IAJE Texas Newsletter Jan. 2008
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Program Notes, Texts, and Translations
Seattle Pro Musica SEATTLE PRO MUSICA Staff Members Karen P. Thomas Artistic Director & Conductor Katie Skovholt Executive Director December 14 & 21, 2019 Mandy Goldberg Operations & Administrative Associate Dwight Beckmeyer A message from conductor Karen P. Thomas Accompanist Kelly Foster Griffin Vocal Coach Jenn Newland The winter solstice is a significant time of year in many cultures, and it has been marked for centuries by festivals and Stage Manager rituals, often focusing on the symbolic death and rebirth of the sun. Even Neolithic cultures likely attached special meaning to the solstice, as can be seen in the layouts of late Neolithic and Bronze Age archaeological sites, such as Board of Directors Stonehenge in England where the primary axis points to the winter solstice sunset. Wes Kim President Seattle Pro Musica Soloists Because winter solstice is the shortest day of the year, it was seen as the reversal of the sun’s ebbing presence in the Anne Clamoungou SOPRANO I ALTO I TENOR I sky. Thus, concepts of the birth or rebirth of sun gods have been common. Sol Invictus (“Unconquered Sun”) was the Vice President Winter—Marisa Dahlman, Liz Reed Hawk, Danny Szydlo, Helen Anderson + Sarah Bergquist Peter Aldrich *^ Lee Maneman official sun god of the later Roman Empire and a patron of soldiers. Shab-e Yaldaa (rebirth of the sun) is celebrated in Rick Johnson Jordan Berg *+ Marissa Burkey * Jacob Buys *^ Iran by people gathering at home to tell stories and read poetry while bonfires are lit outside. Treasurer Lauren Carr Lauren Cree Neal Champagne Parvulus filius —Ashley Mialon, Miriam Gnagy, Sophia Jung, Jacob Buys, Cathy Federici, Robin Wyatt-Stone Hannah Won Marisa Dahlman *+ Allison Freel *+ Matt Li In ancient Celtic society, solstice was the time of the death of the old sun and the birth of the dark half of the year. -
Notre Dame Collegiate Jazz Festival Program, 1981
Archives of the University of Notre Dame Archives of the University of Notre Dame .. ~@~@@@@@~@@@@@@@@@@@@@@@@@@@@@@@@@@~~ ~ ~ ~ ~ ~ ~ ~ ~ MUSIC, ENTERTAINMENT & MORE. .. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ o=oa ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ FOR THE BEST ENTERTAINMENT: ~ ~ in recorded sounds - ~ ~ JUST FOR THE RECORD ~ ~ ~ ~ ~ ~ in live music - ~ Festival Staff ~ ~e ~ Chairman Tim Griffin ~ ~l( ~ Assistant Kevin Bauer Advertising ......................................................... .. Tom Rosshirt ~ UVlUSIC BOX AfB ~ Assistant Mike Mlynski Applications Jane Andersen Assistant Margie Smith ~ ~. ~ Graphics ........................................................... .. Sandy Pancoe Artists Pat Brunner, Jeff Loustau ~ in Mishawaka ~ High School Festival. ....................................... .. Bob O'Donnell, Joe Staudt ~ ~ ~ Master of Ceremonies .............................................. .. Barry Stevens @ Photography Cathy Donovan, Tim Griffin, Helen Odar . ~ ~ ~ Prizes ...................... James Dwyer Assistants. ........................................ .. Veronica Crosson, Vivian Sierra ~ Enjoy the best of both worlds, ! Production .. .......................................................... Kevin Magers Program Tom Krueger ~ with the best of people! --- ~ Assistants ........................ .. Scott Erbs, Tim Keyes, Scott O'Grady, Doug Ventura ~ ~ Publicity ....................................•........................ Mary Murphy ~ o Assistants Lynn Van Housen, John McBride, Lisa Scapellati ~ J F T R (1leUVlUSIC BOX ~ Security Ron Merriweather -
John Fremgen - 1
