement, the themes and attitudes of his work were, in their own way, responsive to the socio-political realities of the twentieth century. Course/Module aims: To relate narratological issues to the ethical attitudes explored in each work. To enhance the appreciation of the artistic merit and potential effects of literary works that reject political engagement. To point to indirect artistic expressions of ideological positions. To practice methods of close narratological analysis. To demonstrate the creative potential of multilingualism. To refute sundry misconceptions about Nabokovs work. To work towards a theory of narrative ethics. Learning outcomes - On successful completion of this module, students should be able to: understand the nature of Nabokovs artistic achievement, analyze the structure, the contexts, and the aims of some of Nabokovs major works, observe a mid-career shift in the values and the methods of Nabokovs fiction, perfect methods of narratological and stylistic analysis, be prepared to tackle other texts by Nabokov and his contemporaries, be aware of the main trends in Nabokov criticism, write research papers based on nuanced textual analysis. -
Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Russian Faculty Research and Scholarship Russian 2009 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/russian_pubs Custom Citation Harte, Tim. "Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports," Nabokov Studies 12.1 (2009): 147-166. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/russian_pubs/1 For more information, please contact [email protected]. Tim Harte Bryn Mawr College Dec. 2012 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports “People have played for as long as they have existed,” Vladimir Nabokov remarked in 1925. “During certain eras—holidays for humanity—people have taken a particular fancy to games. As it was in ancient Greece and ancient Rome, so it is in our present-day Europe” (“Braitenshtreter – Paolino,” 749). 1 For Nabokov, foremost among these popular games were sports competitions. An ardent athlete and avid sports fan, Nabokov delighted in the competitive spirit of athletics and creatively explored their aesthetic as well as philosophical ramifications through his poetry and prose. As an essential, yet underappreciated component of the Russian-American writer’s art, sports appeared first in early verse by Nabokov before subsequently providing a recurring theme in his fiction. The literary and the athletic, although seemingly incongruous modes of human activity, frequently intersected for Nabokov, who celebrated the thrills, vigor, and beauty of sports in his present-day “holiday for humanity” with a joyous energy befitting such physical activity. -
Authorship in Nabokov's Prefaces
Authorship in Nabokov’s Prefaces Authorship in Nabokov’s Prefaces By Jacqueline Hamrit Authorship in Nabokov’s Prefaces, by Jacqueline Hamrit This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Jacqueline Hamrit All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6682-2, ISBN (13): 978-1-4438-6682-8 To Marine TABLE OF CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 5 On a Book Entitled Lolita 1) Publishers and first readers - Desire to publish - Resistance to publish and censorship - Incorrect interpretations - Misunderstandings 2) Good readers and good interpretations - Lolita as a love affair - Good readers - Nabokov’s interpretation 3) The author as a Janus-like persona - The author as a constraining figure - The author and the reader facing each other - The author as a ghostly figure Chapter Two .............................................................................................. 30 Introduction to Bend Sinister 1) -
City of Wagga Wagga Annual Report 2015-16 2 City of Wagga Wagga Annual Report 2015-16 Statement of Commitment to Aboriginal Australians
CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 2 CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 STATEMENT OF COMMITMENT TO ABORIGINAL AUSTRALIANS The City of Wagga Wagga acknowledges and respects Council is committed to developing programs to improve that Aboriginal people were the first people of this the wellbeing of all City of Wagga Wagga residents as land and the Wiradjuri people were the first regional well as facilitating reconciliation between Aboriginal and custodians of the Wagga Wagga Local Government Area. non-Aboriginal people. This recognition includes acceptance of the rights and Council recognises that social justice and reconciliation responsibilities of Aboriginal people to participate in are fundamental to achieving positive changes. Council decision making. will continue to actively encourage Aboriginal and non- Council acknowledges the shared responsibility of all Aboriginal people to work together for a just, harmonious Australians to respect and encourage the development of and progressive society. an awareness and appreciation of each other’s origin. In Council recognises that the richness of Aboriginal cultures so doing, Council recognises and respects the heritage, and values in promoting social diversity within the culture, sacred sites and special places of Aboriginal community. people. CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 3 Sustainable Future Framework Our approach to Integrated Planning and Reporting State and Regional Plans Community Strategic Plan Ruby & Oliver Long term plan that clearly defines what we want as a community. 1LEVEL Council Strategies Resourcing Providing directions Strategies LEVEL 2 Internal instruments (how) we deliver: social economic environmental civic leadership Long Term Financial Plan Asset Management Plan Business Planning Process Workforce Plan Divisional process informing resourcing Section 94 and delivery Developer contribution Community Engagement Delivery Program 4 years Identifies the elected Council’s Policies, operating priorities for their term of office. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Footscray Football Club Ltd Trading As Western Bulldogs and Controlled Entity ABN 68 005 226 595
