978–0–230–30441–3 Copyrighted Material – 978–0–230–30441–3

Total Page:16

File Type:pdf, Size:1020Kb

978–0–230–30441–3 Copyrighted Material – 978–0–230–30441–3 Copyrighted material – 978–0–230–30441–3 Introduction, selection and editorial matter © Robert Morrison and Daniel S. Roberts 2013 Individual chapters © contributors 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–30441–3 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 22 21 20 19 18 17 16 15 14 13 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Copyrighted material – 978–0–230–30441–3 Copyrighted material – 978–0–230–30441–3 Contents List of Illustrations ix Acknowledgements x Abbreviations xi Note on the Referencing of Blackwood’s Articles xiii Notes on Contributors xiv ‘A character so various, and yet so indisputably its own’: A Passage to Blackwood’s Edinburgh Magazine 1 Robert Morrison and Daniel Sanjiv Roberts Part I Blackwood’s and the Periodical Press 1 Beginning Blackwood’s: The Right Mix of Dulce and Ùtile 23 Philip Flynn 2 John Gibson Lockhart and Blackwood’s: Shaping the Romantic Periodical Press 35 Thomas Richardson 3 From Gluttony to Justified Sinning: Confessional Writing in Blackwood’s and the London Magazine 47 David Higgins 4 Camaraderie and Conflict: De Quincey and Wilson on Enemy Lines 57 Robert Morrison 5 Selling Blackwood’s Magazine, 1817–1834 69 David Finkelstein Part II Blackwood’s Culture and Criticism 6 Blackwood’s ‘Personalities’ 89 Tom Mole 7 Communal Reception, Mary Shelley, and the ‘Blackwood’s School’ of Criticism 101 Nicholas Mason 8 Blackwoodian Allusion and the Culture of Miscellaneity 113 David Stewart vii Copyrighted material – 978–0–230–30441–3 Copyrighted material – 978–0–230–30441–3 viii Contents 9 Blackwood’s Edinburgh Magazine in the Scientific Culture of Early Nineteenth-Century Edinburgh 125 William Christie 10 The Art and Science of Politics in Blackwood’s Edinburgh Magazine, c. 1817–1841 137 Duncan Kelly 11 Prosing Poetry: Blackwood’s and Generic Transposition, 1820–1840 149 Jason Camlot Part III Blackwood’s Fictions 12 Blackwood’s and the Boundaries of the Short Story 163 Tim Killick 13 The Edinburgh of Blackwood’s Edinburgh Magazine and James Hogg’s Fiction 175 Gillian Hughes 14 The Taste for Violence in Blackwood’s Magazine 187 Mark Schoenfield Part IV Blackwood’s at Home 15 John Wilson and Regency Authorship 203 Richard Cronin 16 John Wilson and Sport 215 John Strachan 17 William Maginn and the Blackwood’s ‘Preface’ of 1826 227 David E. Latané, Jr. 18 All Work and All Play: Felicia Hemans’s Edinburgh Noctes 239 Nanora Sweet Part V Blackwood’s Abroad 19 Mediating Indian Literature in the Age of Empire: Blackwood’s and Orientalism 255 Daniel Sanjiv Roberts 20 Tales of the Colonies: Blackwood’s, Provincialism, and British Interests Abroad 267 Anthony Jarrells Selected Bibliography 279 Index 281 Copyrighted material – 978–0–230–30441–3 Copyrighted material – 978–0–230–30441–3 ‘A character so various, and yet so indisputably its own’: A Passage to Blackwood’s Edinburgh Magazine Robert Morrison and Daniel Sanjiv Roberts William Blackwood found the name ‘Magazine . already degraded to the dust, when he planned his memorable revolution in that department of literature’, announced Thomas De Quincey in 1827; ‘and it would be too much to expect, that ten years of brilliant writing should dissolve the invet- erate associations which almost a century of dulness had gathered about that title’. Yet as De Quincey went on to acknowledge, these associations did not prevent Blackwood’s Edinburgh Magazine from ranking ‘first, in point of talent, amongst the journals of the present day’, and his calculations included the Edinburgh Review and the Quarterly Review, both of which might be thought of as having ‘the advantage in point of dignity’, but both of which fell below Blackwood’s because they had to strain to reach – whereas it was intimately connected to – ‘the shifting passions of the day’ (WTDQ, V, 149–150). De Quincey’s assessment is rooted in his own strong preference for magazines (he was a professional writer for almost three decades before he published a single article in a review), and it underestimates Blackwood’s immediate impact, as it took far less than a decade for its ‘brilliant writing’ to dislodge the ‘century of dulness’ that had gathered about the title of ‘magazine’. But certainly De Quincey is correct in his observation that Blackwood had effected a ‘memorable revolution’, for