DOCSLIB.ORG

GREEN ANARCHYANARCHY Like a Drunk in a Midnight Choir FALL/WINTER 2005-06 I Have Tried in My Way to Be Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

I saw a beggar leaning on his wooden crutch, He said to me, “you must not ask for so much.” And a pretty woman leaning in her darkened door, She cried to me, “hey, why not ask for more?” Oh like a bird on the wire, GREENGREEN ANARCHYANARCHY Like a drunk in a midnight choir FALL/WINTER 2005-06 I have tried in my way to be free. ISSUE #21 $4 USA, $5 CANADA, –Leonard Cohen, $6 EUROPE, $7 WORLD Bird On A Wire FREE TO PRISONERS GREEN ANARCHY PO BOX 11331 Eugene, OR 97440 [email protected] AnAn Anti-CivilizationAnti-Civilization JournalJournal ofof TTheoryheory andand ActionAction Oh, where have you been, my blue-eyed son? “We“We areare thethe birdsbirds ofof thethe comingcoming storm.”storm.” —August—August SpiesSpies Oh, where have you been, my darling young one? TheThe tidetide isis out,out, thethe windwind blowsblows offoff thethe shore;shore; Bare burn the white sands in the scorching sun; I’ve stumbled on the side of twelve misty mountains, Bare burn the white sands in the scorching sun; The sea complains, but its great voice is low. I’ve walked and I’ve crawled on six crooked highways, The sea complains, but its great voice is low. I’ve stepped in the middle of seven sad forests, Bitter thy woes, O People, I’ve been out in front of a dozen dead oceans, Bitter thy woes, O People, And the burden I’ve been ten thousand miles in the mouth of a graveyard, And the burden HardlyHardly toto bebe borne!borne! I saw a newborn baby with wild wolves all around it, WearilyWearily grows,grows, OO People,People, I saw a highway of diamonds with nobody on it, AllAll thethe achingaching I saw a black branch with blood that kept drippin’, OfOf thythy piercedpierced heart,heart, bruisedbruised andand torn!torn! I saw a room full of men with their hammers a-bleedin’, ButBut yetyet thythy timetime isis not,not, I saw a white ladder all covered with water, AndAnd lowlow thythy moaning.moaning. I saw ten thousand talkers whose tongues were all broken, DesertDesert thythy sands!sands! I saw guns and sharp swords in the hands of young children, NotNot yetyet isis thythy breathbreath hot,hot, VengefullyVengefully blowing;blowing; ItIt waftswafts o’ero’er liftedlifted hands.hands. I heard the sound of a thunder, it roared out a warnin’, Heard the roar of a wave that could drown the whole world, TheThe tidetide hashas turned;turned; thethe vanevane veersveers slowlyslowly round;round; Heard one hundred drummers whose hands were a-blazin’, SlowSlow cloudsclouds areare sweepingsweeping o’ero’er thethe blindingblinding light;light; Heard ten thousand whisperin’ and nobody listenin’, WhiteWhite crestscrests curlcurl onon thethe sea—itssea—its voicevoice growsgrows deep.deep. Heard one person starve, I heard many people laughin’, Heard the song of a poet who died in the gutter, AngryAngry thythy heart,heart, OO People!People! Heard the sound of a clown who cried in the alley, AndAnd itsits bleedingbleeding I met a young child beside a dead pony, Fire-tippedFire-tipped withwith risingrising hate!hate! I met a white man who walked a black dog, ThyThy claspedclasped handshands part,part, OO People,People, I met a young woman whose body was burning, ForFor thythy prayingpraying WarmedWarmed notnot thethe desolate!desolate! I