DOCSLIB.ORG

From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon's "Dollhouse"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon's Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship Spring 2016 Object Entanglements: From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon's "Dollhouse" Juliette Kitchens Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Kitchens, J. (2016). Object Entanglements: From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon's "Dollhouse". Studies in Popular Culture, 38 (2), 1-22. Retrieved from https://nsuworks.nova.edu/shss_facarticles/797 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. STUDIES IN POPULAR CULTURE 38.2 SPRING 2016 i STUDIES IN POPULAR CULTURE Studies in Popular Culture, a journal of the Popular Culture Association in the South, publishes articles on popular culture however mediated through film, literature, radio, television, music, graphics, print, practices, associations, events—any of the material or conceptual conditions of life. Its contributors from the United States, Australia, Canada, China, England, Finland, France, Ireland, Israel, Italy, Scotland, Spain, and the Turkish Republic of North Cyprus include distinguished anthropologists, sociologists, psychologists, cultural geographers, ethnomusicologists, historians, and scholars in comics, communications, film, games, graphics, literature, philosophy, religion, and television. Direct editorial queries and submissions by email to editor Lynnette Porter, [email protected]; mailing address: Humanities and Communication Department, Embry-Riddle Aeronautical University, 600 South Clyde Morris Boulevard, Daytona Beach, Florida 32114. Studies in Popular Culture accepts submissions on all forms of popular culture (American or international) studied from the perspective of any discipline. Submissions relating strictly to American culture may be sent to the editor of Studies in American Culture, Robert L. Coleman, University of South Alabama, rcoleman@southalabama. edu. Queries are welcome. Manuscript submissions should be sent via email as Microsoft Word attachments (author’s surname in the file name). Submissions typically total 5000 to 7500 words, including notes and bibliography. Manuscripts should be double-spaced, using 12-point Times New Roman font. Please note that the editing process may result in revisions that lengthen the essay. SPC is indexed in the annual MLA International Bibliography, and MLA documentation is required. Authors should secure all necessary copyright permissions before submitting material. SPC uses blind peer review. The editor reserves the right to make stylistic changes on accepted manuscripts. A multidisciplinary journal, SPC gives preference to submissions that demonstrate familiarity with the body of scholarly work on popular culture but avoid the jargon associated with certain single-discipline studies. SPC is published by the Popular Culture Association in the South. To subscribe or obtain individual issues, contact Diane Calhoun-French, Provost, Jefferson Community and Technical College, 109 E. Broadway, Louisville, Kentucky 40202; telephone 502-213-2621; email diane.calhoun- [email protected]. ISSN 0888-5753 STUDIES IN POPULAR CULTURE 38.2 SPRING 2016 PUBLISHED BY THE POPULAR CULTURE ASSOCIATION IN THE SOUTH STUDIES IN POPULAR CULTURE Editor Lynnette Porter, Embry-Riddle Aeronautical University Book Review Editor Clare Douglass Little, Embry-Riddle Aeronautical University Associate Editor Dawn Heinecken, University of Louisville Associate Editor Jennifer Wojton, Embry-Riddle Aeronautical University Editorial Board Linda Badley, Middle Tennessee State University Julie Sloan Brannon, Jacksonville University Robert Holtzclaw, Middle Tennessee State University William Klink, College of Southern Maryland Ananya Mukherjea, CUNY-Staten Island Former editor Rhonda V. Wilcox, Gordon State College Studies in Popular Culture is published by the Popular Culture Association in the South and indexed in the annual MLA International Bibliography. All members of the Association receive Studies in Popular Culture, as do a growing number of libraries. Yearly membership is $40.00 (International: $60.00). Write to Diane Calhoun-French, Provost, Jefferson Community and Technical College, 109 E. Broadway, Louisville, Kentucky 40202, for membership or back issues. ISSN 0888-5753 THE POPULAR CULTURE ASSOCIATION / AMERICAN CULTURE ASSOCIATION IN THE SOUTH EXECUTIVE COUNCIL Sherry Ginn, President Rowan-Cabarrus Community College Diane Calhoun-French, Executive Secretary Jefferson Community and Technical College Chrys Egan, Program Co-Chair, PCAS Member-at-Large Salisbury University Mary Jackson, Program Co-Chair Jefferson Community and Technical College Lynnette Porter, Editor, Studies in Popular Culture Embry-Riddle Aeronautical University Robert L. Coleman, Editor, Studies in American Culture University of South Alabama Lynn Koller, ACCAS Member-at-Large Embry-Riddle Aeronautical University Dawn Heinecken, PCAS Member-at-Large University of Louisville Robert Holtzclaw, PCAS Member-at-Large Middle Tennessee State University Bill Klink, PCAS Member-at-Large College of Southern Maryland Hugh H. David, Graduate Student/New Professional Member C.S. Brown High School Geoffrey Weiss, Webmaster Hanover College Sara Lewis Dunne, Past