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A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Los Angeles, CA: East West Announces Honorees for 48Th
For Immediate Release Contact: Kat Carrido March 17, 2014 (213) 625-7000 ext. 12 Los Angeles, CA [email protected] East West Players’ 48th Anniversary Visionary Awards Dinner & Silent Auction on April 28th Honors Reggie Lee (Grimm), Maurissa Tancharoen (Agents of S.H.I.E.L.D.), Peter Lenkov and Ken Solarz (Hawaii 5-0), and Playwright Paul Kikuchi East West Players (EWP), the nation’s premier Asian American theatre, celebrates the achievements of individuals who have raised the visibility of the Asian Pacific American (APA) community through their craft at the 48th Anniversary Visionary Awards Dinner & Silent Auction. The fundraising event will take place on Monday April 28, 2014 at the Universal Hilton. Proceeds from the gala will benefit East West Players’ educational and artistic programs. "Opportunities for Asian American artists and executives in the entertainment industry are beginning to increase each year with greater momentum," said Tim Dang, Producing Artistic Director of East West Players. "With America's changing demographics and a larger global reach, the entertainment industry must recognize the wealth of Asian American talent and the rich and cultural diversity that emanate from our community. While there is still much work to be done to increase our visibility, we thank our long standing partners at The Walt Disney Company, CBS and NBC and welcome new partners such as Mattel, HBO and Mnet America. We salute those who have made a valuable impact on the APA community and congratulate all of our honorees." “I am humbled receiving an award with the word ‘visionary’in it,” says honoree, actor Reggie Lee. -
Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2012 Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan Marquette University, [email protected] Published version. "Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work," in Joss Whedon: The Complete Companion: The TV Series, The Movies, The Comic Books and More. Ed. PopMatters Media. London: Titan Books, 2012: 285-297. Publisher Link. © 2012 Titan Books. Used with permission. FIREFLY 3.10 3.10 Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan For all the standard horror movie monsters Joss Whedon took up in Buffy and Angel-vampires, of course, but also ghosts, demons, werewolves, witches, Frankenstein's monster, the Devil, mummies, haunted puppets, the Creature from the Black Lagoon, the "bad boyfriend," and so on-you'd think there would have been more zombies. In twelve years of television across both series zombies appear in only a handful of episodes. They attack almost as an afterthought at Buffy's drama-laden homecoming party early in Buffy Season 3 ("Dead Man's Party" 3.2); they completely ruin Xander's evening in "The Zeppo" (3.13) later that same season; they patrol Angel's Los Angeles neighborhood in "The Thin Dead Line" (2.14) in Angel Season 2; they stalk the halls of Wolfram & Hart in "Habeas Corpses" (4.8) in Angel Season 4. A single zombie comes back from the dead to work things out with the girlfriend who poisoned him in a subplot in "Provider" (3.12) in Angel Season 3; Adam uses science to reanimate dead bodies to make his lab assistants near the end of Buffy Season 4 ("Primeval" 4.21); zombies guard a fail-safe device in the basement of Wolfram & Hart in "You're Welcome" (3.12) in Angel Season 5. -
1 Joss Whedon, Dr. Horrible and the Future of Web Media? 24
JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 1 Joss Whedon, Dr. Horrible and the Future of Web Media? Tama Leaver Department of Internet Studies, Curtin University Tel +61 8 9266 1258 Fax +61 8 9266 3166 [email protected] Correspondence should be addressed to Tama Leaver, Curtin University, GPO Box U1987, Perth WA 6845, AUSTRALIA. Email: [email protected] JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 2 Abstract In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible’s Sing-along Blog. Whedon and his collaborators positioned Dr. Horrible as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. Dr. Horrible was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to Dr. Horrible’s success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production. Keywords: Web Media, Online Distribution, Joss Whedon, Dr. Horrible, Paratexts, Social Media, Labor, Fans JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 3 Joss Whedon, Dr. Horrible and the Future of Web Media? In November 2007, the Writers Guild of America (WGA) began a strike lasting 100 days; amongst the areas in dispute were questions of residual payments for online streaming of previously broadcast material and the even newer and murkier territory of content created specifically for viewing online (M. -
