SITE SPECIFIC PRACTICES and CITY RENEWAL the Geo-Politics of Hotel Installations in Urban Spaces by MICHELLE H VEITCH a Thesis S
SITE SPECIFIC PRACTICES AND CITY RENEWAL The Geo-Politics of Hotel Installations in Urban Spaces BY MICHELLE H VEITCH A thesis submitted to the Department of Art in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada February, 2010 Copyright © Michelle H Veitch, 2010 Dedication I dedicate this dissertation to my deceased father Richard Thomas Veitch whose unwavering work ethic and personal integrity inspired me to achieve my goals and ambitions in life. I am grateful for all the ways that he supported my decisions and accomplishments with his patience, commitment and respect which he offered open heartedly until his untimely passing. Abstract This dissertation examines site specific works produced in hotel buildings by exploring the multiple and contending narratives which gave meaning to city spaces where divergent communities lived, worked and socialized. I analyze the ways in which artists altered urban sites on a visual, sensorial and perceptual levels by focusing on installations produced in three hotels from 1980 to the present: the Embassy Hotel in London, Ontario, and the Cameron House and the Gladstone Hotel in Toronto, Ontario. By facilitating critical interventions in these architectural spaces, artists responded to the conflicting agendas of varying constituencies—from city planners and artists to hotel owners and residents. These commercial establishments, which combined bars, cafés, performance venues, galleries and room rentals, demonstrate the ways in which art and cultural production reflect broader social patterns and urban life: economic shifts, questions of diversity, activist struggles, consumerism, unemployment, and community. In addition to providing spaces for creative practices and art installations, the hotels each went through a series of renovations, transforming the once derelict buildings where low income tenants formerly resided into gentrified buildings, thus changing the social, symbolic and historical significance of the architectural sites.
[Show full text]