his magazine was the most important literary-political journal of its time, and a major force not only in Scottish letters, but in the development of British and American Romanticism.1 There was nothing else quite like Blackwood’s.2 It demolished much of what had come before in magazine publishing, and set the pattern for a great deal of what was to follow. It bristled always with confidence and contradiction, mobilizing a coruscating wit and explosive irony while calling repeatedly for stability and continuity. It was infamous for its belligerent High Toryism and its vicious literary reviews, especially of ‘Cockney School’ poets such as Leigh Hunt and John Keats. But it was equally remarkable for its variety, its inconsistency and irreverence, its breadth of insight, its groundbreaking 1 Copyrighted material – 978–0–230–30441–3 Copyrighted material – 978–0–230–30441–3 2 Romanticism and Blackwood’s Magazine treatment of fiction, its penetrating reviews of contemporary poetry, and its fictionalization of its own production in its immensely popular Noctes Ambrosianae, the raucous and wide-ranging dialogues that capture in full the exuberance of ‘Maga’ during Blackwood’s seventeen-year editorship. One of the magazine’s leading contributors, David Macbeth Moir, concisely summarized Blackwood’s appeal: ‘no other existing periodical has like Maga a character so various, and yet so indisputably its own’. More recently, Jon Klancher explores how in Blackwood’s ‘a powerful transauthorial discourse echoes through its protean collocation of styles, topics, and voices’.3 Blackwood’s magazine began, not with a bang, but a whimper. In 1816, Blackwood – increasingly successful as a bookseller and publisher – determined to establish a magazine.4 In part, he was anxious to exploit the rich literary and cultural climate of Edinburgh, and undoubtedly he recognized that the magazine format itself, which had remained essentially unaltered since Edward Cave introduced his Gentleman’s Magazine in 1731, was ripe for change. More directly, however, Blackwood sought to challenge Archibald Constable, his senior by only two years, a fellow Scot, a Whig, and the high-profile publisher of the Edinburgh Review, the Encyclopaedia Britannica, and most of Walter Scott’s novels, as well as of The Scot’s Magazine. Blackwood published the first issue of his Edinburgh Monthly Magazine in April 1817, and while it contained work by James Hogg, John Gibson Lockhart, Walter Scott, and John Wilson, it also opened – irritatingly – with an article praising Francis Horner, arch Whig and one of the founders of the Edinburgh Review. Unimpressed, Blackwood gave his editors, Thomas Pringle and James Cleghorn, two more numbers to give his magazine a clear direction and a distinct identity. But the situation did not improve, and by October he himself was in the editor’s chair when a reconstituted effort, Blackwood’s Edinburgh Magazine, exploded onto the British literary scene with an issue that contained a scathing review of Samuel Taylor Coleridge’s Biographia Literaria (1817), the first indictment of the ‘Cockney School of Poetry’, and the ‘Chaldee Manuscript’, an allegorical attack on Constable and other nota- ble Edinburgh Whigs that left many gasping and others threatening legal action. ‘Whatever may become of Blackwood or his antagonists – the “read- ing” or rather the talking “public” is greatly beholden to the Author’ of the ‘Chaldee’, remarked Thomas Carlyle. ‘He has kept its jaws moving these four weeks – and the sport is not finished yet’.5 Blackwood quickly capitalized on his initial
Recommended publications
  • Ashley Walsh
    Civil religion in Britain, 1707 – c. 1800 Ashley James Walsh Downing College July 2017 This dissertation is submitted for the degree of Doctor of Philosophy. Preface This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. All dates have been presented in the New Style. 1 Acknowledgements My greatest debt is to my supervisor, Mark Goldie. He encouraged me to study civil religion; I hope my performance vindicates his decision. I thank Sylvana Tomaselli for acting as my adviser. I am also grateful to John Robertson and Brian Young for serving as my examiners. My partner, Richard Johnson, and my parents, Maria Higgins and Anthony Walsh, deserve my deepest gratitude. My dear friend, George Owers, shared his appreciation of eighteenth- century history over many, many pints. He also read the entire manuscript.