President Middle Tennessee State University 2015 Whatley Award In memory of George Whatley, a founder and early president of the Popular Culture Association in the South, the editor and editorial board of Studies in Popular Culture annually recognize the article published in SPC that in their view best represents the scholarly values Professor Whatley sought for the organization and the study of popular culture. The 2015 Whatley Award winner is Beautiful Friendship: Masculinity and Nationalism in Casablanca by Peter Kunze University of Texas at Austin vi From the Editor “The end is where we start from. And every phrase And sentence that is right . where every word is at home, Taking its place to support the others, An easy commerce of the old and the new. .” The word neither diffident nor ostentatious, T. S. Eliot, “Little Gidding” Perhaps the words of T. S. Eliot best summarize this issue, and the ending of one editor’s work on this journal and the beginning of another’s. As former editor Rhonda Wilcox ended her decade-long tenure as editor of Studies in Popular Culture, my role as editor began. This issue combines our work during the transition, with Rhonda guiding some authors and I working with other contributors throughout the editing process leading to publication. Rhonda and I likely agree that we strive to ensure that every word, phrase, and sentence is right, supportive, and “at home” not only on the journal’s pages but within the many disciplines comprising popular culture. With this, my first issue, I also hope that it helps to create that easy commerce between the old and the new, just as its articles reflect our cultural past and present. This issue’s articles cover a wide range of topics, some reflecting bygone eras, with others taking topics from recent headlines. Michael Wentworth illustrates how to “dig the past” through a comparison of Jean Shephard’s works reflecting upon the pop culture artifacts of his youth. Anyone who has identified with Ralphie in A Christmas Story should understand the personal and cultural significance of memorabilia like the smiling Wimpy doll or Flash Gordon zap gun. Michelle Napierski-Prancl takes us forward a few decades to music from 1965 to 1985 and explores the connection between popular baby names given to girls and the pop hits like “Brandy” that may have increased their popularity. Analyzing recent sports news, Chris B. Geyerman discusses the NFL’s “violence against women problem” and provides a rhetorical study of the public language used to discuss the perpetrators and victims of domestic violence. The time periods covered within this issue’s articles are matched by the variety of cultural artifacts being considered in light of specific interpretations of identity. Mark C. Hill evaluates the alternative vii masculine performances in American comics by investigating Brian K. Vaughan and Pia Guerra’s Y: the Last Man. Asking what it means to be human, Juliet Kitchens explores the nature of hybridity and humanity in Joss Whedon’s Dollhouse. Sarah Gregg Minslow takes a close look at the values embedded in Chik-fil-A’s classic stories series and the social roles for which children are being prepared. Popular culture stretches across time, presenting us with a wealth of artifacts to study and from which to make meaning of our lives. Although individual artifacts—whether a comic book, television series, radio serial-based toy, online headline, song, or fast food restaurant prize—may harken to a specific time and place, they also reflect our humanity and cultural identities. They indicate that, although a style goes out of fashion or a television series is canceled or news is quickly supplanted by the next headline, there is continuity among times, places, and people. The end of one era or phase gives rise to the next hot topic or product in a continuous cycle. Perhaps this is what makes studies in popular culture—and, I hope, Studies in Popular
Load more

Recommended publications
  • The Winonan - 1990S
    Winona State University OpenRiver The inonW an - 1990s The inonW an – Student Newspaper 12-17-1997 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan1990s Recommended Citation Winona State University, "The inonW an" (1997). The Winonan - 1990s. 190. https://openriver.winona.edu/thewinonan1990s/190 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 1990s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. w NONA 1711 UNIVERS Ill RA F1 illinonan 3 0106 00362 4565 Wednesday, December 17, 1997 Volume 76, Issue 8 WSU may soon convert to "Laptop U" Baldwin By Lori Oliver Consultant Greg Peterson. option to buy the laptop before the the students' tution bill. The univer- the laptop university, but they do not too loud News Reporter Under the laptop university, stu- lease is up or at the time when the sity is concerned about students de- have all of the answers. Answers dents would be required to lease a lease expires. ciding to leave the university because won't be guaranteed until the univer- laptop computer from the university. Incoming freshman will lease on a they can't afford to pay the extra sity actually begins the process of On Monday and Tuesday Winona Three main phases are involved in three-year period, and the lease will money for the laptops. converting WSU to a laptop univer- for study this process.
