Identifying Knowledge Flow to Develop a Strategic Plan

Total Page:16

File Type:pdf, Size:1020Kb

Identifying Knowledge Flow to Develop a Strategic Plan WORCESTER POLYTECHNIC INSTITUTE Identifying Knowledge Flow to Develop a Strategic Plan Supplemental Materials Submission Date: 3 May 2018 Seles Li Michael Savoie Erika Stark Jacob Wilson Advisors: Professor Katherine Foo Professor Lorraine Higgins Sponsor: The Port Phillip EcoCentre Table of Contents Part A - Authorship . ... ..2 ……………………………………………………………………………… ……… … Part B - Participant Survey Questions . .. ... 5 ……………………………………… …………… …… …… Part C - Program Analysis Research Questions and Corresponding Instrument Questions .. ... ..7 ………………………………………………………………… ……………… ………… Part D - Stakeholder Interview Questions ... .... 8 ……… ………………………………………… …… Part E - Interview Analysis Research Questions and Corresponding Instrument Questions .. ... ………………………………………………………… ……………… .10 ………………… Part F - Coding of Stakeholder Interviews ... ... ..11 ………………………… ……… ………………… Part G - Information on Stakeholders . .. ... 15 ……………………………… …………………… …… … Part H - Stakeholder Knowledge Flow Information .. ...45 …………… …………………………… Part I - Further Analysis of Knowledge Flow Map .. ... ..66 ……………………… ……… ………… Part J - Stakeholder Groupings ... ... 70 …………………………………………………… …………… …… Part K - Knowledge Flow Between Stakeholder Groups ... .... .76 …………… …………… …… Part L - Mapping Software Guide .. .. .83 …………………… ………………………………………… …… Part M - Sponsor Description .... ... 86 …………………… …………………… ………………………… … 1 Part A - Authorship Task Completed by Introduction Draft 1 Erika, Jake, Mike, Seles Editors Erika, Jake, Mike, Seles Background Draft 1 Erika, Jake, Mike, Seles Editors Erika, Jake, Mike, Seles Methods Objective 1: Programs Erika & Mike Objective 2: Stakeholders Jake Editors Erika, Jake, Mike, Seles Graphics Erika, Jake, Mike Interviews Coordinate Interviews Erika Interview Protocol Mike Interviews Erika, Jake, Mike, Seles Surveys Erika, Jake, Mike, Seles Results Objective 1: 2 Content Analysis Erika, Mike Objective 2: Interview Content Analysis Erika, Mike Knowledge Flow Map Jake Stakeholder Diagram Jake, Seles Editors Erika, Jake, Mike, Seles Recommendations & Conclusions Objective 1 Content Analysis Erika, Mike Objective 2: Interview Content Analysis Erika, Mike Knowledge Flow Map Jake Stakeholder Diagram Seles Editors Erika, Jake, Mike, Seles Deliverables Content Analysis Erika, Mike Stakeholder Knowledge Flow Map Jake Network Knowledge Flow Map Jake Stakeholder Diagram Jake, Seles Miscellaneous Editor in Chief Jake Designers in Chief Erika, Mike 3 Supplemental Materials Part A: Authorship Page Erika, Jake, Mike, Seles Part B: Participant Survey Questions Mike Part C: Program Analysis Research Questions Mike and Corresponding Instrument Questions Part D: Stakeholder Interview Questions Erika, Jake, Mike, Seles Part E: Interview Analysis Research Erika, Mike Questions and Corresponding Instrument Questions Part F: Coding of Stakeholder Interviews Erika, Mike Part G: Information on Stakeholders Jake, Seles Part H: Stakeholder Knowledge Flow Jake Information Part I: Further Analysis of Knowledge Flow Jake Map Part J: Stakeholder Groupings Jake, Seles Part K: Knowledge Flow Between Erika, Jake Stakeholder Groups Part L: Map Software Guide Jake Part M: Sponsor Description Erika, Jake, Mike, Seles 4 Part B - Participant Survey Questions A- Steps to Sustainability 2015 1) What do you think were the two best things about the Conference? 2) Are there anyways in which this conference can be improved? 3) Would you recommend this conference to other people? Why or why not? 4) What future topics or events would you like to see in a future conference? B- Steps to Sustainability 2017 1) what were the two best things about the conference? 2) Any additional comments regarding the sessions or overall agenda? 3) Additional feedback on logistics 4) Any overall feedback for the event? 5) What topics would you like included in the 2018 conference? C- Corporate Volunteering 1) How much did this activity improve your knowledge of the Port Phillip EcoCentre? 2) How much did this activity improve your knowledge of the little penguins of St. Kilda? 3) How much did this activity improve your knowledge of the local St. Kilda environment? 4) Overall I found this activity... 5) Any other comments/ improvements? D- Sustainable Schools Festival 1)What was the best part of the 2016 Sustainable schools festival? 2) How does this festival assist sustainability in your school? 3) How does this festival assist sustainability in your school? 4) Any additional thoughts, comments, or suggestions? 5 E- Excursions 1)How did the Workshop relate to the students existing knowledge 2) How might we improve the excursion? 3) What are you excited to explore, follow up, or implement after today’s session? 