Chapter 1 – Description and Composition of Flax
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Juices Beverages Sweets Breakfast Toasts
BREAKFAST SERVES UP TO 10 PEOPLE VG CHIA CHARGE $100 Gluten-Free Overnight Oats, Chia Seeds, CATERING MENU Old Chatham Sheep’s Milk Yogurt, HB Raw Wildflower Honey, Blueberry Compote, Banana, HB Granola VG EGG SANDWICH $100 ON 8 GRAIN BREAD Two Over Easy Omega 3 Eggs, HB Honey “Sriracha,” Arugula, 8 Grain Ciabatta CHOOSE ONE: Plainville Farms Turkey Bacon or Mashed Avocado VG QUINOA RANCHERO $110 BEVERAGES POWER BOWL SERVES UP TO 10 PEOPLE Two 8 Minute Omega 3 Eggs, Black Beans, Tri-Color Quinoa, Himalayan Ruby Rice, Roasted Corn, Mango, Jicama Salad, LA COLOMBE COFFEE $30 Seeded Corn Tortilla Crisp V SEASONAL FRUIT SALAD $100 ASSORTED TEAS $30 VG ASSORTED GLUTEN FREE $80 STILL OR SPARKLING WATER $25 BREAKFAST PASTRIES Vegan Options Available FRUIT-INFUSED ICED TEAS $45 Ginger Mango Peach or Pear Green VG MULTI-GRAIN CHIA SEED $50 CROISSANTS GREEN TEA REFRESH $45 Matcha, Peppermint Lime Tea, Cucumber email: [email protected] TOASTS BELGIAN HOT CHOCOLATE $40 @honeybrainslife SERVES UP TO 10 PEOPLE 80% Dark Belgian Chocolate, Raw Wildflower Honey, Choice of Milk V AVOCADO TOAST $110 Crushed Avocado, Lemon, Chia Hemp Flax Seed Medley, Maldon Salt, Infused JUICES Olive Oil, Seeded Sourdough SERVES UP TO 10 PEOPLE SMOKED SALMON TOAST $130 FRESHLY SQUEEZED $25 Atlantic Salmon, Labneh Spread, ORANGE JUICE Cucumber, Fresh Dill, Extra Virgin Olive Oil, Lemon Zest, Sourdough ASSORTED HB $90 COLD PRESSED JUICES VG DARK CHOCOLATE $110 GANACHE PRALINE TOAST ASSORTED HB JUICE SHOTS $35 Toasted Pecan Pralines in Molasses, Banana, HB Raw Wildflower -
Colour Chart
posca.com COLOUR CHART THE 55 COLOURS OF CREATION Metallic colours Metallic Gold Gold Gold Gold Gold Gold Gold Silver Silver Silver Silver Silver Silver Silver Bronze Bronze Bronze Metallic blue Metallic blue Metallic blue Metallic violet Metallic violet Metallic pink Metallic pink Metallic pink Metallic red Metallic red Metallic red Metallic green Metallic green Metallic green Fluoro colours Fluoro Fluo pink Fluo pink Red fluo Red fluo Fluo orange Fluo orange Fluo light orange Yellow fluo Yellow fluo Green fluo Glitter colours Glitter Blue Light blue Violet Pink Red Orange Yellow Green Classic colours Classic Black Black Black Black Black Black Black Black White White White White White White White White Grey Grey Grey Grey Grey Dark brown Brown Brown Brown Brown Brown Ivory Ivory Ivory Ivory Beige Beige Beige Beige Navy blue Dark blue Dark blue Dark blue Dark blue Dark blue Dark blue Dark blue Dark blue Light blue Light blue Light blue Light blue Light blue Light blue Light blue Light blue Turquoise Sky blue Sky blue Slate grey Slate grey Slate grey Slate grey Lilac Lilac Violet Violet Violet Violet Violet Violet Fuchsia Pink Pink Pink Pink Pink Pink Pink Pink Corail pink Light pink Light pink Light pink Red Red Red Red Red Red Red Red Dark red Red wine Red wine Red wine Red wine Orange Orange Orange Orange Orange Orange Bright yellow Bright yellow Bright yellow Bright yellow Light orange Light orange Light orange Light orange Light orange Yellow Yellow Yellow Yellow Yellow Yellow Yellow Yellow Straw yellow Straw yellow Straw yellow Apple green Apple green Light green Light green Light green Light green Light green Aqua green Green Green Green Green Green Green Green Green Emerald green Emerald green Khaki green PCF - 350 PC - 1MR PC - 1MC PC - 3M PC - 5M PC - 7M PC - 8K PC - 17K 1-10 mm 0,7 mm 0,7-1 mm 1,8-2,5 mm 4,5-5,5 mm 8 mm 15 mm PC - 3ML Bold Extra bold Brush Ultra fine Extra fine 0,9-1,3 mm Medium Bold Fine. -
Raffia Palm Fibre, Composite, Ortho Unsaturated Polyester, Alkali Treatment
