THE HANDBOOK for STORYTELLERS and the Handbook for Storytime Programs) Stands on Its Own, Each Complements and Buttresses the Other
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Anguish Languish About:Reader?Url=
Anguish Languish about:reader?url=https://www.crockford.com/anguish.html crockford.com Anguish Languish Douglas Crockford 38-48 minutes 2019-03-16 by Howard L. Chace Here further verse thyme in book firm is the extraordinary version of LITTLE RED RIDING HOOD that Arthur Godfrey read aloud on his program — and made famous. And with it are more FURRY TELLS, NOISER RAMS, FEY MOUSE TELLS, and THONGS, especially transcended by Prof. H. L. Chace, the originator of ANGUISH LANGUISH, for you, your friends, and your family to half pun wit. PRENTICE-HALL, INC. ENGLEWOOD CLIFFS, N. J. Copyright 1956 by Prentice-Hall, Inc. Englewood Cliffs, N. J. All rights reserved, including the right to reproduce this book, or any portions thereof, in any form except for the in- clusion of brief quotations in a review. 1 of 37 10/2/20, 6:31 PM Anguish Languish about:reader?url=https://www.crockford.com/anguish.html LIBRARY OF CONGRESS CATALOG CARD NUMBER 56-8160 Introduction 1 Furry Tells Ladle Rat Rotten Hut Guilty Looks Enter Tree Beers Center Alley 2 Noisier Rams Marry Hatter Ladle Limb Sinker Sucker Socks Pants Effervescent Oiled Murder Harbored Pitter Paper 3 Fey-Mouse Tells Casing Adder Bet Violate Huskings, ore Ornery Aboard Inner Gelded Ketch 4 Lath Thing Thumb Thongs 2 of 37 10/2/20, 6:31 PM Anguish Languish about:reader?url=https://www.crockford.com/anguish.html Fryer Jerker Alley Wetter Door Oil Gory Mayor Dare Ashy Turban Inner Torn Fur Hazy Jelly Gut Furlough Hive Ban Walking Honor Roil Rut Hurl, Hurl, Door Gong's Oil Hair Hormone Derange The Anguish Languish English words are astonishingly versatile and could readily be made to serve a new and extraordinary purpose, but nobody seems to care about this except SPAL (Society for the Promotion of the Anguish Languish).* *The members of SPAL are the persons who have written to the author concerning the Anguish Languish, especially the thousands who wrote to request copies of Ladle Rat Rotten Hut after Arthur Godfrey's inimitable reading of it, on his television show. -
Developing Language Proficiency, Empathy, and Visual Literacy Through Art Gisela Hoecherl-Alden, Boston University Kathy Fegely, Antietam High School, Reading, PA
Picturing Another Culture: Developing Language Proficiency, Empathy, and Visual Literacy through Art Gisela Hoecherl-Alden, Boston University Kathy Fegely, Antietam High School, Reading, PA Abstract Integrating art (paintings, sculptures, photography, and other types of images) into second language (L2) instruction¸ can have a positive effect on language acquisition and developing intercultural understanding. As the instructor provides visual scaffolding, learners at all proficiency levels have the opportunity to engage more deeply with L2 course materials. Not only can students learn to interpret imagery and create their own effective combinations of visuals and texts, they also develop some familiarity with seminal artwork from the target culture. This article outlines how spiraling art through a language curriculum can aid vocabulary retention, illustrate poetic language, and raise awareness of diversity and In our experience, inclusion. As a result, learners investigate and interact with learning a second the products, practices, and perspectives of the L2 culture language (L2) while simultaneously developing visual analysis skills—the through art can latter essential in an age in which both authentic and digitally help learners manipulated imagery dominate the media and social discourse. visualize and retain language. In our experience, learning a second language (L2) It also appeals to emotions and through art can help learners visualize and retain language. engages the It also appeals to emotions and engages the senses. Apart senses. Gisela Hoecherl-Alden (PhD, University of Wisconsin-Madison) is Director of Language Instruction, Professor of the Practice, and Assistant Dean at Boston University. She works with language faculty in four departments on curriculum design and teaches all levels of German. -
Fibers and Fabrics in Stuffed Sculpture" (1976)