4) Please write any other comments about your experience? F: Alive Outside: Pamper the Penguins, Corporate Volunteering, & Year 11 Biology Excursion 1) What program are you participating in? 2) Where did you first hear about the EcoCentre? 3) Why did you decide to participate in this program? 4) Is this your first time participating in an EcoCentre program? (Yes/No) 4a) If No- Why did you decide to participate again? 5) What were your expectations for today’s program? 6) Would you say that your expectations were met? (Yes/No) 7) What did the program do well? 8) What could the program do better? 9) How would you improve your experience? 10) Any other comments or suggestions? 6 Part C - Program Analysis Research Questions & Corresponding Instrument Questions Research Questions Instrument Questions 1) What did they get out of it? ● What do you think were the two best things about the Conference? ● What was the best part of this festival? How does this festival assist sustainability in your school and community? ● What do you want to follow up with? ● Overall I found this activity… ● How much did this activity improve your knowledge of the local St. Kilda environment? 2) What were their initial expectations? ● Would you recommend this conference to other people? ● Any other comments or improvements? 3) What suggestions do they have? ● Is there anyway the conference can be improved? What future topics would you like to see? ● Any additional comments regarding the programs? Overall feedback for event? What topics would you like in a 2018 conference? ● Any other comments or improvements? ● What could we improve for your students? Any additional comments? ● How might we improve this excursion? 4) What were the negatives? ● How might we improve this excursion? ● Any other comments/ improvements? 7 Part D - Stakeholder Interview Questions 1) How would you describe your organization's mission? 2) Why do you partner with other organizations? 3) How long have you connected with the EcoCentre? ● 1 year ● 2 years ● 3 years ● More than 3 years ● More than 5 years 4) Can you give an example of some collaboration you have done with the EcoCentre? 5) What is the role of the EcoCentre in your partnership? 6) How would you describe the EcoCentre to a colleague? 7) What is the nature of your relationship with the EcoCentre? (Checkboxes) ● We fund them ● They fund us ● We put on events together ● We share information and other resources (staff, volunteers, etc.) ● We mentor them ● They mentor us ● We advocate their cause ● They advocate our cause ● We perform research for them ● They perform research for us ● We publicize their activities ● They publicize our activities 8 ● We meet other potentially valuable organizations through them ● They meet other potentially valuable organizations through us 8) What do you value about your partnership with the EcoCentre? 9) Why did you choose to partner with the EcoCentre? 10) What benefits does the EcoCentre provide for you? 11) What benefits do you provide for the EcoCentre? 12) As a result of working with the EcoCentre, where has change occurred? Societal level such as supporting a ban on plastic bags? Collective level such as removing the use of Styrofoam in a company? Individual level such as personally living more sustainable? Please give examples. 13) Are there any improvements you would make to your current relationship with the EcoCentre to further benefit both organizations? 14) In today's sustainability movement, what do you believe is the most important thing that the EcoCentre can do? 15) Where do you see your relationship with the EcoCentre in the future? 16) Do you work with any organizations that you believe function better as a sustainability organization than the EcoCentre? If so, which organisations, and why? 9 Part E - Stakeholder Interview Questions Analysis of Research Question and Instrument Questions Research Questions Instrument Questions 1) What do stakeholders value about the PPEC? ● What do you value about your partnership with the EcoCentre? ● Why did you choose to partner with the EcoCentre? ● What benefits does the EcoCentre provide for you? ● What is the role of the EcoCentre in your partnership? ● What is the nature of your relationship with the EcoCentre? 2) What does the PPEC do best? ● How would you describe the EcoCentre to a colleague? ● As a result of working with the EcoCentre, where has change occurred? ● Societal level such as supporting a ban on plastic bags? Collective level such as removing the use of Styrofoam in a company? Individual level such as personally living more sustainable? Please give examples. 3) What can the PPEC improve? ● Are there any improvements you would make to your current relationship with the EcoCentre to further benefit both organizations? 4) What is the most important thing that the PPEC should be ● In today's
Recommended publications
  • Annual Report 2019-20
    ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance.
