4Core Curriculum the SCHOOL DISTRICT of PHILADELPHIA

Total Page:16

File Type:pdf, Size:1020Kb

4Core Curriculum the SCHOOL DISTRICT of PHILADELPHIA 4Core Curriculum THE SCHOOL DISTRICT OF PHILADELPHIA GRADE 4: LITERACY PENNSYLVANIA STATE STANDARD 1.1 Learning to Read Independently STANDARD STATEMENT A. Apply knowledge of purposes and types of text to establish the purpose before reading. Performance LITERACY INSTRUCTIONAL MODEL: Content Descriptors COMPREHENSIVE LITERACY FRAMEWORK ■ READERS WORKSHOP ■ WRITERS WORKSHOP (PDE ACADEMIC OBJECTIVES AND TESTED ON PSSA) RECOMMENDED BEST PRACTICES AND MULTICULTURAL CONNECTIONS By the end of grade 4 It is essential to create a literature-rich environment that accurately reflects stu- students will be able to: dents’ cultural heritage and the contributions of various ethnic, racial, and cultural groups. Research suggests student self-esteem is strengthened when they see and read about the contributions made by their own cultural group to the history and ■ Apply knowledge of pur- culture of the United States. poses and types of text to establish the purpose Before reading, effective readers set a purpose for reading. Readers think and before reading. use text differently depending on the types of text and their purpose for reading. Teachers explain and model how to identify the purpose and type of text before reading. There are three essential purposes for reading: • Reading for literary experience (to tell a story and for enjoyment) picture books, poems, fairy tales, short stories • Reading for information - magazines, newspapers and informational picture books • Reading to perform a task - directions for games, schedules, recipes Previewing/Surveying is an effective strategy that supports students as they set a purpose for reading. It helps readers anticipate meaning. This strategy can be performed quickly to identify the general idea of what a selection is about or it can be a more thorough process to ascertain the major ideas and organizational struc- ture of the material. During Shared Reading explain and model the steps in previewing/surveying. Previewing/Surveying is most effectively used with informational text or narrative and procedural texts with illustrations. Recommended steps in previewing/surveying: • Read the title • Read the headings and subheadings, if present • Examine any accompanying visual aids such as maps, charts, graphs, illustrations and photographs • Examine any words in italics and boldface print • Quickly read any introductory and concluding paragraphs or summaries During Guided Reading have students apply previewing/surveying strategies by seeking answers to questions such as: • What does this text seem to be about? • What do I already know about this story/subject? • What does the subheading tell me about the topic? • What kind of text is this? • What do the highlighted words/phrases tell me? • What clues do the visual aids give me about the text? 18 THE SCHOOL DISTRICT OF PHILADELPHIA GRADE 4: LITERACY PENNSYLVANIA STATE STANDARD 1.1 Learning to Read Independently STANDARD STATEMENT A. Apply knowledge of purposes and types of text to establish the purpose before reading. EXTENDED LEARNING CONTENT RESOURCES ASSESSMENT ALIGNMENT OPPORTUNITIES Shared Reading PSSA English Language Learners Trophies Pupil Anthology and What is the most important thing Previewing text features, sen- Teacher’s Editions you learn in the introduction that tence structure, graphic features, helps you understand what hap- and vocabulary before reading Theme 1 T78-101 pens in this story? will support comprehension par- Theme 2 206G-H, 208-209, ticularly for ELL students. Have 210-217 A. Carol is 9 years old them set a purpose for reading: I Theme 3 T276-277 B. Carol has been on the want to know ____________. Theme 4 T400I, 402-403 basketball team for two years Theme 5 24-539,542-543 C. Carol has been learning to Theme 6 T612J, 614-633, 637D sew since she was seven. Students with Disabilities D. The teacher thought Carol did All teachers working with identi- a good job on the project. fied students with disabilities must review the student's need Multicultural Literature for Specially Designed Instruction TerraNova (SDI) as described in the Esperanza Rising This passage is mostly about Individual Education Plan (IEP), by Pam Munoz Ryan A. Wynton Marsalis giving a jazz Evaluation Report (ER), and Baseball in April: And Other concert. teacher records. Teachers must Short