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Laura Marling - Song for Our Daughter Episode 184
Song Exploder Laura Marling - Song For Our Daughter Episode 184 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Song for Our Daughter” by LAURA MARLING) Hrishikesh: Before we start, I want to mention that, in this episode, there’s some discussions of themes that might be difficult for some: sexual harassment and assault, as well as a mention of rape and suicide. Please use your best discretion. Laura Marling is a singer and songwriter from London. She won the Brit Award for Best British Female Solo Artist - she’s been nominated five times for that, along with the Mercury Prize, and the Grammy for Best Folk Album. Since 2008, she’s released seven albums. The most recent is called Song for Our Daughter. It’s also the name of the song that she takes apart in this episode. I spoke to Laura while she was in her home studio in London. (“Song for Our Daughter” by LAURA MARLING) Laura: My name is Laura Marling. (Music fades out) Laura: This is the longest I've ever taken to write a record. You know, I started very young. I put out my first album when I was 17, and I'm now 30. When I was young, in a really wonderful way, and I think everybody experiences this when they're young, you're kind of a functioning narcissist [laughter], in that you have this experience of the world, in which you are the central character. -
The Music Industry in the Social Networking Era
THE MUSIC INDUSTRY IN THE SOCIAL NETWORKING ERA By Xi Yue A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Telecommunication, Information Studies and Media 2011 Abstract THE MUSIC INDUSTRY IN THE SOCIAL NETWORKING ERA By Xi Yue Music has long been a pillar of profit in the entertainment industry, and an indispensable part in many people’s daily lives around the world. The emergence of digital music and Internet file sharing, spawned by rapid advancement in information and communication technologies (ICT), has had a huge impact on the industry. Music sales in the U.S., the largest national market in the world, were cut in half over the past decade. After a quick look back at the pre-digital music market, this thesis provides an overview of the music industry in the digital era. The thesis continues with an exploration of three motivating questions that look at social networking sites as a possible major outlet and platform for musical artists and labels. A case study of a new social networking music service is presented and, in conclusion, thoughts on a general strategy for the digital music industry are presented. Table of Contents List of Figures................................................................................................................................ iv List of Tables................................................................................................................................... v Introduction.................................................................................................................................... -
FACE the MUSIC As MTV Show Approaches, Nabe Worries About Impact
INSIDE: PAGES AND PAGES OF COUPONS TO SAVE YOU CASH! Yo u r Neighborhood — Yo u r News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2013 Serving Brownstone Brooklyn and Williamsburg AWP/14 pages • Vol. 36, No. 33 • August 16–22, 2013 • FREE FACE THE MUSIC As MTV show approaches, nabe worries about impact By Natalie Musumeci Block Association. The Brooklyn Paper MTV and the Barclays Center held an in- The Video Music Awards are landing in vite-only meeting for residents in June, but Brooklyn in less than two weeks and secrecy company officials were unprepared to field around the event has Barclays Center neigh- simple queries like how many cars to expect, bors scared MTV’s moon man plan has all who will move along idling limos, or how the makings of an Apollo 13. the loud crowds will be contained, meet- Prospect Heights residents say they have no ing attendees say. The award show was on idea what to expect when the award show the agenda of another meeting in July or- touches down at the arena and, having ganized by Empire State Development, the heard next to nothing from the music state agency overseeing the arena, but offi- network, some fear the worst. The in- cials from MTV and Mayor Bloomberg’s of- ternationally televised event is likely to fice did not even bother to show up, accord- fill the 18,000-seat arena at Flatbush and ing to locals, leaving them feeling caught in Photo by Stefano Giovannini Atlantic avenues on Aug. 25 and locals say a bad romance. -
Download the Push Inc 2019-2020 Annual Report
2019 Annual Report 2020 2 The Push acknowledges the Traditional Custodians of the lands across Australia where our work takes place and recognises their continuing connection to land, waters, community and culture. We pay our respects to Elders, past, present and future. Who We Are 3 At the forefront of emerging For over three decades, our organisation has engaged trends, The Push delivers a more than 700,000 young people. Our program alumni includes Courtney Barnett, Alex Lahey, Alice Ivy and Angie range of programs that are McMahon — who have each pathwayed into successful, responsive to Australia’s global careers. future music industry leaders and audiences. Now more than ever, we recognise the importance young people have in shaping our nation’s cultural identity. Welcome 4 Kate Duncan CEO, The Push Inc Moira McKenzie Chairperson, The Push Inc It is said that out of crisis The COVID-19 global pandemic has completely disrupted Responsive to the increased demand for contemporary the way we live, work and connect. The Push, however, youth music programming across the country – The Push’s national expansion would not have been possible new ways of working as we enter a COVID Normal world. without the commitment, energy and enthusiasm of our current Board of Management and staff team. The past 12 months has seen The Push play an integral role in supporting young people to stay connected and engaged within their communities. We have continued to deliver a range of contemporary music programs and Board of Management and staff members. Thank you for have ensured that young people’s voices and unique the many years of dedication you have each given to The Push. -
