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How the Experience of Cyberspace Contributes to the Emerging Story of Self in Young People
Morph Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. Jill Lesley Clough Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature Language, and Linguistics Newcastle University April 2013 Awarded October 2013 Supervisors: Professor Linda Anderson, Professor Jackie Kay Abstract for Morph. Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. This thesis develops from the belief that young people construct identities for themselves which inevitably surprise their parents, particularly where so much of their coming-of-age is influenced by hidden virtual experiences. The novel which explores this is Morph. Joey, the protagonist, is uneasy about her gender. She has a loving family, intelligence, a satisfying way of life, but loathes her body. She investigates alternative futures, initially online. Her closest friend also has a secret, revealed after a suicide attempt that Joey averts: sexual abuse by her father. Each has to discover how to live with the evolving sense of self. If Joey wishes to change gender her character may alter, too; she finds she can be violent when confronting the abusive father. The story is told through Joey’s eyes and activities in cyberspace, which she thinks of as a free place, parallel to the mountains over which she loves to run. She feels at ease in both places. Eventually she decides to live as both male and female (Other) because she does not have a ‘condition’ needing to be cured. Classification in the natural world allows for infinite variety, and she want similar opportunities for herself. -
I's the Merb'y: Masculinity, Mermen and Contemporary Newfoundland
I’S THE MERB’Y Masculinity, Mermen and Contemporary Newfoundland [Received 22nd April 2018; accepted 29th July 2018 – DOI: 10.21463/shima.12.2.17] Philip Hayward University of Technology Sydney <[email protected]> Cory W. Thorne Memorial University of Newfoundland <[email protected]> ABSTRACT: In late 2017 initial, low-key publicity for a charity calendar featuring a range of bearded Newfoundlanders posing as mermen resulted in international media coverage that discussed and commended the non-stereotypical images produced for the project. This article situates the calendar’s imagery within the history of regional folklore concerning mermen and mermaids, the socio-cultural character of the island of Newfoundland and, in particular, the milieu of its port capital, St. John’s. Through these perspectives, the article analyses aspects of masculinity present in an island society that has experienced significant transitions in recent decades in relation to the decline of its fishery, the increasing work- related mobility of former fisherpeople, increasing ethnic diversity and immigration, and the breaking down of once strongly held attitudes of Newfoundland as being isolated, homogenous and tradition-based. In terms of Island Studies discourse, this has involved the island’s transition from being a relatively autonomous aquapelagic assemblage to an increasingly post-aquapelagic one firmly incorporated within a nation-state. Long viewed as a quintessential “folk setting”, Newfoundland is in a state of change that includes the gradual modification of regional stereotypes of masculinity. The revised images and roles presented in the calendar can be seen to represent new, more fluid definitions of masculinity appropriate for an increasingly more cosmopolitan — yet proudly unique — island society. -
THE I-STUBBLEPRO TOOL TIPS Ultimate Precision Shorter Beard & Designer Stubble Trimmer
THE i-STUBBLEPRO TOOL TIPS ultimate precision shorter beard & designer stubble trimmer. VSM7896A HEY YOU! TAKE A BOW FINE SIR. THINGS ARE LOOKING UP & YOU’VE JUST MADE A QUALITY PURCHASE WITH THIS NEW GROOMING TOOL. WE KNOW YOU’VE GOT THIS, BUT BEFORE YOU JUMP INTO USING YOUR NEW SIDE KICK, HERE’S A FEW TIPS & TRICKS TO KNOW BEFORE LETTING YOUR CREATIVITY RUN LOOSE. HIT UP VSFORMEN.COM.AU FOR MORE GROOMING & INSPIRATION OR FOLLOW US ONLINE 2 THE i-STUBBLE PRO / TOOL TIPS 3 THE i-STUBBLE PRO / TOOL TIPS IMPORTANT SAFETY INSTRUCTIONS - This appliance is not intended for use by persons (including children) with reduced physical, sensory or mental capabilities, or lack of experience and knowledge, unless they have been given supervision or instruction concerning use of the appliance by a person responsible for their safety. - Children should be supervised to ensure that they do not play with the appliance. - This appliance is only to be used with the power supply unit provided with the appliance. - This appliance must only be supplied at safety extra low voltage corresponding to the marking on the appliance. When using electrical appliances, especially when children are present, basic safety instructions should always be followed, including the following: Polythene bags over product or package may be dangerous. To avoid danger of suffocation, keep this wrapper away from babies and children. This bag is not a toy. DANGER: When the unit is used in a bathroom, unplug it after use since the proximity of water presents a hazard even when the appliance is switched off WARNING: Do not use or leave the AC power adaptor in a position where it can become wet or there is a danger of it falling into a basin or other vessels containing water. -
