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Artificial Intelligence: What Is It, Can It Be Leveraged, and What Are the Ramifications?
ARTIFICIAL INTELLIGENCE: WHAT IS IT, CAN IT BE LEVERAGED, AND WHAT ARE THE RAMIFICATIONS? Major James R. Barker JCSP 45 PCEMI 45 Service Paper Étude militaire Disclaimer Avertissement Opinions expressed remain those of the author and do Les opinons exprimées n’engagent que leurs auteurs et not represent Department of National Defence or ne reflètent aucunement des politiques du Ministère de Canadian Forces policy. This paper may not be used la Défense nationale ou des Forces canadiennes. Ce without written permission. papier ne peut être reproduit sans autorisation écrite © Her Majesty the Queen in Right of Canada, as represented by the © Sa Majesté la Reine du Chef du Canada, représentée par le Minister of National Defence, 2019. ministre de la Défense nationale, 2019. CANADIAN FORCES COLLEGE/COLLÈGE DES FORCES CANADIENNES JCSP 45 OCTOBER 15 2018 DS545 COMPONENT CAPABILITIES ARTIFICIAL INTELLIGENCE: WHAT IS IT, CAN IT BE LEVERAGED, AND WHAT ARE THE RAMIFICATIONS? By Major James R. Barker “This paper was written by a candidate « La présente étude a été rédigée par un attending the Canadian Force College in stagiaire du Collège des Forces fulfillment of one of the requirements of the canadiennes pour satisfaire à l’une des exigences du cours. L’étude est un Course of Studies. The paper is a scholastic document qui se rapporte au cours et document, and thus contains facts and Contient donc des faits et des opinions que opinions which the author alone considered seul l’auteur considère appropriés et appropriate and correct for the subject. It convenables au sujet. Elle ne reflète pas does not necessarily reflect the policy or the nécessairement la politique ou l’opinion opinion of any agency, including Government d’un organisme quelconque, y compris le of Canada and the Canadian Department of gouvernement du Canada et le ministère de la Défense nationale du Canada. -
Copyrighted Material
Index affordances 241–2 apps 11, 27–33, 244–5 afterlife 194, 227, 261 Ariely, Dan 28 Agar, Nicholas 15, 162, 313 Aristotle 154, 255 Age of Spiritual Machines, The 47, 54 Arkin, Ronald 64 AGI (Artificial General Intelligence) Armstrong, Stuart 12, 311 61–86, 98–9, 245, 266–7, Arp, Hans/Jean 240–2, 246 298, 311 artificial realities, see virtual reality AGI Nanny 84, 311 Asimov, Isaac 45, 268, 274 aging 61, 207, 222, 225, 259, 315 avatars 73, 76, 201, 244–5, 248–9 AI (artificial intelligence) 3, 9, 12, 22, 30, 35–6, 38–44, 46–58, 72, 91, Banks, Iain M. 235 95, 99, 102, 114–15, 119, 146–7, Barabási, Albert-László 311 150, 153, 157, 198, 284, 305, Barrat, James 22 311, 315 Berger, T.W. 92 non-determinism problem 95–7 Bernal,J.D.264–5 predictions of 46–58, 311 biological naturalism 124–5, 128, 312 altruism 8 biological theories of consciousness 14, Amazon Elastic Compute Cloud 40–1 104–5, 121–6, 194, 312 Andreadis, Athena 223 Blackford, Russell 16–21, 318 androids 44, 131, 194, 197, 235, 244, Blade Runner 21 265, 268–70, 272–5, 315 Block, Ned 117, 265 animal experimentationCOPYRIGHTED 24, 279–81, Blue Brain MATERIAL Project 2, 180, 194, 196 286–8, 292 Bodington, James 16, 316 animal rights 281–2, 285–8, 316 body, attitudes to 4–5, 222–9, 314–15 Anissimov, Michael 12, 311 “Body by Design” 244, 246 Intelligence Unbound: The Future of Uploaded and Machine Minds, First Edition. Edited by Russell Blackford and Damien Broderick. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
©2011 Campus Circle • (323) 939-8477 • 5042 Wilshire Blvd
©2011 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON TIME “It’s a heightened, almost hallucinatory sensual experience, and ESSENTIAL VIEWING FOR SERIOUS MOVIEGOERS.” RICHARD CORLISS THE NEW YORK TIMES “A COSMIC HEAD MOVIE OF THE MOST AMBITIOUS ORDER.” MANOHLA DARGIS HOLLYWOOD WEST LOS ANGELES EXCLUSIVE ENGAGEMENTS START FRIDAY, MAY 27 at Sunset & Vine (323) 464-4226 at W. Pico & Westwood (310) 281-8233 FOX SEARCHLIGHT FP. (10") X 13" CAMPUS CIRCLE - 4 COLOR WEDNESDAY: 5/25 ALL.TOL-A1.0525.CAM CC CC JL JL 4 COLOR Follow CAMPUS CIRCLE on Twitter @CampusCircle campus circle INSIDE campus CIRCLE May 25 - 31, 2011 Vol. 21 Issue 21 Editor-in-Chief 6 Yuri Shimoda [email protected] Film Editor 4 14 [email protected] Music Editor 04 FILM MOVIE REVIEWS [email protected] 04 FILM PROJECTIONS Web Editor Eva Recinos 05 FILM DVD DISH Calendar Editor Frederick Mintchell 06 FILM SUMMER MOVIE GUIDE [email protected] 14 MUSIC LIGHTNING IN A BOTTLE Editorial Interns Intimate and adventurous music festival Dana Jeong, Cindy KyungAh Lee takes place over Memorial Day weekend. 