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uwPFyIs& NSRVFUE NOTJUST WERE NASHVILLE'S ROCK SKYLINE (Continued from page MN -1) gon, Grand Funk Railroad, Arlo Guthrie, Bill Haley, Jimi Hen- drix, Buddy Holly, Billy Joel, Little Richard, Paul McCartney, Ringo Starr, the Byrds, Ray Charles, Joe Cocker, Duane SITUN'ON THE Eddy, Dr. Hook, Fats Domino, Donovan, the Charlie Daniels Band, Elvis Costello, Joe South, R.E.M., Leon Russell, Roy Orbison, the Monkees, Neil Young, and Gene Vincent. Those, as they say in Music City, are just for starters. The leaders of Nashville's redhot rock recording, writing, and performing scene predict many more names will be added to the golden roster of the future. Some are already DOCK OF THE BAY. known, such as John Hiatt, a former Nashville talent who has moved back to town with an international reputation; Ja- Call us for in new Memphis songs. son & the Scorchers; Steve Earle; Steve Forbert; and Tom the best Kimmel, who has already hit the charts. They're joined by R &B, Rock, Blues, and more. such sterling new talents as the Questionnaires, the Royal Court of China, Webb Wilder, the Stand, Susan Marshall, the Grinning Plowman, Dessau, Pat McLaughlin, Stealin Horses and Paradise Lost. "There's been a great deal of change in the last four years 901/276-8520 as we've expanded our horizons," says Lynn Gillespie, exec- utive director of the Nashville Entertainment Assn. The NEA's breakthroughs in spotlighting Nashville as a total en- tertaiment community at the New Music Seminar, MIDEM, and at the Nashville Music Extravaganza have been particu- larly important, Gillespie believes.
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