A Critical Study of Transsexual Transition in a Familial Context
1 Straddling the scalpel of identity: a critical study of transsexual transition in a familial context Claire Elizabeth Jenkins Doctor of Philosophy Sociological Studies December 2012 2 Acknowledgements Many have helped me. Firstly I would like to thank my immediate family, my ex-wife and my four children, for sharing in my transition which was the genesis of this research. I very much appreciate the invaluable help given by Dr Emily Gray in formulating my original research proposal. Perlin Dobson and David Jackson, my dear friends, have consistently supported me through transition to submission. David read many of my drafts and gave me critical feedback. Perlin gave emotional support when times were difficult. I am very appreciative of the invaluable advice and support given by Kevin Mahoney of Sheffield University Careers Service. These friends together with Nirmal Fernando, David Jones, Professor Stephen Whittle, Dr Roshan das Nair, Jayne Tulip and Imogen Hale were especially helpful when I experienced a major setback. They helped me to re-continue afterwards. I would also like to more formally thank my supervisors, Dr Victoria Robinson, Dr Lorna Warren and Professor Jenny Hockey, who taught me much about sociological writing and thought and who gave extensive critical feedback. Dr Warren has especially helped me regain academic confidence during 2012. I am also grateful for the informed critiques received from Professor Ruth McDonald, Professor Brendan Gough and David Miers. I am especially grateful to Brenda Stephenson and Dawn Montiel for the proof reading early drafts. I would also like to thank Duncan Macmillan House Staff Library and Nottingham Trent University Library Staff for supporting me locally through book acquisition, loans and for obtaining journal articles. -
The Art of a Beard
The Art Of A Beard From designer stubble to a full grown man, it’s clear to see that the beard is becoming more standard procedure than the sign of being homeless in recent years. With celebrities such as Johnny Depp, Brad Pitt and David Beckham sporting facial fur it’s become an unwritten rule that a fashionable man cannot be without a beard. With dedicated websites to the beard that include step by step guides to growing a beard, featured beards and beard galleries, the modern man has all the information he needs at his fingertips to shape colour or groom his beard into any style he wants. So how comes beards are seen as more of a fashion statement than just pure laziness? Do us gents perceive the beard as a manly statement rather than a result of being scruffy? Whether you like the beard of not, it’s become more and more acceptable to have a beard in the office. In fact, it has been said that the vast majority of men now sport beards, and that it’s moved from sticking out like a sore thumb with a beard to looking out of place if you don’t have a beard. There’s even a sponsored facial hair growing month. ‘During November each year, Movember is responsible for the sprouting of moustaches on thousands of men’s faces in the UK and around the world. The aim of which is to raise vital funds and awareness for men’s health, specifically prostate cancer and other cancers that affect men.’ Says Movember.com. -
A Pilgrimage Through the Biblical Lands of Israel & Palestine The
A PILGRIMAGE FOR SALISBURY CATHEDRAL A Pilgrimage through the Biblical Lands of Israel & Palestine Led by The Dean of Salisbury, The Very Revd Nicholas Papadopulos 23rd May - 1st June, 2020 - The official and preferred pilgrimage partner for the Diocese of Jerusalem- www.lightline.org.uk A Pilgrimage through the Biblical Lands of Israel & Palestine I am thrilled to introduce the first pilgrimage to the Holy Land of my time as Dean. I hope that you will be able to join me. I made my first pilgrimage to the Holy Land in 2016. It was a quite overwhelming experience. Since then I have had the privilege of leading two further pilgrimages, and the prospect of returning to Israel and Palestine in 2020 is very exciting. Why? Because if you are able to come then together we will walk the landscape in which Jesus walked. Together we will pray in places where generations of Christians have prayed, and catch a fresh glimpse of our belonging in an innumerable company of faithful men and women drawn by the life, death and resurrection of Jesus. And together we hear the voices of those who live and work, rejoice and grieve in the towns and villages of Israel and the occupied Palestinian territories today. In their stories above all we will come face to face with God, who made himself known in Jesus, who is among us as one who suffers, and yet who draws life eternal out of that suffering. It will be, I am confident, an unforgettable opportunity for pilgrims to encounter the living God Nicholas Lightline Pilgrimages support the work of Friends of The Holy Land and a contribution is made on behalf of each and every pilgrim that travels with Lightline Pilgrimages Day 1, Saturday 23rd May We gather at London Heathrow Airport for our morning flight to Tel Aviv. -