    [Show full text]
  • CITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN
    CITIZEN KANE by Herman J. Mankiewicz & Orson Welles PROLOGUE FADE IN: EXT. XANADU - FAINT DAWN - 1940 (MINIATURE) Window, very small in the distance, illuminated. All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K" showing darker and darker against the dawn sky. Through this and beyond we see the fairy-tale mountaintop of Xanadu, the great castle a sillhouette as its summit, the little window a distant accent in the darkness. DISSOLVE: (A SERIES OF SET-UPS, EACH CLOSER TO THE GREAT WINDOW, ALL TELLING SOMETHING OF:) The literally incredible domain of CHARLES FOSTER KANE. Its right flank resting for nearly forty miles on the Gulf Coast, it truly extends in all directions farther than the eye can see. Designed by nature to be almost completely bare and flat - it was, as will develop, practically all marshland when Kane acquired and changed its face - it is now pleasantly uneven, with its fair share of rolling hills and one very good-sized mountain, all man-made. Almost all the land is improved, either through cultivation for farming purposes of through careful landscaping, in the shape of parks and lakes. The castle dominates itself, an enormous pile, compounded of several genuine castles, of European origin, of varying architecture - dominates the scene, from the very peak of the mountain.
    [Show full text]
  • A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
    Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing.
    [Show full text]
  • Swedish Wooden Toys September 18, 2015 Through January 17, 2016 Swedish Wooden Toys September 18, 2015 – January 17, 2016
    Swedish Wooden Toys September 18, 2015 through January 17, 2016 Swedish Wooden Toys September 18, 2015 – January 17, 2016 Swedish Wooden Toys is the first in-depth study of the history of wooden playthings in Sweden from the seventeenth to the twenty-first centuries. Remarkable doll houses, puzzles and games, pull toys, trains, planes, automobiles, and more will be featured in this color- ful exhibition, on view at Bard Graduate Center from September 18, 2015 through January 17, 2016. Although Germany, Japan, and the United States have historically produced and exported the largest numbers of toys worldwide, Sweden has a long and enduring tradition of designing and making wooden toys—from the simplest handmade plaything to more sophisticated forms. This exhibition not only reviews the production of Sweden’s toy industries but also explores the practice of handi- craft (slöjd), the educational value of wooden playthings, and the vision of childhood that Swedish reformers have promoted worldwide. Swedish Wooden Toys is curated by Susan Weber, Bard Graduate Center founder and director, and Amy F. Ogata, professor of art history at the University of Southern California and former professor at Bard Graduate Center. Background Ulf Hanses for Playsam. Streamliner Rally, The modern concept of childhood emerged in Europe introduced 1984. Wood, metal. Private collection. during the seventeenth century, when the period from Photographer: Bruce White. infancy to puberty became recognized as a distinct stage in human development. As the status of childhood As this exhibition traces the history of Swedish toy gained in social importance, children acquired their production, it critically examines the cultural embrace own material goods.
