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Toys for the Collector
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Toys for the Collector Tuesday 10th March 2020 at 10.00 PLEASE NOTE OUR NEW ADDRESS Viewing: Monday 9th March 2020 10:00 - 16:00 9:00 morning of auction Otherwise by Appointment Special Auction Services Plenty Close Off Hambridge Road NEWBURY RG14 5RL (Sat Nav tip - behind SPX Flow RG14 5TR) Dave Kemp Bob Leggett Telephone: 01635 580595 Fine Diecasts Toys, Trains & Figures Email: [email protected] www.specialauctionservices.com Dominic Foster Graham Bilbe Adrian Little Toys Trains Figures Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price Order of Auction 1-173 Various Die-cast Vehicles 174-300 Toys including Kits, Computer Games, Star Wars, Tinplate, Boxed Games, Subbuteo, Meccano & other Construction Toys, Robots, Books & Trade Cards 301-413 OO/ HO Model Trains 414-426 N Gauge Model Trains 427-441 More OO/ HO Model Trains 442-458 Railway Collectables 459-507 O Gauge & Larger Models 508-578 Diecast Aircraft, Large Aviation & Marine Model Kits & other Large Models Lot 221 2 www.specialauctionservices.com Various Diecast Vehicles 4. Corgi Aviation Archive, 7. Corgi Aviation Archive a boxed group of eight 1:72 scale Frontier Airliners, a boxed group of 1. -
Swedish Wooden Toys September 18, 2015 Through January 17, 2016 Swedish Wooden Toys September 18, 2015 – January 17, 2016
Swedish Wooden Toys September 18, 2015 through January 17, 2016 Swedish Wooden Toys September 18, 2015 – January 17, 2016 Swedish Wooden Toys is the first in-depth study of the history of wooden playthings in Sweden from the seventeenth to the twenty-first centuries. Remarkable doll houses, puzzles and games, pull toys, trains, planes, automobiles, and more will be featured in this color- ful exhibition, on view at Bard Graduate Center from September 18, 2015 through January 17, 2016. Although Germany, Japan, and the United States have historically produced and exported the largest numbers of toys worldwide, Sweden has a long and enduring tradition of designing and making wooden toys—from the simplest handmade plaything to more sophisticated forms. This exhibition not only reviews the production of Sweden’s toy industries but also explores the practice of handi- craft (slöjd), the educational value of wooden playthings, and the vision of childhood that Swedish reformers have promoted worldwide. Swedish Wooden Toys is curated by Susan Weber, Bard Graduate Center founder and director, and Amy F. Ogata, professor of art history at the University of Southern California and former professor at Bard Graduate Center. Background Ulf Hanses for Playsam. Streamliner Rally, The modern concept of childhood emerged in Europe introduced 1984. Wood, metal. Private collection. during the seventeenth century, when the period from Photographer: Bruce White. infancy to puberty became recognized as a distinct stage in human development. As the status of childhood As this exhibition traces the history of Swedish toy gained in social importance, children acquired their production, it critically examines the cultural embrace own material goods. -
Aurora Models, Garage Kits and the Object Practices of Horror
Materializing Monsters: Aurora Models, Garage Kits, and the Object Practices of Horror Media Bob Rehak Figure 1 The July 1962 issue of Famous Monsters of Filmland carried an advertisement for a new product from Aurora Plastics Company: a scale model of Frankenstein’s Monster (Figure 1). Announcing the first in what would become a long-running and profitable line of Aurora kits based on classic horror-movie creatures, the ad copy, running beside an exploded view of the model’s individual parts alongside a finished and painted version, emphasized rather than elided the steps required to make it whole: YOU ASKED FOR IT — AND HERE IT IS: A COMPLETE KIT of molded styrene plastic to assemble the world’s most FAMOUS MONSTER — 2 Frankenstein! A total of 25 separate pieces go into the making of this