American Journal of Polymer Science 2014, 4(4): 117-121 DOI: 10.5923/j.ajps.20140404.03 The Effect of Alkali Treatment on the Tensile Behaviour and Hardness of Raffia Palm Fibre Reinforced Composites D. C. Anike1,*, T. U. Onuegbu1, I. M. Ogbu2, I. O. Alaekwe1 1Department of Pure and Industrial Chemistry, Nnamdi Azikiwe University Awka, Anambra State, Nigeria 2Department of Chemistry Federal University Ndufu-Alike, Ikwo Ebonyi State, Nigeria Abstract The effects of alkali treatment and fibre loads on the properties of raffia palm fibre polyester composite were studied. Some clean raffia palm fibres were treated with 10% NaOH, and ground. The ground treated and untreated fibres were incorporated into the ortho unsaturated polyester resin. The treated and the untreated fibre composites samples were subjected to tensile tests according to ASTM D638 using instron model 3369. The microhardness test was done by forcing a diamond cone indenter into the surface of the hard specimen, to create an indentation. The significant findings of the results showed that alkali treatment improved the microhardness and extension at break at all fibre loads, better than the untreated fibre composites, with the highest values at 20% (14.40 and 3.47mm for microhardness and extension at break respectively). Tensile strength, tensile strain and modulus of elasticity also improved for alkali treated fibre composites, except in 5% and 20% for tensile strength, 15% for tensile strain, and 15% and 20% for modulus of elasticity, compared to the corresponding fibre loads of untreated fibre composites. Keywords Raffia palm fibre, Composite, Ortho unsaturated polyester, Alkali treatment The main drawbacks of such composites are their water 1. -
Flax and Linen: an Uncertain Oregon Industry by Steve M
Flax and Linen: An Uncertain Oregon Industry By Steve M. Wyatt One of the several painstaking, time-consuming tasks involved in processing flax is shown in this photo from 1946. Here workers bind dried bundles of retted flax, preparing them for scutching, the procedure by which usable fiber is separated from the plant. (Courtesy Horner Museum, Oregon State University) In many languages the word for flax is lin. In Eng lish, then, the two principal products derived from Steve m. WYATT, a lifelong this fibrous plant are known as linen and linseed oil. Fabrics made of flax have a reputation for both Oregon resident currently durability and beauty. Linen, for example, because of living in Newport, wrote his its resilience and strength (which increases by 20 per master's thesis on the Ore cent when wet), has had both military and industrial gon flax industry. applications.1 And linen can also, of course, be woven 150 This content downloaded from 71.34.93.71 on Mon, 02 Sep 2019 14:40:44 UTC All use subject to https://about.jstor.org/terms into fine and beautiful patterns. Linseed oil, a product Oregon's on-again, extracted from the seed of the flax plant, is used to off-again affair make oil-based paints, linoleum, wood preservatives, and rust inhibitors. In addition, doctors and veterinar with the fibrous ians have long used flax seed in poultices to relieve plant and its textile painful and inflamed wounds. At various times in the late nineteenth and twentieth offspring centuries, farmers in Oregon's Willamette Valley have pursued flax cultivation on an industrial scale. -
Thermal Behaviour of Flax Kenaf Hybrid Natural Fiber Composite
ISSN: 2350-0328 International Journal of Advanced Research in Science, Engineering and Technology Vol. 2, Issue 10 , October 2015 Thermal Behaviour of Flax Kenaf Hybrid Natural Fiber Composite V.S. Srinivasan, S. Rajendra Boopathy, B. Vijaya Ramnath Department of Mechanical Engineering, CEGC, Anna University, Chennai-25. Department of Mechanical Engineering, CEGC, Anna University, Chennai-25. Department of Mechanical Engineering, Sri Sairam Engineering College, Chennai-44. ABSTRACT: In this work, natural fibers of flax and kenaf are used. Hybrid materials are given importance as they play very important role in all applications and characterizations. This paper deals with one of such hybrid composite made of natural fibers namely, kenaf and flax fibers. The hybrid built-up is such that one layer of kenaf is