Celebrating Our Past by Securing Our Future
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2021 Mnselects Program.Pdf
Todd Gutterman - President Greetings, everyone! Welcome to the 2021 Minnesota Selects Hockey Festival! I want to acknowledge the events of the past 18 months. We have all faced many unforeseen challenges, both within and beyond the hockey world. For the safety of everyone involved, the Minnesota Selects Executive Board made the difficult decisions to cancel the 2020 Festival and delay the 2021 Festival until now. While the dates have changed for this year, players and fans will still enjoy many of the features that have made our Festival great since its debut in 1989: * No gate fee. * High-quality jerseys with player names lettered on the back. * Saturday’s Skills Competition (a fan fave!) with prizes. * Sunday’s awards program, including individual player recognition and a strong focus on recognizing our student athletes. * The college-level program with a complete history of the Festival’s participants. * A weekend of great competition, excitement, and fun! On behalf of Minnesota Selects, I want to thank our 680 players and the coaches, families, friends, and volunteers for all the time, planning, and commitment it takes to make our tournament the success that it is and always has been. It’s been a long wait, but we are excited to be back for our 33rd year! Best Regards, Todd Gutterman President Minnesota Selects Table of Contents General Information 2021 Selects Board of Directors Letter from the President ...............................1 Table of Contents ...................................... 2-3 Minnesota Selects Board of Directors -
Crime, Law Enforcement, and Punishment
Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County -
Quick Facts/Travel Plans
QUICK FACTS/TRAVEL PLANS L S U QUICK FACTS Table of Contents UNIVERSITY 2001 Roster 2 Location: Baton Rouge, La. Roster Breakdown/Pronunciation Guide 3 Founded: 1860 Facilities/Weight Room and Training Room 4-5 Enrollment: 29,022 Media Information 6 Nickname: Tigers or Fighting Tigers SEASON OUTLOOK/OPPONENTS Stadium: LSU Soccer Complex (1,500) Mascot: Mike V (Live Bengal Tiger) 2001 Preview 8-9 Colors: Purple (PMS 267) and Gold (PMS 123) 2001 Opponents 10-13 Conference: Southeastern (Western Division) SEC Tournament History 14 President: Dr. William L. Jenkins LSU SOCCER STAFF Chancellor: Dr. Mark Emmert Head Coach George Fotopoulos 16-17 Faculty Representative: Dr. William P. Culbertson Assistant Coach Tracy Hay/Support Staff 18 TIGER PLAYERS ATHLETIC DEPARTMENT Fallon Buckner/Kara Dean 20 Athletic Director: Skip Bertman Leigh McGovern/Ashley Mitnick 21 Sr. Associate AD: Dan Radakovich Bonnie Otillio/Melissa Shelton 22 Associate AD/Mkt. & Promotions: Rannah Gray Associate AD/Student Services: Bo Bahnsen Katy Bowman/Rachel Cohen/Jenny deHay 23 Associate AD/Business: Mark Ewing Gina Deitering/Kasey Dexter/Mandy Heintz 24 Assistant AD/Facilities: Jerry Blanchard Katie Jones/Laura Klatter/Elizabeth Marschall 25 Senior Women’s Administrator: Judy Southard Nicole Sprung/Colleen Zimmerman 26 Tiger Newcomers 27-28 SOCCER STAFF 2000 Season Review 29-30 Head Coach: George Fotopoulos Brag Sheet 31 Alma Mater: University of Tampa, 1992 Final Stats and Results 32 Record at LSU: 15-6 (One year) SEC Stats and Standings 33-34 Career Record: 35-20-1 (Three years) LSU TIGER HISTORY Assistant Coach: Tracy Hay (Florida, 1999) LSU Record Book 36-37 TEAM INFORMATION AND HISTORY All-Time Honors 38 2000 Record: 15-6 Letterwinners 39 SEC Record: 5-4 Year-by-Year Results 40 Postseason: SEC Tournament (0-1) Record vs. -
CARPET CLEANING SPECIAL K N O W ? Throughout History, I Dogs Have Been the on OU> 211 Most Obvious Agents in 5 MILES SO
remain young and beautiful only by bathing in and in the story of Lauren Elder’s grueling 36-hour or S a t u r d a y drinking the blood of young innocent girls — includ deal following the crash of a light aiplane that killed ing her daughter’s. 12:30 a.m. on WQAD. her two companions. The two-hour drama is based "Tarzan’s New Adventure” —- Bruce Bennett and "Sweet, Sweet Rachel” — An ESP expert is pit on the book by Lauren Elder and Shirley Ula Holt star in the 1936 release. 1 p.m. on WMT. ted against an unseen presence that is trying to drive Streshinsky. 8 p.m. on NBC. "Harlow” — The sultry screen star of the 1930s is a beautiful woman crazy. The 1971 TV movie stars "Walk, Don’t Run” — A young woman (Saman the subject of the 1965 film biography with- Carroll Alex Dreier, Stefanie Powers, Pat Hingle and Steve tha Eggar) unwittingly agrees to share her apart Baker, Peter Lawford, Red Buttons, Michael Con Ihnat. 12:30 a.m. on KCRG. ment with a businessman (Cary Grant) and an athe- nors and Raf Vallone 1 p.m. on WOC lete (Jim Hutton) during the Tokyo Olympics (1966). "The Left-Handed Gun” — Paul Newman, Lita 11 p.m. on WMT Milan and Hurd Hatfield are the stars of the 1958 S u n d a y western detailing Billy the Kid’s career 1 p.m. on "The Flying Deuces” — Stan Laurel and Oliver KWWL. Hardy join the Foreign Legion so Ollie can forget an T u e s d a y "The Swimmer” — John Cheever’s story about unhappy romance (1939). -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