Stories then select the appropriate by Gary Soto B. Josh Broder getting to meet accommodations and/or modifi- Wynton Marsalis. Molly’s Pilgrim cations necessary to enable the C. Josh Broder giving a special by Barbara Cohen child to appropriately progress in birthday performance. the general curriculum. The Hunter and the Crocodile: A [IDEA 300.121.9(d) (3) (i)] West African Folktale by Baba Wague Diakite Class-Based Assessments For more details on accommo- dations and modifications see Mud Pony • Teacher Observations Resources/References. by Caron Lee Cohen • Anecdotal Records Summer on Wheels • Student/teacher conferences • PSSA Format Performance by Gary Soto Home Connections Tests • Student use of graphic organ- Discuss the purposes for game izers, response logs,teacher- directions, application forms, made tests maps and table of contents. Use these different formats in real lilfe Intervention Resources situations. Read 180 For Students on the Chart a course on the map for a Small group instruction Advanced Level family trip and check it at Interactive Reader Provide opportunities for stu- www.mapquest.com. SIPPS (Systematic Instruction in dents to explain how and why Phoneme Awareness, Phonics, texts of all types were chosen. and Sight Words) Students should include and Community Connections Quick Reads explain the use of primary Visit the airport, train stations or Soar to Success source information. bus terminals. Plan a trip with your child. Read the schedule together and determine what time you have to leave home. 19 THE SCHOOL DISTRICT OF PHILADELPHIA GRADE 4: LITERACY PENNSYLVANIA STATE STANDARD 1.1 Learning to Read Independently STANDARD STATEMENT B. Compare and contrast text formats to select appropriate text for a particular purpose. Performance LITERACY INSTRUCTIONAL MODEL: Content Descriptors COMPREHENSIVE LITERACY FRAMEWORK ■ READERS WORKSHOP ■ WRITERS WORKSHOP (PDE ACADEMIC OBJECTIVES AND TESTED ON PSSA) RECOMMENDED BEST PRACTICES AND MULTICULTURAL CONNECTIONS By the end of grade 4 It is essential to create a literature-rich environment that accurately reflects stu- students will be able to: dents’ cultural heritage and the contributions of various ethnic, racial, and cultural groups. Research suggests student self-esteem is strengthened when they see and read about the contributions made by their own cultural group to the history and ■ Compare and contrast culture of the United States. text formats to select appropriate text for a Text Format refers to the organizational and graphic features of text; the chapter particular purpose. titles, subtitles, and table of contents in a text. They help the reader locate informa- tion in the text and represent information in some specific way. Students need to understand organizational structures in order to determine important information when reading nonfiction. Because formats vary greatly, teachers need to Think Aloud, model and demonstrate how to identify and use the particular features of a text so the reader can decide whether the text will fit their purpose. Graphic features are items such as charts, pictures, captions and maps that are found in a text. They summarize and condense the written information and commu- nicate the meaning in a visual form. These graphic features are designed to enhance, explain and clarify concepts or ideas that are written in texts. Model and demonstrate how to effectively skim (glance through the material quickly to get a general idea of what it is about) and scan (look through material to locate particular information) text for big ideas and relevant information prior to reading the text. Provide opportunities for students to use skimming and scanning skills before, during and after reading. Guide students to identify and use text structures and graphic features. Effective strategies are: • Table of Contents Predictions • Read the Preview section of textbooks • Preview/Survey (Headings, Boldface Terms, Illustrations) Graphic organizers that are effective for comparing and contrasting text formats are: • T-chart • Venn diagram • Webs 20 THE SCHOOL DISTRICT OF PHILADELPHIA GRADE 4: LITERACY PENNSYLVANIA STATE STANDARD 1.1 Learning to Read Independently STANDARD STATEMENT B. Compare and contrast text formats to select appropriate text for a particular purpose. EXTENDED LEARNING CONTENT RESOURCES ASSESSMENT ALIGNMENT OPPORTUNITIES Shared Reading PSSA English Language Learners Trophies Pupil Anthology and Which headline