Sullins, "Transhuman Express: Are We Ethically Required to Be Transhumanists?," Existenz 8/2 (2013), 33-39 First Posted 3-4-2014 34 John P
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Artificial General Intelligence and the Future of the Human Race Bryon Pavlacka
ARTIFICIAL GENERAL INTELLIGENCE AND THE FUTURE OF THE HUMAN RACE Bryon Pavlacka Artificial Intelligence is all around us. It manages be used against humanity. Of course, such threats are not your investments, makes the subway run on time, imaginary future possibilities. Narrow AI is already used diagnoses medical conditions, searches the internet, solves by the militaries of first world countries for war purposes. enormous systems of equations, and beats human players Consider drones such as the Northrop Grumman X-47B, at chess and Jeopardy. However, this “narrow AI,” designed an Unmanned Combat Aerial Vehicle that is being tested for solving specific, narrow problems, is something by the US Navy (DefenseTech.org, 2011). That’s right, there distinctly different from Artificial General Intelligence, or is no pilot. Of course, the drone can be given orders, but “AGI”, true thinking machines with human-like general the exact way in which those orders are carried out will intelligence (Wang, Goertzel, & Franklin, 2008, p. v). While be left up to the drone’s Narrow AI system. Whether such AGI is not rigidly defined, it is often envisioned as being systems will ever be extended toward general intelligence self-aware and capable of complex thought, and has is currently unknown. However, the US military has shown BSJ been a staple of science fiction, appearing prominently in interest in producing and controlling generally intelligent popular films such as 2001: A Space Odyssey, Terminator, killing machines as well, as made evident by a paper called and I, Robot. In each of these films, the machines go “Governing Lethal Behavior” by Ronald C. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
Transcend: Nine Steps to Living Well Forever PDF Book
TRANSCEND: NINE STEPS TO LIVING WELL FOREVER PDF, EPUB, EBOOK Ray Kurzweil,Terry Grossman | 480 pages | 21 Dec 2010 | RODALE PRESS | 9781605292076 | English | Emmaus, PA, United States Transcend: Nine Steps to Living Well Forever PDF Book Archived from the original on 17 October Like some other Kurzweil books, he really catches your attention with some insane predictions. Error rating book. These are brain extenders that we have created to expand our own mental reach. He was involved with computers by the age of 12 in , when only a dozen computers existed in all of New York City, and built computing devices and statistical programs for the predecessor of Head Start. He obtained a B. Each chapter has its purpose and a plan for us readers to start applying the information. Ray's ideas are definitely futuristic. Inventing is a lot like surfing: you have to anticipate and catch the wave at just the right moment. The only thing I didn't like was their suggestion to eat so many dietary supplements such as vitamins and not including more defined suggestions on how to combine them. Aug 04, DJ rated it liked it. Products include the Kurzweil text-to-speech converter software program, which enables a computer to read electronic and scanned text aloud to blind or visually impaired users, and the Kurzweil program, which is a multifaceted electronic learning system that helps with reading, writing, and study skills. This is a 'how to Top charts. In , Visioneer, Inc. Development of these technologies was completed at other institutions such as Bell Labs, and on January 13, , the finished product was unveiled during a news conference headed by him and the leaders of the National Federation of the Blind. -
Resume / CV Prof. Dr. Hugo De GARIS