    [Show full text]
  • Eg Phd, Mphil, Dclinpsychol
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton.
    [Show full text]
  • The Romantic Economist
    This page intentionally left blank THE ROMANTIC ECONOMIST Since economies are dynamic processes driven by creativity, social norms and emotions, as well as rational calculation, why do econo- mists largely study them through the prism of static equilibrium models and narrow rationalistic assumptions? Economic activity is as much a function of imagination and social sentiments as of the rational optimisation of given preferences and goods. Richard Bronk argues that economists can best model and explain these creative and social aspects of markets by using new structuring assumptions and metaphors derived from the poetry and philosophy of the Romantics. By bridging the divide between literature and science, and between Romanticism and narrow forms of rationalism, economists can access grounding assumptions, models and research methods suitable for comprehending the creativity and social dimensions of economic activity. This is a guide to how economists and other social scientists can broaden their analytical repertoire to encompass the vital role of sentiments, language and imagination. Educated at Merton College, Oxford, Richard Bronk gained a first class degree in Classics and Philosophy. He spent the first seventeen years of his career working in the City of London, where he acquired a wide expertise in international economics, business and politics. His first book, Progress and the Invisible Hand (1998) was well received critically, and anticipated millennial angst about the increasingly strained relationship between economic growth and progress in wel- fare. Having returned to academic life in 2000, Bronk is now a writer and part-time academic. richard bronk is currently a Visiting Fellow in the European Institute at the London School of Economics and Political Science.
    [Show full text]
  • Lockhart'smemoirs of the Life of Sir Walter Scott, Bart
    Studies in Scottish Literature Volume 38 | Issue 1 Article 16 2012 WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig DePaul University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mulderig, Gerald P. (2012) "WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART'S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART.," Studies in Scottish Literature: Vol. 38: Iss. 1, 119–138. Available at: https://scholarcommons.sc.edu/ssl/vol38/iss1/16 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. WRITER, READER, AND RHETORIC IN JOHN GIBSON LOCKHART’S MEMOIRS OF THE LIFE OF SIR WALTER SCOTT, BART. Gerald P. Mulderig “[W]hat can the best character in any novel ever be, compared to a full- length of the reality of genius?” asked John Gibson Lockhart in his 1831 review of John Wilson Croker’s edition of Boswell’s Life of Johnson.1 Like many of his contemporaries in the early decades of the nineteenth century, Lockhart regarded Boswell’s dramatic recreation of domestic scenes as an intrusive and doubtfully appropriate advance in biographical method, but also like his contemporaries, he could not resist a biography that opened a window on what he described with Wordsworthian ardor as “that rare order of beings, the rarest, the most influential of all, whose mere genius entitles and enables them to act as great independent controlling powers upon the general tone of thought and feeling of their kind” (ibid.).
    [Show full text]
  • Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart.
    [Show full text]
  • Ecologies of Contemplation in British Romantic Poetry
    City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry Sean M. Nolan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE LODGE IN THE WILDERNESS: ECOLOGIES OF CONTEMPLATION IN BRITISH ROMANTIC POETRY by SEAN NOLAN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 © 2020 Sean Nolan All Rights Reserved ii The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________ ____________________________________ Date Nancy Yousef Chair of Examining Committee _______________________ ____________________________________ Date Kandice Chuh Executive Officer Supervisory Committee Alexander Schlutz Alan Vardy Nancy Yousef THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan Advisor: Nancy Yousef This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics.