John Fremgen - 1 -- JOHN M. FREMGEN Office Address MRH 4.164 1 University Station Austin, TX 78712 (512)232-2082 [email protected] EDUCATION Institution Degree Year University of Southern M.M., Jazz Studies 1993 California Millikin University B.M, Commercial Music 1991 Private student of Chicago Symphony Principal bassist Harold Seigel (1985-87) PROFESSIONAL EXPERIENCE Teaching University of Texas at Austin, Associate Professor, Division of Jazz and Music Industry 2009-present University of Texas at Austin, Assistant Professor, Division of Jazz and Music Industry 2003-2009 University of Texas at Austin, Lecturer, Division of Jazz, Theory and Composition 1995-2002 Millikin University, Adjunct Instructor 1994-95 University of Southern California, Adjunct Instructor 1994 University of Southern California, Teaching Assistant 1991-93 Millikin University String Project, Private Double Bass Instructor, Decatur, Illinois1988-91 COURSES TAUGHT University of Texas at Austin • Individual Instruction • Jazz Theory I & II • Jazz Improvisation • Intermediate Jazz Improvisation • History of Jazz John Fremgen - 2 -- • Jazz Appreciation • Jazz Piano Techniques • AIME and Jazz Ensemble Millikin University • Beginning Jazz Improvisation • Intermediate Jazz improvisation • Jazz Appreciation • Applied Jazz/Classical Bass • Jazz Combos University of Southern California (as an adjunct) • Private Jazz Bass • Jazz Combos University of Southern California (as a TA) • Jazz Ragtime and Blues • Jazz Guitar Trio Class RECORDINGS-AS A LEADER/PRIMARY BANDMEMBER Finished production on upcoming solo release for Viewpoint Records (scheduled for release in fall, 2008) American Scream, PJ Olsson (CBS Records), 2008 Beautifully Insane, PJ Olsson (Columbia Records), 2007 The Ironwood Sessions PJ Olsson (CBS Records/Download only), 2007 Step Inside Love: A Jazzy Tribute To The Beatles Featured artist on this ESC Records (Germany) release. -
Evangelical Visitor (1887-1999) Brethren in Christ Church Archives
Messiah University Mosaic Evangelical Visitor (1887-1999) Brethren in Christ Church Archives 5-4-1914 Evangelical Visitor- May 4, 1914. Vol. XXVIII. No. 9. George Detwiler Follow this and additional works at: https://mosaic.messiah.edu/evanvisitor Part of the History of Religion Commons, and the Religion Commons Permanent URL: https://mosaic.messiah.edu/evanvisitor/609 Recommended Citation Detwiler, George, "Evangelical Visitor- May 4, 1914. Vol. XXVIII. No. 9." (1914). Evangelical Visitor (1887-1999). 609. https://mosaic.messiah.edu/evanvisitor/609 Sharpening Intellect | Deepening Christian Faith | Inspiring Action Messiah University is a Christian university of the liberal and applied arts and sciences. Our mission is to educate men and women toward maturity of intellect, character and Christian faith in preparation for lives of service, leadership and reconciliation in church and society. www.Messiah.edu One University Ave. | Mechanicsburg PA 17055 ( (£v mistical v 5ome trust i The Earth Shall Chariots, and £ Be Full of the in horses; hut Knowledge ofth* Y/ill reraembe ?Lord the name of t, as the ^Lord f— our Waters Cover the .:;;> Is a.. XI9. ••;! MAY 4, iQi-L i jjytnfl §ooks BRETHREN IN CHRIST Spiritual Hymnals with Notes BOUND in GREEN CLOTH, 40c per Single Copy, in Lots of 50 or more . 37c, .Freight allowed. BOUND in BLACK MOROCO LEATHER, Gilt Edge, Round Corner, $1.20 per Single Copy. In Lots of 20 or more, $1.15 per Copy, Freight allowed. We have also a supply of ENGLISH and GERMAN, that is with a German Appendix, at .43c per Single Copy; 20 Copies or more .40c, Freight allowed. -
Great Escape Vol. 19
THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Issue No.19 May/June 2010 Presented by: www.dixieswing.com Buddy Hughes: Big Band Singer By Patrice Hughes with Bob Knack There was never any doubt that Buddy Hughes broadcast some time and he surprised me by sitting down would be a vocalist. He began singing professionally while at the piano and auditioning me on the spot. After a few he was still in high school in Waterloo, Iowa with the Kay bars, he said, ‘Okay, you are on the air at 5PM every day Curly band and in 1938, he joined the Minnesota based for a half hour with your own “Buddy Hughes Show.’” He Bennett-Greten orchestra at $35.00 a week. He “fronted” was then introduced to his accompanist, Eddy Bigham, who the band as singer and broadcast announcer while playing was also Martha Raye’s accompanist overseas and many Midwest ballrooms including the “far-famed Aragon” announcer (Lt.) Harold Stark. After three years overseas in Chicago. After military service in WWII, his career really (20 months in Algiers, the rest in Italy) Buddy didn’t sing took off as he spent time on three of the biggest bands of again until reaching a replacement depot in France. the day, Jimmy Dorsey, Claude Thornhill and Gene Krupa. A GI came up to the bandstand and introduced Buddy Hughes was born June 18th, 1919. he first himself as Buddy Robbins of the old-line music publishing sang on radio station WNT in Waterloo, Iowa, his firm of Robbins, Feist & Miller, New York. -
Where Is Miike Snow? I Miss Them Old Dogs and New Tricks Tasia Kuznichenko Is Snowed by the Sounds of This Intercontinental Band
Honi Soit WEEK 8, SEMESTER 1, 2021 FIRST PRINTED 1929 Inside Glebe Markets / P 12 Higher education in Where did Miike Student General Meetings: the Sinosphere / P 16 Snow go? / P 14 then and now / P 6 Acknowledgement of Country Letters Former President Puzzled call the police because they don’t efficiency — extra limbs do wonders Honi Soit is published on the Wallumedegal people, we are the of First Nations people is perpetuated to be reflective when we fail to do so. understand mole language, but if for your typing speed. Sydney Uni’s SAUCIEST socialite! sovereign land of the Gadigal People beneficiaries of ongoing colonial and enabled by the government, who We commit to being a counterpoint Dear Honi Soit editors, they did, I would have told them all of the Eora Nation, who were amongst dispossession. The settler-colonial push ahead with the forced removals to mainstream media’s silencing of about your evening racket. There I have recently uncovered some Dear plumptious beauties, the first to resist against and survive project of ‘Australia’ and all its of Aboriginal children from their Aboriginal and Torres Strait Islander You bullies should spend more time are laws against this sort of thing GIPA documents which suggest the violence of colonisation. This institutions, including the University, families, their Country, and their people. We remain cognisant that on your crosswords and less time you know! I am not an unreasonable that Stephen Garton is aware of our land was taken without consent and are built on the exclusion of First cultures. Aboriginal peoples are the Honi’s writers and readership are making my life misery. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
An Analysis of Figurative Language in the Song Lyrics
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IAIN Syekh Nurjati Cirebon AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE SONG LYRICS BY MAHER ZAIN A THESIS Submitted to the English Eductaion Department of Tarbiyah Faculty of Syekh Nurjati State Institute for Islamic studies in Partial Fulfillment of the Requirements for the Scholar Degree of Islamic Education (S.Pd.I) By QURROTUL „AIN NIM : 59430775 ENGLISH EDUCATION DEPARTMENT OF TARBIYAH FACULTY OF SYEKH NURJATI STATE INSTITUTE FOR ISLAMIC STUDIES CIREBON 2013 ABSTRACT QURROTUL „AIN: AN ANALYSIS OF FIGURATIVE LANGUAGE IN THE SONG LYRICS BY MAHER ZAIN Now, there are many young people like music or song, especially English songs. They are interested to improve English to be mastery through English songs which are popular in this time. After they are listening and reading the text