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Processes of Byzantinisation and Serbian Archaeology Byzantine Heritage and Serbian Art I Byzantine Heritage and Serbian Art I–Iii
I BYZANTINE HERITAGE AND SERBIAN ART I BYZANTINE HERITAGE AND SERBIAN ART AND SERBIAN BYZANTINE HERITAGE PROCESSES OF BYZANTINISATION AND SERBIAN ARCHAEOLOGY BYZANTINE HERITAGE AND SERBIAN ART I BYZANTINE HERITAGE AND SERBIAN ART I–III Editors-in-Chief LJUBOMIR MAKSIMOVIć JELENA TRIVAN Edited by DANICA POPOVić DraGAN VOJVODić Editorial Board VESNA BIKIć LIDIJA MERENIK DANICA POPOVić ZoraN raKIć MIODraG MARKOVić VlADIMIR SIMić IGOR BOROZAN DraGAN VOJVODić Editorial Secretaries MARka TOMić ĐURić MILOš ŽIVKOVIć Reviewed by VALENTINO PACE ElIZABETA DIMITROVA MARKO POPOVić MIROSLAV TIMOTIJEVIć VUJADIN IVANIšEVić The Serbian National Committee of Byzantine Studies P.E. Službeni glasnik Institute for Byzantine Studies, Serbian Academy of Sciences and Arts PROCESSES OF BYZANTINISATION AND SERBIAN ARCHAEOLOGY Editor VESNA BIKIć BELGRADE, 2016 PUBLished ON THE OCCasiON OF THE 23RD InternatiOnaL COngress OF Byzantine STUdies This book has been published with the support of the Ministry of Education, Science and Technological Development of the Republic of Serbia CONTENTS PREFACE 11 I. BYZANTINISATION IN THE ARCHAEOLOGICAL CONTEXT THE DYNAMICS OF BYZANTINE–SERBIAN POLITICAL RELATIONS 17 Srđan Pirivatrić THE ‘MEDIEVAL SERBIAN OECUMENE’ – FICTION OR REALITY? 37 Mihailo St. Popović BYZANTINE INFLUENCE ON ADMINISTRATION IN THE TIME OF THE NEMANJIĆ DYNASTY 45 Stanoje Bojanin Bojana Krsmanović FROM THE ROMAN CASTEL TO THE SERBIAN MEDIEVAL CITY 53 Marko Popović THE BYZANTINE MODEL OF A SERBIAN MONASTERY: CONSTRUCTION AND ORGANISATIONAL CONCEPT 67 Gordana -
104 Papers of the Bibliographical Society of Canada 39/2 Been
104 Papers of the Bibliographical Society of Canada 39/2 been fruitfully informed by recent theoretical and sociological accounts of the eighteenth-century reader, as well as by other studies of individual readers. While I have registered some minor disappointments with these essays, they result from the inevitable limitations of the discrete essay format and of the book's brevity. This limitation is in itself valuable, in that it points to the need for scholarship focussed squarely on the print culture of eighteenth-century Scotland, as opposed to studies such as Robert Crawford's Devolving English Literature and Leith Davis's Acts of Union: Scotland and the Literary Negotiation of the British Nation, z7o7-183o, which have made us aware of Scottish contributions to the formation of British cultural institutions. It is to be hoped that Volume II: z7o7-18oo of the projected four-volume History of the Book in Scotla~nd will further address this gap. In the interim, this handsome, well-written collection and catalogue is admirable in what it does accomplish, in putting both the Scottish culture of the book, and Canadian contributions to the study of that culture, into the hands of readers. BETT"Y A. SCHELLENBERG Simon Fraser Unziversity James G. Nelson. Publisher to the Decadents: Leonard Smithers in the Careers of Aubrey Beardsley, Wilde, Dowson. University Park: Pennsylvania State University Press, zooo. xvi, 431PP-; $35.oo (hardcover). ISBN o-271-oI974-3. Literary scholars of the r890s era know about Leonard Smithers, and one of the things they know is that he was a publisher of low octane pornography in limited editions, or as Oscar Wilde observed, "one for the author, one for [him]self, and one for the police." On another occasion, Wilde wrote that Smithers "is so fond of suppressed books that he suppresses his own."' James G. -
Reviving the Pagan Greek Novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; Proquest Pg