sandwiched between two layers of flax fibres by hand layup method with a volume fraction of 40% using Epoxy resin and HY951 hardener. Glass fiber reinforcement polymer (GFRP) is used for lamination on both sides. Thermal properties are investigated for single fiber composites and kenaf - flax with GFRP hybrid composites. The hybrid composites have better thermal stability than single fibre composites. KEYWORDS: Flax, Kenaf, GFRP, Thermal behavior 1. INTRODUCTION The usage of natural fiber- reinforced composite materials is rapidly growing both in industries and in various research activities. The advantages of fibers are cheap, recyclable and biodegradable. Plants such as flax, hemp, cotton sisal, kenaf, banana etc., are the most used reinforcements of composites. They are used widely for manufacturing composites because of their easy availability, renewability, low density, and low price. The natural fiber containing composites are more environmental friendly and are used in transportation (automobiles, railway coaches, aerospace etc.,), military applications, building and construction industries in paneling and partition boards, packaging, consumer products etc. -
Edible Seeds and Grains of California Tribes
National Plant Data Team August 2012 Edible Seeds and Grains of California Tribes and the Klamath Tribe of Oregon in the Phoebe Apperson Hearst Museum of Anthropology Collections, University of California, Berkeley August 2012 Cover photos: Left: Maidu woman harvesting tarweed seeds. Courtesy, The Field Museum, CSA1835 Right: Thick patch of elegant madia (Madia elegans) in a blue oak woodland in the Sierra foothills The U.S. Department of Agriculture (USDA) prohibits discrimination in all its pro- grams and activities on the basis of race, color, national origin, age, disability, and where applicable, sex, marital status, familial status, parental status, religion, sex- ual orientation, genetic information, political beliefs, reprisal, or because all or a part of an individual’s income is derived from any public assistance program. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write to USDA, Director, Office of Civil Rights, 1400 Independence Avenue, SW., Washington, DC 20250–9410, or call (800) 795-3272 (voice) or (202) 720-6382 (TDD). USDA is an equal opportunity provider and employer. Acknowledgments This report was authored by M. Kat Anderson, ethnoecologist, U.S. Department of Agriculture, Natural Resources Conservation Service (NRCS) and Jim Effenberger, Don Joley, and Deborah J. Lionakis Meyer, senior seed bota- nists, California Department of Food and Agriculture Plant Pest Diagnostics Center. Special thanks to the Phoebe Apperson Hearst Museum staff, especially Joan Knudsen, Natasha Johnson, Ira Jacknis, and Thusa Chu for approving the project, helping to locate catalogue cards, and lending us seed samples from their collections. -
An Analysis of the Abaca Natural Fiber in Reinforcing Concrete Composites As a Construction Material in Developing Countries
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1988 An analysis of the abaca natural fiber in einforr cing concrete composites as a construction material in developing countries Rolando V. Magdamo University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1988 Rolando V. Magdamo Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Construction Engineering and Management Commons, and the Materials Science and Engineering Commons Recommended Citation Magdamo, Rolando V., "An analysis of the abaca natural fiber in einforr cing concrete composites as a construction material in developing countries" (1988). Dissertations and Theses @ UNI. 865. https://scholarworks.uni.edu/etd/865 This Open Access Dissertation is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Chalet Nursery Apricot Queen New Zealand Flax