of song, not at all listener could catch the message of the song since a song consists of many messages should be understood by listener. Music and song is the part of this world of songs, an art based on the organization of sound in time. But many of them do not know about the meaning and messages of the song lyrics which they listen. In this thesis the writer would find out the figurative language of Islamic song by Maher Zain which has deep meaning and more messages for the listener, not only enjoy listening to music but also the listener and reader will gets knowledge about Islam more increase. Figurative language is language whit its literary in compatible terms. -
February 26 March 4
FEBRUARY 26 ISSUE MARCH 4 Orders Due January 29 5 Orders Due February 5 axis.wmg.com 2/23/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Hawkwind Space Ritual (2LP 180 Gram Vinyl) PRH A 825646120758 407156 34.98 1/22/16 Jethro Tull Living In The Past (2LP 180 Gram Vinyl) PRH A 825646041930 551965 34.98 1/22/16 Morrissey Bona Drag (2LP) RRW A 825646775545 542347 34.98 1/22/16 Red Hot Chili Peppers I'm With You (2LP) WB A 093624924340 551828 29.98 1/22/16 Red Hot Chili Peppers Stadium Arcadium (4LP) WB A 093624439110 44391 39.98 1/22/16 Last Update: 01/05/16 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Hawkwind TITLE: Space Ritual (2LP 180 Gram Vinyl) Label: PRH/Rhino/Parlophone Config & Selection #: A 407156 Street Date: 02/23/16 Order Due Date: 01/22/16 UPC: 825646120758 Box Count: 20 Unit Per Set: 2 SRP: $34.98 Alphabetize Under: H TRACKS Full Length Vinyl 1 Side A Side B 01 Earth Calling 01 Lord Of Light 02 Born To Go 02 Black Corridor 03 Down Through The 03 Space Is Deep Night 04 Electronic No 1 04 The Awakening Full Length Vinyl 2 Side A Side B 01 Orgone Accumulator 01 Seven By Seven 02 Upside Down 02 Sonic Attack 03 10 Seconds Of Forever 03 Time We Left This World 04 Brainstorm Today 04 Master Of The Universe 05 Welcome To The Future ALBUM FACTS Genre: Rock Description: Recorded live in December 1972 and released the following year, Space Ritual is an excellent document of Hawkwind's classic lineup, underscoring the group's status as space rock pioneers. -
Lyrics to the Top 100 Western Songs
Lyrics to the Top 100 Western Songs As chosen by members of the Western Writers Association and sung by various artists Skip Skipson www.western100.com [email protected] Foreword Several years ago, the Western Writers of America surveyed its membership to choose the Top 100 Western Songs. The list was presented at the WWA’s Annual Convention in Knoxville, Tennessee. It was reprinted on the website of American Cowboy magazine, where I happened to see it in July, 2014. The list looked interesting, so I spent the Fourth of July weekend searching for the songs, their lyrics, and something about their background. By Monday evening I had made a pretty good start at tracking this information down, and I had become hooked on the music and its fascinating history. I created a comprehensive website, with links to YouTube versions of all the songs, to the lyrics as sung in the YouTubes, and to information on the backgrounds of the songs. You can see it at www.western100.com This document is a reprint of the lyrics as they appear on the website, presented alpha‐ betically by title. It also includes a list of the songs by their original rank. The lyrics on the website have been meticulously transcribed from the YouTube versions referenced there. Those presented here are a close match to those on the website, but do not include every update and correction made there. Nevertheless, they are very close to the lyrics as sung in one important recording of the song. Please note that there can be many variations in the lyrics of a song, due to varying inter‐ pretations by historians, arrangers, and artists.