would most likely Creating graphic organizers will Teacher’s Editions be a story about someone who identify common organizational saved someone’s life? structures for the students. This Theme 1 T124I, 126-146-147 will facilitate comprehension. Theme 2 T252J, 254-265 A. Tiger escapes from the zoo Theme 3 T372J, 374-391 B. Local hero saves youth from Theme 4 T402-417 lake Students with Disabilities Theme 5 T544I, 546-561, C. President returns home from 563-564, 566 Summit Meeting All teachers working with identi- Theme 6 T692-709 D. Boy saves drowning dog fied students with disabilities must review the student's need for Specially Designed Instruction (SDI) as described in the TerraNova Individual Education Plan (IEP), Multicultural Literature If you had
Recommended publications
  • Lauro Flores
    Lauro Flores Department of Romance Languages and Literatures University of Washington Seattle, W A 98195 Visible Language XXI 1 (Winter 1987) Lauro Flores, pp.130-152 ©Visible Language, Wayne State University Press, Detroit, MI 48202 The contact and interaction of English and Spanish, of Mexican and Anglo-American cultures, lies at the heart of the Chicano experience in the United States. Accordingly, code-switching has been a salient feature of many Chicano literary works. The simulta­ neous incorporation of both languages into poetry and other artistic forms is sometimes interpreted as an expression of the ambiguity permeating the historical evolution of this people. However, it can also be explained as part of the Chicanos' attempt to achieve cultural definition and autonomy in a con­ flicting reality. 131 II The author gratefully The historical context. acknowledges the support he received from the Institute for Ethnic Studies in the Any brief reference to Chicano poetry is bound to United States, University of refer the uninformed reader almost exclusively to Washington. It made the literary production loosely associated with the possible the completion of Chicano movement - poetry written during the last this and other projects. two decades. Until recently, the general contention, or at least the assumption on the part of many critics and literary historians, was that before the 1960s there was no literature written by people of Mexican descent in the United States. Nothing could be farther from the truth. While it is clear that the Chicano movement came to foment and revitalize the artistic endeavors of Chicanos during the last twenty years, subsequent research has demonstrated that the production of literature is hardly a new activity for this group.
    [Show full text]
  • Accelerated Reader List
    Accelerated Reader Test List Report OHS encourages teachers to implement independent reading to suit their curriculum. Accelerated Reader quizzes/books include a wide range of reading levels and subject matter. Some books may contain mature subject matter and/or strong language. If a student finds a book objectionable/uncomfortable he or she should choose another book. Test Book Reading Point Number Title Author Level Value -------------------------------------------------------------------------- 68630EN 10th Grade Joseph Weisberg 5.7 11.0 101453EN 13 Little Blue Envelopes Maureen Johnson 5.0 9.0 136675EN 13 Treasures Michelle Harrison 5.3 11.0 39863EN 145th Street: Short Stories Walter Dean Myers 5.1 6.0 135667EN 16 1/2 On the Block Babygirl Daniels 5.3 4.0 135668EN 16 Going on 21 Darrien Lee 4.8 6.0 53617EN 1621: A New Look at Thanksgiving Catherine O'Neill 7.1 1.0 86429EN 1634: The Galileo Affair Eric Flint 6.5 31.0 11101EN A 16th Century Mosque Fiona MacDonald 7.7 1.0 104010EN 1776 David G. McCulloug 9.1 20.0 80002EN 19 Varieties of Gazelle: Poems o Naomi Shihab Nye 5.8 2.0 53175EN 1900-20: A Shrinking World Steve Parker 7.8 0.5 53176EN 1920-40: Atoms to Automation Steve Parker 7.9 1.0 53177EN 1940-60: The Nuclear Age Steve Parker 7.7 1.0 53178EN 1960s: Space and Time Steve Parker 7.8 0.5 130068EN 1968 Michael T. Kaufman 9.9 7.0 53179EN 1970-90: Computers and Chips Steve Parker 7.8 0.5 36099EN The 1970s from Watergate to Disc Stephen Feinstein 8.2 1.0 36098EN The 1980s from Ronald Reagan to Stephen Feinstein 7.8 1.0 5976EN 1984 George Orwell 8.9 17.0 53180EN 1990-2000: The Electronic Age Steve Parker 8.0 1.0 72374EN 1st to Die James Patterson 4.5 12.0 30561EN 20,000 Leagues Under the Sea (Ad Jules Verne 5.2 3.0 523EN 20,000 Leagues Under the Sea (Un Jules Verne 10.0 28.0 34791EN 2001: A Space Odyssey Arthur C.