The Use of Cartoons in Popular Protests That Focus on Geographic, Social, Economic and Political Issues
European Journal of Geography Volume 4, Issue 1:22-35, 2013 © Association of European Geographers THE USE OF CARTOONS IN POPULAR PROTESTS THAT FOCUS ON GEOGRAPHIC, SOCIAL, ECONOMIC AND POLITICAL ISSUES Mary TOTRY Oranim Academic College of Education, Tivon Post 36006, Israel http://friends.oranim.ac.il/, [email protected] Arnon MEDZINI Oranim Academic College of Education, Tivon Post 36006, Israel http://friends.oranim.ac.il/, [email protected] Abstract The comics and related arts (cartoons, graffiti, illustrated posters and signs) have always played an important role in shaping public protests. From the French Revolution to the recent Arab Spring revolutionary wave of demonstrations and protests, these visual means have stood out thanks to their ability to transmit their message quickly, clearly and descriptively. Often these means have enabled the masses to see their social, economic and political reality in a new and critical light. Social, economic and political cartoons are a popular tool of expression in the media. Cartoons appear every day in the newspapers, often adjacent to the editorials. In many cases cartoons are more successful in demonstrating ideas and information than are complex verbal explanations that require a significant investment of time by the writer and the reader as well. Cartoons attract attention and curiosity, can be read and understood quickly and are able to communicate subversive messages camouflaged as jokes that bring a smile to the reader's face. Cartoons become more effective and successful in countries with strict censorship and widespread illiteracy, among them many countries in the Arab world. Cartoonists are in fact journalists who respond to current events and express their opinions clearly and sometimes even scathingly and satirically. -
1 the Driver Mr Tahsin Cilekbileckli
F.html 07/12/2009 11:44 1 the driver Mr Tahsin Cilekbileckli Outward appearance Like Antonio Banderas in Interview with the Vampire, down to the long black hair. Neatly pressed London Underground uniform, except for the jacket, which is slung over the back of his chair. Unshaven, baggy-eyed. His Hush Puppy shoes are worn along one edge. Inside information A qualified [[136]] Turkish political scientist living in Britain with a British wife. He walks splay footedly because his feet were beaten while he was in prison. His name means Perfection With Steel Wrists. Turkish surnames are new this century, added under the rule of Ataturk -- Father Turk. Such names sound beautiful to them. What he is doing or thinking The train pulls out, Tahsin sighs with despair and exhaustion. Last night he argued with his two best friends about Islamic fundamentalism. Tunc teaches at the [[ftnt1]] School of Oriental and African Studies and is from an old Ottoman family. "There are only a million modern Turks, but we have all the power," Tunc said, heavy lidded with superiority. Tahsin's other friend Umut is a failed actor, drinking himself to death. "There would be no more wine," Umut complained. "Umut" means Hope. Tahsin lost his temper with both of them. Tahsin is from Marash, a town famous only for its rubbery ice cream. His mother and father are illiterate and faithful. "My modern son," sighs his father on the phone with pride when told Tahsin is writing a book on a computer. After all the other isms, Islam at least feels native. -
The Challenge of Protecting Boys from Sexual Abuse
Improving Community Safety Lessons from the country and the city Jupiters Hotel Townsville, Queensland, Australia 18-19 October 2007 CONFERENCE PAPER: THE CHALLENGE OF PROTECTING BOYS FROM SEXUAL ABUSE Emeritus Professor Freda Briggs AO Child Development University of South Australia, Magill Campus http://www.aic.gov.au/conferences/2007-RegionalComSafety/index.html The Challenge of Protecting Boys from Sexual Abuse Emeritus Professor Freda Briggs AO Child Development; University of South Australia, Magill Campus Introduction It is widely believed that one in three Australian girls and one in from five to ten boys are sexually abused before they leave school. Using Australian and international research findings, this paper will show that the vulnerability and victimization of boys is substantially under-recognised and under-reported, that boys have been disadvantaged by child sexual abuse being regarded as a feminist issue and that child protection curriculum has not yet been developed to meet the special needs of boys. Child sex abuse – a feminist issue The problem of child sex abuse was brought to public notice by American feminists in the late 1970’s. Australian women followed their example in the early 80’s. Rape Crisis Centres received government funding to provide services for female victims. Some centres held well-publicised state-wide phone-ins that revealed the myth of the dangerous stranger and the fact that the greatest risk to girls was the trusted male in the home environment. Adelaide Rape Crisis Centre had a notice on the door that said, “No males may enter this building”, strengthening the belief that only females were victims and offenders were males. -
Chapter 8 Appearance, Uniforms, and Equipment