Reviving the Pagan Greek novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; ProQuest pg. 179 Reviving the Pagan Greek Novel in a Christian World Joan B. Burton N THE CHRISTIAN WORLD of Constantinople, in the twelfth century A.D., there was a revival of the ancient Greek novel, I replete with pagan gods and pagan themes. The aim of this paper is to draw attention to the crucial role of Christian themes such as the eucharist and the resurrection in the shaping and recreation of the ancient pagan Greek world in the Byzan tine Greek novels. Traditionally scholars have focused on similarities to the ancient Greek novels in basic plot elements, narrative tech niques, and the like. This has often resulted in a general dismissal of the twelfth-century Greek novels as imitative and unoriginal.1 Yet a revision of this judgment has begun to take place.2 Scholars have noted that there are themes and imagery in these novels that would sound contemporary to many of their Byzantine readers, for example, ceremonial throne scenes and 1 Thus B. E. Perry, The Ancient Romances: A Literary-Historical Account of Their Origins (Berkeley 1967) 103: "the slavish imitations of Achilles Tatius and Heliodorus which were written in the twelfth century by such miserable pedants as Eustathius Macrembolites, Theodorus Prodromus, and Nicetas Eugenianus, trying to write romance in what they thought was the ancient manner. Of these no account need be taken." 2See R. Beaton's important book, The Medieval Greek Romance 2 (London 1996) 52-88, 210-214; M. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Ethnicity, Lyricism, and John Berryman's Dream Songs
Imaginary Jews and True Confessions: Ethnicity, Lyricism, and John Berryman’s Dream Songs ANDREW GROSS . Jews, who have changed much in the course of history, are certainly no race, [but] the anti‐Semites in a way are a race, because they always use the same slogans, display the same attitudes, indeed almost look alike. —Max Horkheimer1 John Berryman’s “The Imaginary Jew,” published in the Kenyon Review of 1945, is in some ways a rather programmatic account of one man’s conversion from parlor anti‐ Semitism to a feeling of solidarity with Jews. The climax occurs when a bigot accuses the narrator of being Jewish in order to discredit him in an argument over Roosevelt’s foreign policy prior to the American entry into World War II. The accusation completely unnerves the narrator in ways he does not immediately understand, and he is shocked to see that it discredits him in the eyes of the crowd, which has assembled at Union Square to hear impromptu debates. Later, after leaving the scene of his embarrassment, he decides to lay claim to this mistaken, or imaginary, identity, and comes to the following conclusion about the nature of prejudice: “My persecutors were right: I was a Jew. The imaginary Jew I was was as real as the imaginary Jew hunted down, on other nights and days, in a real Jew. Every murderer strikes the mirror, the lash of the torturer falls on the mirror and cuts the real image, and the real and the imaginary blood flow down together.”2 The story garnered some attention when it appeared in 1945. -
Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives
literary.chronotope.book Page 3 Tuesday, May 4, 2010 5:47 PM BAKHTIN'S THEORY OF THE LITERARY CHRONOTOPE: REFLECTIONS, APPLICATIONS, PERSPECTIVES Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) literary.chronotope.book Page 4 Tuesday, May 4, 2010 5:47 PM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 [email protected] www.academiapress.be The publications of Academia Press are distributed by: Belgium: J. Story-Scientia nv Wetenschappelijke Boekhandel Sint-Kwintensberg 87 B-9000 Gent T. 09 255 57 57 F. 09 233 14 09 [email protected] www.story.be The Netherlands: Ef & Ef Eind 36 NL-6017 BH Thorn T. 0475 561501 F. 0475 561660 Rest of the world: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives Proceedings of the workshop entitled “Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives” (27-28 June 2008) supported by the Royal Flemish Academy for Sciences and the Arts. Gent, Academia Press, 2010, v + 213 pp. ISBN 978 90 382 1563 1 D/2010/4804/84 U 1414 Layout: proxess.be Cover: Steebz/KHUAN No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. literary.chronotope.book Page i Tuesday, May 4, 2010 5:47 PM I CONTENTS Preface . -