    [Show full text]
  • Catalogue of the Library and Autographs of William F. Johnson
    * Copy / I - V CATALD DUE 30 X Ilibr&ry • &nd - OF WILLIAM F. JOHNSON, ESQ., w OK BOSTON, MASS. fVERY VALUABLE and Interesting Collection of English and American Literature comprising, under the title Americana, a num¬ ber of scarce works by the Mathers, Eliot and other authors of their day ; in General Literature, many Standard and Popular Works of Biography, History and Romance, and worthy of especial notice and attention, a Collection of FIRST EDITIONS of REMARKABLE INTEREST AND VALUE BY REASON OF BOTH RARITY AND BEAUTY OF CONDITION, including the most desired specimens of the works of Coleridge, Hunt, Lamb, Keats, Shelley, Thackeray, Browning, Bry¬ ant, Emerson, Hawthorne, Longfellow and others. Also to be mentioned a charming lot of CRUIKSH ANKIANA, and books illustrated by Leech and Rowlandson. In addition to all the book treasures there are Specimen Autographs of the best known and honored English and American Authors, Statesmen and others, many of them particularly desirable for condition or interesting con¬ tents. TO BE SOLD AT AUCTION Monday, Tuesday, "Wednesday and Thursday, JANUARY 2T—30, 1890, BANQS & 60.,,. , * i A ■» 1 > > > • «. it1 > » i ) >) > ) ) > 5 > 1 J > * ) » > 739 & 741 Broadway, New York. 7 ~ % > n > > ) t> ) >7 > SALE TO BEGIN AT 3 O’CLOCK!’ ' > 7 > ' 7 ' > > 7 ) 7 *7 >v > ) , 7 {y Buyers wl~io cannot attend tloe sale me\y have pcir- chases made to tlieir order toy ttie Auctioneers. •* \ in 3 7 . '" i 'O'b ■ 9 c 1 ( f' * ( 0 « C. < C I < < < I / I , < C l < C » c 1 « l ( 1C. C f «. < « c c c i r < < < < 6 < C < < C \ ( < « ( V ( c C ( < < < < C C C t C.
    [Show full text]
  • Romantic Triangles
    Romantic Triangles: Author-Publisher-Reader Relations in Early Nineteenth Century British Literary Magazines: with particular reference to the Familiar Essays of Charles Lamb, William Hazlitt, and Thomas De Quincey by Christopher J. Skelton-Foord B.A.(Cantab.), M.Litt. (Aberdeen) A Master's Dissertation, submitted in partial fulfilment of the requirements for the award of the Master of Arts Degree of the Loughborough University of Technology September 1992 Supervisor: Diana Dixon B.A., M.Phil.(Leicester), Dip.Lib.(London), A.L.A. Departme·nt of Information and Library Studies '. @ C. J. Skelton-Foord, 1992 - iii - ACKNOWLEDGEMENTS I am glad to acknowledge my debt to my research supervisor, Diana Dixon, for advice and friendly guidance which have helped to ensure that writing my dissertation remained challenging and enjoyable. I am grateful to the staff of the British Library Document Supply Centre; Manchester Central Library; and the University Li braries of Aberdeen, Cambridge, Leicester, Loughborough, Manchester, Nottingham, and Staffordshire (especially its Assistant Humanities Librarian, Cathryn Donley) for their courtesy in making available to me their collections. Special thanks go to Mrs Hilary Dyer and Professor John Feather for their kind assistance at Loughborough, to Brandon High and John Urquhart for their encouragement and example, and to the School of English Studies, Journalism and Philosophy at the University of Wales College of Cardiff, whose award of a Corvey Senior Studentship in Bibliography from October 1992 provided me with the reassuring focus of knowing that my research into the production and reception of literature in the Romantic a~e could progress a stage further.
    [Show full text]
  • Beyond Excess Chicago
    Edinburgh Research Explorer Beyond excess Citation for published version: Milnes, T 2015, 'Beyond excess: Romanticism, surplus and trust', College Literature, vol. 42, no. 4, pp. 683- 698. https://doi.org/10.1353/lit.2015.0045 Digital Object Identifier (DOI): 10.1353/lit.2015.0045 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: College Literature Publisher Rights Statement: ©Milnes, T. (2015). Beyond Excess: Romanticism, Surplus and Trust. John Hopkins University Press and West Chester University of Pennsylvania. This article first appeared in College Literature. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Beyond Excess: Romanticism, Surplus and Trust Tim Milnes is Senior Lecturer in English Literature at the University of Edinburgh. He is the author of The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge (Cambridge University Press, 2010), Knowledge and Indifference in English Romantic Prose (Cambridge University Press, 2003), and the co-editor (with Kerry Sinanan) of Romanticism, Sincerity, and Authenticity (Palgrave, 2010).