Resume / CV Prof. Dr. Hugo de GARIS Full Professor of Computer Science Supervisor of PhD Students in Computer Science and Mathematical Physics Director of the Artificial Brain Laboratory, Department of Cognitive Science, School of Information Science and Technology, Xiamen University, Xiamen, Fujian Province, CHINA [email protected] http://www.iss.whu.edu.cn/degaris Education PhD, 1992, Brussels University, Brussels, Belgium, Europe. Thesis Topic : Artificial Intelligence, Artificial Life. Who’s Who Prof. Dr. Hugo de Garis, biographical entry in Marquis’s “Who’s Who in Science and Engineering”, USA, 2008. Editorial Board Memberships of Academic Journals (5) 1. Executive Editor of the “Journal of Artificial General Intelligence” (JAGI), an online journal at http://journal.agi-network.org (from 2008). 2. “Engineering Letters ” journal (International Association of Engineers, IAENG) 3. “Journal of Evolution and Technology ” (Institute for Ethics and Emerging Technologies, IEET) 4. “Evolutionary Computation ” journal (MIT Press) (former editorial board member, 1992-2007). 5. “Neurocomputing ” journal (Elsevier) (former editorial board member, 2000- 2006) Publications Summary Movie 1 Books 4 Journal Articles 27 Conference Papers 100 Book Chapters 15 Total 147 Movie (1) 6 minutes in the movie “Transcendent Man : The Life and Ideas of Ray Kurzweil”, Ptolemaic Productions, 2009. The movie discusses the rise of massively intelligent machines. Books (4) Hugo de Garis, “The Artilect War : Cosmists vs. Terrans : A Bitter Controversy Concerning Whether Humanity Should Build Godlike Massively Intelligent Machines”, ETC Publications, ISBN 0-88280-153-8, 0-88280-154-6, 2005. (Chinese version) “History of Artificial Intelligence –The Artilect War”, Tsinghua University Press, 2007. Hugo de Garis, “Multis and Monos : What the Multicultured Can Teach the Monocultured : Towards the Growth of a Global State”, ETC Publications, ISBN 978- 088280162-9, 2009. -
ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN on the BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work
For Immediate Release March 13, 2012 ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN ON THE BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work Einstein on the Beach 2012-13 trailer: http://www.youtube.com/watch?v=OZ5hTfDzU9A&feature=player_embedded#! The Robert Wilson/Philip Glass collaboration Einstein on the Beach, An Opera in Four Acts is widely recognized as one of the greatest artistic achievements of the 20th century. Although every performance of the work has attracted a sold-out audience, and the music has been recorded and released, few people have actually experienced Einstein live. An entirely new generation—and numerous cities where the work has never been presented—will have the opportunity during the 2012-2013 international tour. The revival, helmed by Wilson and Glass along with choreographer Lucinda Childs, marks the first full production in 20 years. Aside from New York, Einstein on the Beach has never been seen in any of the cities currently on the tour, which comprises nine stops on four continents. • Opéra et Orchestre National de Montpellier Languedoc-Roussillon presents the world premiere at the Opera Berlioz Le Corum March 16—18, 2012. • Fondazione I TEATRI di Reggio Emilia in collaboration with Change Performing Arts will present performances on March 24 & 25 at Teatro Valli. • From May 4—13, 2012, the Barbican will present the first-ever UK performances of the work in conjunction with the Cultural Olympiad and London 2012 Festival. • The North American premiere, June 8—10, 2012 at the Sony Centre for the Performing Arts, as part of the Luminato, Toronto Festival of Arts and Creativity, represents the first presentation in Canada. -
2045: the Year Man Becomes Immortal
2045: The Year Man Becomes Immortal From TIME magazine. By Lev Grossman Thursday, Feb. 10, 2011 On Feb. 15, 1965, a diffident but self-possessed high school student named Raymond Kurzweil appeared as a guest on a game show called I've Got a Secret. He was introduced by the host, Steve Allen, then he played a short musical composition on a piano. The idea was that Kurzweil was hiding an unusual fact and the panelists — they included a comedian and a former Miss America — had to guess what it was. On the show , the beauty queen did a good job of grilling Kurzweil, but the comedian got the win: the music was composed by a