Apricot Queen New Zealand Flax Phormium tenax 'Apricot Queen' Height: 4 feet Spread: 5 feet Spacing: 4 feet Sunlight: Hardiness Zone: (annual) Description: A stunning perennial that has large sword-like leaves that emerge apricot and mature to light yellow with a green margin; beautiful and eye catching as an accent in the garden or massed along borders; also a great center for a Apricot Queen New Zealand Flax mixed container foliage Photo courtesy of NetPS Plant Finder Ornamental Features Apricot Queen New Zealand Flax's attractive large sword-like leaves emerge peach in spring, turning buttery yellow in color with distinctive green edges the rest of the year. Neither the flowers nor the fruit are ornamentally significant. Landscape Attributes Apricot Queen New Zealand Flax is an open herbaceous annual with a more or less rounded form. Its relatively coarse texture can be used to stand it apart from other garden plants with finer foliage. This is a relatively low maintenance plant, and is best Apricot Queen New Zealand Flax cleaned up in early spring before it resumes active growth Photo courtesy of NetPS Plant Finder for the season. Deer don't particularly care for this plant and will usually leave it alone in favor of tastier treats. It has no significant negative characteristics. Apricot Queen New Zealand Flax is recommended for the following landscape applications; - Accent - Mass Planting - General Garden Use - Container Planting 3132 LAKE AVENUE W ILM ETTE, ILLINOIS 60091 847.256.0561 W W W.CHALETNURSERY.COM Planting & Growing Apricot Queen New Zealand Flax will grow to be about 4 feet tall at maturity, with a spread of 5 feet. -
70 SOLID COLORS for All Rubber Tile and Tread Profiles (Excluding Smooth and Hammered R24); Rubber and Vinyl Wall Base; and Rubber Accessories)
70 SOLID COLORS For all rubber tile and tread profiles (excluding Smooth and Hammered R24); rubber and vinyl wall base; and rubber accessories) Q 100 177 Q 150 Q 193 Q 123 Q 114 Q 129 Q 178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter Q 194 148 Q 175 Q 174 197 Q 110 burnt umber steel gray slate smoke iceberg brown Q 147 Q 182 Q 623 Q 624 Q 140 Q 191 Q 125 171 light brown toffee nutmeg chameleon fawn camel fig sandstone Q 130 Q 198 Q 632 Q 184 Q 170 Q 131 127 Q 631 buckskin ivory flax almond white bisque harvest yellow sahara Q 639 640 Q 122 Q 195 663 648 647 646 beigewood creekbed natural light gray aged fern pear green spring dill gecko 160 649 169 662 118 187 139 627 forest green sweet basil hunter green envy peacock blue deep navy mariner 618 665 664 656 654 638 637 655 aubergine horizon blue jay bluebell lagoon cadet night mist peaceful blue 657 658 621 659 186 137 188 617 sorbet berry ice merlin grape red cinnabar brick terracotta 660 661 643 644 642 645 Q 641 Q 161 citrus marmalade mimosa sunbeam jonquil blonde moonrise snow MARBLEIZED COLORS For all rubber tile and tread profiles (excluding Hammered R24). M100 M177 M150 M193 M123 M114 M129 M178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter M194 M148 M175 M174 M197 M110 burnt umber steel gray slate smoke iceberg brown M147 M182 M623 M624 M140 M191 M125 M171 light brown toffee nutmeg chameleon fawn camel fig sandstone M130 M198 M632 M184 M170 M131 M127 M631 buckskin ivory flax almond white bisque harvest yellow sahara M639 M640 -
P0093-P0103.Pdf
May, 1910 NOTES ON THE NORTHWESTERN CROSSBILL, 93 these lines are a few tear shaped dots of black. In all these sets there is a resem- blance to eggs of the Orchard Oriole. In several eggs there is a faint flush of sub- dued purplish stain. The flight is swift and strong, accomplisht with quick beating of the wings, there being a peculiar, pent-up energy in their movements. They will start from a perch with an almost bullet-like swiftness. Their sociable nature is markt. They even feed together during the nesting season, there seemingly being no ill will among them. The scattered breeding colonies extend far into the wilderness. The past season I located three colonies which were nesting, and they did not vary in the time chosen nor in the selection of a nesting site; always in wild, mountain places, and the