University of Richmond UR Scholarship Repository Master's Theses Student Research 2006 "King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973 Christopher Lee Witte Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Witte, Christopher Lee, ""King Harvest (has surely come)" : rural populist imagery in roots rock music, 1967-1973" (2006). Master's Theses. 1347. https://scholarship.richmond.edu/masters-theses/1347 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact
[email protected]. ABSTRACT "KING HARVEST (HAS SURELY COME)": RURAL POPULIST IMAGERY IN ROOTS ROCK MUSIC, 1967-1973 CHRISTOPHER LEE WITTE CANDIDATE FOR DEGREE OF ARTS IN HISTORY UNIVERSITY OF RICHMOND MAY2006 PROFESSOR ROBERT C. KENZER The Americanroots rock musical genre of the late 1960's and early 1970's too oftenhas been overlooked in the historical discussion of popular culture of the period. This study, through an examination of the works of fivepopular musical groups- Bob Dylan, The Band, The Grateful Dead, The Byrds, and Creedence ClearwaterRevival - focuseson how this music tied into a continued American mythology tradition of populism. Through an approach that corresponds with Richard Slotkin's views on the creation of Americanmyth , and a focuson the lyrical content of the songs and their presentation of nature, the open road, American heroes and anti-heroes, and death and destruction, this thesis examines how these songs utilized populist philosophies foundin earlier American folkand blues music andadapted them as a means to explain and rationalize their place in the post-modem American society.