Authorship and Authenticity in the Transmedia Brand: the Case of Marvel's Agents of S.H.I.E.L.D
Authorship and Authenticity in the Transmedia Brand: The Case of Marvel's Agents of S.H.I.E.L.D. LEORA HADAS, University of Nottingham ABSTRACT The Marvel Cinematic Universe (MCU) is the first filmmaking endeavour of its kind: multiple separate superhero films taking place within a single diegetic world, united in a single sequel, The Avengers (2012). The third highest-grossing film in history, The Avengers drew not only on the success of its prequels, its established characters and its stars, but perhaps most of all on its writer- director, cult favourite television auteur Joss Whedon. Having delivered on the film, and with considerable experience in creating quirky, character-based telefantasy, Whedon was a natural choice for Marvel for creating the MCU's first expansion into television, ABC’s Marvel's Agents of S.H.I.E.LD (ABC Studios/Marvel Television/Mutant Enemy, 2013- ). This article examines the use of Whedon's name and his presence in the promotional discourse of Agents of S.H.I.E.LD as a case study of the role of the media creator in extending the transmedia brand. With the names of creators becoming increasingly visible in association with many texts where they were previously absent, such as television series and blockbuster Hollywood cinema, the use of the author name as a brand name sees growing prevalence across the screen industries. In theorizing transmedia storytelling, Elizabeth Evans (2010) has, accordingly, named authorship as one of the key dimensions in which cohesion is established. In this context, I examine the use of Whedon's involvement in the Marvel Cinematic Universe, where the discourse of authorship operates as a guarantor of consistency and authenticity. -
Tv Shows - 2019 Drama
TV SHOWS - 2019 DRAMA SHOW TITLE GENRE NETWORK SEASON STATUS STUDIO / PRODUCTION COMPANIES SHOWRUNNER(S) EXECUTIVE PRODUCERS 68 Whiskey Episodic Drama Paramount Network Ordered to Series CBS TV Studios / Imagine Television Roberto Benabib Fox TV Studios / 20th Century Fox Television, 911 Episodic Drama Fox Renewed Ryan Murphy Productions Timothy P. Minear, 20th Century Fox TV / 9-1-1: Lone Star Episodic Drama Fox Ordered to Series Ryan Murphy Productions Ryan P. Murphy Brad Falchuk; Timothy P. Minear A Million Little Things Episodic Drama ABC Television Renewed ABC Studios / Kapital Entertainment DJ Nash James Griffiths A Teacher Drama FX Network Ordered To Series FX Productions Hannah M. Fidell Jed Whedon; Maurissa Tancharoen; Agents of S.H.I.E.L.D. Episodic Drama ABC Television Renewed ABC Studios / Marvel Entertainment; Mutant Enemy Jeffrey Bell Alive Episodic Drama CBS Entertainment Not Picked Up CBS TV Studios Jason Tracey Robert Doherty All American Episodic Drama CW Network Renewed Warner Bros Television / Berlanti Productions Nkechi Carroll, Gregory G. Berlanti Greg Spottiswood; Leonard Goldstein; All Rise Episodic Drama CBS Entertainment Ordered to Series Warner Bros Television Michael Robin; Gil Garcetti Almost Paradise Episodic Drama WGN America Ordered to Series Electric Entertainment Gary Rosen; Dean Devlin Marc Roskin Amazing Stories Episodic Drama Apple Ordered To Series Universal Television LLC / Amblin Television Adam Horowitz; Edward Kitsis David H. Goodman Amazon/Russo Bros Project Episodic Drama Amazon Ordered To Series Amazon Studios / AGBO Anthony Russo; Joe Russo American Crime Story Episodic Drama FX Network Renewed Fox 21; FX Productions / B2 Entertainment; Color Force Ryan Murphy Brad Falchuk; D V. -
Queer Temporalities and Musical Theater A
UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. I employ the ! ii aesthetic principles of musical theater to consider the genre’s politics, which can cut against the grain of dominant ideology to establish identities and communities in difference. The musical, a bastion of mainstream theatrical culture, supports a fan culture of outsiders who dream themselves into being in the liminal timespaces of song and dance. -
Voyageur (Newsletter)
Voyageur The Anticipation newsletter Issue 1: Thursday Afternoon Email your news to [email protected] About This Newsletter bringing broke fans to the Worldcon. Weapons Policy Reminder Welcome to the first issue of Voyageur, Pretty good for one night. No weapon, whether edged or projectile the official newsletter for Anticipation. —Patty Wells firing (or facsimiles thereof or anything Voyageur is being run by the Plokta resembling a weapon) shall be carried Cabal, whose fanzine, Plokta, has been a Tonight’s Parties within the boundaries of the convention. Hugo nominee ten times, and a winner All these parties are in the Delta Any weapon sold in the dealers room twice. We are Alison Scott, Steve Davies, must be wrapped for transport to the Mike Scott, Sue Mason, Giulia de Cesare, Ville Marie: Tor purchaser’s room; failure to do so will Steven Cain, Flick, Marianne Cain and 2804: Texas in 2013 result in the dealer being asked to Jonathan Cain. 2815: Aberdeen Proving Ground remove all weapons from their table. 2802: Philcon Operations/Rovers will have the final We’re all English (except for Giulia, who 2818: Hal-con Committee say on what constitutes a weapon. comes from Tasmania but now lives on 1331: Fast Forward 20th Anniversary Planet Giulia). This will therefore be an —John Harold English-style newsletter, which may A Word from the Chairs/ come as something of a surprise to those Un Mot des Présidents WSFS News who have only been to North American The WSFS Mark Protection Committee, Bonjourhi! conventions. which manages the intellectual property —René Walling & Robbie Bourget of WSFS such as the service marks on You too can get involved in the “Hugo Award” and “Worldcon”, will newsletter! We need stories —you can meet at 18:00 in P-518A to finalize its drop them off at the submission boxes Hydrate or Die report to the WSFS Business Meeting. -
PDF of This Issue
MIT’s The Weather Oldest and Largest Today: Cloudy, 73°F (23°C) Tonight: Decreasing Newspaper cloudiness, 63°F (17°C) Tomorrow: Partly sunny, 80°F (27°C) Details, Page 2 http://tech.mit.edu/ Volume 128, Number 30 Cambridge, Massachusetts 02139 Friday, August 8, 2008 AYCTE Pilot for Simmons Dining Canceled Missing ’95 Amid Controversy Over Implementation Alumna By Natasha Plotkin munity. It is time for a dialog within Arrested in NEWS EDITOR Simmons.” Simmons residents were official- The committee will submit a se- ly informed on Thursday that their ries of recommendations to Karen Afghanistan dorm would return to an a la carte A. Nilsson, senior associate dean dining system in the fall, reversing for student life. Nilsson will make By John A. Hawkinson a July 24 announcement that a new the final decision on how Simmons STAFF REPORTER trial of the “all you care to eat” buffet Dining will be run next spring and Aafia Siddiqui ’95, missing since system would be tested instead. in the future. 2003, was arrested in Afghanistan A committee of Simmons resi- The AYCTE pilot that would and was arraigned Tuesday morning dents, chaired by housemaster and have taken place came as a surprise in Federal District Court in New York professor John M. Essigmann PhD to Simmons residents who had gone City. She is accused of picking up ’76, will further discuss dining is- through a six-week trial of AYCTE an assault rifle and shooting at U.S. sues over the fall term. dining at the end of spring term and personnel when she was in Afghan “We have heard loud and articu- voted, narrowly, not to implement police custody. -
ROLAND ROSENKRANZ PRODUCTION DESIGNER Rolandrosenkranzdesign.Com
