Revolution SPONSOR WHO IS INVOLVED with SYN?
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2019 SYN Media Learning Info
WHERE CAN YOU WHO FUNDS LISTEN TO SYN? SYN? SYN is an independent, self We broadcast on SYN 90.7FM in funded non-for-profit Melbourne and on our digital organisation that works with DAB+ station, SYN Nation. SYN partners and volunteers to help also presents live television on make it all happen. C31, produces podcasts and ABOUT SYN MEDIA digital media. SYN has a youth community SYN Media is a non-for-profit broadcasting license. We are the SYN has an estimated listening media organisation, run by young only youth broadcaster in audience of 80,000 people per people, for young people. Australia, where all content is week (McNair Ingenuity Providing them accessible actually produced by youth for Research, May 2009). It is clear broadcasting and media training youth audiences. that SYN is resonating strongly opportunities. with the Melbourne youth SYN Media Learning is SYN's community. We believe young people should social enterprise. This means all be creators, not just consumers of our educational programs of media. SYN supports 400 directly financially support SYN's volunteers each year, all of whom operations as a charity. are ages 12-25. EDUCATIONAL PROGRAMS Industry standard radio and broadcast facilities Your students can be part of Australia’s biggest youth media program. SYN gives young people a voice in the media. We offer unique broadcasting experiences for your school, TAFE or community group. Central location Our programs are great for building confidence, team work and literacy skills. Programs can be tailored to your curriculum needs. Unique and practical activities for students SYN MEDIA LEARNING PROGRAM OVERVIEW SCHOOLS ON AIR PODCASTING 101 This program involves your class, Produce a finished podcast with hosting and producing a radio SYN! On your first visit we’ll teach program, every week for a whole you how to do it. -
Community Radio Nurturing Australia's Open Society
COMMUNITY RADIO NURTURING AUSTRALIA’S OPEN SOCIETY STRONG DEMOCRACY VIBRANT CULTURE “There’s something about community broadcasting that’s more genuine, and speaks right to the experience of people ALMOST without doctoring it, without censoring it, 5 MILLION and then celebrates the PEOPLE LISTEN TO COMMUNITY truth of that... it’s great.” RADIO EVERY WEEK YEN ERIKSEN 2XX CANBERRA “Every single person has their own saga, their own story unfolding, and I love listening to radio because you have the opportunity where you actually get to hear glimpses of these people’s lives, and their stories, and what they’re LISTENERS SPEND 15 HOURS TUNING IN TO COMMUNITY RADIO IN AN AVERAGE WEEK. YOUNGER PEOPLE AGED 15-24 LISTEN THE passionate about.” MOST TO COMMUNITY RADIO, AVERAGING 19 HOURS PER WEEK. Listeners People People aged 28-39 aged 55+ aged 40-54 tune in for listen for listen for 15.5 14.6 12.3 MASON SMITH HOURS PER WEEK HOURS PER WEEK HOURS PER WEEK 2RRR SYDNEY 26% OF ALL RADIO LISTENERS LISTEN TO COMMUNITY RADIO Community radio stations operating in towns and cities across Australia 95% 41% 34% 25% of community radio listeners find community radio metropolitan regional areas rural areas and its services to the Australian community valuable & suburban SINCE 2012 THE CONSUMPTION OF DIGITAL RADIO LOCAL INFORMATION AND LOCAL NEWS HAS DOUBLED. THREE IN TEN COMMUNITY RADIO IS THE NUMBER 1 REASON WHY PEOPLE LISTEN LISTENERS OWN A DIGITAL RADIO, COMPARED TO COMMUNITY RADIO WITH TWO IN TEN IN THE GENERAL POPULATION “I listen to community radio “It’s about hearing local people. -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance. -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