met a young girl, she gave me a rainbow, GodGod diddid notnot hearhear thythy moan:moan: I met one man who was wounded in love, NowNow itit isis swellingswelling I met another man who was wounded with hatred, ToTo aa greatgreat drowningdrowning cry;cry; AA darkdark wind-cloud,wind-cloud, aa groan,groan, NowNow backwardbackward veeringveering I’mI’m a-goin’a-goin’ backback outout ‘fore‘fore thethe rainrain startsstarts a-fallin’,a-fallin’, FromFrom thatthat deafdeaf sky!sky! I’llI’ll walkwalk toto thethe depthsdepths ofof thethe deepestdeepest blackblack forest,forest, WhereWhere thethe peoplepeople areare manymany andand theirtheir handshands areare allall empty,empty, TheThe tidetide flowsflows in,in, thethe windwind roarsroars fromfrom thethe depths,depths, WhereWhere thethe pelletspellets ofof poisonpoison areare floodingflooding theirtheir waters,waters, TheThe whirled-Whitewhirled-White sandsand heapsheaps withwith thethe foam-whitefoam-white waves;waves; WhereWhere thethe homehome inin thethe valleyvalley meetsmeets thethe dampdamp dirtydirty prison,prison, ThunderingThundering thethe seasea rollsrolls o’ero’er itsits shell-crunchedshell-crunched wall!wall! WhereWhere thethe executioner’sexecutioner’s faceface isis alwaysalways wellwell hidden,hidden, WhereWhere hungerhunger isis ugly,ugly, wherewhere soulssouls areare forgotten,forgotten, StrongStrong isis thythy rage,rage, OO People,People, WhereWhere blackblack isis thethe color,color, wherewhere nonenone isis thethe number,number, InIn itsits furyfury AndAnd I’llI’ll telltell itit andand thinkthink itit andand speakspeak itit andand breathebreathe it,it, HurlingHurling thythy tyrantstyrants down!down! AndAnd reflectreflect itit fromfrom thethe mountainmountain soso allall soulssouls cancan seesee it,it, ThowThow metestmetest wage,wage, OO People.People. ThenThen I’llI’ll standstand onon thethe oceanocean untiluntil II startstart sinkin’,sinkin’, VVeryery swiftly,swiftly, ButBut I’llI’ll knowknow mymy songsong wellwell beforebefore II startstart singin’,singin’, NowNow thatthat thythy hatehate isis grown:grown: ThyThy timetime atat lastlast isis come;come; ThouThou heapestheapest anguish,anguish, AndAnd it’sit’s aa hard,hard, it’sit’s aa hard,hard, it’sit’s aa hard,hard, it’sit’s aa hard,hard, WhereWhere thouthou thyselfthyself wertwert bare!bare! NoNo longerlonger toto thythy dumb.dumb. GodGod claspedclasped andand kneeling.kneeling. –Voltairine–Voltairine dede Cleyre,Cleyre, It’sIt’s aa hardhard rain’srain’s a-gonnaa-gonna fall.fall. ThouThou answerestanswerest thinethine ownown prayer.prayer. words by Bob Dylan TheThe HurricaneHurricane Some Notes on the Social Construction of Reality by Theresa Kintz, pg 49 Contents: Brimstone, Gall and Fire by some internal enemies, pg 53 Contents: 25 Years of “Radical” Charity, pg 67 Myco-Primitive by Rat Girl, pg 68 Reflections On Feral Visions Against Civilization 2005 by the Wildroots Collective, pg 73 Report On the Earth First! Rendezvous IssueIssue #21#21 by Felonious Skunk, pg 74 On the Continuing Poverty of Student Life, pg 76 Fall/WinterFall/Winter 2005-062005-06 Sections Articles Welcome to Green Anarchy, pg 4 Santa Claus Is Coming to Town by Faith Stealer, pg 2 The Nihilist Dictionary: #6–Progress, pg 11 Solidarity Forever?, pg 3 The Garden of Peculiarities: Fragment 6, pg 25 “Untitled” by Viva MacSeoin, pg 6 State Repression News, pg 