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Fibers and Fabrics in Stuffed cS ulpture Carol Ann Haskell Kessler Eastern Illinois University This research is a product of the graduate program in Art at Eastern Illinois University. Find out more about the program. Recommended Citation Kessler, Carol Ann Haskell, "Fibers and Fabrics in Stuffed Sculpture" (1976). Masters Theses. 3376. https://thekeep.eiu.edu/theses/3376 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. FIBERS AND FABRICS IN STUFFED SCULPTURE (TITLE) BY CAROL ANN HASKELL KESSLER THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE. CITED AOOYE- J��f 1, l'fll .j i \ � 2.(• "'1 DATE t'l1� DEPARTMENT HEAD PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. -
Time for Collaboration
THE MAGAZINE OF THE INSTITUTE OF CONSERVATION • APRIL 2021 • ISSUE 93 Time for collaboration Also in this issue Celebrating a forty year career • A devotional textile • A new CIC inside APRIL 2021 Issue 93 2 NEWS From the Editor From the Chief Executive, There is a lot packed into this issue, from the policy briefing, Groups news, European standards news launch of a new Community Interest Company to the treatment of a large gilded Hindu textile, 12 whilst the treatment of a clock brings together PEOPLE students of two separate specialisms: horological 17 and furniture conservation. The second of our 14 ‘science bites’ – a heritage science research summary – covers a MAN AND BOY AT THE BODELIAN new method to quantify cellulose acetate degradation in historic Celebrating the career of artefacts and we share in the Bodleian’s celebration of their Robert Minte long-serving conservator Robert Minte ACR. And there is news: about Standards, about Icon’s Groups, about the continuing 19 AN IMPACT ON HERITAGE impact of coronavirus and an archive on the move. A new Community Interest What links this seemingly disparate content is explored by our 29 Company is born Chief Executive Sara Crofts in her column about our (in)visibility, namely, stories. In Icon News – and on all Icon’s platforms - we 21 ON THE MOVE celebrate our story tellers, the stories we have to tell, the way we Lambeth Palace Library has a discover and uncover them and how we preserve them for new home everyone as carefully and professionally as we can. So do consider giving your stories a wider audience and if you feel insecure in 22 HERITAGE SCIENCE BITES your writing skills, we’ll help. -
Maine Alumnus, Volume 29, Number 4, January 1948
The University of Maine DigitalCommons@UMaine University of Maine Alumni Magazines University of Maine Publications 1-1948 Maine Alumnus, Volume 29, Number 4, January 1948 General Alumni Association, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/alumni_magazines Part of the Higher Education Commons, and the History Commons Recommended Citation General Alumni Association, University of Maine, "Maine Alumnus, Volume 29, Number 4, January 1948" (1948). University of Maine Alumni Magazines. 117. https://digitalcommons.library.umaine.edu/alumni_magazines/117 This publication is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in University of Maine Alumni Magazines by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. After seeing the picture of sons and daughters of alumni in The Maine Alumnus a graduate wrote an inspiring letter to the Editor. His letter follows: ------------■, Mass. Mr Editor. The picture of alumni sons and daughters in The Alumnus arouses me more than anything that has come out of Maine in years. After I graduated from the University, the succeeding college generations did not interest me much. They seemed to be strangers in the halls that had been mine. They didn’t know me when I returned to them, and I did not know them. Perhaps I even felt resentful in a way that they had taken over what I considered mine. My loyalty to Maine may not have slipped, but my interest certainly has lagged. But these youngsters are the flesh and blood of my old gang and I am mighty glad that they have come back home. -
Abbott's American Watchmaker and Jeweler