Melbourne Radio
EMBARGOED UNTIL 9:30AM (AEST) MELBOURNE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- SEN 1116 2.8 2.9 -0.1 1.6 0.9 0.7 0.5 0.1 0.4 3.1 1.4 1.7 3.2 2.6 0.6 3.3 6.0 -2.7 2.8 3.8 -1.0 3AW 15.5 15.6 -0.1 5.9 2.0 3.9 0.4 1.5 -1.1 3.6 3.2 0.4 13.1 11.2 1.9 17.6 22.4 -4.8 32.5 32.8 -0.3 RSN 927 0.3 0.4 -0.1 * * * * 0.1 * * * * 0.4 0.1 0.3 0.5 0.5 0.0 0.4 1.1 -0.7 Magic 1278 1.3 1.0 0.3 * 0.1 * 0.7 0.2 0.5 1.6 0.6 1.0 1.4 0.7 0.7 1.4 1.0 0.4 1.5 1.9 -0.4 3MP 1377 1.0 0.9 0.1 0.1 * * * 0.2 * 0.1 0.1 0.0 0.8 1.3 -0.5 2.5 0.7 1.8 1.7 1.8 -0.1 101.9 FOX FM 7.0 7.8 -0.8 14.8 16.4 -1.6 11.3 10.3 1.0 13.4 14.3 -0.9 7.1 10.4 -3.3 3.8 3.6 0.2 0.6 0.1 0.5 GOLD104.3 10.4 11.1 -0.7 5.8 8.6 -2.8 11.3 13.1 -1.8 10.7 9.2 1.5 15.0 14.9 0.1 15.7 15.1 0.6 3.8 6.5 -2.7 KIIS 101.1 FM 5.5 6.4 -0.9 15.4 18.1 -2.7 10.7 14.4 -3.7 9.8 10.4 -0.6 4.9 5.9 -1.0 2.5 3.5 -1.0 0.5 0.2 0.3 105.1 TRIPLE M 4.7 5.2 -0.5 2.8 2.0 0.8 8.0 6.6 1.4 7.0 5.8 1.2 6.2 8.0 -1.8 4.7 8.2 -3.5 0.9 0.8 0.1 NOVA 100 6.7 7.8 -1.1 21.2 22.4 -1.2 11.4 14.5 -3.1 8.4 12.6 -4.2 7.6 8.9 -1.3 4.8 3.1 1.7 0.4 0.3 0.1 smoothfm 91.5 7.8 7.6 0.2 6.9 8.7 -1.8 5.9 3.3 2.6 6.5 5.5 1.0 7.8 7.7 0.1 9.4 8.0 1.4 8.9 10.1 -1.2 ABC MEL 11.1 8.8 2.3 2.3 1.0 1.3 5.5 2.8 2.7 4.3 4.5 -0.2 6.3 4.3 2.0 13.8 6.4 7.4 23.2 21.6 1.6 3RN 2.7 2.1 0.6 0.6 0.4 0.2 * * * 0.7 0.2 0.5 2.2 1.2 1.0 2.6 2.7 -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Reclink Annual Report 2017-18
, Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1. -
Australian Community Broadcasting Hosts a Quiet Revolution
Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Author Foxwell-Norton, Kerrie, Ewart, Jacqueline, Forde, Susan, Meadows, Michael Published 2008 Journal Title Westminster Papers in Communication and Culture Copyright Statement © 2008 Westminster Papers in Communication and Culture, University of Westminster, London. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/23018 Link to published version http://www.wmin.ac.uk/mad/page-880 Griffith Research Online https://research-repository.griffith.edu.au Sounds like a whisper: Australian Community Broadcasting hosts a quiet revolution Kerrie Foxwell, Jacqui Ewart, Susan Forde and Michael Meadows School of Arts Griffith University Keywords : Audiences, community radio, broadcasting, empowerment, democracy, public sphere. Abstract Recent research into the Australian community broadcasting sector has revealed a developing role for community radio, in particular, in reviving notions of democracy by enhancing public sphere engagement by audiences. This paper is drawn from the first national qualitative audience study of the sector undertaken by the authors and provides strong evidence to suggest listeners are challenging globalised views of the world. They see community radio as ‘theirs’ and the only media able to accurately reflect Australia’s cultural diversity. This is enabling a revival of public sphere activity in the face of restrictions on democracy following an upsurge in global terrorism. We argue that the community broadcasting sector in Australia is providing citizens with services largely ignored by commercial media and to some extent, the publicly-funded Australian Broadcasting Corporation Introduction It’s for us, about us (Focus Group, Roxby Downs ROX FM, 2005). -
Martin Foley MP