54 Revolution, Zen, and Dirty Dishes Reviews, pg 60 by Icarus Descending, pg 10 News from the Balcony with Waldorf and Statler, pg 66 On the Origins of War by John Zerzan, pg 12 Practical Rewilding: On Coming To Know Flesh, pg 70 Binary Gender Division and Dualistic Thought Letters, pg 78 by Helena, pg 14 Subscriber and Distributor Info, pg 83 Seven Lies About Civilization by Ran Prieur, pg 16 Green Anarchy Distro, pg 83 Only A Tsunami Will Do: For a Post Feminist Anarchy by Rita-Katrina Andrews, pg 18 Direct Action Max & I by (I)An-ok Ta Chai, pg 24 The Wild Fights Back, pg 22 Stones Can Speak: Bolivia and the Lulaization of South America by Jesús Sepúlveda, pg 26 Indigenous and Campesino Resistance, pg 28 People of the Land, Without Land, an Interview with Ecological Resistance, pg 32 Roberto Ñankucheo, pg 31 Anarchist Resistance, pg 39 The Ballot or The Bullet? by Black Powder, pg 36 Anti-Capitalist and Anti-Government Battles, pg 46 Agents of Chaos: A Communiqué Into Militant Anti-G8 Report, pg 47 Primitivist Tactics by Know One, pg 42 Symptoms of the System’s Meltdown, pg 50 Ten Blows Against Politics by Il Pugnale, pg 44 Prisoner Uprisings and Escapes, pg 58 .. .. .. thisthis isis thethe timetime ofof deathdeath andand decay,decay, thethe prequelprequel toto newnew life.life. Page 1 FALL/WINTER ‘05-‘06 ISSUE SantaSanta ClausClaus IsIs ComingComing toto TownTown He’s making a list More of the citizenry is being naughty instead Checking it twice of nice. Because more of us are questioning, He’s going to find out challenging, and refusing, the supernatural Whose naughty or nice watchers are becoming the reality myths pre- Santa Claus is coming to town configured. In every town and city surveillance cameras stare at us from street corners, school- Young children start life as the rooms, churches, libraries, offices, and factories. most free and the most resistant. Microphones record our conversations in hotel They’ve not yet internalized the lobbies, bank teller stalls, and cashier stands. morality of master-slave, higher- Listening devices are placed on telephone lines lower, ruler-ruled, so the education and our words recorded to see who is casting system’s primary goal is to instill doubts, who might be challenging the ruling order. the dominant reality – we are not While the Internet provides a means to launch free to explore and experiment, such challenges, it also provides the easiest means to ‘fail’ or ‘succeed’ on our own yet for tracking the whispers of discontent. For terms. We learn very quickly (or the increasingly rare corners that the masters’ spy not) that others know best and technology hasn’t (yet) reached, private police we’re rewarded for accepting and watchful citizens launch their own investiga- this Truth or punished for testing tions, in the feudal exchange for more privileges its limits. from the wardens. And the focus is expanded At the end of each year, the during the holyday period from November to System presents a particularly January as more folks – many who can’t afford byby FFaithaith StealerStealer enticing myth, tantalizing the the symbols of the truly successful – take what slaves-in-waiting while reinforcing they need or want. Making a list and checking it the masters’ expectations on the twice has never been quite so easy.
Recommended publications
  • Woody Allen: O Teatro Em Seus Filmes, O Cinema Em Suas Peças