Jlbbotf$ Jimericaii (Uatcbtnaker m(i lewder. ;vi> ^'o ^ ^^i#SK- '{»?B/^^ CM^ a/;: ABBOTT'S AMERICAN WATCHMAKER AND JEWELER AN ENCYCLOPEDIA FOR THE HOROLOGIST, JEWELER, GOLD AND SILVERSMITH CONTAINING HUNDREDS OF PRIVATE RECEIPTS AND FORMULAS COMPILED FROM THE BEST AND MOST RELIABLE SOURCES. COMPLETE DIRECTIONS FOR USING ALL THE LATEST TOOLS, ATTACHMENTS AND DEVICES FOR WATCHMAKERS AND JEWELERS BY HENRY G. ABBOTT ILLUSTRATED WITH 288 ENGRAVINGS C HidAGO: Ge&. K. Hazlitt & Co., PUPUSHBIIS, Copyrighted 1898, by Geo. K. Hazlitt & Co. PREFACE. THE first edition of this work was published in 1893 and met with an unexpected and unprecedented sale, and a second edition was placed upon the market in less than ten months. So much new matter was added that it was found necessary to reset the entire work in smaller type in order to keep the volume within the price at which it was originally placed on the market. It is the first and only book, of which the author has any knowledge, which illustrates and describes modern American tools for the watchmaker and jeweler. The ambitious workman is always in search of knowl- edge, in search of new ideas, new tools and new methods. Patient study, constant practice and ambition are requisite to become pro- ficient in any art. The demand for skilled workmen is constantly increasing, and a person wishing to thoroughly master any art, must be to a certain extent capable of self instruction. To be proficient in any art a man must not be deft of touch alone, but the head must also play its part. -
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LVi JLi 13 X 7&aC i Li WEL it Y . M O I I E E L S ?'T"'MEDICES. TO "Oi r v.- LOOK Gff. ' i i - At 1 rub no i jjs - S t m I II romoved to No.lt. i ' ! J,. Is lit 49 Cov IV.UCt rotr .rr'.'..'H ,v;:- n" c: 11 Coni- - -. GOO' Ali i Uaiiphhi stree, ! ' '. i am) M;a ' H ' H) - or iu: ! UOi Ill.'l aid'. ill" ..ii' i Ui t he f 'i,! !'t Of ' V, TSCL,HAIM,G CSS, PIl I8, Co.i-i'liif- il u l J:. ti'l 'f. nr ,i- -d !y Mr..Tunics ImjMS ,'fT (ii!, . i.VJi Jl n. r L I'J.icil t v Jons 'i . u i.i . CO. 02. ..d CI lit teet. in bea-inl'i- Hardware, Ship Cftan if. Cut'i y. yARte,) No. iu t is win1. o Tl'OR- - (of d fT7 - ru roue nri-hne- for Cd! ! i " nili-i'- u'u fur .i.l. ifr., I 'i eivchient J' wh.' rc lit' to At TT .. pljMsaw ol roturmiiLr o GII f Europe the -- renter part oi the k l'l II ls nn.i t'..f puV.ie at ver GAIN !.avf.thf a,.- - : INGp.iiJ iron In. or f friends, lar the .,')eral ort w i.i. a r.KSTOFBI.. J, ! dVr r I -- 0.1 Of whim O.ers ., V'.'..t'U" i. O-ck- . Jewelry. 5.lver nu'.i i to llieir sapj Diitascd and irte owi, it u i. -
Patent Model Index
Smithsonian Institution Scholarly Press smithsonian contributions to history and technology • n u m b e r 5 4 Smithsonian Institution Scholarly Press PatentA Chronology Models Index of MiddleGuide to Missouri the Collections of Plains the NationalVillage Museum of AmericanSites History, Smithsonian Institution Volume 1: Listings by Patent NumberBy Craig and M. InventionJohnson Name with contributions by Stanley A. Ahler, Herbert Haas, and Georges Bonani Barbara Suit Janssen SerieS PublicationS of the SmithSonian inStitution Emphasis upon publication as a means of “diffusing knowledge” was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: “It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge.” This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, com- mencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to History and Technology Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Museum Conservation Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology In these series, the Institution publishes small papers -
May 2018 Volume 46, No
May 2018 Volume 46, No. 4 Spring Orgy® Period 95.3 FM N WHRB PROGRAM GUIDE Wednesday, May 2 noon COMMONWEALTH HIP HOP Spring Orgy® Period Hip hop is the defining trend in modern world music. But world rap music is, at present, divided. Commonwealth nations have an enduring history of English, and this colors their music May, 2018 to a substantial degree. Nations never colonized by the English Empire make hip hop that sounds substantially different. We explore the hip hop traditions of countries like Jamaica, Canada, Tuesday, May 1 India, South Africa, Northern Ireland and Nigeria. In some cases, this will involve examining the way American rap music 12:00 am ORCHID TAPES and foreign rap cultures influenced each other. In others, it means 5:00 am THE DISCOGRAPHY OF FRED HERSCH Fred Hersch is one of the greatest jazz pianists of his taking a closer look at how the English language has shaped generation. Yet what makes him especially interesting