Martin Foley MP Minister for Mental Health GPO 8ox4057 Minister for Equality Melbourne Victoria 3001 Minister for Creative Industries Telephone: +61 3 9096 7500 www.dhhs.vlc.gov.au Ref: BMIN1800492SR Mr Luke Howarth MP Chair of the House Standing Committee on Communications and the Arts CANBERRA ACT 2600 Dear Mr Howarth INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY Thank you for your letter to the Premier of 16 August 2018· about the Parliamentary Inquiry into the Australian Music Industry. Your letter has been referred to me for my consideration and response as the matter you raise falls within my portfolio of responsibilities. On behalf of the State Government of Victoria, I am pleased to make a submission to the Inquiry. The Victorian Government "".'elcomes this inquiry and supports a national, coordinated approach to sustaining the growth of the Australian music industry. Victoria has a demonstrated reputation as a centre of music, with more live music than any other state in Australia and a diverse array of iconic cultural music institutions, as well as supportive music·related laws and strategies. The attached submission describes the Victorian Government's significant investment in the music industry, in particular how Music Works, the Victorian Government's major program commitment, has successfully addressed challenges and opportunities affecting the growth and sustainability of the music industry in this State. Thank you for inviting a submission from the· Victorian Government's and I look forward to hearing the outcomes of this inquiry. ~ rtin Folf MP ~ inister for Creative Industries Date: ~/. {2 .. t_o(r PARLIAMENTARY INQUIRY INTO THE AUSTRALl~N MUSIC INDUSTRY FACTORS CONTRIBUTING TO THE GROWTH AND SUSTAINABILITY OF THE AUSTRALIAN MUSIC INDUSTRY VICTORIAN ,. -
COMMERCIAL RADIO AWARDS (Acras) Please Note: Category Finalists Are Denoted with the Following Letters: Country>Provincial>Non-Metropolitan>Metropolitan
FINALISTS FOR 2016 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan BEST ON-AIR TEAM – METRO FM Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Network, NOVA Entertainment M The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M The Hamish & Andy Show; Hamish Blake & Andy Lee, Hit Network, Southern Cross Austereo M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM , Sydney NSW, Australian Radio Network M Fifi & Dave; Fifi Box & Dave Thornton, hit101.9 Fox FM, Melbourne VIC, Southern Cross Austereo M Chrissie, Sam & Browny; Chrissie Swan, Sam Pang & Jonathan Brown, Nova 100, Melbourne VIC, NOVA Entertainment M BEST ON-AIR TEAM – METRO AM FIVEaa Breakfast; David Penberthy & Will Goodings, FIVEaa, Adelaide SA, NOVA Entertainment M 3AW Breakfast; Ross Stevenson & John Burns, 3AW, Melbourne VIC, Macquarie Media Limited M 3AW Nightline/Remember When; Bruce Mansfield & Philip Brady, 3AW, Melbourne VIC, Macquarie Media Limited M The Big Sports Breakfast with Slats & TK; Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney NSW, Tabcorp M Breakfast with Steve Mills & Basil Zempilas; Steve Mills & Basil Zempilas, 6PR, Perth WA, Macquarie Media Limited M Nights with Steve Price; Steve Price & Andrew Bolt, 2GB, Sydney NSW, Macquarie Media Limited M BEST ON-AIR TEAM COUNTRY & PROVINCIAL Bangers & Mash; Janeen Hosemans & Peter Harrison, 2BS Gold, Bathurst -
Edition 2017: Lauren Klein, Ken Lim, Campbell Mcnolty, Phoebe Nell-Williams