    [Show full text]
  • Music on PBS: a History of Music Programming at a Community Radio Station
    Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support.
    [Show full text]
  • COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
    COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville
    [Show full text]
  • Reclink Annual Report 2017-18
    , Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1.
    [Show full text]
  • Australian Community Broadcasting Hosts a Quiet Revolution
    Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Author Foxwell-Norton, Kerrie, Ewart, Jacqueline, Forde, Susan, Meadows, Michael Published 2008 Journal Title Westminster Papers in Communication and Culture Copyright Statement © 2008 Westminster Papers in Communication and Culture, University of Westminster, London. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/23018 Link to published version http://www.wmin.ac.uk/mad/page-880 Griffith Research Online https://research-repository.griffith.edu.au Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Kerrie Foxwell, Jacqui Ewart, Susan Forde and Michael Meadows School of Arts Griffith University Keywords : Audiences, community radio, broadcasting, empowerment, democracy, public sphere. Abstract Recent research into the Australian community broadcasting sector has revealed a developing role for community radio, in particular, in reviving notions of democracy by enhancing public sphere engagement by audiences. This paper is drawn from the first national qualitative audience study of the sector undertaken by the authors and provides strong evidence to suggest listeners are challenging globalised views of the world. They see community radio as ‘theirs’ and the only media able to accurately reflect Australia’s cultural diversity. This is enabling a revival of public sphere activity in the face of restrictions on democracy following an upsurge in global terrorism. We argue that the community broadcasting sector in Australia is providing citizens with services largely ignored by commercial media and to some extent, the publicly-funded Australian Broadcasting Corporation Introduction It’s for us, about us (Focus Group, Roxby Downs ROX FM, 2005).
    [Show full text]
  • Martin Foley MP
    Martin Foley MP Minister for Mental Health GPO 8ox4057 Minister for Equality Melbourne Victoria 3001 Minister for Creative Industries Telephone: +61 3 9096 7500 www.dhhs.vlc.gov.au Ref: BMIN1800492SR Mr Luke Howarth MP Chair of the House Standing Committee on Communications and the Arts CANBERRA ACT 2600 Dear Mr Howarth INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY Thank you for your letter to the Premier of 16 August 2018· about the Parliamentary Inquiry into the Australian Music Industry. Your letter has been referred to me for my consideration and response as the matter you raise falls within my portfolio of responsibilities. On behalf of the State Government of Victoria, I am pleased to make a submission to the Inquiry. The Victorian Government "".'elcomes this inquiry and supports a national, coordinated approach to sustaining the growth of the Australian music industry. Victoria has a demonstrated reputation as a centre of music, with more live music than any other state in Australia and a diverse array of iconic cultural music institutions, as well as supportive music·related laws and strategies. The attached submission describes the Victorian Government's significant investment in the music industry, in particular how Music Works, the Victorian Government's major program commitment, has successfully addressed challenges and opportunities affecting the growth and sustainability of the music industry in this State. Thank you for inviting a submission from the· Victorian Government's and I look forward to hearing the outcomes of this inquiry. ~ rtin Folf MP ~ inister for Creative Industries Date: ~/. {2 .. t_o(r PARLIAMENTARY INQUIRY INTO THE AUSTRALl~N MUSIC INDUSTRY FACTORS CONTRIBUTING TO THE GROWTH AND SUSTAINABILITY OF THE AUSTRALIAN MUSIC INDUSTRY VICTORIAN ,.