    [Show full text]
  • Writing and Literature: 21 Credits Required
    WRITING AND LITERATURE: 21 CREDITS REQUIRED ENG270 Introduction to Poetry [Required Course] 3 credits This course introduces students to the formal conventions of poetry as well as the basic elements that work to create a poem. Poems from different countries and different historical periods will be explored, at times from different critical perspectives. Works by such poets as William Shakespeare, John Donne, Walt Whitman, Emily Dickinson, W.B. Yeats, Langston Hughes, e.e. cummings, Federico Garcia Lorca, Adrienne Rich, Audre Lorde, Leslie Marmon Silko, and Gary Soto will be discussed. ENG295 World Literatures Written in English [Required Course] 3 credits This capstone course introduces students to postcolonial literatures of the Anglophone diaspora. Texts may include literary works from Africa, South and Southeast Asia, Australia, Canada, the Caribbean, Ireland, and New Zealand. Students will examine world literatures in their historical and cultural contexts. In some semesters, the course may focus on one particular geographical region and/or ethnic group. Choose two of the following courses: ENG289 Introduction to Literary Critical Studies 3 credits Students read, discuss and write analytic essays about important texts in literary critical theory. They also learn to apply critical methods to specific literary texts. Some theorists covered might include Aristotle, Immanuel Kant, T.S. Elliot, Mikhail Baktin, Walter Benjamin, Jacques Lacan, Jacques Derrida, Michel Foucault, Elaine Showalter, Helene Cixous, Edward Said, Henry Louis Gates and Judith Butler. ENG290 British Literature I 3 credits This course covers the development of early British Literature from the Anglo-Saxon era to 1660. Authors include, among others, the Beowulf poet, Chaucer, Mary Sidney, Spenser, Shakespeare, Donne, and Milton.
    [Show full text]
  • Introduction to Mexican American Literature Fall 2020 Professor
    Introduction to Mexican American Literature Fall 2020 Professor Charles Tatum THURSDAYS from 10 am-12 pm September 17, 24, October 1, 8, 15 Course Description: Of the over 50 million Latinas and Latinos living in the United States today, approximately 35 million are Americans of Mexican descent. Yet, the trajectory of Mexican American culture in general and literary expression in particular is still relatively unknown. This course will offer a succinct overview of this rich literary tradition that dates to the mid-nineteenth century. In the first session Tatum will trace its development through the 1950s. In the following four sessions he will focus on the resurgence of Mexican American literature that began in the mid-1960s and that has rapidly burgeoned over the past six decades. Included in our readings will be the narrative fiction (novels and short stories), poetry and autobiographical works of authors such as Rudolfo Anaya, Lorna Dee Cervantes, Luis Urrea, Helena María Viramontes, Sandra Cisneros, Gary Soto, Alberto “Tito” Ríos and Juan Felipe Herrera (a recent U.S. poet laureate). In the last session Tatum will introduce a younger generation of Mexican American writers including Manuel Muñoz, Kristin Valdez Quade, Casandra López and Ada Limón. Dr. Charles Tatum is Professor Emeritus of Spanish at The University of Arizona. He is the author of a monographic study Chicano Literature (1982), published in translation in Mexico in 1986. Among his other book-length publications are: Chicano Popular Culture, 2001, (2nd edition, 2017); Chicano and Chicana Literature: Otra voz del pueblo (2006); and Lowriders in Chicano Culture. He has edited or co-edited several anthologies of Mexican American literature.
