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Download the Push Inc 2019-2020 Annual Report
2019 Annual Report 2020 2 The Push acknowledges the Traditional Custodians of the lands across Australia where our work takes place and recognises their continuing connection to land, waters, community and culture. We pay our respects to Elders, past, present and future. Who We Are 3 At the forefront of emerging For over three decades, our organisation has engaged trends, The Push delivers a more than 700,000 young people. Our program alumni includes Courtney Barnett, Alex Lahey, Alice Ivy and Angie range of programs that are McMahon — who have each pathwayed into successful, responsive to Australia’s global careers. future music industry leaders and audiences. Now more than ever, we recognise the importance young people have in shaping our nation’s cultural identity. Welcome 4 Kate Duncan CEO, The Push Inc Moira McKenzie Chairperson, The Push Inc It is said that out of crisis The COVID-19 global pandemic has completely disrupted Responsive to the increased demand for contemporary the way we live, work and connect. The Push, however, youth music programming across the country – The Push’s national expansion would not have been possible new ways of working as we enter a COVID Normal world. without the commitment, energy and enthusiasm of our current Board of Management and staff team. The past 12 months has seen The Push play an integral role in supporting young people to stay connected and engaged within their communities. We have continued to deliver a range of contemporary music programs and Board of Management and staff members. Thank you for have ensured that young people’s voices and unique the many years of dedication you have each given to The Push. -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance. -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
12" White Vinyl 27.99 2Pac Thug Life
Recording Artist Recording Title Price 1975 Notes On A Conditional Form - 12" White Vinyl 27.99 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 3108 3108 12" 9.99 50 Cent Best Of 50 Cent 12" 29.99 65daysofstatic Replicr 2019 12" 20.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 AC/DC Back In Black - 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adam & The Ants Kings Of The Wild Frontier 12" 15.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 14.99 Alan Marks Erik Satie - Vexations 12" 19.99 Alanis Morissette Jagged Little Pill 12" 18.99 Aldous Harding Party 12" 16.99 Aldous Harding Designer 12" 14.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Alex Lahey I Love You Like A Brother 12" Peach Vinyl 19.99 Alfie Templeman Happiness In Liquid Form 14.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry CooderTalking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Music Victoria Annual Report 2017
annual repoRt 017 2 Including Music Victoria’s strategic summary and other documents with 2017 updates. contents Details of 2017 AGM 03 Minutes of 2016 AGM 05 Chair’s Report 09 Chief Executive Officer’s Report 12 Treasurer’s Report 14 About Us 16 Mission Statement and Vision 16 Strategic Plan 19 Key Achievements 2017 20 Music Victoria Staff 21 Music Victoria Advocacy 23 Music Victoria Board 24 Subcommittees Advisory Panels The Age Music Victoria Awards and The After Party 28 Professional Development Program The Age MV Awards Programs 30 Good Music Neighbours Live Music Professionals Victorian Music Crawl Financial Report 33 Page 02 DETAILS OF 2017 AGM The Annual General Meeting of Contemporary individual membership, and one vote if you have a Music Victoria Inc. (‘Music Victoria’) will be held band, small business, non-profit, corporate, gold at the offices of Music Victoria, Level 1, 49 Tope or platinum membership). Street, South Melbourne, Victoria, 3205 from 6:00pm sharp, Thursday 7 December 2017 (doors Members will be able to vote on the election of from 5.30pm). four (4) members to the Board. All current financial members of Music Victoria Members will also vote on amendments to the are welcome and encouraged to attend. If your Rules of Association of Music Victoria (‘Rules’), membership has lapsed, you must renew by namely updating the Rules to refer to committee Wednesday 22 November 2017 if you wish to members/directors of Music Victoria, collectively, attend or vote at the AGM. as ‘the Board’, instead of ‘Committee of Management’. Members of Music Victoria who are financial members as at 23 November 2017 are eligible Music Victoria annual reports and a copy of the to vote in the election of members of the proposed amended Rules will be circulated to Committee of Management (‘Board’). -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Reclink Annual Report 2017-18
, Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1. -
Australian Community Broadcasting Hosts a Quiet Revolution
Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Author Foxwell-Norton, Kerrie, Ewart, Jacqueline, Forde, Susan, Meadows, Michael Published 2008 Journal Title Westminster Papers in Communication and Culture Copyright Statement © 2008 Westminster Papers in Communication and Culture, University of Westminster, London. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/23018 Link to published version http://www.wmin.ac.uk/mad/page-880 Griffith Research Online https://research-repository.griffith.edu.au Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Kerrie Foxwell, Jacqui Ewart, Susan Forde and Michael Meadows School of Arts Griffith University Keywords : Audiences, community radio, broadcasting, empowerment, democracy, public sphere. Abstract Recent research into the Australian community broadcasting sector has revealed a developing role for community radio, in particular, in reviving notions of democracy by enhancing public sphere engagement by audiences. This paper is drawn from the first national qualitative audience study of the sector undertaken by the authors and provides strong evidence to suggest listeners are challenging globalised views of the world. They see community radio as ‘theirs’ and the only media able to accurately reflect Australia’s cultural diversity. This is enabling a revival of public sphere activity in the face of restrictions on democracy following an upsurge in global terrorism. We argue that the community broadcasting sector in Australia is providing citizens with services largely ignored by commercial media and to some extent, the publicly-funded Australian Broadcasting Corporation Introduction It’s for us, about us (Focus Group, Roxby Downs ROX FM, 2005). -
