A Flashlight and Compass: a Collection of Tools to Promote Instructional Coherence
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Anguish Languish About:Reader?Url=
Anguish Languish about:reader?url=https://www.crockford.com/anguish.html crockford.com Anguish Languish Douglas Crockford 38-48 minutes 2019-03-16 by Howard L. Chace Here further verse thyme in book firm is the extraordinary version of LITTLE RED RIDING HOOD that Arthur Godfrey read aloud on his program — and made famous. And with it are more FURRY TELLS, NOISER RAMS, FEY MOUSE TELLS, and THONGS, especially transcended by Prof. H. L. Chace, the originator of ANGUISH LANGUISH, for you, your friends, and your family to half pun wit. PRENTICE-HALL, INC. ENGLEWOOD CLIFFS, N. J. Copyright 1956 by Prentice-Hall, Inc. Englewood Cliffs, N. J. All rights reserved, including the right to reproduce this book, or any portions thereof, in any form except for the in- clusion of brief quotations in a review. 1 of 37 10/2/20, 6:31 PM Anguish Languish about:reader?url=https://www.crockford.com/anguish.html LIBRARY OF CONGRESS CATALOG CARD NUMBER 56-8160 Introduction 1 Furry Tells Ladle Rat Rotten Hut Guilty Looks Enter Tree Beers Center Alley 2 Noisier Rams Marry Hatter Ladle Limb Sinker Sucker Socks Pants Effervescent Oiled Murder Harbored Pitter Paper 3 Fey-Mouse Tells Casing Adder Bet Violate Huskings, ore Ornery Aboard Inner Gelded Ketch 4 Lath Thing Thumb Thongs 2 of 37 10/2/20, 6:31 PM Anguish Languish about:reader?url=https://www.crockford.com/anguish.html Fryer Jerker Alley Wetter Door Oil Gory Mayor Dare Ashy Turban Inner Torn Fur Hazy Jelly Gut Furlough Hive Ban Walking Honor Roil Rut Hurl, Hurl, Door Gong's Oil Hair Hormone Derange The Anguish Languish English words are astonishingly versatile and could readily be made to serve a new and extraordinary purpose, but nobody seems to care about this except SPAL (Society for the Promotion of the Anguish Languish).* *The members of SPAL are the persons who have written to the author concerning the Anguish Languish, especially the thousands who wrote to request copies of Ladle Rat Rotten Hut after Arthur Godfrey's inimitable reading of it, on his television show. -
Developing Language Proficiency, Empathy, and Visual Literacy Through Art Gisela Hoecherl-Alden, Boston University Kathy Fegely, Antietam High School, Reading, PA
Picturing Another Culture: Developing Language Proficiency, Empathy, and Visual Literacy through Art Gisela Hoecherl-Alden, Boston University Kathy Fegely, Antietam High School, Reading, PA Abstract Integrating art (paintings, sculptures, photography, and other types of images) into second language (L2) instruction¸ can have a positive effect on language acquisition and developing intercultural understanding. As the instructor provides visual scaffolding, learners at all proficiency levels have the opportunity to engage more deeply with L2 course materials. Not only can students learn to interpret imagery and create their own effective combinations of visuals and texts, they also develop some familiarity with seminal artwork from the target culture. This article outlines how spiraling art through a language curriculum can aid vocabulary retention, illustrate poetic language, and raise awareness of diversity and In our experience, inclusion. As a result, learners investigate and interact with learning a second the products, practices, and perspectives of the L2 culture language (L2) while simultaneously developing visual analysis skills—the through art can latter essential in an age in which both authentic and digitally help learners manipulated imagery dominate the media and social discourse. visualize and retain language. In our experience, learning a second language (L2) It also appeals to emotions and through art can help learners visualize and retain language. engages the It also appeals to emotions and engages the senses. Apart senses. Gisela Hoecherl-Alden (PhD, University of Wisconsin-Madison) is Director of Language Instruction, Professor of the Practice, and Assistant Dean at Boston University. She works with language faculty in four departments on curriculum design and teaches all levels of German. -
THE HANDBOOK for STORYTELLERS and the Handbook for Storytime Programs) Stands on Its Own, Each Complements and Buttresses the Other