ROLAND ROSENKRANZ PRODUCTION DESIGNER Rolandrosenkranzdesign.com TELEVISION NCIS: LOS ANGELES (Season 11) CBS Studios/CBS Prod: John Kousakis, R. Scott Gemmill, Shane Brennan Dir: Various INTERROGATION (Season 1) CBS Studios/CBS Prod: John Mankiewicz, Anders Weidemann Dir: Various SCORPION (Season 3 & 4) CBS Studios/CBS Prod: Sam Hill, Nick Santora, Don Tardino, Nick Wooten Dir: Various CSI: CYBER (Season 2) CBS Studios/CBS Prod: Pam Veasey, Vikki Williams Dir: Various CSI: MIAMI (Season 5, 8-10) CBS Studios/CBS Prod: Ann Donahue, Don Tardino, Sam Hill Dir: Various MARVEL’S AGENTS ABC Studios/ABC Prod: Joss Whedon, Jed Whedon, Dir: Various OF S.H.I.E.L.D. (Season 1) (Art Director) Maurissa Tancharoen, Jeph Loeb GANG RELATED (Pilot) (Art Director) 20th Century Fox/FOX Prod: Brian Grazer, Francie Calfo, Dir: Allen Hughes Chris Morgan, Scott Rosenbaum CSI: MIAMI CBS Television Studios/CBS Prod: Ann Donahue, Jerry Bruckheimer, Dir: Various (Season 8-10) (Production Designer) Anthony Zuiker, Carol Mendelsohn (Season 4-7) (Art Director) NYPD BLUE 20th Century Fox/ABC Prod: Steven Bochco, Mark Tinker, Dir: Various (Season 7-12) (Art Direcotr) David Milch BABYLON 5 Warner Bros. Television/ Prod: J. Michael Straczynski, Doug Netter, Dir: Various (Season 1-3) (Art Director) TNT John Copeland FAVORITE DEADLY SINS Showtime Prod: David Jablin, Peter Manoogian Dir: Dennis Leary, (MOW) (Art Director) David Jablin ATTACK OF THE 5 FT. 2 WOMEN Showtime Prod: David Jablin, Peter Manoogian Dir: Julie Brown (MOW) (Art Director) DAMON Casey-Werner/FOX Prod: Damon Wayans, Steve Rudnick, Dir: Various (Season 1) (Asst. Art Director) Leo Benvenuti HOUSE RULES Sony Pictures Television/NBC Prod: Karl Fink, Chris Thompson Dir: Various (Season 1) (Asst. -
Understanding the Televisual Auteur
Wesleyan University The Honors College I’ve Got a Theory, It Could Be Whedon: Understanding the Televisual Auteur by Allison Louise Cronan Class of 2017 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2017 ACKNOWLEDGEMENTS Thank you first to my advisor, Scott Higgins. Your help on everything from specific ideas to organizational strategies was invaluable. Thank you for reading even my roughest pages and helping me find the good in them. And thank you for always helping me locate the joy in all the hard work. Thank you to Jeanine Basinger, for your incredible support. You gave me the tools to dig deep into Whedon’s work, and an instrumental idea of the baseline from which he approached various techniques and genres. Thank also to Marc Longenecker and Betsy Traube for teaching me how to critically analyze television. And thank you to the entire Wesleyan Film faculty for shaping the way I think about the moving image. I am also indebted to Lea Carlson, whose patience and overall help made the process of completing this work feel manageable. Thank you to my family—Mom, Dad, Megan, and Ryan. Thank you for always supporting me in everything, even when you found out I had to watch over 200 hours of television to work on this. Thank you to Sofi, Will, Kiley, and Alexa, who were a source of encouragement and a sounding board for ideas. -
Joss Whedon's Plan to Monetize Internet Content (Watch Out, Hollywood): Knowledge@Wharton (
Joss Whedon's Plan to Monetize Internet Content (Watch Out, Hollywood): Knowledge@Wharton (http://knowledge.wharton.upenn.edu/article.cfm?articleid=2152) Joss Whedon's Plan to Monetize Internet Content (Watch Out, Hollywood) Published : February 04, 2009 in Knowledge@Wharton TV and movie writer-director Joss Whedon wants to change the way Hollywood does business. While Whedon works inside the studio system on major projects, he also hopes to blaze a trail on the Internet for creating and monetizing independently produced content. In doing so, he is confronting what he terms the "homogenized, globalized, monopolized entertainment system." One of Whedon's recent projects is "Dr. Horrible's Sing-Along Blog," an online musical comedy starring Neil Patrick Harris, Nathan Fillion and Felicia Day, written by Whedon, his brothers Zack and Jed, and Jed's fiancée Maurissa Tancharoen. Conceived during the 100 day Writers Guild of America strike in late 2007 and early 2008, "Dr. This is a single/personal use copy of Horrible" was, in part, intended as an experiment to explore options Knowledge@Wharton. For multiple copies, custom reprints, e-prints, posters or plaques, please contact for creative content. The subject of revenues for online content was a PARS International: [email protected] P. (212) timely one, since a major point of contention that spurred the strike 221-9595 x407. involved payment to writers for content distributed online. "Dr. Horrible" was released on the web in three parts last July, and Whedon's plan was to remove the free online versions and sell all three episodes as video downloads through Apple's iTunes Store.