Chapter 8 Appearance, Uniforms, and Equipment I. APPEARANCE OF PERSONNEL A. All members of the department have the responsibility to present and maintain a professional public appearance that reflects the high standards of the Pima County Sheriff's Department. Integral elements of personal appearance are grooming, neatness, and cleanliness. B. Overall Appearance 1. All members of the Pima County Sheriff's Department are expected to report to work dressed in clothing that is neat, clean, and in good repair. Acceptable dress is standard business attire. Some items of clothing are not acceptable, either because of their unprofessional appearance or because they present a safety or security issue. 2. Hair must be neat and well groomed. Extreme hairstyles, makeup, and jewelry are prohibited. If members choose to color their hair, only natural colors shall be used. Wigs and hairpieces shall not be worn unless they conform to the standards for natural hair. (Bureau Commanders may make exceptions in cases of special assignments.) C. The following rules shall apply to all commissioned and corrections members wearing a Sheriff's Department uniform. 1. Hairstyles a. Hair shall be neat, clean, properly trimmed, and well- groomed. b. In no case shall the bulk or length of the hair interfere with the proper wearing of authorized headgear. c. Hair may be worn in contemporary styles but no lower than the top of the shirt collar at the back of the neck for men, bottom of the shirt collar at the back of the neck for women, and the mid-point of the ear at the sides when the man or woman is standing with his/her head in a normal position. -
Palestinian Citizens of Israel: a Perfect Coronavirus Scapegoat
Palestinian citizens of Israel: A perfect coronavirus scapegoat Lana Tatour 8 April 2020 11:36 UTC | Last update: 9 hours 59 min ago As Netanyahu continues racist incitement against Arab citizens, Israeli security forces are unleashing violence on Palestinian communities A mannequin wears a face mask with the pattern of the Palestinian keffiyeh (AFP) 235Shares In a recent meeting about Covid-19 with a delegation of doctors who are Palestinian citizens of Israel, Israeli Prime Minister Benjamin Netanyahu said: “Unfortunately, instructions are not strictly adhered to in the Arab sector … I ask for the cooperation of all Arab citizens of Israel. I ask you, for your sake and for the sake of our shared future, please follow the orders, [otherwise] a lot of people will die, and these deaths could be prevented with your help.” Clearly, controlling the proliferation of coronavirus depends on the commitment of people to self-isolate, but this is not what Netanyahu meant. Rather, he was continuing his racist incitement against Palestinian citizens, suggesting that deaths would be “your” responsibility. Portrayed as a threat Palestinian citizens are the perfect scapegoat to blame for the spread of Covid-19 in Israel. Palestinian citizens of Israel are being portrayed as a threat to the health and lives of Jewish citizens - a continuation of the longstanding discourse that portrays them as a fifth column and illegitimate citizens. In a discourse that mirrors the classic European antisemitic playbook of “Jews spreading disease”, Netanyahu is preparing the ground to blame Palestinians for the spread of coronavirus if mitigation efforts fail. He is doing what he knows best: inciting against Palestinian citizens to avoid scrutiny over his own handling of the crisis, and to deflect from his pending criminal charges. -
LEBANESE AMERICAN UNIVERSITY Identity Through Imagery: the Palestinian Case by Rebecka Naim Farraj School of Arts and Sciences J
LEBANESE AMERICAN UNIVERSITY Identity through Imagery: The Palestinian Case By Rebecka Naim Farraj A thesis Submitted in partial fulfillment of the requirements for the degree of Master of Arts in International Affairs School of Arts and Sciences June 2014 Identity through Imagery: The Palestinian Case Rebecka Naim Farraj Abstract In 1948, Palestinians were dispersed after Al-Nakba in different regions around the world. Their status as being refugees, diasporas, or even citizens has become dependent to the country they reached, the hostland, after their exile. However, Palestinians have created transnational networks, disregarding the fact that their homeland was lost. These networks have helped in maintaining their collective identity. Based on the relation between the semiotics, constructivism, and transnationalism, this paper problematizes the status of Palestinians. It shows how images, more specifically posters, have played an important role in reflecting the identity of Palestinians. As for the framework of the comparative study, the countries to be taken into account are: Palestine, Lebanon, and the United States. Keywords: Palestinian Identity, Constructivism, Semiotics, Diaspora, Transnationalism, Poster. v TABLE OF CONTENTS Chapter Page I- Introduction ............................................................................................................ 1 1.1- Overview and Need for the Study ............................................................................. 3 1.2- Importance of Interdisciplinary Study ....................................................................