computer. Kurzweil got $200. Kurzweil then demonstrated the computer, which he built himself — a desk-size affair with loudly clacking relays, hooked up to a typewriter. The panelists were pretty blasé about it; they were more impressed by Kurzweil's age than by anything he'd actually done. They were ready to move on to Mrs. Chester Loney of Rough and Ready, Calif., whose secret was that she'd been President Lyndon Johnson's first-grade teacher. But Kurzweil would spend much of the rest of his career working out what his demonstration meant. Creating a work of art is one of those activities we reserve for humans and humans only. It's an act of self-expression; you're not supposed to be able to do it if you don't have a self. To see creativity, the exclusive domain of humans, usurped by a computer built by a 17-year-old is to watch a line blur that cannot be unblurred, the line between organic intelligence and artificial intelligence. -
Approaching the 'Ought' Question When Facing the Singularity
Running Head: Approaching the “Ought” Question Approaching the “Ought” Question when Facing the Singularity1 Chad E. Brack National Defense University College of International Security Affairs April 1, 2015 DISCLAIMER: THE OPINIONS AND CONCLUSIONS EXPRESSED HEREIN ARE THOSE OF THE INDIVIDUAL STUDENT AUTHOR AND DO NOT NECESSARILY REPRESENT THE VIEWS OF THE NATIONAL DEFENSE UNIVERSITY, THE DEPARTMENT OF DEFENSE OR ANY OTHER GOVERNMENTAL ENTITY. REFERENCES TO THIS STUDY SHOULD INCLUDE THE FOREGOING STATEMENT. 1. This paper was a submission for CISA Master of Arts in Strategic Security Studies course 6933: Science, Technology, and War. The topic question was “can knowledge (output of science) be a bad thing for humans? How should humans view the Bill Joy–Ray Kurzweil debate? Approaching the “Ought” Question Many scholars agree that science itself should not be expected to answer “ought” questions (Bauer 1994; Feyerabend 1975; Midgley 1994; Hoover 2010). As a theoretically amoral system,2 science is simply the pursuit of knowledge or, as Kenneth Hoover (2010) puts it, “a strategy for learning about life and the universe” (134). Science easily provides us with three of the four types of knowledge: empirical, analytical, and theoretical. Normative knowledge, however, stems from human values and norms. It is not scientific by nature and can be highly relative and subjective. Normative questions require “other forms of understanding” (Hoover 2010, 130), which come from many faucets of human experience (including the three types of knowledge listed above). The empirical, analytical, and theoretical knowledge that science provides us is neither good nor bad. It simply is. It is the application of that knowledge — in the form of technology — in which the “ought” question comes into play. -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
The Gaze in Theory
THE GAZE IN THEORY: THE CASES OF SARTRE AND LACAN Melinda Jill Storr Thesis submitted for DPhil degree University of York Centre for Women's Studies April 1994 ABSTRACT The topic of my research is the 'hierarchy of the senses' as it appears in mainstream Western thought, and specifically the privilege accorded to vision in twentieth century literary and theoretical writings. My aim is to investigate the allegation (as made by, for example, Evelyn Fox Keller and Christine Grontowski, and by Luce Irigaray) that the metaphor of vision is intimately connected with the construction of gender and sexual difference, and that the traditional privilege of vision acts to perpetuate the privilege of masculinity in modern writing practices. This allegation, captured in the thesis that masculinity 'looks' and femininity is 'looked-at' - that, as John Berger puts it, 'ben act and women appear" - has some degree of currency in contemporary writings an 'sexual difference', but has in itself received little critical attention. Taking the philosopher and novelist Jean-Paul Sartre and the psychoanalyst Jacques Lacan as 'case studies', I investigate the plausibility of this allegation by means of a detailed analysis of the use of vision and its relation to gender in the respective works of each. This work represents a significant contribution to serious critical work an both Sartre and Lacan, and to the understanding of the relationship between gender and representation. 2 CONTENTS LIST OF ILLUSTRATIONS 7 ACKNOWLEDGEMENT 8 AUTHOR'S DECLARATION 9 CHAPTER -