All Aware of Course That the Annual Report of the Oscar Long Ago Attained an Extraor Academy of Motion Picture Dinary Stature
Academy of Motion Picture Arts and Sciences and Academy Foundation Annual Report 83/84 From the President ' m delighted to present to you We' re all aware of course that the Annual Report of the Oscar long ago attained an extraor Academy of Motion Picture dinary stature. One of the most pleas I Arts and Sciences and the urable aspects of this first year as Academy Foundation. As you will see your president has been the chance in the pages that follow, 1983-84 was I've had to see firsthand just how a year of continuing achievement. broad and how deep is the worldwide Note particularly the accomplish respect for our symbol and the insti ments of our Players Directory, our tution he represents. This summer I Visiting Artists program, our Semi accepted an invitation from the U.S. nars, Exhibitions, Lectures and Information Agency to represent Salutes. Statistics continue to show the Academy in a visit to five East that students, scholars, researchers, European nations. writers, critics, and filmmakers are Everywhere I went-in Belgrade, making use of our magnificent Budapest, East Berlin, Prague, Sofia, Margaret Herrick Library in ever Zagreb, and at Czechoslovakia's dis increasing numbers. As a matter of tinguished Karlovy Vary Festival- fact, finding space in which our con I met filmmakers who spoke warmly stantly-expanding archives can be and with obvious sincerity about what made both safe and accessible has the Academy meant to artists in their been a continuing and pressing countries. I was made aware in a concern. variety of ways by a great many peo We've found short-term solutions ple that our nominations history, to that problem this year; in next particularly in the Foreign Language year's report I'll detail our plans for and Animation categories, has won the establishment of the "Academy us a reputation for integrity that is Cinema Center," a project of large unmatched in the world of film. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
Jackie Cooper
Jackie Cooper Titles: 49+ Sources: 10 Stills: 52 aka: Leonard Cooper Born: John Bigelow; Los Angeles, California; September 15th 1921/22 Son of studio production manager C.J. Bigelow; nephew of director Norman Taurog Homely puppy hits the Big Time – Cooper‟s big break was in “SKIPPY” Source: indeterminate “One day I‟ll be editor of the Daily Planet!” – Studio publicity shot Source: indeterminate website The snub-nosed tyke with truculent pout look was evidently a real winner in the thirties. Jackie Cooper had none of Coogan’s soulful vulnerability, none of Bartholomew’s precious decorousness. He hadn’t the sheer energy and vaudevillean versatility of Rooney, or the offhand prettiness of Dickie Moore and others. Analyising Cooper’s appeal is a puzzle. It cannot even in fairness be said of him that he was a talented child actor. In titles like “THE BOWERY” or “TREASURE ISLAND”, for example, his performance is servicable at best. Jackie Cooper was, as James Cagney famously characterised himself, a “bread and butter” actor, his everyman face and voice struck a chord with Depression-era audiences. He had few pretensions, worked hard, and put the bacon on the table. Behind him, as ever, a mother determined to get her son on the screen, in this case by a judicious fiddling of the studio books. In many of his best-remembered titles the young Cooper was teamed with burly aw-shucks Wallace Beery, and the studios obviously regarded them as something of an item, but in a revealing aside during a recent interview, Cooper indicated that Beery was actually quite offhand towards him when the cameras weren't turning, so they didn't hit it off at all so well as the screen gave out. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Volume 1 Entertainment Titles