Footscray Football Club Ltd trading as Western Bulldogs and controlled entity ABN 68 005 226 595 Consolidated Financial report For the year ended 31 October 2015 This page has been left blank intentionally. TABLE OF CONTENTS Directors' report .................................................................................................................................. 1 ‐ 13 Auditor's independence declaration ................................................................................................... 14 Financial report Consolidated statement of comprehensive income .................................................................. 15 Consolidated statement of financial position ............................................................................ 16 Consolidated statement of changes in equity ........................................................................... 17 Consolidated statement of cash flows ...................................................................................... 18 Notes to financial statements ................................................................................................... 19 ‐ 38 Directors' declaration .......................................................................................................................... 39 Independent auditor's report .............................................................................................................. 40 ‐ 41 FOOTSCRAY FOOTBALL CLUB LTD TRADING AS WESTERN BULLDOGS AND CONTROLLED ENTITY ABN 68 005 226 595 DIRECTORS' -
The Advertiser Deserves the Money Will Most Likely Be for New (Tuesday, October 20)
T S G E: [email protected] Ph: 5461-3866 www.maryboroughadvertiser.com.au www.maryboroughbusiness.com.au Published Tuesdays & Fridays No. 20,426 $1.50 c n i T HEALTH T COUNCIL T MDCA HEALTH SERVICE APPOINTS NEW CEO BROILER FARM APPLICATION HEADED TO COUNCIL MARYBOROUGH AND AVOCA UNITE FOR 2020/21 PAGE 3 PAGE 5 SPORT The Maryborough District AdvertiserEst. 1855 Tuesday, October 20, 2020 CAUTIONARY TALE Holly and Rolly the beagles have been Brian Smithʼs closest companions for some time now, after his wife Sandy passed away 18 months ago. The tight knit trio have endured a lot together, including Rollyʼs run in with a brown snake earlier this month — the first confirmed bite for the season and sparking an emergency trip to the vet. Story, Page 7. SMALL STEPS201020 04 Household bubble removed as Premier announces minor changes to COVID restrictions CHRISTIE HARRISON Third Step restrictions, residents are “It’s not so long ago that we had then to find that normal and begin Wednesday last week. Regional Victoria took another now able to host two visitors from 725 cases and there was simply no the process of rebuilding. Four new cases were recorded as step towards reopening at the two households per day at home, and way we could have a debate about “Yes, these lockdowns have come of the latest figures on Monday, and weekend with minor changes to patron limits have been increased for how and when to open,” Mr Andrews with significant hurt and pain and one life was lost to the virus. -
Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante. -
Seven Unveils Golden Olympic Team Biggest Broadcast Undertaking in Australian TV History
Wednesday, 14 April 2021 Seven unveils golden Olympic team Biggest broadcast undertaking in Australian TV history After a year when the world faced its toughest fight in a generation, nations that have been darkened by lockdowns, curfews and quarantines will soon be lit by the Olympic flame. With just 100 days to go until Tokyo 2020 begins, and athletes from all corners of the globe prepare to reunite in Tokyo to prove the human spirit cannot be defeated, the Seven Network has assembled a world-class Olympic and Paralympic commentary team that will lead the country’s biggest-ever broadcast and digital event. For the first time in Australian free-to-air television history, there will be 45 dedicated Olympic channels across Seven and 7plus all live, free and in HD. Australia’s most loved and respected sports broadcaster Bruce McAvaney returns for his 11th Olympic Games coverage, with Seven’s team featuring some of Australia’s greatest ever Olympians, who between them have racked up numerous Olympic and World Championship gold medals and 22 World Titles plus hundreds of Games both as competitors and broadcasters. On Wednesday, Seven announced its coverage would be anchored by Hamish McLachlan, Abbey Gelmi, Johanna Griggs, Luke Darcy, Matt Shirvington, Edwina Bartholomew, Lisa Sthalekar and Andy Maher. Leading Seven’s contingent on the ground in Tokyo, Mel McLaughlin, Mark Beretta, Jason Richardson and Nathan Templeton will make sure audiences are kept up to date with all the latest news, colour and atmosphere of the Games. Australia’s cycling golden girl Anna Meares, who won six medals including two gold across four Olympic Games, is one of the exciting new additions to Seven’s commentary team, along with former champion ironwoman Candice Warner. -
TV Formats in Europe
TV Formats in Europe The value created for European broadcasters by the 100 major TV formats was $2,745 million in 2012. The 2012 figure was 5.3% up on the 2011 total, despite the number of hours broadcast increasing by 19.3%. Relative newcomer Money Drop was the top format title by value created in 2012; pushing Come Dine with Me into second place. The TV Formats in Europe report further states that The Voice entered the top 10 in 2012. Who Wants to Be a Millionaire was the top title in both 2009 and 2010, but had dropped to ninth in 2012. Endemol ($711 million – 26% of the total) was the leading distributor by value created in 2012, followed by FremantleMedia ($456 million – 17%). ITV was third, with 10% of the total. So, these three distributors combined took 53% of the total value created. These top three distributors accounted for half of the format hours screened in 2012. ITV Studios (5,425 hours) is the largest distributor by hours, mainly due to Come Dine with Me. FremantleMedia (3,316 hours and supplier of 13 titles in the top 100) and Endemol (4,231 hours and 12 titles) followed. Published in March 2013, this 172-page (23% larger than the previous edition), PDF-delivered report covers 100 major formats (double the number covered in the previous edition) on 84 channels across 16 European territories; with extensive comparison tables. Territory profiles include: Analysis of the formats in that market Overview of the TV market and the main channels Revenue generated by the top 100 formats by channel and country (2009-2012) Total