    [Show full text]
  • Edition 2017: Lauren Klein, Ken Lim, Campbell Mcnolty, Phoebe Nell-Williams
    Edition 2017: Lauren Klein, Ken Lim, Campbell McNolty, Phoebe Nell-Williams 1 | Page ​ Course Outline: Week Content 1 Morning Session - 10:30am - 1pm Module 1 - SYN House ● An introduction to SYN ● Explanation of ‘Make a Thing’ ● Media Law Module 2 - SYN Studios ● Panel operation ● How to plan a radio show ● Audio recording ● Phone interview ● SYN Flagships / Seasonals / Catapults → sign ups! Lunch - 1-2pm Afternoon Session - 2-4pm Module 3 - SYN House ● Live & pre-recorded screen content ● Screen equipment 2 Morning Session - 11am-1pm Module 4 - SYN House ● Audio editing ● Uploading content to the SYN website & Omny Lunch - 1-2pm Afternoon Session - 2-4pm Module 5 - SYN House ● Video editing ● Uploading content to the SYN website & Omny Make a Thing - in brief Before you can become a full SYN volunteer, you have to practise your skills. As part of this course you have to create your own media project. ​ ​ What can I make? Anything you like! We love every kind of media at SYN, here are some ideas to get you started: - Podcast (5 minutes) - Short video (an interview, drama, speech or anything else you like) (2-5 minutes) - Live Radio Program (30 minutes) - Blog post on the SYN website (500 words) - Music radio program (1 hours) - Literally anything else that you want. Put those creative skills to use! When is it due? Two weeks from today. After you finish week 2 of the class you’ll have one more week to finish off your project. Once you’re done, upload your project to the Induction Students Google Drive - https://tinyurl.com/hzym5cc ***SYN STUDIO 1 (TRAINING STUDIO) IS BOOKED FOR SYN INDUCTION EVERY WEDNESDAY 4-6PM*** 2 | Page ​ SYN History: SYN Values: (remember I.P.A.I.D) ​ SYN Media (Student Youth Network Inc.) INNOVATION - SYN celebrates quality, ​ was formed in 2000 as a result of a and supports creativity and flexibility in its merger between two youth radio projects: programming and operations.
    [Show full text]
  • Tuning in to Community Broadcasting
    F Appendix F - List of Stations Name of Organisation or Submitter Station ID Location Rhema FM 105.7 Mount Isa, QLD Wagga’s Life 101.9 FM Wagga Wagga, NSW Radio Alexandrina Community Broadcasters Association ALeX-FM Goolwa, SA Eastside Radio 89.7FM – Jazz Plus Paddington, NSW Bayside Community Radio Association 4BAY Cleveland, QLD South Gippsland Community Radio 3MFM Inverloch, VIC Channel 68 LINC TV 68 LINC TV Lismore, NSW Rhema - FM 89.7 FM Tamworth, NSW Huon FM 95.3 FM Geeveston, TAS Rainbow FM 4CCC - 89.3 Warwick, QLD National Indigenous Radio Service NIRS Fortitude Valley, QLD FBi 94.5 FM Strawberry Hills, NSW Western Radio Broadcasters stereo 97.4 FM Sunshine, VIC Community Radio Coraki Association 2RBR FM / 88.9FM Coraki, NSW Cooloola Christian Radio FM 91.5 Gympie, QLD 180 TUNING IN TO COMMUNITY BROADCASTING Orange Community Broadcasting FM 107.5 Orange, NSW 3CR - Community Radio 3CR Collingwood, VIC Radio Northern Beaches 88.7 & 90.3 FM Belrose, NSW ArtSound FM 92.7 Curtin, ACT Radio East 90.7 & 105.5 FM Lakes Entrance, VIC Great Ocean Radio -3 Way FM 103.7 Warrnambool, VIC Wyong-Gosford Progressive Community Radio PCR FM Gosford, NSW Whyalla FM Public Broadcasting Association 5YYY FM Whyalla, SA Access TV 31 TV C31 Cloverdale, WA Family Radio Limited 96.5 FM Milton BC, QLD Wagga Wagga Community Media 2AAA FM 107.1 Wagga Wagga, NSW Bay and Basin FM 92.7 Sanctuary Point, NSW 96.5 Spirit FM 96.5 FM Victor Harbour, SA NOVACAST - Hunter Community Television HCTV Carrington, NSW Upper Goulbourn Community Radio UGFM Alexandra, VIC