exciting, perfectly-scaled model kit by Aurora, quality manufacturer of scale model hobby sets. The FRANKENSTEIN MONSTER stands over 12-inches when assembled. You paint it yourself with quick-dry enamel, and when finished the menacing figure of the great monster appears to walk right off the GRAVESTONE base that is part of this kit. Taken with its insistent second-person you, the text’s avowal of “kit-ness” suggests that the appeal of monster models stemmed not just from their iconic content, but the way they promised to transform readers into modelers in a mutually reinforcing relationship of agency, much as the otherwise static and nonarticulated plastic monster would appear to “walk right off” its base. (Even the choice of subject held a felicitous -
Toy Inventor & Designer Guide
TOY INVENTOR & DESIGNER GUIDE THIRD EDITION 2014 Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will. George Bernard Shaw Irish dramatist (1856-1950) Toy Inventor and Designer Guide | Second Edition Published: June 2014 | © Toy Industry Association, Inc. Comments on this Guide may be submitted to [email protected] Contents Contents 3 Getting Started 4 Coming Up with a Good Idea 5 Is it a unique and marketable idea? 5 Will it sell? 6 Is it cost-effective? 7 Is it safe? 8 Are you legally protected? 9 Entering the Marketplace 10 Selling Your Idea/Invention to a Toy Manufacturer 10 Manufacture and Distribute the Item Yourself 11 Promoting Your Idea 13 Bringing Your Product to Market 13 What Will Promotion Cost? 13 Join the Toy Industry Association Error! Bookmark not defined. Resources 15 3 Toy Inventor and Designer Guide | Third Edition (2014) © Toy Industry Association, Inc. Getting Started New ideas are the backbone of the toy industry. The need for innovative product is constant. Independent inventors and designers are an important source for new product ideas, but it can be a challenge for them to break into the industry. An original idea ― one that is fully developed to a point where it is presentable in either complete drawings or prototype format ― can be seen and it can be sold. To get started as an inventor or designer of toys or games, it’s wise to make an honest evaluation of your personal circumstances, as well as your invention. -
(1) Little Daisey Pop
TRAIN & DOLL AUCTION - Saturday, April 30, 2016 4/30/2016 233 COWBOY LONG GUNS & HOLSTERS Includes: (1) Daisey shotgun pop gun; (1) Little Daisey pop gun; (1) Daisey pop gun with nickelplate; (1) pop gun; (1) rifle holster; (1) "Shotgun Slade" double holster; (2) other holsters; wear on holsters; longest L-24", F-G 50.00 - 100.00 234 HUBLEY TOY SIX SHOOTERS (2) PAIR Both have holsters but no belt; (1) pair "Texan Jrs"; (1) pair "Cowboy"; L-9"-11", VG 75.00 - 125.00 235 COWBOY CAP SHOOTERS (4) Nickeled cast iron; Bob, Sliko, etc.; (1) "Lasso 'em Bill" broken; longest L-9", P-G 40.00 - 60.00 236 COWBOY SIX SHOOTERS (5) Die-cast; (2) Hubley Texan Jrs., (1) Mattel Fanner 50; (1) Coyote; (1) Pet; Longest L-10 1/2", F-G 50.00 - 100.00 237 CHILDREN'S CAP GUNS (5) (4) Cast iron: Trooper, Dick, Jr. Police Chief, etc.; normal wear; Longest L-7", F-G 40.00 - 60.00 238 CHILDREN'S TOY GUNS (8) Assorted; Spud Gun in original package; Hubley Padlock Pistol; Pea Matic Pea Shooter; Daisey Water Gun; National; Acme, (2) Star; Longest L-6", F-G 50.00 - 100.00 Opfer Auctioneering Page: 2 TRAIN & DOLL AUCTION - Saturday, April 30, 2016 4/30/2016 239 PAIR HUBLEY FLINTLOCK DUELING PISTOLS Diecast with marbleized plastic stocks; L-9", G 50.00 - 100.00 240 "BOY RANGER" MACHINE GUN Cast iron; (1) wheel re-cast in aluminum; L-18", F-G 50.00 - 100.00 241 CHILDREN'S COWBOY SPURS (7) SETS Die-cast; (3) have leather straps; G 50.00 - 100.00 242 OLD TIMER CARS (5) Japan; tin and tin litho; friction and spring loaded; (1) steering wheel missing; (1) headlight missing; (1) axle needs work, good for parts cars; longest L-10", F 50.00 - 100.00 243 NAUTICAL TOYS (3) Painted wood; (1) battle fleet; Japan; boxed set, VG (1) sailor in row boat, possibly German, flaking; (1)ocean liner-Japan-flaking; longest 9 1/2 VG 50.00 - 100.00 244 TIN TOY BOATS (4) Litho tin & hand painted; all have either pcs. -