John Lehmann's New Writing: the Duty to Be Tormented
John Lehmann’s New Writing: The Duty to Be Tormented Françoise Bort To cite this version: Françoise Bort. John Lehmann’s New Writing: The Duty to Be Tormented. Synergies Royaume Uni et Irlande, Synergies, 2011, The War in the Interwar, edited by Martyn Cornick, pp.63-73. halshs- 01097893 HAL Id: halshs-01097893 https://halshs.archives-ouvertes.fr/halshs-01097893 Submitted on 7 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License John Lehmann’s New Writing: the Duty to be Tormented Françoise Bort Université de Bourgogne Synergies Royaume-Uni Royaume-Uni Summary: John Lehmann’s magazine New Writing, launched in 1936, may be said to give literary historians a slow-motion image of the evolution of 63-73 pp. artistic consciousness in one of the most turbulent periods of the twentieth et century. Throughout the fourteen years of its existence, encompassing the Irlande Spanish Civil War and the Second World War, the magazine covers a neglected period of transition in the evolution of modernism. Through his editorial n° 4 policy and a susceptible interpretation of the Zeitgeist, Lehmann voices the particular torments of his generation, too young to have participated in - 2011 the First World War, but deeply affected by it. -
Orwell's Painful Childhood
Orwell's painful childhood JEFFREY MEYERS RWELL was always extremely reticent about his personal affairs, so we know virtually nothing about how his O character was formed in his earliest years. He was born in 1903 in Motihari, situated on the bank of a lake in the state of Bihar, between Patna and Katmandu. His father was a sub-deputy agent in the Opium Department of the Indian Civil Service, and Orwell's family was part of that 'upper-middle class, which had its heyday in the eighties and nineties, with Kipling as its poet laureate, and was a sort of mound of wreckage left behind when the tide of Victorian prosperity receded'.1 Like Thackeray, Kipling, and Durrell, he spent his first years in India before he was sent to England at the age of four to begin school. Kipling's Something of Myself gives a lyrical description of a secure Indian childhood, protected by the gentleness and affection of bearer and ayah; and Fraser writes of Durrell that 'The Indian childhood, the heat, the colour, the Kiplingesque social atmosphere, deeply affected his childish imagination'.2 But both Thackeray and Kipling stress the wrenching trauma of leaving India at five years old. In The Newcombes, Thackeray writes : What a strange pathos seems to me to accompany all our Indian story! . The family must be broken up . In America it is from the breast of a poor slave that a child is taken; in India it is from the wife.3 Kipling's 'Baa Baa Black Sheep' describes his sudden and painful departure from servants and parents ('through no fault of their own, they had lost all their world'), and the horrors of an alien family that engulfs him with meanness and cruelty. -
14 Cikan.Pdf
2017 ACTA UNIVERSITATIS CAROLINAE PAG. 225–249 PHILOLOGICA 2 / GRAECOLATINA PRAGENSIA BARBAROS BASILEUS. PARODIE UND LOB IN DER DARSTELLUNG DER BARBARENFÜRSTEN IM ROMAN RHODANTHE UND DOSIKLES VON THEODOROS PRODROMOS* ONDŘEJ CIKÁN ABSTRACT Barbaros Basileus. Parody and Praise in the Depiction of Barbarian Rulers in the Novel Rhodanthe and Dosikles by Theodoros Prodromos The Heidelberg manuscript of the novel contains a dedication poem for a Kαῖσαρ, who was identified with Nikephoros Bryennios, the husband of Anna Komnene. At first glance, we see that the names of the characters Gobryas, Bryaxes and Brya contain strong assonances to the name of the addressee. After a closer consideration we recognize 1) that especially the two barbarians Gobryas and Bryaxes offer for