Edition 2017: Lauren Klein, Ken Lim, Campbell McNolty, Phoebe Nell-Williams 1 | Page Course Outline: Week Content 1 Morning Session - 10:30am - 1pm Module 1 - SYN House ● An introduction to SYN ● Explanation of ‘Make a Thing’ ● Media Law Module 2 - SYN Studios ● Panel operation ● How to plan a radio show ● Audio recording ● Phone interview ● SYN Flagships / Seasonals / Catapults → sign ups! Lunch - 1-2pm Afternoon Session - 2-4pm Module 3 - SYN House ● Live & pre-recorded screen content ● Screen equipment 2 Morning Session - 11am-1pm Module 4 - SYN House ● Audio editing ● Uploading content to the SYN website & Omny Lunch - 1-2pm Afternoon Session - 2-4pm Module 5 - SYN House ● Video editing ● Uploading content to the SYN website & Omny Make a Thing - in brief Before you can become a full SYN volunteer, you have to practise your skills. As part of this course you have to create your own media project. What can I make? Anything you like! We love every kind of media at SYN, here are some ideas to get you started: - Podcast (5 minutes) - Short video (an interview, drama, speech or anything else you like) (2-5 minutes) - Live Radio Program (30 minutes) - Blog post on the SYN website (500 words) - Music radio program (1 hours) - Literally anything else that you want. Put those creative skills to use! When is it due? Two weeks from today. After you finish week 2 of the class you’ll have one more week to finish off your project. Once you’re done, upload your project to the Induction Students Google Drive - https://tinyurl.com/hzym5cc ***SYN STUDIO 1 (TRAINING STUDIO) IS BOOKED FOR SYN INDUCTION EVERY WEDNESDAY 4-6PM*** 2 | Page SYN History: SYN Values: (remember I.P.A.I.D) SYN Media (Student Youth Network Inc.) INNOVATION - SYN celebrates quality, was formed in 2000 as a result of a and supports creativity and flexibility in its merger between two youth radio projects: programming and operations. -
A Handbook for Youth Empowerment Through Media Participation
A Handbook for Youth Empowerment Through Media Participation Based on a project co-designed and co-delivered by the National Ethnic and Multicultural Broadcasters’ Council (NEMBC), The Centre for Multicultural Youth (CMY) and SYN Media in association with Radio Adelaide Training By Rachael Bongiorno from the National Ethnic and Multicultural Broadcasters’ Council 2012. Photo of participants, trainers and project partners in SYN Media studio. All photos in this report were taken by Khalid Omar 2 Introduction Engagement with media is crucial for young people from Culturally and Linguistically Diverse (CALD) backgrounds. It provides an opportunity for CALD youth to express themselves in a society in which their perspectives are often marginalised, stereotyped or ignored. This handbook shows you how to develop a training program to equip culturally diverse young people who are not yet involved in broadcasting with the skills, knowledge, enthusiasm and networks for ongoing participation in the media. We particularly want to encourage radio stations to deliver programs like this in collaboration with community organisations servicing migrant and refugee young people. The handbook can also be used by government, community groups and private organisations in the same way. Mercy Ngun Ceu With Australia’s mainstream media, coming into sharp criticism recently for not representing the cultural diversity of this country , training projects such as this are important as ever to diversify media in Australia, increase the number of CALD journalists and provide the public with an understanding of diverse experiences and perspectives. The National Ethnic and Multicultural Broadcasters’ Council (NEMBC) is acutely aware that culturally diverse young people are not just underrepresented in the mainstream media but underrepresented in community broadcasting as well.