    Woody Allen: O Teatro Em Seus Filmes, O Cinema Em Suas Peças

    0 Myriam Pessoa Nogueira Woody Allen: O teatro em seus filmes, O cinema em suas peças. Universidade Federal de Minas Gerais Escola de Belas Artes Agosto de 2014 1 Myriam Pessoa Nogueira Woody Allen: O teatro em seus filmes, O cinema em suas peças. Tese de doutoramento no Programa de Pós- Graduação em Artes da Escola de Belas Artes da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Doutora em Artes. Área de Concentração: Arte e Tecnologia da Imagem (Cinema) Orientador: Prof. Dr. Luiz Nazario Belo Horizonte Escola de Belas Artes/UFMG 2014 2 Dedico a minha mãe, Stela Matutina Pessoa Reis, que projetava filmes na parede de uma igreja de uma cidade pequena do interior de Minas, como em Cinema Paradiso. 3 AGRADECIMENTOS Ao meu orientador, Dr. Luiz Roberto Nazario, por ter me aceito neste programa de pós-graduação, sua paciência e disponibilidade. À minha mãe, que teve de aguentar uma doutoranda pedindo silêncio para escrever, discutindo com o computador que pifava, com a impressora que não funcionava...e revendo comigo todos os filmes de Woody Allen e de outros diretores. À Capes, pela bolsa no Brasil e no exterior (PDSE). A todos os professores da EBA e da UFMG que me acompanharam até aqui. À Sra. Zina Pawlowski de Souza, sempre prestativa, disponível e paciente com os orientandos e alunos em geral. A meu tutor na Wayne State University, Detroit, Michigan, Estados Unidos, Dr. Steven Shaviro, e todo o pessoal de lá, e a Bill Winkler e sua família, pela hospedagem. À Universidade de Princeton, ao Paley Media Center, à Library of Congress, pela porta aberta à pesquisa.
  • Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T

    Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T

    Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man.
  • A Concert Review by Christof Graf

    A Concert Review by Christof Graf

    Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol.
  • Winter 2002 (PDF)

    Winter 2002 (PDF)

    CIVILRIGHTS WINTER 2002 JOURNAL ALSO INSIDE: EQUATIONS: AN INTERVIEW WITH BOB MOSES FLYING HISTORY AS SENTIMENTAL EDUCATION WHILE WHERE ARE YOU REALLY FROM? ASIAN AMERICANS AND THE PERPETUAL FOREIGNER SYNDROME ARAB MANAGING THE DIVERSITY Lessons from the Racial REVOLUTION: BEST PRACTICES FOR 21ST CENTURY BUSINESS Profiling Controversy U.S. COMMISSION ON CIVIL RIGHTS CIVILRIGHTS WINTER 2002 JOURNAL The U.S. Commission on Civil Rights is an independent, bipartisan agency first established by Congress in 1957. It is directed to: • Investigate complaints alleging that citizens are being deprived of their right to Acting Chief vote by reason of their race, color, religion, sex, age, disability, or national origin, Terri A. Dickerson or by reason of fraudulent practices; • Study and collect information relating to discrimination or a denial of equal Managing Editor protection of the laws under the Constitution because of race, color, religion, sex, David Aronson age, disability, or national origin, or in the administration of justice; Copy Editor • Appraise federal laws and policies with respect to discrimination or denial of equal Dawn Sweet protection of the laws because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice; Editorial Staff • Serve as a national clearinghouse for information in respect to discrimination or Monique Dennis-Elmore denial of equal protection of the laws because of race, color, religion, sex, age, Latrice Foshee disability, or national origin; Mireille Zieseniss • Submit reports, findings, and recommendations to the President and Congress; • Issue public service announcements to discourage discrimination or denial of equal Interns protection of the laws. Megan Gustafson Anastasia Ludden In furtherance of its fact-finding duties, the Commission may hold hearings and issue Travis McClain subpoenas for the production of documents and the attendance of witnesses.
  • NEW EOT-English:Layout 1