    [Show full text]
  • Designing for the Machine-Centered World 1 Innovation HUB Innogy
    Designing For The Machine-Centered World 1 © Copyright innogy Innovation GmbH innogy Innovation HUB Venture Idea Designing for the Machine-Centered World As machines drive more buying choices, we must accept them as a new customer group and change how we design, describe, communicate, price and present products and services to them. innogy Innovation Hub GmbH Lysegang 11 45139 Essen Germany innovationhub.innogy.com Venture Idea GmbH Kurze Strasse 6 40213 Düsseldorf Germany www.venture-idea.com/english [email protected] © Copyright innogy Innovation GmbH Designing For The Machine-Centered World 3 Introduction In late 2016, a child in Dallas asked her family’s Amazon Echo “Can you play dollhouse with me and get me a dollhouse?” The device ordered a dollhouse for her. When a news anchor repeated the story, the phrase “Alexa ordered me a dollhouse” triggered Amazon virtual personal assistants (VPAs) in the homes of viewers to also order dollhouses for their unwitting owners. In spring 2017, an advertisement for Burger King included the line “OK Google, what is the Whopper burger?” Which prompted any Google Home VPAs within earshot to begin describing the burgers to their owners? In the future – perhaps the near future – your autonomous car will not only decide when it needs maintenance, but shop for the best price, schedule an appointment and drive itself to the shop. If it is an electric vehicle, it will shop for charging stations and drive itself to the location with the best price and the most open charging poles. A little further in the future it might even own itself and run its own ride-sharing service.
    [Show full text]
  • A Journal for Critical Debate Vol. 27 (2018)
    Connotations A Journal for Critical Debate Volume 27 (2018) Connotations Society Connotations: A Journal for Critical Debate Published by Connotations: Society for Critical Debate EDITORS Inge Leimberg (Münster), Matthias Bauer (Tübingen), Burkhard Niederhoff (Bochum) and Angelika Zirker (Tübingen) Secretary: Eva Maria Rettner Editorial Assistants: Mirjam Haas, Tobias Kunz, Alia Luley, Sara Rogalski EDITORIAL ADDRESS Professor Matthias Bauer, Eberhard Karls Universität Tübingen, Department of English, Wilhelmstr. 50, 72074 Tübingen, Germany Email: [email protected] http://www.connotations.de EDITORIAL BOARD Judith Anderson, Indiana University Bloomington Åke Bergvall, University of Karlstad Christiane Maria Binder, Universität Dortmund Paul Budra, Simon Fraser University Lothar Černý, Fachhochschule Köln Eleanor Cook, University of Toronto William E. Engel, The University of the South Bernd Engler, Eberhard Karls Universität Tübingen David Fishelov, The Hebrew University of Jerusalem John P. Hermann, University of Alabama Lothar Hönnighausen, Rheinische Friedrich-Wilhelms-Universität Bonn Arthur F. Kinney, University of Massachusetts, Amherst Frances M. Malpezzi, Arkansas State University J. Hillis Miller, University of California, Irvine Angela Alaimo O’Donnell, Fordham University Martin Procházka, Charles University, Prague Alan Rudrum, Simon Fraser University Michael Steppat, Universität Bayreuth Leona Toker, The Hebrew University of Jerusalem John Whalen-Bridge, National University of Singapore Joseph Wiesenfarth, University of Wisconsin-Madison Connotations is a peer-reviewed journal that encourages scholarly communication in the field of English Literature (from the Middle English period to the present), as well as American and other Literatures in English. It focuses on the semantic and stylistic energy of the language of literature in a historical perspective and aims to represent different approaches. Connotations publishes articles and responses to articles, as well as to recent books.
    [Show full text]
  • Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
    Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22).