    [Show full text]
  • A Handbook for Youth Empowerment Through Media Participation
    A Handbook for Youth Empowerment Through Media Participation Based on a project co-designed and co-delivered by the National Ethnic and Multicultural Broadcasters’ Council (NEMBC), The Centre for Multicultural Youth (CMY) and SYN Media in association with Radio Adelaide Training By Rachael Bongiorno from the National Ethnic and Multicultural Broadcasters’ Council 2012. Photo of participants, trainers and project partners in SYN Media studio. All photos in this report were taken by Khalid Omar 2 Introduction Engagement with media is crucial for young people from Culturally and Linguistically Diverse (CALD) backgrounds. It provides an opportunity for CALD youth to express themselves in a society in which their perspectives are often marginalised, stereotyped or ignored. This handbook shows you how to develop a training program to equip culturally diverse young people who are not yet involved in broadcasting with the skills, knowledge, enthusiasm and networks for ongoing participation in the media. We particularly want to encourage radio stations to deliver programs like this in collaboration with community organisations servicing migrant and refugee young people. The handbook can also be used by government, community groups and private organisations in the same way. Mercy Ngun Ceu With Australia’s mainstream media, coming into sharp criticism recently for not representing the cultural diversity of this country , training projects such as this are important as ever to diversify media in Australia, increase the number of CALD journalists and provide the public with an understanding of diverse experiences and perspectives. The National Ethnic and Multicultural Broadcasters’ Council (NEMBC) is acutely aware that culturally diverse young people are not just underrepresented in the mainstream media but underrepresented in community broadcasting as well.
    [Show full text]
  • Australian Broadcasting Tribunal Annual Report 1981-82 Annual Report Australian Broadcasting Tribunal 1981-82
    AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1981-82 ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1981-82 Australian Government Publishing Service Canberra 1982 © Commonwealth of Australia 1982 ISSN 0728-606X Printed by Canberra Publishing & Printing Co .. Fyshwick. A.C.T. 2609 The Honourable the Minister for Communications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, as amended, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal for the period l July 1981 to 30 June 1982. David Jones Chairman iii CONTENTS PART/ INTRODUCTION Page Legislation 1 Functions of the Tribunal 1 Membership of the Tribunal 1 Meetings of the Tribunal 2 Addresses given by Tribunal Members and Staff 2 Organisation and Staff of the Tribunal 4 Location of the Tribunal's Offices 4 Overseas Visits 5 Financial Accounts of the Tribunal 5 PART II GENERAL Broadcasting and Television Services in operation since 1953 6 Financial results - commercial broadcasting and television stations 7 Fees for licences for commercial broadcasting and television stations 10 Broadcasting and Televising of political matter 13 Political advertising 15 Administration of Section 116(4) of the Act 16 Complaints about programs and advertising 18 Appeals or reviews of Tribunal Decisions and actions by Commonwealth 20 Ombudsman, AdministrativeReview Council and Administrative Appeals Tribunal Reference of questions of law to the Federal Court of Australia pursuant 21 to Section 22B of the Act PART III PUBLIC INQUIRIES