Martin Foley MP
Martin Foley MP Minister for Mental Health GPO 8ox4057 Minister for Equality Melbourne Victoria 3001 Minister for Creative Industries Telephone: +61 3 9096 7500 www.dhhs.vlc.gov.au Ref: BMIN1800492SR Mr Luke Howarth MP Chair of the House Standing Committee on Communications and the Arts CANBERRA ACT 2600 Dear Mr Howarth INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY Thank you for your letter to the Premier of 16 August 2018· about the Parliamentary Inquiry into the Australian Music Industry. Your letter has been referred to me for my consideration and response as the matter you raise falls within my portfolio of responsibilities. On behalf of the State Government of Victoria, I am pleased to make a submission to the Inquiry. The Victorian Government "".'elcomes this inquiry and supports a national, coordinated approach to sustaining the growth of the Australian music industry. Victoria has a demonstrated reputation as a centre of music, with more live music than any other state in Australia and a diverse array of iconic cultural music institutions, as well as supportive music·related laws and strategies. The attached submission describes the Victorian Government's significant investment in the music industry, in particular how Music Works, the Victorian Government's major program commitment, has successfully addressed challenges and opportunities affecting the growth and sustainability of the music industry in this State. Thank you for inviting a submission from the· Victorian Government's and I look forward to hearing the outcomes of this inquiry. ~ rtin Folf MP ~ inister for Creative Industries Date: ~/. {2 .. t_o(r PARLIAMENTARY INQUIRY INTO THE AUSTRALl~N MUSIC INDUSTRY FACTORS CONTRIBUTING TO THE GROWTH AND SUSTAINABILITY OF THE AUSTRALIAN MUSIC INDUSTRY VICTORIAN ,. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Edition 2017: Lauren Klein, Ken Lim, Campbell Mcnolty, Phoebe Nell-Williams
Edition 2017: Lauren Klein, Ken Lim, Campbell McNolty, Phoebe Nell-Williams 1 | Page Course Outline: Week Content 1 Morning Session - 10:30am - 1pm Module 1 - SYN House ● An introduction to SYN ● Explanation of ‘Make a Thing’ ● Media Law Module 2 - SYN Studios ● Panel operation ● How to plan a radio show ● Audio recording ● Phone interview ● SYN Flagships / Seasonals / Catapults → sign ups! Lunch - 1-2pm Afternoon Session - 2-4pm Module 3 - SYN House ● Live & pre-recorded screen content ● Screen equipment 2 Morning Session - 11am-1pm Module 4 - SYN House ● Audio editing ● Uploading content to the SYN website & Omny Lunch - 1-2pm Afternoon Session - 2-4pm Module 5 - SYN House ● Video editing ● Uploading content to the SYN website & Omny Make a Thing - in brief Before you can become a full SYN volunteer, you have to practise your skills. As part of this course you have to create your own media project. What can I make? Anything you like! We love every kind of media at SYN, here are some ideas to get you started: - Podcast (5 minutes) - Short video (an interview, drama, speech or anything else you like) (2-5 minutes) - Live Radio Program (30 minutes) - Blog post on the SYN website (500 words) - Music radio program (1 hours) - Literally anything else that you want. Put those creative skills to use! When is it due? Two weeks from today. After you finish week 2 of the class you’ll have one more week to finish off your project. Once you’re done, upload your project to the Induction Students Google Drive - https://tinyurl.com/hzym5cc ***SYN STUDIO 1 (TRAINING STUDIO) IS BOOKED FOR SYN INDUCTION EVERY WEDNESDAY 4-6PM*** 2 | Page SYN History: SYN Values: (remember I.P.A.I.D) SYN Media (Student Youth Network Inc.) INNOVATION - SYN celebrates quality, was formed in 2000 as a result of a and supports creativity and flexibility in its merger between two youth radio projects: programming and operations. -
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The Australian Songwriter Issue 108, June 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. Samantha Mooney performing at the 2014 National Songwriting Awards 1 In This Edition: Chairman’s Message Editor’s Message 2015 Australian Songwriting Contest Update Samantha Mooney: 2014 Winner of the Country Category Frank Dixon: 2014 Winner of the Youth Category ASA History: Tom Louch (1932-2009) Bob King: ASA National Songwriting Awards Photographer ASA Member Profile: Justin Standley Lola Brinton & Trish Roldan: 2014 Winners of the Australia Category ASA Member Profile: Younis Clare 2015 Queen’s Birthday Honours: Archie Roach AM Sponsors Profiles Wax Lyrical Roundup Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message Dear Members, At the time of writing, we have just about come to the close of our annual National Songwriting Contest. I am licking my lips in anticipation, awaiting all the fantastic songs that will come forth. There is no doubt in my mind that each and every year brings lots of new wonderful tunes, including some that are just ‘gems’. In the meantime, your Vice Chairman and eNewslettter Editor, Alan Gilmour, has come up with another bumper issue to whet your appetite.