Volume 1 Entertainment Titles Entertainment Titles A–S his outre fashion sense & publicity savvy, he becomes an overnight When Sinclair returns to his time, he finds a far different world - the A success & the hit of the Paris couture scene. When he is hired to world’s population is dying from a deadly virus, while the survivors design the wedding dress of the auto-mechanic girl-next-door, he are battling a robotic army of battled modified A.P.E.X. units. A & E Biography: John F. Kennedy, Jr. (1999). Biographical. ends up falling in love with her. Buena Vista Home Video. VHS. Nicholas Sinclair must return to the lab & travel time in a battle to Documentaries, Miscellaneous. Color and B&W. 50 mins. NR. (Order #: 3608); Laser. (Order #: 3608AS). save his future world. Republic Pictures Home Video. VHS. (Order Commemorates the life & legacy of John-John. A & E Home Video. A La Prima Se le Arrima. (Spanish). Sergio El Comanche Ramos, #: 0064, UPC: 01713006430). VHS. (Order #: GHANE017567) $14.95 Dist(s): Critics’ Choice Raul Padilla, Pepe Magana. Million Dollar Video Corp. VHS. (Order A. P. E. X. Science Fiction. Color. 103 mins. CC R. Video Released Video. #: MES443) $57.00. Feb. 1996. Richard Keats. The year is 2073. A time travel probe, ABC(AmericaBeforeColumbus)Based on a book by Joseph A las Puertas del Infierno: (At Doors of Hell) Foreign called an A.P.E.X. (Advanced Prototype Extermination Unit), has Robinette. Children’s Films. 60 mins. (J). Score by Kate Waring. Films—Mexico. Color. (Spanish). Fernando Almada, Juan Gallardo, just been launched 100 years into the past to a desolate area in the Begins with two children stepping across the frozen Bering Strait Nora Torrero. -
Society Elects Eight Writers High Catholic Officials Preside At
VOLUME IV SAINT PAUL, MINN., FRIDAY, MAY 20, 1938 NUMBER 16 Society Elects New Delta Phi Lambda Members High Catholic Officials Preside Eight Writers At Commencement Exercises Delta Phi Lambda Initiates Archbishop Murray Presents Diplomas; Father J, M. Members of Ariston, Venus Celebrates Baccalaureate Mass LaConcha, Wheel Father Joseph M. Venus, pastor His Excellency, the Most Rever- of St. Patrick's church, Butte, Two seniors and six juniors, all end John Gregory Murray, Arch- Montana, will celebrate the Bac- members of Ariston, La Concha, bishop of St. Paul, will present calaureate® Mass for the gradu- or the Catherine Wheel staffs, diplomas to 107 graduates of the ating seniors at 10 a. m. on Sun- were initiated into Delta Phi College on Thursday, June 9, at day, June 5, in the Chapel of 3:30 in the Jeanne d'Arc au- Lambda, honorary writing society, Our Lady of Victory. Thursday evening, May 19, in the ditorium. Roy J. Deferrari, Father Joseph Schabert, dean Whitby lounge. Ph.D., secretary general of the of the College of St. Thomas, will Catholic University of . America, Mary-Alyce O'Gara and Rose give the baccalaureate address. will give the commencement ad- Gallagher are the two seniors dress. The Chancellor of the elected, and Mary Carroll Scanlan, Archdiocese of St. Paul, the Very Helen Flynn, Mary Hoffmann, Newly elected members of Delta Phi Lambda, honorary literary Reverend Donald J. Gregory will Isabel Price, Patricia McHale, and society, were initiated last evening. The new members shown above introduce Archbishop Murray Winifred Kaul were chosen from are Mary Carroll Scanlan, Patricia McHale, Mary-Alyce O'Gara, Rose and announce the awards. -
Introduction Cinemas of Boyhood, Part II
Introduction Cinemas of Boyhood, Part II Timothy Shary We are proud to present a second set of essays on the topic of boyhood in cinema, adding to those that appeared in issue 8.2 of this journal. Again, the range of interests is eclectic, further illustrating the diverse concerns that boyhood’s representation evinces in movies and all media. My introductory comments in the previous issue focused on the com- pelling research about boyhood that has provoked so much discussion in the field over the past two decades, from political sociology and pop psy- chology to specific studies of the representation of boys in cinema. Given the scope of films discussed in this issue, from Britain and India as well as from silent Hollywood and so-called new Hollywood in the 1980s, I direct my overview to relevant films about boyhood, and to the young actors in them, that have instigated cogent analyses such as those presented here. Peter Lee’s article on the gendered evolution, as it were, of Jackie Coogan in the 1920s brings out many relevant historical tensions about how boy- hood has been negotiated on- and off-screen during this decade. Lee points out that Coogan was not the first boy star—he names “Vitagraph Boy” Kenneth Casey, to whom we could add Ben Alexander, John Tansey, Ray- mond Hackett, and Gordon Griffith—but Coogan became the most famous of his era. He was followed in the next decade by Jackie Cooper who, for his title role in Skippy (1931) when he was barely nine years old, became the first child ever nominated for an Academy Award, and who then went on to greater fame in The Champ (1931), The Bowery (1933), and Treasure Island (1934).