    [Show full text]
  • Call Sign Station Name 1RPH Radio 1RPH 2AAA 2AAA 2ARM Armidale
    Call Sign Station Name 1RPH Radio 1RPH 2AAA 2AAA 2ARM Armidale Community Radio - 2ARM FM92.1 2BBB 2BBB FM 2BLU RBM FM - 89.1 Radio Blue Mountains 2BOB 2BOB RADIO 2CBA Hope 103.2 2CCC Coast FM 96.3 2CCR Alive905 2CHY CHYFM 104.1 2DRY 2DRY FM 2EAR Eurobodalla Radio 107.5 2GCR FM 103.3 2GLA Great Lakes FM 2GLF 89.3 FM 2GLF 2HAY 2HAY FM 92.1 Cobar Community Radio Incorporated 2HOT FM 2KRR KRR 98.7 2LVR 97.9 Valley FM 2MBS Fine Music 102.5 2MCE 2MCE 2MIA The Local One 95.1 FM 2MWM Radio Northern Beaches 2NBC 2NBC 90.1FM 2NCR River FM - 92.9 2NSB FM 99.3 - 2NSB 2NUR 2NURFM 103.7 2NVR Nambucca Valley Radio 2OCB Orange FM 107.5 2OOO 2TripleO FM 2RDJ 2RDJ FM 2REM 2REM 107.3FM 2RES 89.7 Eastside Radio 2RPH 2RPH - Sydney's Radio Reading Service 2RRR 2RRR 2RSR Radio Skid Row 2SER 2SER 2SSR 2SSR 99.7 FM 2TEN TEN FM TLC 100.3FM TLC 100.3 FM 2UUU Triple U FM 2VOX VOX FM 2VTR Hawkesbury Radio 2WAY 2WAY 103.9 FM 2WEB Outback Radio 2WEB 2WKT Highland FM 107.1 1XXR 2 Double X 2YOU 88.9 FM 3BBB 99.9 Voice FM 3BGR Good News Radio 3CR 3CR 3ECB Radio Eastern FM 98.1 3GCR Gippsland FM 3GRR Radio EMFM 3HCR 3HCR - High Country Radio 3HOT HOT FM 3INR 96.5 Inner FM 3MBR 3MBR FM Mallee Border Radio 3MBS 3MBS 3MCR Radio Mansfield 3MDR 3MDR 3MFM 3MFM South Gippsland 3MGB 3MGB 3MPH Vision Australia Radio Mildura 107.5 3NOW North West FM 3ONE OneFM 98.5 3PBS PBS - 3PBS 3PVR Plenty Valley FM 88.6 3REG REG-FM 3RIM 979 FM 3RPC 3RPC FM 3RPH Vision Australia 3RPH 3RPP RPP FM 3RRR Triple R (3RRR) 3SCB 88.3 Southern FM 3SER Casey Radio 3UGE UGFM - Radio Murrindindi 3VYV Yarra
    [Show full text]
  • COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
    COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station January 2020 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Chimes 9 Pregnancy, Birth and Beyond 19 National Features and Documentary Cinemascape 9 Primary Perspectives 20 Series 1 Concert Hour 10 Radio-Active 20 National Radio News 1 Contact! 10 Real World Gardener 20 Good Morning Country 1 Countryfolk Around Australia 10 Roots’n’Reggae Show 20 The Wire 1 Dads on the Air 10 Saturday Breakfast 21 SHORT PROGRAMS / DROP-IN Deadly Beats 11 Service Voices 21 CONTENT Definition Radio 11 Spectrum 21 BBC World News 2 Democracy Now! 11 SPORTSLINE 21 Extras 1 & 2 2 Diffusion 11 Spotlight 22 Inside Motorsport 2 Dirt Music 12 Stick Together 23 More Civil Societies 2 Earth Matters 12 Subsequence 23 Overdrive News 3 Fair Comment 12 Tecka’s Rock & Blues Show 23 QNN | Q-mmunity Network News 3 Fierce 12 The AFL Multicultural Show 23 Recorded Live 3 Fine Music Live 13 The Bohemian Beat 24 Rural News | Rural Livestock 3 Global Village 13 The Breeze 24 RECENT EXTRAS Heard it Through the Grapevine 13 The Cut 24 Little Fictions 4 Hit Parade of Yesterday 13 The Folk Show 24 Baby Boomers’ Guide to Life in the 21st Hot, Sweet & Jazzy 14 The Fourth Estate 25 Century 4 In a Sentimental Mood 14 The Phantom Dancer 25 No Land, No Livelihood, No Home 4 It’s Time 15 The Tiki Lounge Remix 25 Live In The Room 4 Jailbreak 15 The Why Factor 25 New Beginnings 5 Jam Pakt 15 Think: Stories and Ideas 26 Beyond The Bars 5 Jazz Made in Australia
    [Show full text]