    [Show full text]
  • Grade 7 Unit 1
    ( Note: this is not complete.) Readability Scores Grade 7 Unit 1 “Seventh Grade” by Gary Soto Difficulty Level: Easy Readability: Lexile 730, Fry 7, Dale-Chall 6.5 “The Last Dog” by Katherine Paterson Difficulty Level: Challenging Readability: Lexile 830, Fry 4, Dale-Chall 6.9 “Thank You, M’am” by Langston Hughes Difficulty Level: Easy Readability: Lexile 850, Fry 7, Dale-Chall 5.1 “Rikki-tikki-tavi” by Rudyard Kipling Difficulty Level: Average Readability: Lexile 990, Fry 10, Dale-Chall 6.5 “Exploring the Titanic” by Robert D. Ballard Difficulty Level: Average Readability: Lexile 970, Fry 9, Dale-Chall 6.1 from An American Childhood by Annie Dillard Difficulty Level: Average Readability: Lexile 880, Fry 7, Dale-Chall 6.2 “Casy at the Bat” by Ernest Lawrence Thayer Difficulty Level: Challenging “The Monsters are Due on Maple Street” by Rod Serling Difficulty Level: Average “The Unnatural Course of Time” Difficulty Level: Challenging Readability: Lexile 1180, Fry 12, Dale-Chall 7.8 Grade 7 Unit 2 “Zebra” by Chaim Potok Difficulty Level: Challenging Readability: Lexile 880, Fry 8, Dale-Chall 5.5 “The Legacy of the Vietnam War” Difficulty Level: Average Readability: Lexile 1040, Fry 11, Dale-Chall 6.5 “The Scholarship Jacket” by Marta Salinas Difficulty Level: Easy Readability: Lexile 760, Fry 12, Dale-Chall 5.2 “A Retrieved Reformation” by O. Henry Difficulty Level: Challenging Readability: Lexile 900, Fry 7, Dale-Chall 6.4 “The Three-Century Woman” by Richard Peck Difficulty Level: Average Readability: Lexile 550, Fry 7, Dale-Chall 5.6
    [Show full text]
  • September 2017 COURSE TITLE
    MASTER COURSE OUTLINE Prepared By: Sean Twohy Date: September 2017 COURSE TITLE American Literature III GENERAL COURSE INFORMATION Dept.: ENGL& Course Num: 246 (Formerly: ENG 246) CIP Code: 23.0801 Intent Code: 11 Program Code: Credits: 5 Total Contact Hrs Per Qtr.: 55 Lecture Hrs: 55 Lab Hrs: 0 Other Hrs: 0 Distribution Designation: Humanities HU COURSE DESCRIPTION (as it will appear in the catalog) This class explores American literature published in the decades since 1960. Themes studied may include terrorism and cold war anxiety, technology, gender roles, multiculturalism, alienation, rebellion, popular psychology, or others relevant to the literature of the time. Students will read contemporary novels, stories, and poems that reflect American trends and culture during this period. Students do NOT need to have taken American Literature I or American Literature II to do well in this course. PREREQUISITES None TEXTBOOK GUIDELINES Instructor should choose at least three contemporary novels, as well as contemporary poems and short stories (available in print anthologies or online). Emphasis should be on “canonical” texts published since 1960 that act as artifacts of and lenses into contemporary American culture. Authors should be of recognizable importance to contemporary literature. COURSE LEARNING OUTCOMES Upon successful completion of the course, students should be able to demonstrate the following knowledge or skills: 1. Identify and discuss a variety of contemporary literary themes and schools of thought, and be able to apply these to contemporary poetry and fiction. 2. Identify and discuss the relevance of a variety of contemporary short story writers, novelists and poets, and be able to articulate their contribution to the canon.
    [Show full text]
  • Zenker, Stephanie F., Ed. Books For
    DOCUMENT RESUME ED 415 506 CS 216 144 AUTHOR Stover, Lois T., Ed.; Zenker, Stephanie F., Ed. TITLE Books for You: An Annotated Booklist for Senior High. Thirteenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0368-5 ISSN ISSN-1051-4740 PUB DATE 1997-00-00 NOTE 465p.; For the 1995 edition, see ED 384 916. Foreword by Chris Crutcher. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03685: $16.95 members, $22.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Fiction; High School Students; High Schools; *Independent Reading; *Nonfiction; *Reading Interests; *Reading Material Selection; Reading Motivation; Recreational Reading; Thematic Approach IDENTIFIERS Multicultural Materials; *Trade Books ABSTRACT Designed to help teachers, students, and parents identify engaging and insightful books for young adults, this book presents annotations of over 1,400 books published between 1994 and 1996. The book begins with a foreword by young adult author, Chris Crutcher, a former reluctant high school reader, that discusses what books have meant to him. Annotations in the book are grouped by subject into 40 thematic chapters, including "Adventure and Survival"; "Animals and Pets"; "Classics"; "Death and Dying"; "Fantasy"; "Horror"; "Human Rights"; "Poetry and Drama"; "Romance"; "Science Fiction"; "War"; and "Westerns and the Old West." Annotations in the book provide full bibliographic information, a concise summary, notations identifying world literature, multicultural, and easy reading title, and notations about any awards the book has won.