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • Citizen Kane
    Citizen Kane Background Information 1941 Historical Events: Franklin Roosevelt was US President Germany invaded Soviet Union Japan bombed Pearl Harbor and US entered WWII 1941 Other American films released that year: Dumbo How Green Was My Valley The Maltese Falcon Suspicion Sullivan’s Travels The Wolf Man Citizen Kane was directed and written by 26-year-old Orson Welles (1915-1987), who also stars as the title character This was his first film in Hollywood, although he had directed many plays, including a voodoo version of “MacBeth” Welles came to the attention of Hollywood because of his infamous “War of the Worlds” radio broadcast Citizen Kane has influenced countless filmmakers and is consistently cited as one of the ten best films of all time. Based on the life of publishing magnate William Randolph Hearst, it is an exuberant, muckraking attack on an archetypal economic baron. William Randolph Hearst Charles Foster Kane “Yellow Journalist" and Same kind of publisher and multi-millionaire newspaper journalist publisher; shaper of public opinion Political aspirant to Political aspirant to Presidency by becoming Presidency by running for New York State's Governor governor of New York; married President's niece Hearst built "The Ranch," Kane built “Xanadu,” a a palace at San Simeon, palace in Florida, filled with California, filled with a a priceless art collection priceless art collection Long-lasting affair with Sad affair and marriage the young and successful with talentless 'singer' silent film actress Marion Susan Alexander Davies
    [Show full text]
  • 2018 – Volume 6, Number
    THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International
    [Show full text]
  • ENTERTAINMENT WEEKLY (ISSN 10490434) IS PUBLISHED WEEKLY EXCEPT Results
    SPECIAL TRIBUTE ISSUE GEORGE MICHAEL 1963–2016 JAN. 13, 2017 • #1448 Plus THE WINTER PEOPLE’S PRINCESS TV PREVIEW CARRIE P. 34 FISHER 1956–2016 THE AMAZING LIFE OF A STAR WARS ICON REMEMBERING HER LEGENDARY MOM, DEBBIE REYNOLDS 1932–2016 STARRING EXECUTIVE PRODUCER EXECUTIVE PRODUCER GIOVANNI RIBISI GRAHAM YOST BRYAN CRANSTON STREAMJAN THE TOP 10 THINGS WE LOVE THIS WEEK Nick Viall 2 3 4 THE BACHELOR THE : MITCH HAASETH/ABC; ILLUSTRATION BACKGROUND: CRAIG SJODIN/ABC 1 5 1 2 3 4 5 ; PATERSON TV MOVIES BOOKS PODCASTS TV THE BACHELOR PATERSON THE SPY WHO TWICE REMOVED PORTLANDIA : MARY CYBULSKY; • Former Bachelor in • Jim Jarmusch’s sweet COULDN’T SPELL, • Host A.J. Jacobs seeks • Fred starts his own Paradise and two-time indie celebrates the by Yudhijit to prove we are family phone company, Carrie Bachelorette contestant mundanities of everyday Bhattacharjee by tracing the ancestry dates a hunk, and Nick Viall is back for more existence, following • In this remarkable true of a notable guest each Candace and Toni PORTLANDIA roses, champagne, and a New Jersey bus driver story about the hunt week. As he discovers explore life as feminist- tears. In the 21st season, and amateur poet for a brilliant American ties to historical figures bookstore retirees. the 36-year-old romantic (Star Wars’ Adam Driver) traitor who claimed to be and the common man, The seventh season of QUIRK/IFC AUGUSTA : will date 30 women in through seven days in a CIA analyst, the FBI Jacobs mixes humor, Fred Armisen and the hopes of finding true his life—from the 6 a.m.
    [Show full text]
  • Toy Inventor & Designer Guide
    TOY INVENTOR & DESIGNER GUIDE THIRD EDITION 2014 Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will. George Bernard Shaw Irish dramatist (1856-1950) Toy Inventor and Designer Guide | Second Edition Published: June 2014 | © Toy Industry Association, Inc. Comments on this Guide may be submitted to [email protected] Contents Contents 3 Getting Started 4 Coming Up with a Good Idea 5 Is it a unique and marketable idea? 5 Will it sell? 6 Is it cost-effective? 7 Is it safe? 8 Are you legally protected? 9 Entering the Marketplace 10 Selling Your Idea/Invention to a Toy Manufacturer 10 Manufacture and Distribute the Item Yourself 11 Promoting Your Idea 13 Bringing Your Product to Market 13 What Will Promotion Cost? 13 Join the Toy Industry Association Error! Bookmark not defined. Resources 15 3 Toy Inventor and Designer Guide | Third Edition (2014) © Toy Industry Association, Inc. Getting Started New ideas are the backbone of the toy industry. The need for innovative product is constant. Independent inventors and designers are an important source for new product ideas, but it can be a challenge for them to break into the industry. An original idea ― one that is fully developed to a point where it is presentable in either complete drawings or prototype format ― can be seen and it can be sold. To get started as an inventor or designer of toys or games, it’s wise to make an honest evaluation of your personal circumstances, as well as your invention.
    [Show full text]