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Musicali Nelle Istituzioni Religiose Femminili a Napoli 1650-1750

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Musicali Nelle Istituzioni Religiose Femminili a Napoli 1650-1750 SMG Schweizerische Musikforschende Gesellschaft ‘Non senza scandalo SSM Société Suisse de Musicologie SSM Società Svizzera di Musicologia delli convicini ’: pratiche pratiche musicali : Serie II – Vol. 58 musicali nelle istituzioni convicini’ religiose femminili Le istituzioni femminili partenopee furono centri indiscutibili di cultura, fucine di mecenatismo, a Napoli 1650-1750 laboratori privilegiati di attività artistiche e di produzioni musicali e diedero un contributo inci- sivo alla vita culturale e artistica della Napoli vicereale. Monasteri e conservatori impiegarono Angela Fiore nel corso dei secoli i musicisti più rappresentativi della città di Napoli a sostegno delle cerimonie liturgiche o per curare la formazione musicale delle religiose e delle figlie ospiti. Il presente studio si propone di indagare e ricostruire le attività musicali di questi enti attraverso senza scandalo delli lo studio della documentazione proveniente dai principali archivi presenti nella città di Napoli. Le fonti d'archivio permettono infatti di comprendere quale funzione avesse l'arte musicale nella ‘Non nelle istituzioni religiose femminili a Napoli 1650-1750 vita dei chiostri. La ricerca intende inoltre considerare la realtà monastica femminile nel suo insieme, esaminando la presenza delle comunità religiose nella città e il loro ruolo all’interno delle dinamiche della vita urbana. L'indagine condotta restituisce oggi una visione attendibile del fenomeno sonoro nel quotidiano delle realtà claustrali, portandoci a comprendere quanto le comunità monastiche femminili contribuirono allo sviluppo di tradizioni musicali, spettacolari, liturgiche. Angela Fiore • Angela Fiore si è laureata in musicologia presso l'Università degli Studi di Pavia nel 2004 ed ha conseguito nel 2015 il dottorato di ricerca presso l'Università di Fribourg (Svizzera). Le sue ricerche si occupano prevalentemente di musica sacra del Sei e Settecento italiana ed europea. E' inoltre diplomata in violino e specializzata nel repertorio barocco. 58 Peter Lang www.peterlang.com SMG Schweizerische Musikforschende Gesellschaft ‘Non senza scandalo SSM Société Suisse de Musicologie SSM Società Svizzera di Musicologia delli convicini ’: pratiche pratiche musicali : Serie II – Vol. 58 musicali nelle istituzioni convicini’ religiose femminili Le istituzioni femminili partenopee furono centri indiscutibili di cultura, fucine di mecenatismo, a Napoli 1650-1750 laboratori privilegiati di attività artistiche e di produzioni musicali e diedero un contributo inci- sivo alla vita culturale e artistica della Napoli vicereale. Monasteri e conservatori impiegarono Angela Fiore nel corso dei secoli i musicisti più rappresentativi della città di Napoli a sostegno delle cerimonie liturgiche o per curare la formazione musicale delle religiose e delle figlie ospiti. Il presente studio si propone di indagare e ricostruire le attività musicali di questi enti attraverso senza scandalo delli lo studio della documentazione proveniente dai principali archivi presenti nella città di Napoli. Le fonti d'archivio permettono infatti di comprendere quale funzione avesse l'arte musicale nella ‘Non nelle istituzioni religiose femminili a Napoli 1650-1750 vita dei chiostri. La ricerca intende inoltre considerare la realtà monastica femminile nel suo insieme, esaminando la presenza delle comunità religiose nella città e il loro ruolo all’interno delle dinamiche della vita urbana. L'indagine condotta restituisce oggi una visione attendibile del fenomeno sonoro nel quotidiano delle realtà claustrali, portandoci a comprendere quanto le comunità monastiche femminili contribuirono allo sviluppo di tradizioni musicali, spettacolari, liturgiche. Angela Fiore • Angela Fiore si è laureata in musicologia presso l'Università degli Studi di Pavia nel 2004 ed ha conseguito nel 2015 il dottorato di ricerca presso l'Università di Fribourg (Svizzera). Le sue ricerche si occupano prevalentemente di musica sacra del Sei e Settecento italiana ed europea. E' inoltre diplomata in violino e specializzata nel repertorio barocco. 