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2019 Star Trek Discovery Season 1 Checklist
2019 Star Trek Discovery Season 1 Checklist https://www.scifihobby.com/products/printablechecklist.cfm?SetID=355 2019 Star Trek Discovery Season 1 Checklist Base Cards # Card Title [ ] 01 The Vulcan Hello [ ] 02 The Vulcan Hello [ ] 03 The Vulcan Hello [ ] 04 The Vulcan Hello [ ] 05 The Vulcan Hello [ ] 06 The Vulcan Hello [ ] 07 Battle at the Binary Stars [ ] 08 Battle at the Binary Stars [ ] 09 Battle at the Binary Stars [ ] 10 Battle at the Binary Stars [ ] 11 Battle at the Binary Stars [ ] 12 Battle at the Binary Stars [ ] 13 Context is for Kings [ ] 14 Context is for Kings [ ] 15 Context is for Kings [ ] 16 Context is for Kings [ ] 17 Context is for Kings [ ] 18 Context is for Kings [ ] 19 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 20 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 21 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 22 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 23 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 24 The Butcher's Knife Cares Not for the Lamb's Cry [ ] 25 Choose Your Pain [ ] 26 Choose Your Pain [ ] 27 Choose Your Pain [ ] 28 Choose Your Pain [ ] 29 Choose Your Pain [ ] 30 Choose Your Pain [ ] 31 Lethe [ ] 32 Lethe [ ] 33 Lethe [ ] 34 Lethe [ ] 35 Lethe [ ] 36 Lethe [ ] 37 Magic to Make the Sanest Man Go Mad [ ] 38 Magic to Make the Sanest Man Go Mad [ ] 39 Magic to Make the Sanest Man Go Mad [ ] 40 Magic to Make the Sanest Man Go Mad [ ] 41 Magic to Make the Sanest Man Go Mad [ ] 42 Magic to Make the Sanest Man Go Mad [ ] 43 Si Vis Pacem, Para Bellum [ ] 44 Si Vis Pacem, -
STLV17 Program Booklet.Pages
STAR TREK LAS VEGAS 2017 - SCHEDULE of EVENTS MONDAY, JULY 31ST START END EVENT LOCATION VENDORS ROOM – HOURS OF OPERATION: 2:00 PM 7:00 PM VENDORS SET-UP/VENDORS ONLY Amazon TUESDAY, AUGUST 1ST NOTE: Pre-registration is not a necessity, just a convenience! Get your credentials, wristband and schedule so you don't have to wait again during convention days. VENDORS ROOM WILL BE OPEN TOO so you can get first crack at autograph and photo op tickets as well as merchandise! PRE-REGISTRATION IS ONLY FOR FULL CONVENTION ATTENDEES WITH EITHER GOLD, CAPTAIN’S CHAIR, COPPER OR GA WEEKEND. If you miss this pre-registration time, you can come any time that Registration is open! START END EVENT LOCATION VENDORS ROOM – HOURS OF OPERATION: 9:00 AM 3:00 PM VENDORS SET-UP Amazon 6:00 PM 6:45 PM Vendors room open for GOLD ONLY Amazon 6:45 PM 7:30 PM Vendors room open for GOLD and CAPTAIN’S CHAIR ONLY Amazon 7:30 PM 8:15 PM Vendors room open for GOLD, CAPTAIN’S CHAIR and COPPER ONLY Amazon 8:15 PM 11:30 PM Vendors room open for GOLD, CAPTAIN’S CHAIR, COPPER AND GA WEEKEND ONLY Amazon REGISTRATION – HOURS OF OPERATION: 1:30 PM 3:00 PM GOLD PATRONS PRE-REGISTRATION Rotunda 3:00 PM 4:30 PM CAPTAIN’S CHAIR PATRONS PRE-REGISTRATION plus GOLD Rotunda 4:30 PM 7:00 PM COPPER PATRONS PRE-REGISTRATION plus GOLD and CAPTAIN’S CHAIR Rotunda GENERAL ADMISSION FULL WEEKEND PRE-REGISTRATION plus GOLD, CAPTAIN’S 7:00 PM 11:00 PM CHAIR & COPPER Rotunda VENDORS ROOM OPEN (Please see below times for your group’s vendor admission 6:00 PM 11:30 PM hours) Amazon !5 WEDNESDAY, AUGUST 2ND WHERE’S WHAT? CBS All-Access Stage: Brasilia 7 Main Theatre: Pavilion Photo op pick-up: Miranda 1-4 Photo ops: Miranda 5-8 Quark’s: Brasilia 1-3 Secondary Theatre: Brasilia 4-6 Ten Forward Lounge: Tropical G-H The Original Bridge Set: Palma TNG Display: Tropical E-F Vendors: Amazon *END TIMES ARE APPROXIMATE. -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
{PDF} Timescape
TIMESCAPE PDF, EPUB, EBOOK Gregory Benford | 416 pages | 09 Mar 2000 | Orion Publishing Co | 9781857989359 | English | London, United Kingdom TIMESCAPES Soundtrack - Nigel John Stanford Sep 30, C. This was a great installment for the series, but I only gave three stars because Liparulo got too religious for a bit. While the family's religious preferences are clear in the first three books, in Timescape, the author includes an entire section where the brothers question their religion and discuss it with each other. While the boys are at the right age to start questioning these things, it was handled awkwardly. It seemed to be plopped in for no reason and pulled me out of