15 MUSIC STAR WARS: IN CONCERT Contributing Writers Tamea Agle, Zach Bourque, Kristina Bravo, Mary Experience the legendary score Broadbent, Jonathan Bue, Erica Carter, Richard underneath the stars at Hollywood Bowl. Castañeda, Amanda D’Egidio, Jewel Delegall, Natasha Desianto, Stephanie Forshee, Jacob Gaitan, Denise Guerra, Ximena Herschberg, 15 MUSIC REPORT Josh -
The Forthcoming Artificial Intelligence (AI) Revolution: Its Impact on Society
Futures 90 (2017) 46–60 Contents lists available at ScienceDirect Futures journal homepage: www.elsevier.com/locate/futures Review The forthcoming Artificial Intelligence (AI) revolution: Its impact on society and firms Professor Spyros Makridakis Director Institute For the Future (IFF), University of Nicosia, Cyprus A R T I C L E I N F O A B S T R A C T Article history: Received 10 January 2017 The impact of the industrial and digital (information) revolutions has, undoubtedly, been Received in revised form 17 March 2017 substantial on practically all aspects of our society, life, firms and employment. Will the Accepted 28 March 2017 forthcoming AI revolution produce similar, far-reaching effects? By examining analogous Available online 3 April 2017 inventions of the industrial, digital and AI revolutions, this article claims that the latter is on target and that it would bring extensive changes that will also affect all aspects of our Keywords: society and life. In addition, its impact on firms and employment will be considerable, Artificial Intelligence (AI) resulting in richly interconnected organizations with decision making based on the Industrial revolution analysis and exploitation of “big” data and intensified, global competition among firms. Digital revolution People will be capable of buying goods and obtaining services from anywhere in the world AI revolution using the Internet, and exploiting the unlimited, additional benefits that will open through Impact of AI revolution the widespread usage of AI inventions. The paper concludes that significant competitive Benefits and dangers of AI technologies advantages will continue to accrue to those utilizing the Internet widely and willing to take entrepreneurial risks in order to turn innovative products/services into worldwide commercial success stories. -
Transcend: Nine Steps to Living Well Forever PDF Book
TRANSCEND: NINE STEPS TO LIVING WELL FOREVER PDF, EPUB, EBOOK Ray Kurzweil,Terry Grossman | 480 pages | 21 Dec 2010 | RODALE PRESS | 9781605292076 | English | Emmaus, PA, United States Transcend: Nine Steps to Living Well Forever PDF Book Archived from the original on 17 October Like some other Kurzweil books, he really catches your attention with some insane predictions. Error rating book. These are brain extenders that we have created to expand our own mental reach. He was involved with computers by the age of 12 in , when only a dozen computers existed in all of New York City, and built computing devices and statistical programs for the predecessor of Head Start. He obtained a B. Each chapter has its purpose and a plan for us readers to start applying the information. Ray's ideas are definitely futuristic. Inventing is a lot like surfing: you have to anticipate and catch the wave at just the right moment. The only thing I didn't like was their suggestion to eat so many dietary supplements such as vitamins and not including more defined suggestions on how to combine them. Aug 04, DJ rated it liked it. Products include the Kurzweil text-to-speech converter software program, which enables a computer to read electronic and scanned text aloud to blind or visually impaired users, and the Kurzweil program, which is a multifaceted electronic learning system that helps with reading, writing, and study skills. This is a 'how to Top charts. In , Visioneer, Inc. Development of these technologies was completed at other institutions such as Bell Labs, and on January 13, , the finished product was unveiled during a news conference headed by him and the leaders of the National Federation of the Blind. -
ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN on the BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work
For Immediate Release March 13, 2012 ROBERT WILSON / PHILIP GLASS LANDMARK EINSTEIN ON THE BEACH BEGINS YEARLONG INTERNATIONAL TOUR First Fully Staged Production in 20 Years of the Rarely Performed Work Einstein on the Beach 2012-13 trailer: http://www.youtube.com/watch?v=OZ5hTfDzU9A&feature=player_embedded#! The Robert Wilson/Philip Glass collaboration Einstein on the Beach, An Opera in Four Acts is widely recognized as one of the greatest artistic achievements of the 20th century. Although every performance of the work has attracted a sold-out audience, and the music has been recorded and released, few people have actually experienced Einstein live. An entirely new generation—and numerous cities where the work has never been presented—will have the opportunity during the 2012-2013 international tour. The revival, helmed by Wilson and Glass along with choreographer Lucinda Childs, marks the first full production in 20 years. Aside from New York, Einstein on the Beach has never been seen in any of the cities currently on the tour, which comprises nine stops on four continents. • Opéra et Orchestre National de Montpellier Languedoc-Roussillon presents the world premiere at the Opera Berlioz Le Corum March 16—18, 2012. • Fondazione I TEATRI di Reggio Emilia in collaboration with Change Performing Arts will present performances on March 24 & 25 at Teatro Valli. • From May 4—13, 2012, the Barbican will present the first-ever UK performances of the work in conjunction with the Cultural Olympiad and London 2012 Festival. • The North American premiere, June 8—10, 2012 at the Sony Centre for the Performing Arts, as part of the Luminato, Toronto Festival of Arts and Creativity, represents the first presentation in Canada. -
2045: the Year Man Becomes Immortal
2045: The Year Man Becomes Immortal From TIME magazine. By Lev Grossman Thursday, Feb. 10, 2011 On Feb. 15, 1965, a diffident but self-possessed high school student named Raymond Kurzweil appeared as a guest on a game show called I've Got a Secret. He was introduced by the host, Steve Allen, then he played a short musical composition on a piano. The idea was that Kurzweil was hiding an unusual fact and the panelists — they included a comedian and a former Miss America — had to guess what it was. On the show , the beauty queen did a good job of grilling Kurzweil, but the comedian got the win: the music was composed by a computer. Kurzweil got $200. Kurzweil then demonstrated the computer, which he built himself — a desk-size affair with loudly clacking relays, hooked up to a typewriter. The panelists were pretty blasé about it; they were more impressed by Kurzweil's age than by anything he'd actually done. They were ready to move on to Mrs. Chester Loney of Rough and Ready, Calif., whose secret was that she'd been President Lyndon Johnson's first-grade teacher. But Kurzweil would spend much of the rest of his career working out what his demonstration meant. Creating a work of art is one of those activities we reserve for humans and humans only. It's an act of self-expression; you're not supposed to be able to do it if you don't have a self. To see creativity, the exclusive domain of humans, usurped by a computer built by a 17-year-old is to watch a line blur that cannot be unblurred, the line between organic intelligence and artificial intelligence. -
Artificial Intelligence and Its Implications for Income Distribution
Artificial Intelligence and Its Implications ... The Economics of Artifi cial Intelligence National Bureau of Economic Research Conference Report The Economics of Artifi cial Intelligence: An Agenda Edited by Ajay Agrawal, Joshua Gans, and Avi Goldfarb The University of Chicago Press Chicago and London The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2019 by the National Bureau of Economic Research, Inc. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637. Published 2019 Printed in the United States of America 28 27 26 25 24 23 22 21 20 19 1 2 3 4 5 ISBN-13: 978-0-226-61333-8 (cloth) ISBN-13: 978-0-226-61347-5 (e-book) DOI: https:// doi .org / 10 .7208 / chicago / 9780226613475 .001 .0001 Library of Congress Cataloging-in-Publication Data Names: Agrawal, Ajay, editor. | Gans, Joshua, 1968– editor. | Goldfarb, Avi, editor. Title: The economics of artifi cial intelligence : an agenda / Ajay Agrawal, Joshua Gans, and Avi Goldfarb, editors. Other titles: National Bureau of Economic Research conference report. Description: Chicago ; London : The University of Chicago Press, 2019. | Series: National Bureau of Economic Research conference report | Includes bibliographical references and index. Identifi ers: LCCN 2018037552 | ISBN 9780226613338 (cloth : alk. paper) | ISBN 9780226613475 (ebook) Subjects: LCSH: Artifi cial intelligence—Economic aspects. Classifi cation: LCC TA347.A78 E365 2019 | DDC 338.4/ 70063—dc23 LC record available at https:// lccn .loc .gov / 2018037552 ♾ This paper meets the requirements of ANSI/ NISO Z39.48-1992 (Permanence of Paper). -
Approaching the 'Ought' Question When Facing the Singularity
Running Head: Approaching the “Ought” Question Approaching the “Ought” Question when Facing the Singularity1 Chad E. Brack National Defense University College of International Security Affairs April 1, 2015 DISCLAIMER: THE OPINIONS AND CONCLUSIONS EXPRESSED HEREIN ARE THOSE OF THE INDIVIDUAL STUDENT AUTHOR AND DO NOT NECESSARILY REPRESENT THE VIEWS OF THE NATIONAL DEFENSE UNIVERSITY, THE DEPARTMENT OF DEFENSE OR ANY OTHER GOVERNMENTAL ENTITY. REFERENCES TO THIS STUDY SHOULD INCLUDE THE FOREGOING STATEMENT. 1. This paper was a submission for CISA Master of Arts in Strategic Security Studies course 6933: Science, Technology, and War. The topic question was “can knowledge (output of science) be a bad thing for humans? How should humans view the Bill Joy–Ray Kurzweil debate? Approaching the “Ought” Question Many scholars agree that science itself should not be expected to answer “ought” questions (Bauer 1994; Feyerabend 1975; Midgley 1994; Hoover 2010). As a theoretically amoral system,2 science is simply the pursuit of knowledge or, as Kenneth Hoover (2010) puts it, “a strategy for learning about life and the universe” (134). Science easily provides us with three of the four types of knowledge: empirical, analytical, and theoretical. Normative knowledge, however, stems from human values and norms. It is not scientific by nature and can be highly relative and subjective. Normative questions require “other forms of understanding” (Hoover 2010, 130), which come from many faucets of human experience (including the three types of knowledge listed above). The empirical, analytical, and theoretical knowledge that science provides us is neither good nor bad. It simply is. It is the application of that knowledge — in the form of technology — in which the “ought” question comes into play. -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
The Gaze in Theory
THE GAZE IN THEORY: THE CASES OF SARTRE AND LACAN Melinda Jill Storr Thesis submitted for DPhil degree University of York Centre for Women's Studies April 1994 ABSTRACT The topic of my research is the 'hierarchy of the senses' as it appears in mainstream Western thought, and specifically the privilege accorded to vision in twentieth century literary and theoretical writings. My aim is to investigate the allegation (as made by, for example, Evelyn Fox Keller and Christine Grontowski, and by Luce Irigaray) that the metaphor of vision is intimately connected with the construction of gender and sexual difference, and that the traditional privilege of vision acts to perpetuate the privilege of masculinity in modern writing practices. This allegation, captured in the thesis that masculinity 'looks' and femininity is 'looked-at' - that, as John Berger puts it, 'ben act and women appear" - has some degree of currency in contemporary writings an 'sexual difference', but has in itself received little critical attention. Taking the philosopher and novelist Jean-Paul Sartre and the psychoanalyst Jacques Lacan as 'case studies', I investigate the plausibility of this allegation by means of a detailed analysis of the use of vision and its relation to gender in the respective works of each. This work represents a significant contribution to serious critical work an both Sartre and Lacan, and to the understanding of the relationship between gender and representation. 2 CONTENTS LIST OF ILLUSTRATIONS 7 ACKNOWLEDGEMENT 8 AUTHOR'S DECLARATION 9 CHAPTER