58 Peter Lang www.peterlang.com ‘Non senza scandalo delli convicini’: pratiche musicali nelle istituzioni religiose femminili a Napoli 1650–1750 Publikationen der Schweizerischen Musikforschenden Gesellschaft Publications de la Société Suisse de Musicologie Serie II – Vol. 58 PETER LANG Bern • Bruxelles • Frankfurt am Main • New York • Oxford • Warszawa • Wien Angela Fiore ‘Non senza scandalo delli convicini’: pratiche musicali nelle istituzioni religiose femminili a Napoli 1650–1750 PETER LANG Bern • Bruxelles • Frankfurt am Main • New York • Oxford • Warszawa • Wien Information bibliographique publiée par «Die Deutsche Nationalbibliothek» «Die Deutsche Nationalbibliothek» répertorie cette publication dans la «Deutsche Nationalbibliografie»; les données bibliographiques détaillées sont disponibles sur Internet sous ‹http://dnb.d-nb.de›. La prestampa e l'edizione digitale di questo volume sono state realizzate grazie al soste- gno del Fondo Nazionale Svizzero per la ricerca scientifica (FNS). La pubblicazione del volume ha ricevuto il finanziamento della AMS 75 PAYS ENDOWMENT dell’American Musicological Society-NATIONAL ENDOWMENT for the HUMANITIES/ ANDREW W. MELLON FOUNDATION. Tesi di dottorato presentata presso la Facoltà di Lettere dell'Università di Friburgo- Svizzera, approvata dalla Facoltà di Lettere su proposta dei professori Luca Zoppelli (premier rapporteur) e Claudio Toscani (second rapporteur). Friburgo, 20 aprile 2015, il decano Prof. Marc-Henry Soulet. In copertina: Messa a due voci. Pater Noster. Biblioteca del Monastero di Santa Chiara (Napoli), 1723. ISSN 1012-8441 br. ISBN 978-3-0343-2340-6 br. ISBN 978-3-0343-2348-2 eBook ISBN 978-3-0343-2350-5 MOBI ISBN 978-3-0343-2349-9 EPUB Open Access: Cette œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Pas de Modification 4.0. Pour consulter une copie de cette licence, visitez le site internet https://creativecommons.org/licenses/by-nc-nd/4.0/ © Angela Fiore, 2017 Peter Lang AG International Academic Publisher Bern Indice Abbreviazioni ......................................................................................... 13 Avvertenza .............................................................................................. 15 Ringraziamenti ....................................................................................... 17 Presentazione ......................................................................................... 19 Introduzione ........................................................................................... 21 Parte I: La vita dei chiostri fra consuetudini e proibizioni ......................31 I. Il buon governo degli istituti ......................................................... 33 1. La riforma dei monasteri femminili ........................................ 33 2. Gli strumenti di controllo ........................................................ 36 3. Le visite pastorali .................................................................... 38 4. I sinodi e gli arcivescovi della Diocesi .................................... 40 5. Editti e lettere pastorali ............................................................ 44 II I monasteri e i legami con la città ................................................. 49 1. Norme, tempi e luoghi ............................................................. 49 2. Le abitanti dei chiostri ............................................................. 52 3. Città3 aristocrazia e istituzioni regie ....................................... 54 III. Liturgie ordinarie e straordinarie .................................................. 59 1. Riti e culti ................................................................................ 59 2. La Settimana Santa .................................................................. 67 3. Liturgie ‘straordinarie’ ............................................................ 72 4. Le cerimonie di ‘monacazione’ ............................................... 75 IV. La pratica musicale ....................................................................... 93 1. Maestri di musica e di strumento ............................................ 93 2. Il teatro claustrale .................................................................... 99 3. Le fonti musicali .................................................................... 109 6 Indice Parte II: Le istituzioni ............................................................................119 V. I Monasteri .................................................................................. 121 1. Benedettine ............................................................................ 121 1.1 Ss. Marcellino e Festo ...................................................... 121 1.2 San Potito ......................................................................... 123 1.3 Santa Maria Donnalbina .................................................. 126 1.4 Santa Maria Donna Romita ............................................. 128 1.5 San Gregorio Armeno ...................................................... 131 1.6 Santa Patrizia ................................................................... 136 1.7 San Gaudioso ................................................................... 137 2. Agostiniane ............................................................................ 138 2.1 Santa Maria Egiziaca Maggiore a Forcella e
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