Bryennios a certain poten- tial of identification, 2) that there may be some humorous allusions on the attended coup from 1118/1119, 3) that the author tries to satisfy also his patronesses Eirene Doukaina and Anna Komnene and 4) that despite every parody of the court, the author takes care not to insult the acting Emperor, but to honour him. The considerations have influence on the dating of the novel. Keywords: Theodoros Prodromos; Rhodanthe & Dosikles; Nikephoros Bryennios; Anna Komnene; Byzantine novel; Komnenian novel; Ancient novel; barbarians; women; patronage 1. Nikephoros Bryennios und die Entstehungsumstände des Romans Das Heidelberger Manuskript des Romans Rhodanthe und Dosikles von Theodoros Prodromos enthält ein Widmungsgedicht für einen Καῖσαρ, wobei dieser Titel dem Ehe- mann der ältesten Kaisertochter verliehen wurde.1 Seit spätestens 1111 bis zu seinem Tod * Der Artikel entstand im Rahmen des Forschungsprojekts VISCOM (Visions of Community) der Uni- versität Wien. -
EVELYN WAUGH NEWSLETTER and STUDIES Vol
EVELYN WAUGH NEWSLETTER AND STUDIES Vol EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 33, No. 3 Winter 2003 Wights Errant: Suffixal Sound Symbolism in the Novels of Evelyn Waugh by Simon Whitechapel He who hesitates is lost. Particularly in the novels of Evelyn Waugh, where little serves to damn a character as readily as hesitation and uncertainty. In the prologue to Brideshead Revisited (1945), for example, Charles Ryder accompanies his C.O. on an inspection of the camp: ‘Look at that,’ said the commanding officer. ‘Fine impression that gives to the regiment taking over from us.’ ‘That’s bad,’ I said. ‘It’s a disgrace. See that everything there is burned before you leave camp.’ ‘Very good, sir. Sergeant-major, send over to the carrier-platoon and tell Captain Brown that the C.O. wants this ditch cleared up.’ I wondered whether the colonel would take this rebuff; so did he. He stood irresolutely prodding the muck in the ditch, then he turned on his heel and strode away.1 The C.O. is never named, perhaps because Waugh had already bestowed his favorite suffix of contempt on another character in the prologue, Hooper, who accordingly joins Beaver, Trimmer, Atwater, Dr Messinger, Mulcaster, Corker, Salter, Lord Copper, Peter Pastmaster, Box-Bender, Pennyfeather, and Ryder among what might be called Waugh’s wights errant. The last two characters, who are partly autobiographical, prove that Waugh did not spare himself: Paul Pennyfeather, the hero of Decline and Fall (1928), suffers misfortune after misfortune because he is too trusting and unassertive, and Charles Ryder, the narrator of Brideshead, though perhaps partly shielded by his patrician “y”, is still worthy of serious blame for his behavior. -
Sir Richard Francis Burton Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8028x7j No online items Sir Richard Francis Burton Papers: Finding Aid Finding aid prepared by Gayle M. Richardson. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. Sir Richard Francis Burton mssRFB 1-1386 1 Papers: Finding Aid Overview of the Collection Title: Sir Richard Francis Burton Papers Dates (inclusive): 1846-2003 Bulk dates: 1846-1939 Collection Number: mssRFB 1-1386 Creator: Burton, Richard Francis, Sir, 1821-1890. Extent: 1,461 pieces. 58 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains personal, official, business, and social correspondence and manuscripts of British explorer and writer Sir Richard Francis Burton (1821-1890) and his wife, Lady Isabel Burton (1831-1896), chiefly covering the period of Burton's consulship in Trieste and Lady Burton's life after her husband's death. Language: English. Significant languages represented other than English: French, Spanish, Italian, German, Arabic, Portuguese. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Draft Programme the Information in This Programme Is Correct As of 19Th February
The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum.