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Musikalische Belustigungen MUSIKALISCHE BELUSTIGUNGEN ____________________ KATALOG NR. 473 Inhaltsverzeichnis Nr. 1-388 Musicalia Nr. 389-537 Kammermusik Nr. 538-609 Klaviermusik MUSIKANTIQUARIAT HANS SCHNEIDER D 82327 TUTZING Es gelten die gesetzlichen Regelungen der Bundesrepublik Deutschland. Alle Angebote sind freibleibend. Preise einschließlich Mehrwertsteuer in Euro (€). Meine Rechnungen sind nach Erhalt ohne Abzug zahlbar. Falls Zahlungen nicht in Euro lauten, bitte ich, die Bankspesen in Höhe von € 15.– dem Rechnungsbetrag hinzuzufügen. Versandkosten zu Lasten des Empfängers. Begründete Reklamationen bitte ich innerhalb von 8 Tagen nach Empfang der Ware geltend zu machen. (Keine Ersatzleistungspflicht). Gerichtsstand und Erfüllungsort für beide Teile Sitz der Lieferfirma. Eigentumsvorbehalt gemäß § 455 BGB. Die angebotenen Werke befinden sich in gutem Erhaltungszustand, soweit nicht anders vermerkt. Unwesentliche Mängel (z. B. Namenseintrag) sind nicht immer angezeigt, sondern durch Preisherabsetzung berücksichtigt. Über bereits verkaufte, nicht mehr lieferbare Titel erfolgt keine separate Benachrichtigung. Mit der Aufgabe einer Bestellung werden meine Lieferbedingungen anerkannt. Format der Bücher, soweit nicht anders angegeben, 8°, das der Noten fol., Einband, falls nicht vermerkt, kartoniert oder broschiert. ABKÜRZUNGEN: S. = Seiten Pp. = Pappband Bl. (Bll.) = Blatt Kart. = Kartoniert Aufl. = Auflage Brosch. = Broschiert Bd. (Bde.) = Band (Bände) d. Zt. = der Zeit Diss. = Dissertation besch. = beschädigt PN = Platten-Nummer verm. = vermehrt VN = Verlags-Nummer hg. = herausgegeben Abb. = Abbildung bearb. = bearbeitet Taf. = Tafel Lpz. = Leipzig Ungeb. = Ungebunden Mchn. = München o. U. = ohne Umschlag Stgt. = Stuttgart O = Originaleinband Bln. = Berlin des Verlegers Ffm. = Frankfurt/Main Pgt. (Hpgt.) = (Halb-)Pergament o. O. = ohne Verlagsort Ldr. (Hldr.) = (Halb-)Leder o. V. = ohne Verlagsangabe Ln. (Hln.) = (Halb-)Leinen BD = Bibliotheksdublette Köchel6 = Köchel 6. Aufl. Sdr. = Sonderdruck Eigh. = Eigenhändig B&B = Bote & Bock m. U. = mit Unterschrift B&H = Breitkopf & Härtel m. N. = mit Namenszug R-B. = Rieter-Biedermann © 2014 by Hans Schneider, 82327 Tutzing MUSIKANTIQUARIAT UND VERLAG PROF. DR. HANS SCHNEIDER OHG 82327 TUTZING · BAHNHOFSTRASSE 9-15 TELEFON 0 81 58 30 50 · TELEFAX 0 81 58 76 36 E-MAIL: [email protected] www.schneider-musikantiquar.de Ust-IdNr. DE 270 832 844 1 ADAM, A.: König für einen Tag. („Wenn ich König wäre!“). Romantisch- komische Oper in 3 Akten von d’Ennery u. Brésil. Übersetzt und für die deutsche Bühne bearbeitet von Paul Wolff. Bln., © Martha Wolff, Selbstver- lag des Übersetzers (o. VN) [1925] 2 Bll., XII, 203 S. 4°. OHln. (Lichtränder) 80.– In Autographie. „Als Manuskript gedruckt“. 2 –: La Poupée de Nuremberg ... Die Nürnberger Puppe. Komische Oper in einem Akt ... Vollständiger Clavier-Auszug. (frz./dt.) Mainz, Schott (PN 11908) [nicht vor 1871] 2 Bll., 63 S. Hln. – Titelauflage. 60.– 3 ALBERT, E. d’: Flauto Solo. Musikalisches Lustspiel in einem Aufzuge. Dichtung von Hans v. Wolzogen. Vollständiger Klavier-Auszug mit deut- schem Text von Egon Pollak. Bln., B&B (VN 15870) (1905) 151 S. 35.– Raupp S. 360; Pangels S. 439. – Erstausgabe. – BD. 4 ASIOLI, B.: XII Ariette (italienisch u. deutsch) con accompagnamento di Pianoforte ... dedicate alla Signora Angelica Catalani. Hamburgo presso Cranz (o. PN) [um 1840] 1 Bl., 19 S. qu-fol. 85.– RISM AA 2502 III, 33 („Hamburg, August Cranz“), zwei Expl.; CPM Bd. 2, S. 242 („A. Cranz: Hamburgo“). – Stockfleckig, wasserrandig. 5 BACH, J. S.: (BWV 45) Es ist dir gesagt, Mensch, was gut ist. Breslau, Leuckart (PN 1605) [1862] 57 S. 125.– Schmieder S. 76 f. – „Joh. Seb. Bach, Cantaten im Clavier-Auszuge bearbei- tet von R. Franz. No. 1“. – Erstausgabe, nicht in British Library. – Stockflek- kig. 3 6 –: (BWV 216) Vergnügte Pleißen-Stadt. Hochzeits-Kantate für Sopran und Alt ... Als Fragment aufgefunden. Vollendet und für zwei Flöten, Oboe, Violoncello und Klavier gesetzt von Georg Schumann. English Translation by C. Sanford Terry. Klavierauszug. (dt./engl.) Bln. u. Lpz., Lienau (VN 10346) [nicht vor 1924] 36 S. OKart. – Schmieder S. 360. 35.– 7 –: (BWV 243a) Magnificat à Cinque Voci Due Violini, Due Oboe, tre Trombi, Tamburi, Basson Viola e Basso Continuo, del Sigl: [!] J. S. Bach. Bonn, Simrock (PN 770) [1811] 53 S. fol. Hldr. d. Zt. (Einbandrücken mit kleiner Schadstelle) 750.– Schmieder2 S. 402; Kat. Hoboken 1 Nr. 25. – Gestochene Erstausgabe der Partitur zur ersten Fassung des Magnificats in Es-Dur. Dieser Druck enthält noch nicht die Einlegesätze A, B und D. – Gering stockfleckig und nur unbe- deutende Gebrauchsspuren. 8 –: (BWV 1060) Concert (en Ut mineur) pour Deux Clavecins avec deux Violons, Viola et Basse. Première Edition ... par Fréd. Conr. Griepenkerl. sen. Lpz., Peters (PN 3120/3121) (1848) Partitur 35 S. u. Stimmen 15; 11; 4; 4; 4; 6 S. In Hln.-Mappe. 1.250.– BWV (21990) S. 771; Kat. Hoboken 1 Nr. 129. – Sehr seltene Erstausgabe von Partitur und Stimmen. – Zur Vorbereitung dieser Ausgabe konnten ledig- lich zwei Abschriften dienen: die der Stimmen aus dem Nachlaß des „Bücke- burger Bach“ Johann Christoph Friedrich und die Partitur von der Hand Michels, eines Tenoristen aus dem Kirchenchor C. Ph. E. Bachs in Hamburg. – Einrisse in Titelblatt und letzter Seite der Partitur ausgebessert; leichte Ge- brauchsspuren. 9 –: (BWV Anh. 167) Messa a 8 voci reali e 4 ripiene coll’accompagnamen- to di due Orchestre. Partitura copiata dalla partitura autografa dell’Autore. A Lipsia presso Breitkopf e Härtel (PN 262) [1805] 57 S. Hldr. 350.– BWV S. 881; RISM B/BB 427; Kat. Hoboken 1 Nr. 152. – Erstausgabe der Partitur, herausgegeben von Johann Gottfried Schicht. Johann Ludwig Bach oder Antonio Lotti zugeschrieben. „Geiringer ... hält den von Spitta vermute- ten A. Lotti oder einen anderen Italiener als Autor wahrscheinlicher als Jo- hann Ludwig Bach“ (BWV). 10 – (4) masch. Grußworte zum 65. Bach-Fest der Neuen Bach-Gesellschaft. München, im Jahre 1990. (7) S. 4°. 80.– Jeweils mit eigh. Unterschrift versehene Grußworte von Friedrich Kardinal Wetter (Erzbischof von München u. Freising), Max Streibl, dem damaligen Bayerischen Ministerpräsidenten, Georg Kronawitter, Oberbürgermeister der Stadt München sowie dem Landesbischof der Evang.-Lutherischen Kirche in Bayern, Johannes Hanselmann, 4 Nr. 9 11 BANCK, C.: Lieder aus Deutschland gedichtet von Carl Alexander ... al- len Freunden des Nordens gewidmet. Op. 1. Heft II. Bln., Trautwein (o. PN) [1834] 23 S. qu-fol. Falz ausgebessert. 50.– Für Singstimme und Klavier. Mit szenisch illustriertem Titelblatt (ausgebes- sert u. stärker fleckig) und ganzseitiger „Erklärung des Titelblattes“. – Fin- gerfleckig, leicht stockfleckig. 12 BARTÓK, B.: (BB 62; Sz 48) Herzog Blaubarts Burg. Oper in einem Akt von Béla Balázs. Op. 11. Deutsche Übertragung von Wilhelm Ziegler. (dt./ungar.) Wien, UE (VN 7026) (1922). Klavierauszug. 71 S. 4°. (OU nicht vorhanden). Neu brosch. m. Titelschild. 60.– Szőllősy S. 332. – Erstausgabe. 13 –: (BB 100; Sz 94) Cantata profana ... Die Zauberhirsche. Für gemischten Chor, Tenorsolo, Baritonsolo und Orchester. Worte nach Volksliedertexten. Deutsche Übersetzung von Benedikt Szabolcsi. Klavierauszug. Nach der Handschrift des Komponisten gedruckt. (ungar./dt.) Wien, UE (VN 10.614) 1934. 36 S. Neu broschiert, hinteres Blatt des OU eingebunden. 85.– Szőllősy S. 342. – Erstausgabe. 5 14 BECHSTEIN, HANS (1872-1943) Porträtpostkarte (Rollenbild: Mime) m. eigh. Beschriftung u. U. auf der Bild- seite. München 4. 1. 1913. – Eigh. Brief m. U. ebd. 5. 1. 1915. 4 S. kl-8°. Knickfalten. – Porträtpostkarte (Rollenbild: Georg in Lortzings „Waffen- schmied“) m. eigh. Beschriftung u. U. auf der Bildseite sowie beschrifteter Rückseite. ebd. 10. 1. 1915. 95.– Der Tenor an den Rechtsanwalt und Musikkritiker Hofrat Dr. Alexander Dillmann in München. „... Wie ich lese, kommt Herr Generalmusikdirektor Franz Mikorey hierher ein Konzert zu dirigieren. Möchten Sie ... so ... lie- benswürdig sein mich ... zu empfehlen u. mich persönlich mit Mikorey be- kannt machen? – Es war seit Jahren mein Wunsch in Dessau einmal als ‚Mime‘ gastieren zu können. Sie wissen von meinen Erfolgen u. ... wie u. a. Frau Cosima Wagner, Dr. Hans Richter u. Prof. Nikisch sich über meine Lei- stung äußerten ... In Dessau ist seit dem Tode Feuge’s ...“ – der Tenor Oskar Feuge (1861-1913) – „das Tenorbuffo-Fach vollständig verwaist ...“ (5. 1. 1915). „... Für die schöne Karte herzl. Dank! Auf meinen Brief betreffs ‚Des- sau‘ blieb ich ohne Antwort ...“ (10. 1. 1915). – Das erste der beiden Rollen- bilder mit kleiner Rostspur. 15 BECK, JOHANN NEPOMUK (1827-1904) Kniestück, nach rechts, im offenen Rock mit dunkler Weste u. schwarzer Krawatte, in der Rechten Handschuhe, die Linke auf ein Notenheft gestützt. Lithographie von [Adolf] Dauthage, 1856. Ged. bei Jos. Stoufs in Wien. Ver- lag F. Paterno in Wien. Auf gewalztem China. 32,5 x 25,5 cm. Untersetzkar- ton (mit faks. Namenszug u. Impressum): 47,5 x 38 cm. 150.– Der aus Pest (Budapest) stammende Sänger (Bariton) verblieb bis 1885 an der Wiener Hofoper (Mitwirkung an der Eröffnung des Hauses am Ring 1869). Der Maler Dauthage wurde vom Wiener Kunstverleger Paterno an das Atelier Kriehubers vermittelt. „... Gleich seinem Meister und unter des- sen entscheidendem u. nachhaltigem Einfluß betätigte sich D. vorwiegend als Porträtlithograph ...“ (Thieme/Becker). 16 [BECKER, ALBERT] (1834-1899) Eigh. vollst. Musikmanuskript o. N. [Berlin?] o. J. (10) S. qu-fol. 175.– „O Heimat süß, o Heimat traut, dich grüß ich mit Entzücken
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