    NEW EOT-English:Layout 1

    TOUR OF ATHENS, stage 10 FROM OMONIA SQUARE TO KYPSELI Tour of Athens, Stage 10: Papadiamantis Square), former- umental staircases lead to the 107. Bell-shaped FROM MONIA QUARE ly a garden city (with villas, Ionian style four-column propy- idol with O S two-storey blocks of flats, laea of the ground floor, a copy movable legs TO K YPSELI densely vegetated) devel- of the northern hall of the from Thebes, oped in the 1920’s - the Erechteion ( page 13). Boeotia (early 7th century suburban style has been B.C.), a model preserved notwithstanding 1.2 ¢ “Acropol Palace” of the mascot of subsequent development. Hotel (1925-1926) the Athens 2004 Olympic Games A five-story building (In the photo designed by the archi- THE SIGHTS: an exact copy tect I. Mayiasis, the of the idol. You may purchase 1.1 ¢Polytechnic Acropol Palace is a dis- tinctive example of one at the shops School (National Athens Art Nouveau ar- of the Metsovio Polytechnic) Archaeological chitecture. Designed by the ar- Resources Fund – T.A.P.). chitect L. Kaftan - 1.3 tzoglou, the ¢Tositsa Str Polytechnic was built A wide pedestrian zone, from 1861-1876. It is an flanked by the National archetype of the urban tra- Metsovio Polytechnic dition of Athens. It compris- and the garden of the 72 es of a central building and T- National Archaeological 73 shaped wings facing Patision Museum, with a row of trees in Str. It has two floors and the the middle, Tositsa Str is a development, entrance is elevated. Two mon- place to relax and stroll.
  • Americans in Athens: Learning from Documenta 14

    Americans in Athens: Learning from Documenta 14

    14 Essay Americans in Athens: learning Adrian Anagnost and from documenta 14 Manol Gueorguiev Authors: Adrian Anagnost and Manol Gueorguiev Erschienen in : all-over 14, Spring/Summer 2018 Publikationsdatum : 5. Juli 2018 URL : http://allover-magazin.com/?p=3150 ISSN 2235-1604 Quellennachweis : Adrian Anagnost and Manol Gueorguiev, Americans in Athens: learning from documenta 14, in : all-over 14, Spring Summer 2018, URL: http://allover-magazin.com/?p=3150 Abstract This essay offers a critical account of socially-engaged works by Verwendete Texte, Fotos und grafische Gestaltung sind United States artists at documenta in Athens, Greece, in 2017. urheberrechtlich geschützt. Eine kommerzielle Nutzung der Texte Focusing on William Pope.L’s Whispering Campaign and Rick Lowe’s und Abbildungen – auch auszugsweise – ist ohne die vorherige Victoria Square Project, this article examines the status of Greek schriftliche Genehmigung der Urheber oder Urheberinnen history for works by international artists and the challenges of trans- nicht erlaubt. Für den wissenschaftlichen Gebrauch der Inhalte planting long-running artistic strategies to new locations. It argues empfehlen wir, sich an die vorgeschlagene Zitationsweise that social practices face the same challenges of translation as artworks zu halten, mindestens müssen aber Autor oder Autorin, Titel des in other media, and that social practice is, ultimately, site specific. Aufsatzes, Titel des Magazins und Permalink des Aufsatzes angeführt werden. Keywords social practice, social sculpture, migration, Athens, documenta, © 2018 all-over | Magazin für Kunst und Ästhetik, Wien / Basel site specificity 14 Essay Americans in Athens: learning Adrian Anagnost and from documenta 14 Manol Gueorguiev A claim: Social practice is site specific.
  • Bruno Csar Ferreira Vieira