THE HANDBOOK FOR JUDY FREEMAN and CAROLINE FELLER BAUER An imprint of the American Library Association CHICAGO 2015 www.alastore.ala.org Caroline Feller Bauer (1935–2013) was a public librarian, professor of children’s literature, radio personality, international speaker and performer, author of nineteen children’s books and professional books about children’s literature for adults, and tireless cheerleader for literacy and storytelling. Judy Freeman (www.judyreadsbooks.com) is a former school librarian; an adjunct professor at Pratt Institute in New York City, teaching courses in children’s literature and storytelling; an international speaker and performer for children, teachers, librarians, and parents; a children’s book reviewer; and the author of more than a dozen professional books about children’s literature and storytelling. She continues to work closely with librarians, teachers, and hundreds of students at several elementary schools to test out new books, ideas, and ways to incorporate literature into children’s lives. Both have developed and performed thousands of programs and workshops incorporating children’s literature, storytelling, music, poetry, and drama to tens of thousands of children and adults across the United States and abroad. © 2015 by Judy Freeman and Caroline Feller Bauer Printed in the United States of America 19 18 17 16 15 5 4 3 2 1 Extensive effort has gone into ensuring the reliability of the information in this book; however, the publisher makes no warranty, express or implied, with respect to the mate- rial contained herein. All reasonable efforts have been made to identify and contact copyright holders, but in some cases these could not be traced. -
Man in the Middle Voice MARTIN CLASSICAL LECTURES
Man in the Middle Voice MARTIN CLASSICAL LECTURES New Series, Volume 1 The Martin Classical Lectures are delivered annually at Oberlin College on a foundation established by his many friends in honor of Charles Beebe Martin, for forty-five years a teacher of classical literature and classical art in Oberlin. Man in the Middle Voice NAME AND NARRATION IN THE ODYSSEY John Peradotto PRINCETON UNIVERSITY PRESS PRINCETON, NEW JERSEY Copyright 0 1990 by Trustees of Oberlin College Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Oxford All Rights Reserved Libra7 of Congress Cataloging-in-PublicationData Peradotto, John Man in the middle voice : name and narration in the Odyssey / John Peradotto. p. cm.-(Martin classical lectures ; new ser., v. 1) Includes bibliographical references. 1. Homer. Odyssey. 2. Odysseus (Greek mythology) in literature. 3. Names, Personal, in literature. 4. Narration (Rhetoric) I. Title. 11. Series. PA25.M3 new ser., vol. 1 [PA4 1671 883.0 1-dc20 90-34569 ISBN 0-69 1-06830-5 (alk. paper) This book has been composed in Linotron Baskerville Princeton University Press books are printed on acid-free paper, and meet the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Printed in the United States of America by Princeton University Press, Princeton, New Jersey 13579108642 For Erin, Monica, Noreen, and Nicole "MSABU,what is there in books?" As an illustration, I told him the story from the Odyssey of the hero and Polyphemus, and of how Odysseus had called himself Noman, had put out Polyphemus' eye, and had escaped tied up under the belly of a ram. -
Edel Curran 20140806140419.Pdf
Maynooth Library 00324577 00324577 sr»a NUI MAYNOOTH Qiiacsll na ti£ira«nn WA Mead The French-language Reception of Grimms’ ‘Rotkappchen’ 1868-1948 A Ph.D. thesis presented by Edel Curran B.A. (Hons.) Under the supervision of Dr. Jeffrey Morrison For the Department of German Faculty of Arts October 2004 ABSTRACT In 1697 Charles Perrault’s Contes immortalised ‘Little Red Riding Hood’ (‘Le Petit Chaperon rouge’), a fairy tale which was later recounted by the Grimm Brothers as ‘Rotkäppchen’ in their collection of 1812/1815. Scholarly research has already shown the extent to which Perrault’s earlier collection influenced the Grimms’ Kinder- und Hausmärchen. But how might the French reaction to the Grimm ‘version’ be reflected in subsequent French translations, and especially during periods of Franco-German conflict? This is the pivotal question addressed in the four chapters of this thesis. The first chapter focuses on the theoretical. It situates the Grimm Brothers and their influences within the context of German Romanticism and a complex form of nationalism which lies at the root of this literary movement. The development of the field of folklore studies from the Grimms to the present day is also outlined, with particular emphasis on Jack Zipes’ socio-political reading of the versions and adaptations of this tale from Europe and America; a reading which is adapted and developed for this analysis. The second chapter introduces the textual analysis of the selected adaptations and translations and focuses on the years between 1868 and 1933; when the first Grimm-inspired adaptation and translation were published. -
01 Front Material