Perfection: United Goal Or Divisive Myth? a Look Into the Concept of Posthumanism and Its Theoretical Outcomes in Science Fiction
PERFECTION: UNITED GOAL OR DIVISIVE MYTH? A LOOK INTO THE CONCEPT OF POSTHUMANISM AND ITS THEORETICAL OUTCOMES IN SCIENCE FICTION by Rebecca McCarthy B.A., Southern Illinois University, 2009 M.A., Southern Illinois University, 2013 A Thesis Submitted in Partial Fulfillment of the Requirements for the Masters of Arts Department of English in the Graduate School Southern Illinois University Carbondale December 2013 Copyright by Rebecca McCarthy, 2013 All Rights Reserved THESIS APPROVAL PERFECTION: UNITED GOAL OR DIVISIVE MYTH? A LOOK INTO THE CONCEPT OF POSTHUMANISM AND ITS THEORETICAL OUTCOMES IN SCIENCE FICTION By Rebecca McCarthy A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Masters in the field of English Literature Approved by: Dr. Robert Fox, Chair Dr. Elizabeth Klaver Dr. Tony Williams Graduate School Southern Illinois University Carbondale 8/09/2013 AN ABSTRACT OF THE THESIS OF Rebecca McCarthy, for the Masters of English degree in Literature, presented on August 9, 2013, at Southern Illinois University Carbondale. TITLE: PERFECTION: UNITED GOAL OR DIVISIVE MYTH? A LOOK INTO THE CONCEPT OF POSTHUMANISM AND ITS THEORETICAL OUTCOMES IN SCIENCE FICTION MAJOR PROFESSOR: Dr. Robert Fox As science races to keep up with science fiction, many scientists are beginning to believe that the next step in human evolution will be a combination of human and machine and look a lot like something out of Star Trek. The constant pursuit of perfection is a part of the human condition, but if we begin to stretch beyond the natural human form can we still consider ourselves human? Transhumanism and posthumanism are only theories for now, but they are theories that threaten to permanently displace the human race, possibly pushing it into extinction. -
03 Garbowski.Pdf
ZESZYTY NAUKOWE POLITECHNIKI ŚLĄSKIEJ 2017 Seria: ORGANIZACJA I ZARZĄDZANIE z. 113 Nr kol. 1991 1 Marcin GARBOWSKI 2 John Paul II Catholic University of Lublin 3 Methodology of Science Department at the Faculty of Philosophy 4 [email protected] 5 A CRITICAL ANALYSIS OF THE ASILOMAR AI PRINCIPLES 6 Streszczenie. The article focuses on the analysis of a set of principles 7 concerning the development of artificial intelligence, which were agreed upon a 8 the Asilomar international conference in January 2017. The declaration was 9 signed by leading scholar in the field of transhumanism and representatives of the 10 hi-tech enterprises. The purpose of the article is to lay out the core assumptions 11 behind this established set of norms that aim at the creation of so call „friendly 12 AI” as well as their practical implications. 13 Słowa kluczowe: Artificial intelligence, philosophy of technology, trans- 14 humanism 15 KRYTYCZNA ANALIZA ZASAD DOTYCZĄCYCH SZTUCZNEJ 16 INTELIGENCJI Z ASILOMAR 17 Abstract. Przedmiotem artykułu jest analiza zestawu zasad uzgodnionych na 18 międzynarodowej konferencji w Asilomar ze stycznia 2017 roku dotycząca 19 rozwoju sztucznej inteligencji. Sygnatariuszami porozumienia są czołowi badacze 20 tematyki związanej z transhumanizmem, ale także przedstawiciele koncernów z 21 sektora hi-tech. Celem artykułu jest przedstawienie założeń stojących za 22 deklarowanym szkicem norm, mających na celu wytworzenie tzw. Przyjaznej 23 sztucznej inteligencji oraz ich praktycznych konsekwencji. 24 Keywords: Sztuczna inteligencja, filozofia techniki, transhumanism 25 1. Introduction 26 When we consider the various technological breakthroughs which in the past decades 27 have had the greatest impact on a broad scope of human activity and which are bound to 28 increase it in the coming years, artificial intelligence certainly occupies a prominent place.