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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
3D Printing: the Effect of Adapted Mallets on the Participation of Children with Severe and Multiple Disabilities
Pacific Journal of Health Volume 2 Issue 1 Article 4 2019 3D Printing: The Effect of Adapted Mallets on the Participation of Children with Severe and Multiple Disabilities Vienna Sa University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/pjh Part of the Music Therapy Commons, and the Special Education and Teaching Commons Recommended Citation Sa, Vienna (2019) "3D Printing: The Effect of Adapted Mallets on the Participation of Children with Severe and Multiple Disabilities," Pacific Journal of Health: Vol. 2 : Iss. 1 , Article 4. Available at: https://scholarlycommons.pacific.edu/pjh/vol2/iss1/4 This Article is brought to you for free and open access by Scholarly Commons. It has been accepted for inclusion in Pacific Journal of Health yb an authorized editor of Scholarly Commons. For more information, please contact [email protected]. 3D Printing: The Effect of Adapted Mallets on the Participation of Children with Severe and Multiple Disabilities Abstract The purpose of this study was to determine the changes in two measures of participation for a small sample of children with severe and multiple disabilities when using adapted mallets for instruments. The two measures of participation were: decibel level (dB) and frequency of sound produced. Three children between the ages of 5 and 11 years old participated in a single music therapy session testing four different popular adapted mallets, and a control mallet. A 3D-printed mallet grip was among the adapted mallets and was customized to the individual’s hand contour. The sessions tested all five mallets in random order on the each of the three children. -
Music Programs NEW! the Lisak Group
Membership Information Creative Aging’s mission is to provide arts and humanities programs that have a positive impact on the quality of life of older adults in the Greater Cincinnati Area. Creative Aging accomplishes its mission by bringing local area professional artists, performers and educators to present one hour long programs at senior centers, retirement communities, adult day care centers, and nursing homes in Cincinnati and surrounding areas. Programs are designed to stimulate participant’s minds, creativity and sense of self as well as educate, engage, enrich and entertain. Facilities that join Creative Aging choose one of three levels that will allow between 6-18 programs to be booked within their facility. Membership is available to all facilities in the Greater Cincinnati area who serve Senior Citizens, those 60 years of age and older. 2013 Memberships Three Options from which to choose: Platinum Level • 18 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Gold Medal Level • 12 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Silver Medal Level • 6 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Pricing Platinum Level - $1900 Gold Medal Level - $1300 Silver Medal Level - $700 Creative Aging Cincinnati is committed to serving seniors regardless of the ability to pay. Please contact us for information on our membership assistance program. * Please note that some artists charge an additional fee on holidays which would be the responsibility of the facility. -
The Cowl Vol
Weekend Forecast: Spring! Sunny, near 60 degrees The Cowl Vol. LX No. 19 Providence College - Providence, Rhode Island April 18,1996 Murphy’s Election Controversy Memory the election on March 28, people be Arms presided. A number of witnesses by Theresa Edo ‘96 gan making comments to her concern appeared for both sides of the argu Editor-In-Chief ing further improper practices in the ment. Walsh was additionally repre After a hearing held on Tuesday, campaign. On Saturday, March 30, she sented by Matthew Albanese ’94, and Kept filed a complaint with Mike Dever ’98, April 9, newly elected Student Con his father, Daniel M. Walsh III PC '64. gress Executive Board President, Mike Chairperson of the Committee on Leg- “There were a lot of inconsistencies Walsh ’97, was suspended from his du and flaws in the process,” said Alive ties on Congress until November of Albanese. “The issue was raised about 1996. Until that time Maureen Lyons whether certain students could associ ate with other students. This is a vio by Erin Piorek ‘96 ’97, the newly elected Vice President lation of basic liberties and free News Writer of Student Congress, will preside over the 47th Congress. This action follows speech,” he continued. The Senior Class Giving Program is a an unprecedented legislative process Kateri Walsh, Mike’s mother, also three year program at Providence College within the Student Congress. attended the proceedings and was vis set up to raise money for scholarships and On April 9, The Committee on Leg ibly disturbed. “Their purpose is to in financial aid. -
MUSC 2019.12.12 Honorbandprog
THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece. -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
Senate Hearings Before the Committee on Appropriations