Man in the Middle Voice ―――――――――― MARTIN CLASSICAL LECTURES New Series, Volume I The Martin Classical Lectures are delivered annually at Oberlin College on a foundation established by his many friends in honor of Charles Beebe Martin, for forty-five years a teacher of classical literature and classical art in Oberlin. Man in the Middle Voice ――――――――――――― NAME AND NARRATION IN THE ODYSSEY John Peradotto For Erin, Monica, Noreen, and Nicole ―――――――――――――― ζωάγρι’ ὀφέλλω “MSABU, what is there in books?” As an illustration, I told him the story from the the Odyssey of the hero and Polyphemus, and of how Odysseus had called himself Noman, had put out Polyphemus' eye, and had escaped tied up under the belly of a ram... “How did he,” he asked, “say the word, Noman in his own language? Say it.” “He said Outis,” I told him. “He called himself Outis, which in his language means Noman.” “Must you write about the same thing?” he asked me. “No,” I said, “people can write of anything they like. I might write of you.” Kamante who had opened up in the course of the talk, here suddenly closed again, he looked down himself and asked me in a low voice, what part of him I would write about. “I might write about the time when you were ill and were out with the sheep on the plain,” I said,”what did you think of then?” His eyes wandered over the room, up and down; in the end he said vaguely: “Sejui”--I know not. “Were you afraid?” I asked him. -
C3939 Peter Tamony Collection
C3939 Peter Tamony Collection A-Z WORD LIST A Abdication A [combining forms] Abdulla Bulbul Amir A 1 *A Number One Abecedarium A 3 Aberastus A. A. +Alcoholics Anonymous Abie Aaah Abie's Irish Rose Aaargh Abilities A A Bloc Abilities Incorporated AAC. Abilitism A Age Ability A And R Man Ability [combining forms] Aardvark A B ing +A Aasis A Blast A. A. U. +Amateur Athletic Union Ablation Aaugh Able AB Able Baker Abab Able Baker Charlie Abacus Able Day Abadaba Able To Go *Go A.B.A.G. Abner Abalone Abnormal Abalone Baseball Abo +Abos Abandon Ship Aboard Abaria A Bomb +Atom Bomb Abasicky *Anbasicky A Bomb Blast Abate A Bombs Abatement A Bomb Test Abba Abominable Abba Dabba Abominable Showmen Abba Zaba Abominable Snowman Abbie Hoffman Abomunist Manifesto Abbo Aboo [combining forms] Abbondanza Abort Abbott and Costello +Whos On First Abortion Abbreviations +Acronyms Abortionist Abby Abortion Mill *Mill A B C Abos +Abo A B C D About ABCDisms About [combining forms] Ab Ced About Face Abcess *AB Abouts [combining forms] ABC Governments About Town ABCing Above All ABC Stone Above Board ABC War Above The Line +Line ABDA Abplanalp Ab Dabs Abracadabra Abraham Lincoln Brigade Absent Abrasive Absenteeism Abraxes Absent Minded Abrazo ABSIE Abri Absinth Abroad Absolutely, Mr. Gallagher Abscam Absolutely Positively Absolutes Accents Absolutism Accentuate Absolutist Accentuates Absolutist Absurdities *Ahab Accentuate the Positive Absorbine Junior Acceptance +Age of Acceptance Absotively Acceptance Ring Absquatulate Access Abstinyl +Antabus Access Fees Abstract -
Doubtful Characters”: Alphabet Books and Battles Over Literacy in Nineteenth-Century British Print Culture
“Doubtful Characters”: Alphabet Books and Battles over Literacy in Nineteenth-Century British Print Culture by A. Robin Hoffman B. A. in English, University of Richmond, 2003 M. A. in English, University of Connecticut, 2005 M. A. in History of Art, University College London, 2007 Submitted to the Graduate Faculty of Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by A. Robin Hoffman It was defended on May 17, 2012 and approved by Stephen Carr, Ph.D., Associate Professor, Department of English Troy Boone, Ph.D., Associate Professor, Department of English Ronald Zboray, Ph.D., Associate Professor, Department of Communications Mary Saracino Zboray, M.A., Lecturer, Department of Communications Dissertation Advisor: Marah J. Gubar, Ph.D., Associate Professor of English ii Copyright © by Amy Robin Hoffman 2012 iii “Doubtful Characters”: Alphabet Books and Battles over Literacy in Nineteenth-Century British Print Culture A. Robin Hoffman, PhD University of Pittsburgh, 2012 More than mere tools for reading instruction, alphabet books offered nineteenth-century writers and illustrators a site for contesting dominant versions of literacy. They could address broad audiences in a genre that was uniquely suited to registering shifts in the social and material conditions of publishing, literacy, and education. This historical study recovers these efforts and traces the genre’s co-evolution with Victorian ideas about literacy. It exploits an overlooked material archive in order to refocus attention from the history of rising literacy rates, toward concurrent debates over how visual and oral culture should complement printed text within domestic education and formal schooling.