nests well hidden in the high branches of-pine trees. The nest-building began about the 10th of July and finisht about the 20th. In their late nesting they resemble the goldfinch which postpones the nesting duties until July and August. One might believe that this was simply a second nesting, but the large flocks do not break up until late in June, no young birds can be found until late in summer, there are no young birds in the summer colo- nies where they nest, and that they do not settle to work until July, has been my observation. I have worn out more than one pair of “mountain” shoes looking for February and March nests in ithis country, but have learned to stay away dur- ing that portion of the year. -
2014 Price Guide
2014 PRICE GUIDE BEAUTY CRAFTSMANSHIP DESIGN THE CAMBRAI COLLECTION TAKES ITS NAME FROM THE ANCIENT TOWN IN FRANCE, WHICH GREW TO PROMINENCE IN THE MIDDLE AGES AS THE CENTER OF LINEN PROCESSING AND WEAVING. FLAX FROM ALL OVER THE KNOWN WORLD WAS BROUGHT TO CAMBRAI AND TURNED INTO LINEN FABRICS, WHICH WERE PRIZED FOR THEIR COMBINATION OF SOFTNESS AND STRENGTH. IT IS THIS COMBINATION OF PROPERTIES THAT LED TO THE CHOICE OF FLAX AS A BASE MATERIAL FOR THIS EXCLUSIVE NEW COLLECTION OF SHADE MATERIALS. THESE PATTERNS INTERWEAVE FLAX WITH DECORATIVE ELEMENTS OF BAMBOO, JUTE, REEDS, HEMP AND COTTON SLUB YARNS TO CREATE A STUNNING RANGE OF DESIGNS. THE RESULT IS A COLLECTION OF SOFT, LIGHT FABRICS, WHICH ARE ALSO TOUGH AND DURABLE ENOUGH TO WITHSTAND YEARS OF SERVICE—SOMETHING NEW AND UNIQUE IN WINDOW TREATMENTS. PLEASE READ THIS GUIDE CAREFULLY TO UNDERSTAND HOW BEST TO SPECIFY AND ORDER YOUR SHADES AND HOW TO TAKE CARE OF THEM. 2 MATERIALS REFERENCE PRICE FABRIC MAX WIDTH FABRIC STANDARD STANDARD PATTERN # PATTERN NAME GROUP COMPOSITION WIDTH w/CORD LOCK WEIGHT (g/m2) EB COLOR LINER COLOR Privacy Blackout ZH-148 ARUNDO DUSK A 90% Flax, 10% Reed 96" 60" 270 SILVER GRAY GRAY DARK LINEN ZH-152 ARUNDO ECRU A 90% Flax, 5% Reed, 5% Jute 96" 60" 210 IVORY/MARBLE NATURAL SOFT WHITE ZH-212 ARUNDO STONE A 90% Flax, 5% Reed, 5% Jute 96" 60" 300 SILVER GRAY GRAY DARK LINEN ZH-147 ARUNDO SUNSET A 90% Flax, 10% Reed 96" 60" 270 DARK TAUPE GRAY DARK LINEN ZH-199 BATISTE DARK* B 95% Flax, 5% Bamboo 96" 50" 250 DARK TAUPE GRAY DARK LINEN ZH-200 BATISTE LIGHT* -
Planting with a Limited Color Palette It’S Easier to Create Winning Combinations with Simplified Schemes
Planting with a Limited Color Palette It’s easier to create winning combinations with simplified schemes by Tracy DiSabato-Aust HE art of designing a bed or border color, with its seemingly endless choic- palette includes just two or three colors, T can be as engaging to a gardener as es. Suddenly this exciting process can such as analogous colors or one color painting is to an artist. For me, the most become overwhelming. and its complement (see sidebar, p. 44). exhilarating and creative part of garden One way to simplify the design A key advantage of both monochro- design is making dramatic plant combi- process is to reduce the number of matic and limited color schemes is that nations. An outstanding combination in variables. I’ve found that using a limit- they focus attention on the details and a garden thrills me and often sends me ed color palette, even a monochromatic subtleties of a design. Both types em- running for my camera as I yearn for scheme, is an effective and rewarding phasize the structure and rhythm of a just the right light to capture the vision. way to design combinations. planting. Plant form and the texture of But creating these elusive “works of A monochromatic color scheme, leaf, stem, flower, and fruit are more art” with living plants can be compli- which incorporates shades, tints, and easily appreciated. A design that is sim- cated. Form, texture, repetition, bal- tones of a single basic color, such as red ple and cohesive in color also can con- ance, and contrast are just a few key or blue, drastically reduces color com- vey an air of sophistication.