Beyond Measure
What is ephemera: theory & politics in organization? ephemera is an independent journal, founded in 2001. ephemera provides its content free of charge, and charges its readers only with free thought. theory ephemera encourages contributions that explicitly engage with theoretical and conceptual understandings of organizational issues, organizational processes and organizational life. This does not preclude empirical studies or commentaries on contemporary issues, but such contributions consider how theory and practice intersect in these cases. We especially publish articles that apply or develop theoretical insights that are not part of the established canon of organization studies. ephemera counters the current hegemonization of social theory and operates at the borders of organization studies in that it continuously seeks to question what organization studies is and what it can become. politics ephemera encourages the amplification of the political problematics of organization within academic debate, which today is being actively de- politized by the current organization of thought within and without universities and business schools. We welcome papers that engage the political in a variety of ways as required by the organizational forms being interrogated in a given instance. organization Articles published in ephemera are concerned with theoretical and political aspects of organizations, organization and organizing. We refrain from imposing a narrow definition of organization, which would unnecessarily halt debate. Eager to avoid -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance. -
Youth Guide to the Department of Youth and Community Development Will Be Updating This Guide Regularly
NYC2015 Youth Guide to The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 T H E C I T Y O F N EW Y O RK O FFI CE O F T H E M AYOR N EW Y O RK , NY 10007 Summer 2015 Dear Friends: I am delighted to share with you the 2015 edition of the New York City Youth Guide to Summer Fun. There is no season quite like summer in the City! Across the five boroughs, there are endless opportunities for creation, relaxation and learning, and thanks to the efforts of the Department of Youth and Community Development and its partners, this guide will help neighbors and visitors from all walks of life savor the full flavor of the city and plan their family’s fun in the sun. Whether hitting the beach or watching an outdoor movie, dancing under the stars or enjoying a puppet show, exploring the zoo or sketching the skyline, attending library read-alouds or playing chess, New Yorkers are sure to make lasting memories this July and August as they discover a newfound appreciation for their diverse and vibrant home. My administration is committed to ensuring that all 8.5 million New Yorkers can enjoy and contribute to the creative energy of our city. This terrific resource not only helps us achieve that important goal, but also sustains our status as a hub of culture and entertainment. -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Diese Ausgabe Als PDF Herunterladen
GRATIS | OKTOBER 2019 Ausgabe 62 CECILIA BARTOLI ANDREA BOCELLI BEETHOVEN PHILIPPE JAROUSSKY DANIIL TRIFONOV JAN GARBAREK/ HILLIARD ENSEMBLE KEITH JARRETT BOB DYLAN JAMES BLUNT NEIL YOUNG & CRAZY HORSE MANDOKI SOULMATES FOALS Das neue Album. ELEMENT OF CRIME TIM BENDZKO JONAS KAUFMANN INHALT INHALT EDITION – IMPRESSUM 03 JONAS KAUFMANN HERAUSGEBER 04 CECILIA BARTOLI AKTIV MUSIK MARKETING GMBH & CO. KG 05 BEETHOVEN: DIE NEUE GESAMTEDITION | Steintorweg 8, 20099 Hamburg PHILIPPE JAROUSSKY | EMMANUEL PAHUD SITZ: Hamburg, HR A 105205 06 BEST OF KLASSIK 2019 | UstID: DE 187995651 DANIIL TRIFONOV | BEATRICE RANA PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 07 ANDREA BOCELLI | AKTIV MUSIK MARKETING BENJAMIN BERNHEIM | DINA UGORSKAJA VERWALTUNGS GMBH 08 CALMUS ENSEMBLE | Steintorweg 8, 20099 Hamburg MARSALIS/BURGRESS/BOGORAD SITZ: Hamburg, HR B 100122 09 MIREILLE MATHIEU | THE DARK TENOR INTERIMS-GESCHÄFTSFÜHRER: Alexander Markgraf 10 KEITH JARRETT | FON: 040/468 99 28-0 Fax: 040/468 99 28-15 LYAMBIKO | DAVID ROSE E-MAIL: [email protected] 11 JAN GARBAREK/HILLIARD ENSEMBLE | JOCELYN B. SMITH | PORTICO QUARTET REDAKTIONS- UND ANZEIGENLEITUNG 12 WILCO | NEIL YOUNG WITH CRAZY HORSE Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 13 BOB DYLAN | JIMMY EAT WORLD | BETH HART MITARBEITER DIESER AUSGABE 14 MANDOKI SOULMATES | Marcel Anders (ma), Kai Florian Becker (kfb), Helmut STEVE HACKETT Blecher (hb), Dagmar Leischow (dl), Helmut Peters (hpe), 15 ELEMENT OF CRIME | Steffen Rüth (sr), Anja Wegner, Nadine Wenzlick (nw) ALTER BRIDGE | MANDO DIAO FOTOGRAFEN DIESER -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
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Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St.