the Dreamhouse This was a great installment for the series, but I only gave three stars because Liparulo got too religious for a bit. It seemed to be plopped in for no reason and pulled me out of the Dreamhouse world. It didn't seem to add anything to the story at all. Beyond that there are the usual complaints of Xander's immaturity and constant insubordination without consequence and the sexist way they all the men in the family treat the daughter. But those have not so far taken away from the good of the story too much. Hopefully the remaining two books will not include such weird proselytizing. Dec 15, LeeAnn rated it really liked it. So, one of the strange and amazing things about my library is that we don't always have every book in a series. In fact, sometimes we have just book one -- or in this case, just book four. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content
Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content ABSTRACT With the growing popularity of YouTube and other platforms for user-generated content, such as blogs and wikis, copyright holders are increasingly concerned about potential infringing uses of their content. However, when enforcing their copyrights, owners often do not distinguish between direct piracy, such as uploading an entire episode of a television show, and transformative works, such as a fan-made video that incorporates clips from a television show. The line can be a difficult one to draw. However, there is at least one source of user- generated content that has existed for decades and that clearly differentiates itself from piracy: fandom and “fan fiction” writers. This note traces the history of fan communities and the copyright issues associated with fiction that borrows characters and settings that the fan-author did not create. The author discusses established social norms within these communities that developed to deal with copyright issues, such as requirements for non-commercial use and attribution, and how these norms track to Creative Commons licenses. The author argues that widespread use of these licenses, granting copyrighted works “some rights reserved” instead of “all rights reserved,” would allow copyright holders to give their consumers some creative freedom in creating transformative works, while maintaining the control needed to combat piracy. However, the author also suggests a more immediate solution: copyright holders, in making decisions concerning copyright enforcement, should consider using the norms associated with established user-generated content communities as a framework for drawing a line between transformative work and piracy. -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
Federation Commander Table of Contents 5 Systems
FEDERATION COMMANDER TABLE OF CONTENTS CHAPTER 5 SYSTEMS KLINGON BORDER AND ROMULAN BORDER 5A CONTROL SYSTEMS 5A1 DEFINITION 5A2 PENALTIES FOR LOSS 5A2A TURN MODE 5A2B WEAPONS 5A2C OTHER CAPTAIN’S LOG #41 5A3 SUPER-INTELLIGENT BATTLE COMPUTERS 5A3A ADVANTAGES 5A3A1 ENERGY ALLOCATION 5A3A2 MOVEMENT 5A3A3 EVASIVE MANEUVERS 5A3A4 HIGH ENERGY TURNS 5A3A5 DIRECT-FIRE WEAPONS 5A3A6 PROBES 5A3A7 REPAIRS 5A3A8 ROBOTS 5A3B DESTROYING THE COMPUTER 5A3C DEACTIVATING THE COMPUTER 5A3C1 REPROGRAMMING 5A3C2 MARINE COMBAT 5A3D COMPUTER FAILURE 5A3E BEZERKER DESIGNER’S NOTES KLINGON BORDER AND ROMULAN BORDER 5B LABORATORIES 5B1 SHIP CARD 5B2 NO POWER NEEDED 5B3 FUNCTION OF LABS 5C PROBES 5C1 SHIP CARD 5C2 FLEET SCALE 5C3 USING PROBES FOR INFORMATION 5C4 USING PROBES AS WEAPONS 5C5 RELOADING PROBE LAUNCHERS 5D TRACTOR BEAMS 5D1 SHIP CARD 5D2 POWER 5D3 GENERAL FUNCTION 5D3A NO MOONS OR PLANETS 5D3B SHIPS CANNOT MOVE BASES ORION ATTACK 5D3C TRACTORS VS. MONSTERS KLINGON BORDER AND ROMULAN BORDER 5D4 DEFENSIVE FUNCTIONS 5D4A ONLY DESTROYED BY YOU 5D4B TRACTOR DESTRUCTION 5D4C ENERGY ALLOCATION ORION ATTACK 5D4 TRACTORS VS. DRONES KLINGON BORDER AND ROMULAN BORDER 5D5 TRACTORING OBJECTS 5D5A SEEKING WEAPONS 5D5B TRACTOR AUCTIONS 5D6 TRACTORING SHIPS 5D6A TRACTOR AUCTIONS 5D6B LINKED SHIPS 5D6C NO PENALTIES FEDERATION COMMANDER TABLE OF CONTENTS CHAPTER 5 SYSTEMS KLINGON BORDER AND ROMULAN BORDER 5E TRANSPORTERS 5E1 SHIP CARD 5E2 POWER 5E3 RANGE 5E4 RANGE 5E5 LIMITATIONS 5E6 PROCEDURE 5E6A STEP 1 5E6B STEP 2 5E6C STEP 3 5E7 EMERGENCY EVACUATION 5F MARINE BOARDING