    [Show full text]
  • David Martin Shaw for the Degree of Doctor of Philosophy University Of
    Y3XTERNAL AND REAL, BUT NôT SZTPERNA-": TEE TERROR OF THE SOUL IN BROCKDEN BROWN AND POE David Martin Shaw A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto @ David Martin Shaw 1999 National Library Bibliothèque nationale I*(of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON K1A ON4 OttawaON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. "Externai and real, but not supernatural": The Terror of the Sou1 in Brockden Brown and Poe. Ph.D. Thesis, 1999. David Martin Shaw Graduate Department of English, ~niversityof Toronto Abstract William Hazlitt noted in 1829 that the works of Charles Brockden Brown "were a banquet of horrors," arguing that the lack of European Gothic settings in the New World produced a different vein in the history of the tale of terror, as "the genius of America is essentially mechanical and modern.
    [Show full text]
  • Margaret Oliphant: Gender, Identity, and Value in the Victonan Penodical Press
    University of Alberta Margaret Oliphant: Gender, Identity, and Value in the Victonan Penodical Press Rhonda-Lea Carson-Batchelor O A thesis submitted to the Faculty of Graduate Shidies and Research in partial fulfillrnent of the requirements for the degree of Doctor of Philosophy. Department of English Edmonton, Alberta Fa11, 1998 National Library Bibliothèque nationale 1+1 ,mada du Canada Acquisitions and Acquisitions et Bibliographie Senrices services bibliographiques 395 Wellington Street 395, ~e Weilington OttawaON KIAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Biblothèque nationale du Canada de reproduce, Loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform., vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/lfilm, de reproduction sur papier ou sur fonnat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract The Victorian penod saw the rise of many women to professiond eminence in literary fields. Margaret Oliphant (1 828- l897), novelist, biographer, literary critic, social commentator, and historian, was just one who participated in the cultural debate about the changing place, role, and value of women within society and the workplace--'the woman questiony--buther conservative and careful feminism has attracted linle critical attention (or esteem) to her fiction.
    [Show full text]
  • Obituary You Cannot Take Your Own When Travelling in a Strange Car
    BRITISH AUG. 27, 1960 CORRESPONDENCE MEDICAL JOURNAL 671 and hats for themselves and for members of their fami- lies. I have bought five. One last point. As yet few cars have safety belts and Obituary you cannot take your own when travelling in a strange car. You can take your hat.-I am, etc., LORD HADEN-GUEST, M.C., M.R.C.S., L.R.C.P. The Institute of Orthopaedics, H. J. SEDDON, London, W.1. President, British Orthopaedic Lord Haden-Guest, who was a medical officer to one Association. of the earliest child-welfare clinics in London and then REFERENCE became a well-known Labour politician, died on Gissane, W., Brit. med. J., 1959, 1, 235. August 20. He was 83 years of age. Leslie Haden Guest was born at Oldham, Lancashire, on Cat Phobia March 10, 1877, the son of Dr. Alexander Haden Guest, SIR,-In your issue of August 13 (p. 497), writing of a who practised in Manchester and had many friends among case of cat phobia treated by them, Dr. H. L. Freeman the Fabians and radical thinkers of his day. Educated at and Mr. D. C. Kendrick are guilty of an inaccuracy William Hulme's Grammar School and at Owens College, sufficiently gross to merit correction on my part. In Manchester, Leslie Haden Guest continued his medical training at the London Hos- their brief and pejorative survey of the results of pital, qualifying M.R.C.S., psychotherapy of mental disorders, they say, inter alia: L.R.C.P. in 1900. After " Glover (1955) has disavowed any claims for the thera- serving as a civil surgeon in peutic usefulness of psycho-analytic methods." I the South African war he gather from their list of references that the disavowal remained in South Africa was made in my textbook The Technique of Psycho- for a time and then returned analysis.
    [Show full text]