    [Show full text]
  • Contributors, About Cutbank, Advertisements, Subscriptions, Back Cover
    CutBank Volume 1 Issue 50 CutBank 50 Article 37 Fall 1998 Contributors, About CutBank, Advertisements, Subscriptions, Back Cover Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation (1998) "Contributors, About CutBank, Advertisements, Subscriptions, Back Cover," CutBank: Vol. 1 : Iss. 50 , Article 37. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss50/37 This Back Matter is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. C ontributors Elizabeth Brinsfieldhas worked as a spotlight operator in the circus, as a home health care assistant in Appalachia, and as a teacher at Navajo Prepatory School in Farmington, New Mexico. Kevin Canty’snew novel,Nine Below Zero, will be appearing this winter from Nan A. Talese/Doubleday. He lives in Missoula, Montana with his wife, the photographer Lucy Capeheart, and their two children, Turner and Nora. I Ienry Cari.ile teaches poetry writing and contemporary Ameri­ can literature at Portland State University. He has recendy pub­ lished poems inGrays SportingjournalandWillow Springs. His col­ lectionKain was published by Carnegie Mellon University Press in 1994. Sheilah Colemanreceived her MFA in ficdon from the Univer­ sity of Michigan. She lives in Brooklyn, New York and is finish­ ing her first novel. Tess G allagher’s latest collecdon of stories,A t the Owl Woman Saloon (Scribner, 1997) appeared onNew the York l imes Book Re- view list of Notable Books for 1997.
    [Show full text]
  • UNIT One Rites of Passage the Bass, the River, and Sheila Mant W.D
    TO T HE ST UDEN T ................................... xii UNIT ONE Rites of Passage The Bass, the River, and Sheila Mant W.D. Wetherell short story .............................. 2 P OE T RY CONNE ct ION Oranges Gary Soto poem ................................ 11 from I Know Why the Caged Bird Sings Maya Angelou autobiography ............................ 14 Through the Tunnel Doris Lessing short story .............................. 30 P OEM S OF PA ss AGE First Lesson Phillip Booth poem .............................. 45 On Turning 10 Billy Collins poem ............................... 46 Hanging Fire Audre Lorde poem ............................... 48 Vegetarian Enough Annie Choi autobiography .............................. 50 from My Forbidden Face Latifa autobiographical narrative ........................... 62 Unfinished Business Elisabeth Kübler-Ross interview .......................... 72 P OE T RY CONNE ct ION “Good Night, Willie Lee, I’ll See You in the Morning” Alice Walker poem .............................. 80 WRI T ER S ON WRI T ING Introduction to Shelf Life Gary Paulsen book preface ............................. 82 A WRI T ER ’S WORK S HO P Autobiographical Narrative .......... 90 iv n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n UNIT Two Family Ties The Scarlet Ibis James Hurst short story ............................... 96 from Riding The Bus with My Sister Rachel Simon memoir ................................112 A Christmas Memory Truman Capote short story ............................ 124 P OEM S OF MO T HER S AND GRANDMO T HER S Memory Lucille Clifton poem ...........................