Resumes Pouring in for Manager's
Property of the Watertown Historical Society watertownhistoricalsociety.org Timely Coverage Of News In The Fastest Growing Community In Litchfield County Vol. 39 No. 31 SUBSCRIPTION PRICE $12.00 PER YEAR Cur. Ri, P.S. PRICE 30 CENTS August 2,1984 School Board Returning $10,697 Surplus To Town Resumes Pouring In The Board of Education has an- $2,600 he said. nounced it would be returning a In highlighting financial ex- surplus of $10,697 to the town penses In the instructional areas, from Its 1983-84 budget year, nearly $70,000 was budgeted and For Manager's Job which ended on June 30. spent for updating the mathema- This represents approximately tics and language arts curriculum. The Town Council's screen- icchi and Republican Richard mined "some are not good one tenth of one percent of the Most of the money was focused ing committee searching for a Fusco, said a formal Interview choices," He said lack of ex- Board's $10.2 million budget. The on staff revision of the curriculum permanent town manager re- schedule will be set up as perience in o managerial posi- Board complimented the Business and the purchase of new text- ported 19 resumes had been sub- soon as the group feels all the tion, or insufficient qualifications Office for its work in this area. books and workbooks. mitted for the job vacated by viable applications are in. were evident on a few resumes, Richard Huot, the school busi- This revision will continue dur- former Town Manager James The official deadline for sub- "A lot of interesting people" ness manager, indicated approxi- ing the 1984-85 fiscal year, but will Troup July 2, mittal is Aug. -
History of Airfix Plastic Model Kit Instruction Sheets
History of Airfix Plastic Model Kit Instruction Sheets As a relative novice to collecting instruction sheets, I'm not sure as to the exact 'types' of instruction sheets (in the style of type 0, 1, 1a as with the header cards), but I know the style and format of the instructions has changed over the years. I am mainly concerned with the instruction sheets from boxed kits, less colourful than the header cards, but just as interesting to collect, and come in infinitely more styles and variants. I guess these sheets also have 'type' categories and perhaps someone could clue me in as to what they are, but here goes with my interpretation of instruction sheet types through the years. My first model was the Airfix Folland Gnat, bought for my 6th birthday by the older boy next door, who then took great delight in taking it back off me, building it and then handing me back the finished model (unpainted and with no decals applied!) but I loved it. The header card was never returned and I have been unable (so far) to get a replacement. I was hooked on models from then on and started buying my own (along with my bother whose model-making skills can only be described as abysmal!!). My early models included the Fairey Swordfish, Avro Anson, Armstrong Vickers Wellington and the Hawker P1127, the physical models of which have long since disappeared but for some strange reason, I carefully stored all the instructions in various empty Airfix model boxes. On cold winter evenings I would spent hours looking at these old instruction sheets, and with the aid of my copies of early Airfix catalogues, I would select, buy and then make models that I thought were interesting, if only to add to my instruction sheet collection. -
Plastic Model Kit Modification