    Bruno Csar Ferreira Vieira

    Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Faculdade de Letras BRUNO CÉSAR FERREIRA VIEIRA Monsters in the Mirror: the question of the Doppelgänger in Stevenson and Stan Lee Rio de Janeiro 2007 1 Bruno César Ferreira Vieira Monsters in the Mirror: the question of the Doppelgänger in Stevenson and Stan Lee Dissertação apresentada, como requisito parcial para a obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Profª Drª Maria Conceição Monteiro Rio de Janeiro 2007 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/CEHB V658 Vieira, Bruno César Ferreira. Monsters in the Mirror: the question of the Doppelgänger in Stevenson and Stan Lee / Bruno César Ferreira Vieira. – 2007. 95 f.: il. Orientador : Maria Conceição Monteiro. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Histórias em quadrinhos – Teses. 2. Duplo - Teses. 3. Monstros na literatura – Teses. I. Monteiro, Maria Conceição. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 659.3:741.5 3 Bruno César Ferreira Vieira Monsters in the Mirror: the question of the Doppelgänger in Stevenson and Stan Lee Dissertação apresentada, como requisito para obtenção do título de Mestre, ao Programa de Pós- Graduação da Faculdade de Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Aprovado em: ____________________________ Banca Examinadora: Profª Drª Maria Conceição Monteiro (Orientadora – UERJ) Profª Drª Magda Velloso Fernandes de Tolentino ( Titular – UFSJ) Profª Drª Eliane Borges Berutti (Titular – UERJ) Profª Drª Cléa Fernandes Ramos Valle ( Suplente – ISAT) Profª Drª Ana Lucia de Souza Henriques (Suplente – UERJ) Rio de Janeiro 2007 4 This work is dedicated to my godfather Lael da Silva Fontes, who contributed a lot to my profile as a student.
  • Leonard Cohen in French Culture: a Song of Love and Hate

    Leonard Cohen in French Culture: a Song of Love and Hate

    The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart.
  • Athens Strikes & Protests Survival Guide Budget Athens Winter 2011 - 2012 Beat the Crisis Day Trip Delphi, the Navel of the World Ski Around Athens Yes You Can!

    Athens Strikes & Protests Survival Guide Budget Athens Winter 2011 - 2012 Beat the Crisis Day Trip Delphi, the Navel of the World Ski Around Athens Yes You Can!

    Hotels Restaurants Cafés Nightlife Sightseeing Events Maps ATHENS Strikes & Protests Survival guide Budget Athens Winter 2011 - 2012 Beat the crisis Day trip Delphi, the Navel of the world Ski around Athens Yes you can! N°21 - €2 inyourpocket.com CONTENTS CONTENTS 3 ESSENTIAL CITY GUIDES Contents The Basics Facts, habits, attitudes 6 History A few thousand years in two pages 10 Districts of Athens Be seen in the right places 12 Budget Athens What crisis? 14 Strikes & Protests A survival guide 15 Day trip Antique shop Spend a day at the Navel of the world 16 Dining & Nightlife Ski time Restaurants Best resorts around Athens 17 How to avoid eating like a ‘tourist’ 23 Cafés Where to stay Join the ‘frappé’ nation 28 5* or hostels, the best is here for you 18 Nightlife One of the main reasons you’re here! 30 Gay Athens 34 Sightseeing Monuments and Archaeological Sites 36 Acropolis Museum 40 Museums 42 Historic Buildings 46 Getting Around Airplanes, boats and trains 49 Shopping 53 Directory 56 Maps & Index Metro map 59 City map 60 Index 66 A pleasant but rare Athenian view athens.inyourpocket.com Winter 2011 - 2012 4 FOREWORD ARRIVING IN ATHENS he financial avalanche that started two years ago Tfrom Greece and has now spread all over Europe, Europe In Your Pocket has left the country and its citizens on their knees. The population has already gone through the stages of denial and anger and is slowly coming to terms with the idea that their life is never going to be the same again.
  • We Are an Image from the Future the Greek Revolt of December 2008

    We Are an Image from the Future the Greek Revolt of December 2008

    WE ARE AN IMAGE FROM THE FUTURE The Greek Revolt of December 2008 WE ARE AN IMAGE FROM THE FUTURE The Greek Revolt of December 2008 Edited by A.G. Schwarz, Tasos Sagris, and Void Network We are an Image from the Future: The Greek Revolt of December 2008 2010 A.G. Schwarz, Tasos Sagris, and Void Network This edition © 2010 AK Press (Oakland, Edinburgh, Baltimore) ISBN-13: 978-1-84935-019-8 Library of Congress Control Number: 2010921020 AK Press AK Press 674-A 23rd Street PO Box 12766 Oakland, CA 94612 Edinburgh, EH8 9YE USA Scotland www.akpress.org www.akuk.com [email protected] [email protected] The above addresses would be delighted to provide you with the latest AK Press distribution catalog, which features the several thousand books, pamphlets, zines, audio and video products, and stylish apparel published and/or distributed by AK Press. Alternatively, visit our web site for the complete catalog, latest news, and secure ordering. Visit us at www.akpress.org and www.revolutionbythebook.akpress.org. Follow Void Network [Theory, Utopia, Empathy, Ephemeral Arts] at: www.voidnetwork.blogspot.com | [email protected] Please contact A.G. Schwarz at: [email protected] Printed in Canada on acid-free paper with union labor. Cover design by Kate Khatib Front cover photo © by Elen Grigoriadou. Back cover photo © by Kostas Tsironis TABLE OF CONTENTS The Street Has Its Own History—Tasos Sagris ................................1 with five hundred ........................................................................... 108 Solidarity is a Flame—A.G. Schwarz ................................................2 Anna: That’s how big this thing was .............................................. 110 Yiannis: In Patras one thousand people were coming out to the 1.
  • I Green Politics and the Reformation of Liberal Democratic

    I Green Politics and the Reformation of Liberal Democratic

    Green Politics and the Reformation of Liberal Democratic Institutions. A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Sociology in the University of Canterbury by R.M.Farquhar University of Canterbury 2006 I Contents. Abstract...........................................................................................................VI Introduction....................................................................................................VII Methodology....................................................................................................XIX Part 1. Chapter 1 Critical Theory: Conflict and change, marxism, Horkheimer, Adorno, critique of positivism, instrumental reason, technocracy and the Enlightenment...................................1 1.1 Mannheim’s rehabilitation of ideology and politics. Gramsci and social and political change, hegemony and counter-hegemony. Laclau and Mouffe and radical plural democracy. Talshir and modular ideology............................................................................11 Part 2. Chapter 2 Liberal Democracy: Dryzek’s tripartite conditions for democracy. The struggle for franchise in Britain and New Zealand. Extra-Parliamentary and Parliamentary dynamics. .....................29 2.1 Technocracy, New Zealand and technocracy, globalisation, legitimation crisis. .............................................................................................................................46 Chapter 3 Liberal Democracy-historical
  • Natural Nation: Cultivating a Post-Extractive Azerbaijan

    Natural Nation: Cultivating a Post-Extractive Azerbaijan

    Natural Nation: Cultivating a Post-Extractive Azerbaijan Zsuzsanna Dominika Ihar 2020 Word count: 31264 A thesis submitted in fulfilment of the requirements for the degree of Master of Arts (Research), Department of Sociology and Social Policy, School of Social and Political Sciences, Faculty of Arts and Social Sciences, University of Sydney. Year of Award: 2021 1 Statement of originality I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Zsuzsanna Dominika Ihar 30th December 2020 2 Abstract The past decade has witnessed the proliferation of numerous ‘greening projects’ across Azerbaijan, aimed at transforming environments vandalised by hydrocarbon exploration and industrial agriculture into biodiverse havens, zones of conservation, and sustainable residential developments. This has been achieved via the uptake of remediation, horticulture, and naturalisation technologies by both state and corporate actors, shifting practices of extraction towards that of an alleged ‘post-extraction’. Here, ecological initiatives designed to cultivate and alter physical environments, as well as material interactions, seep into intimate circulations of life, reconfiguring relations between an array of human, vegetal, and animal beings. With a marked capacity for worldmaking, these initiatives have also become foundational elements in state- sponsored projects concerned with the renewal of national identity, territorial borders, and articulations of a cosmopolitan agenda. This dissertation attends to the ways in which more-than-human life has been mobilised by Azerbaijan's government, particularly for the purposes of nation-making and the creation of post- extractive environments. I look at how these processes have led to the reconfiguration of more- than-human relations and the transformation of everyday life in the name of a bourgeoning form of eco-nationalism.