    [Show full text]
  • Literaturgeschichten Und Nachschlagewerke
    Literaturgeschichten und Nachschlagewerke Bercovitch, S. (Hg.). The Cambridge History of American Literature. Cambridge 1994ff. Bigsby, C.W.E. A Critical Introduction to Twentieth-Century American Drama. 3 Bde. Cambridge 1982–1985. Bordman, G. (Hg.). The Oxford Companion to American Theatre. New York 21992. Bowman, J.S. (Hg.). The Cambridge Dictionary of American Biography. New York 1995. Davidson, C.N./L. Wagner-Martin (Hg.). The Oxford Companion to Women’s Writing in the United States. New York 1995. Dictionary of Literary Biography. Detroit 1978ff. Elliott, E. (Hg.). Columbia Literary History of the United States. New York 1988. Elliott, E. (Hg.). The Columbia History of the American Novel. New York 1991. Fischel, J./S. Pinsker (Hg.). Jewish American History and Culture: An Encyclopedia. New York 1992. Fried, L. (Hg.). Handbook of American-Jewish Literature: An Analytical Guide to Topics, Themes, and Sources. New York 1988. González Echevarría, R. (Hg.). The Cambridge History of Latin American Literature. Cambridge 1996. Haralson, E.L. (Hg.). Encyclopedia of American Poetry: The Nineteenth Century. Chi- cago 1998. Hart, J.D. (Hg.). The Oxford Companion to American Literature. New York 61995. Hornung, A. Lexikon amerikanischer Literatur. Mannheim 1992. Inge, M.T. (Hg.). Handbook of American Popular Literature. New York 1988. Jens, W. (Hg.). Kindlers Neues Literatur Lexikon. 20 Bde. München 1988–1992. Kanellos, N. (Hg.). Biographical Dictionary of Hispanic Literature in the United States. New York 1989. Kim, E.H. Asian American Literature: An Introduction to the Writings and Their Social Context. Philadelphia 1982. Kirkpatrick, D.L. (Hg.). Reference Guide to American Literature. Chicago 21987. Parini, J. (Hg.).
    [Show full text]
  • Sandra Cisneros
    >> From the Library of Congress in Washington, DC. >> This is Francisco Macias [phonetic] at the Library of Congress. Late September will mark the 12th year that booklovers of all ages have gathered in Washington, DC, to celebrate the written word at the Library of Congress National Book Festival. The festival, which is free and open to the public, will last two days this year, Saturday, September 22nd and Sunday, September 23rd, 2012. The festival will take place between 9th and 14th Streets on the National Mall, rain or shine. Hours will be from 10:00 a.m. to 5:30 p.m. on Saturday, the 22nd, and from noon to 5:30 p.m. on Sunday, the 23rd. For more details, visit www.loc.gov/bookfest. And now, it is my pleasure to introduce the award-winning American writer, Sandra Cisneros whose forthcoming book, "Have You Seen Marie" is a moving frame story of sorts that is lovingly embroidered and features a visual and textual montage of portraits that, as Sandra puts it so well, tell another story about the people of San Antonio, of cultures colliding and creating something new, folks with blonde hair, a German last name, a Spanish first name inherited from a Mexican grandmother several generations back, Tex-Mexicans with Arab and indigenous features and a Scottish surname, ultra-devout Catholics with Sephardic roots, stories the Alamo forgets to remember. Her book, "Have You Seen Marie" will be available for purchase on October 2nd. Sandra Cisneros is best known for her first novel, "The House on Mango Street," which has become an essential work of the ever-evolving American literary cannon in middle schools, high schools, universities, and other institutions of higher learning throughout the United States.
    [Show full text]
  • Juan Felipe Herrera Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/kt4g5005kj No online items Guide to the Juan Felipe Herrera Papers, ca. 1970-2017M1043 Processed by Bill O'Hanlon; Malgorzata Schaefer. Department of Special Collections and University Archives 2003; republished 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Juan Felipe Herrera M10431059 1 Papers, ca. 1970-2017M1043 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Juan Felipe Herrera papers Creator: Herrera, Juan Felipe Identifier/Call Number: M1043 Identifier/Call Number: 1059 Physical Description: 66 Linear Feet (156 manuscript boxes, 6 half-boxes, 7 flat boxes, 3 oversize boxes, 2 cassette boxes) Date (inclusive): circa 1970-2017 Abstract: Manuscripts and other original work, correspondence (mainly incoming), works by other writers and artists (primarily Chicano). Collection Scope and Content Summary Herrera's collection bridges nearly thirty years of his literary career, as well as memorabilia from his childhood and high school years. The collection is divided into seven series, several of which are further divided into subseries and subsubseries. The first series includes mostly incoming Correspondence from well over three hundred writers, artists, friends, and others. The second series, Manuscripts, Journals, and Other Literary Material, contains drafts, notes, sketches, and journal entries spanning the years 1972 through 1998. Arranged in three subseries, manuscript material for many of Herrera's poems, essays, and books appears in the first, while the second subseries is dedicated exclusively to the manuscript development of Mayan Drifter. The third subseries holds journals, notebooks, planners, appointment and phone books with handwritten entries dating from 1977 through 1998.
    [Show full text]