is his world history, even for songs and artists using other languages. extraordinary versatility. With collaborators including Stan Getz, 5:00 am PROFESSOR LONGHAIR AND THE Bill Frisell, Dawn Upshaw, Joshua Bell, and Audra McDonald, NEW ORLEANS BLUES Hersch refuses to limit himself and his playing to one genre. We Down in New Orleans, the Blues is done differently. explore many of Hersch’s solo albums, as well as albums he has Certainly, any one alive can tell you what it is to have the Blues, collaborated on, in a celebration of his virtuosic and technical but it takes a different kind of touch to weave the feeling with abilities rhumba, paint it bold with calypso and lay it down with mambo. -
Mptyzine48 2020
#hola, End of the year 2020 coming soon, we did put this number really fast and please forgive me for grammar mistakes, just wanted to publish it until the end of year so here you go....take it as a gift for this Christmas. We had a CTHC,KOB RECORDS, MAD BUTCHER RECORDS, CASIAN AND 3 CEASURI RELE, PARCHEZ CA UN BOU, challenge this year with concerts and with our “normal” CORO AXA VALAHA, SCANDAL, VERDE URBAN, OLD social life but we are still here and still with a smile. JUNKS CONSTANTA, PUERCO PUNK, DISREJECTS, Not following the conspirations on social media, we are just GRADOS NOCIVOS,IORISKA, RANDY AND REBEL TIME RECORDS, HELLCAT RECORDS, CONSTANTIANA, RENE waiting for the concerts to start and for the time when we FROM DRA, NEW AGE RECORDS, INFEZTADO,LUIS can go for a beer with the friends, had digging the youtube FROM IORISKA AND LA VICTORY STORE. and discover a lot of amazing bands, watched hundreads of ALL THE GOOD LABELS AND BANDS THAT WE HAVE concerts online and must say that is not so bad, and we are PROMOTED ACROSS THE YEARS. ALWAYS STAY YOURSELF! surviving, please take care of you and your loved ones, buy less toilet paper, and things that you don’t need and always stay yourself. THIS IS A FREE PUNKZINE, HOWEVER IF YOU WANT TO DONATE FOR A COFFEE YOU CAN USE THE LINK: Thanks to all bands and labels that have sent me some new PAYPAL.ME/COJOCEARO music, thanks to all people that are still alive and smiling and we are waiting for better times. -
Confessional Notes of a Vandal Academic
University of Kentucky UKnowledge Theses and Dissertations--English English 2015 SCRIBBLESCHOLAR WAS HERE: Confessional Notes of a Vandal Academic Clay Shields University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Shields, Clay, "SCRIBBLESCHOLAR WAS HERE: Confessional Notes of a Vandal Academic" (2015). Theses and Dissertations--English. 23. https://uknowledge.uky.edu/english_etds/23 This Master's Thesis is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
(Diy) Punk Rock
LISTENING IN THE LIVING ROOM: THE PURSUIT OF AUTHENTIC SPACES AND SOUNDS IN DALLAS/FORT WORTH (DFW) DO -IT-YOURSELF (DIY) PUNK ROCK Sean P eters Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2017 APPROVED: Catherine Ragland, Major Professor Steven Friedson, Committee Member Rebecca Geoffroy-Schwinden, Committee Member Benjamin Brand, Interim Chair of the Division of Music History, Theory, and Ethnomusicology and Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Peters, Sean. Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock. Master of Arts (Music), December 2017, 97 pp., 4 figures, bibliography, 98 titles. In the Dallas/Fort Worth (DFW) do-it-yourself (DIY) punk scene, participants attempt to adhere to notions of authenticity that dictate whether a band, record label, performance venue, or individual are in compliance with punk philosophy. These guiding principles champion individual expression, contributions to one's community (scene), independence from the mainstream music industry and consumerism, and the celebration of amateurism and the idea that everyone should "do it yourself." While each city or scene has its own punk culture, participants draw on their perceptions of the historic legacy of punk and on experiences with contemporaries from around the world. For this thesis, I emphasize the significance of performance spaces and the sonic aesthetic of the music in enacting and reinforcing notions of punk authenticity. The live performance of music is perceived as the most authentic setting for punk music, and bands go to great lengths to recreate this soundscape in the recording studio.