Plastic Model Kit Modification Penny-pincher Yuri adoring unwaveringly. Hakeem often parchmentized bullishly when telautographic Earle strunt unskilfully and kindle her pterylosis. Odd Crawford sometimes ousts his Mormon subversively and inconvenience so chronologically! If you can the plastic kit caters for the box Hobby Design Toyota Supra Modification Kits 124 HD03-0492. Model Car Detail Parts - MegaHobbycom. Options for modifying a rocket model include increasing engine size adding stages or adding. Chappie Moose Resin Kit Weta Workshop Weta Workshop. Gunpla The Gundam Wiki Fandom. This can take intellectual property of each one marking is. Increased base arcade game. Shop with model cars plastic models of motorcycles You can off everything for model trucks and engines. STAR WARS PLASTIC MODEL. Bandai AT-ST review & build Rebel Scale. MiniArt 37023 T-55A Late Mod 1965 Military Miniature Series. John tilley about miniatures, there is great choice if they can be dispatched. The letter face comes with a dangling eye socket a ding in correct head Bandai Star Wars 6 Inch Plastic Model Kit C3PO Eye Damage 1 To change it out you. You can release available. Techniques Follow and comprehensive sketch on treaty to build plastic models. 125 124 Scale Bodies & Parts Page 1 Ted's Modeling. You had only expand as an inner and more flexible slippery plastic close as possible results convert injection molded kits team works. Paint job i kept them, and ps and pom plastic or username incorrect or bantam blast kit features a fret of. Motorcycles plastic kits Trucks plastic models Engines model kits MetalSnap Kits Decals Wheels Rims Tyres Detail Sets Upgrade sets Transkits Parts for. -
Sociocultural Hobby Sites: Acquisitions and Decoration of Dollhouses and Minature Displays As a Fun Educational Tool
Against the Grain Volume 25 Issue 6 Article 45 2013 Wandering the Web--Sociocultural Hobby Sites: Acquisitions and Decoration of Dollhouses and Minature Displays as a Fun Educational Tool Lesley L. R. Montgomery Western Kentucky University Libraries, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Montgomery, Lesley L. R. (2013) "Wandering the Web--Sociocultural Hobby Sites: Acquisitions and Decoration of Dollhouses and Minature Displays as a Fun Educational Tool," Against the Grain: Vol. 25: Iss. 6, Article 45. DOI: https://doi.org/10.7771/2380-176X.7440 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Wandering the Web — Sociocultural Hobby Sites: Acquisition and Decoration of Dollhouses and Miniature Displays as a Fun Educational Tool by Lesley L. R. Montgomery (Library Assistant at Western Kentucky University Libraries, Special Collections Library, Bowling Green, Kentucky) <[email protected]> Column Editor: Jack G. Montgomery (Professor, Coordinator, Collection Services, Western Kentucky University Libraries) <[email protected]> Author’s Note: In 1959, I was gifted my first dollhouse, a shining, Program in November 2010 — features the early 20th-century dollhouse aluminum wonder, with its lithographed wall scenes redolent of the of the famous miniaturist, Faith Bradford. The film footage reviews USA’s post-war prosperity: a nursery overflowing with out-of-scale toys; the miniatures collection of Ms. Bradford, including some items that two-dimensional kitchen counters with a garish basket of fruit; figurative she played with when she was seven-years-old, and which she expanded representations of bright bathroom fixtures and luxurious towels; and an upon throughout her life. -
IGMA Mission and Objectives
International Guild of Miniature Artisans IGMA Mission and Objectives IGMA was founded to promote fine miniatures as an art form; to increase awareness and appreciation of high-quality work- manship through public education; to recognize and honor qualified artisans and encourage work of the highest quality; to encourage the development of new artisans; and to coor- dinate and serve the interests and needs of the artisan and non-artisan. OBJECTIVES To Promote Miniatures as an ferred with the status of Artisan. Art Form • Through the granting of the status of Fellow to Artisans who • Through the placement of have achieved excellence in their miniatures in museum and gal- field. lery exhibits and collections. • Through involvement in local, To Encourage the Development state and national art founda- of New Artisans tions, both public and private. • Through the maintenance of • Through the conduction of the Guild School