S. HRG. 114–178 Senate Hearings Before the Committee on Appropriations Commerce, Justice, Science, and Related Agencies Appropriations Fiscal Year 2016 114th CONGRESS, FIRST SESSION H.R. 2578 BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND EXPLOSIVES DEPARTMENT OF COMMERCE—OFFICE OF THE SECRETARY DEPARTMENT OF JUSTICE—OFFICE OF THE ATTORNEY GENERAL DRUG ENFORCEMENT ADMINISTRATION FEDERAL BUREAU OF INVESTIGATION NATIONAL AERONAUTICS AND SPACE ADMINISTRATION NONDEPARTMENTAL WITNESSES UNITED STATES MARSHALS SERVICE Commerce, Justice, Science, and Related Agencies Appropriations, 2016 (H.R. 2578) S. HRG. 114–178 COMMERCE, JUSTICE, SCIENCE, AND RELATED AGENCIES APPROPRIATIONS FOR FISCAL YEAR 2016 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED FOURTEENTH CONGRESS FIRST SESSION ON H.R. 2578 AN ACT MAKING APPROPRIATIONS FOR THE DEPARTMENTS OF COM- MERCE AND JUSTICE, AND SCIENCE, AND RELATED AGENCIES FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2016, AND FOR OTHER PURPOSES Bureau of Alcohol, Tobacco, Firearms and Explosives Department of Commerce—Office of the Secretary Department of Justice—Office of the Attorney General Drug Enforcement Administration Federal Bureau of Investigation National Aeronautics and Space Administration Nondepartmental Witnesses United States Marshals Service Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.gpo.gov/fdsys/browse/ committee.action?chamber=senate&committee=appropriations U.S. GOVERNMENT PUBLISHING OFFICE 93–106 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS THAD COCHRAN, Mississippi, Chairman MITCH McCONNELL, Kentucky BARBARA A. -
The Moravian Music Foundation Shares …
Moravian Music Foundation ANNUAL REPORT 2018 2018 MMF Board of Trustees Executive Committee The Moravian Music Foundation Harold Garrison, President Winston-Salem, NC G. Randall Gibbs, Vice-President New Philadelphia, OH preserves, shares, and celebrates John T. Webb, Vice-President Cincinnati, OH Rev. Matthew Allen, Secretary Winston-Salem, NC Moravian musical culture. Donna K. Ambler Bethlehem, PA Trustees David Bagby Charlotte, NC Teresa Cude Laurel Springs, NC A revised mission statement Hubert Fort Raleigh, NC Rev. Barry Foster Winston-Salem, NC Over the past several years, the Moravian Dr. Jeffrey Gemmell Landisville, PA Music Foundation Board of Trustees has been Andrew Halverson Winston-Salem, NC reviewing the organization’s mission statement Rev. Paul Harder Winston-Salem, NC Caitlin Heckman Allentown, PA adopted in 2008: The Moravian Music Dr. Barbara Boyce Howard Advance, NC Foundation, preserves, celebrates, and cultivates the John Iobst Fairfax, VA musical life of Moravians. The board adopted the Dr. Jeff Jones Asheville, NC Dr. Ryan Malone Lewisburg, PA recommendation of a subcommittee to revise Rev. Jennifer Moran Maple Grove, MN the mission statement as printed above. Evadne Morrison-Taylor Farmingdale, NY Henry Naisby Coopersburg, PA This Annual Report is structured by those Rev. Dennis Rohn New Philadelphia, OH Jonathan Sidden Winston-Salem, NC three active verbs – preserving, sharing, and Rev. David Wickmann Nazareth, PA celebrating – followed by a review of Ex Officio administration and development activities, the Robyn Glance, Treasurer Winston-Salem, NC Robert G. Spaugh, Legal Counsel Lexington, NC long list of volunteers and donors, and Staff financial reports for 2018. Rev. Dr. Nola Reed Knouse Director Gwyneth A. -
Please Note That Not All Pages Are Included. This Is Purposely Done in Order to Protect Our Property and the Work of Our Esteemed Composers
Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers. If you would like to see this work in its entirety, please order online or call us at 800-647-2117. Transposed Score Catalog No. 7.0681 commissioned by Carolina Brass Fanfare, Tango and Fughetta on Hebrew Themes for Brass Quintet and optional Timpani Fanfare Stanley M. Hoffman “The soul of every living being shall bless Your Name” (BMI) breve a tempo q = 72 3 3 Trumpet 1 in Bb f Trumpet 2 in Bb mf only3 Horn in F illegal f Trombone is mf Tuba copy mf Fanfare “The soul of every living being shall bless Your Name” q = 72 breve a tempo Timpani (optional) mf Copying Review © Copyright 2016 by Highgate Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. 2 7 3 Tpt. 1 3 molto ff mp Tpt. 2 molto f p 3 Hn. molto p Tbn. molto f p Tba. molto f onlyp Timp. illegal molto f p isTango “When Israel went forth from Egypt” 12 poco rall. breve q = 60 Tpt. 1 - mp copymp mf play 2nd time only Tpt. 2 p - mp Hn. mp p mp - mf Tbn. Copying mp Tba. p - mp ReviewTango “When Israel went forth from Egypt” poco rall. breve q = 60 play 2nd time only Timp. mp 4 Fughetta “How goodly are your tents, O Jacob” q = 84 21 1. 2. Tpt. 1 f cresc. 2x only Tpt. 2 f cresc. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
Oral History Center University of California the Bancroft Library Berkeley, California Frederica Von Stade Frederica Von Stade
Oral History Center University of California The Bancroft Library Berkeley, California Frederica von Stade Frederica von Stade: American Star Mezzo-Soprano Interviews conducted by Caroline Crawford in 2011, 2012, 2014, 2015 Copyright © 2020 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Frederica von Stade dated February 2, 2012. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.