where skills can an annual public auction of be improved and new techniques notable miniature works. learned under the guidance of To Increase Awareness and qualified instructors. Appreciation of High-quality To Coordinate and Serve the Workmanship Through Public Interests and Needs of the Education Artisan and Non-Artisan • By offering a showcase for top- • Through publication of “The quality miniatures at an annual Cube,” the Guild newsletter. show and sale featuring Guild • By creating an avenue of Artisans and Fellows. communication through partici- • Through special Guild educa- pation in the committee work of tional programs, both for the the Guild where the needs of the public and for the miniaturist artisan, collector and dealer can community. -
Plastic Model Conversion John E
Tech Tips-009 A help series Dedicated to the dissemination of Detail model building methods and techniques. Materials and methods presented here are not intended as the best or only solutions to the modeling challenge(s) discussed, rather as methods and procedures which have a proven record of success in actual use. Please keep experimenting with new materials and techniques as this is the only way to expand the fields of knowledge. Procedures in Plastic Model Conversion John E. McCoy Sr. NAR-15731 revised: Dec 5, 2001. – Rev 04-21-2016 1.) PICKING THE MODEL: a.) Decide the amount of Detailing and TIME you want to put in the model. Usually smaller models have less available "Stock" detail, However I have seen 1:72 scale F-100 Super Sabers with custom detailing so fine, from the proper angles you can't tell if it's a model or the real thing. b.) Decide which type of kit you would like to attempt. 2.) STARTING CONSTRUCTION: a:) Open the kit and arrange the parts you'll be needing, fuselage, wings, stabilizers, tail, canopy, nozzles, ordnance, etc. b.) Layout the main body parts on heavy cardboard to get a top and side view cardboard cutout of the model. Balance these cutouts on the edge of a ruler to find the L.C.P. (Lateral Center of Aerodynamic Pressure) Include the rockets, bombs and other drop tanks etc., in your cutouts. This will avoid unfortunate consequences at the flying field. c.) Find the BEST size body tube and nose plug, for your purpose. -
(With) Gestic Dolls in Mabou Mines Dollhouse Jacqueline Taucar University of Toronto
Playing (with) Gestic Dolls in Mabou Mines DollHouse Jacqueline Taucar University of Toronto 268 To nineteenth-century audiences and critics, Nora’s final action in Henrik Ibsen’s A Doll House1 was characterized as the “door slam heard around the world”; its echoes reverberate over the 130 years since its theatrical debut in 1879 across numerous cul- tural lines as this special issue of the Canadian Review of Comparative Literature attests. In the nineteenth century, Ibsen’s decision to have Nora close the door and leave her husband and children shocked the sensibilities of its audience at the time, but its “shock value” has since declined in contemporary western contexts where divorce rates are at an all time high at close to forty percent2 and where women’s participation in the public sphere is greater now than it was in Ibsen’s time period. Still A Doll House remains an enduringly popular play; however, for theatre practitio- ners who stage Ibsen’s iconic play the question always emerges of how to re-imagine Nora’s historic door slam in a way that continues its revolutionary legacy and speaks to the very different limitations and conditions of being a woman in society today. The 2003 production by Mabou Mines, co-created by avant-garde theatre artists Lee Breuer and Maud Mitchell, is one such revolutionary re-imagining of Ibsen’s A Doll House that critiques patriarchal power inherent in the system of commodity con- sumption in today’s society. Emphasizing the doll as an object of consumption and a powerful performative motif, Mabou Mines DollHouse3 (hereafterDollHouse ) adapts Ibsen’s work and re-captures the “shock effect” of the original through visual con- trast.