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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Too Late for Change in the Decision Ross Said Student Input $ and a Vote in $ Needed to Come Earlier in Friday’S Tuition $ Increase Decision
Serving UNC students and the University community since 1893 Volume 119, Issue 144 dailytarheel.com Thursday, February 2, 2012 Too LaTe for change in the decision Ross said student input $ and a vote in $ needed to come earlier in Friday’s tuition $ increase decision. $$ the tuition process. But Ross said TUITION students have had By Jessica Seaman an opportunity to Staff Writer provide their insight on tuition. “There will be some people on Student protesters, who have both sides that aren’t happy,” Ross opposed tuition increases since said. October, will likely have little He encouraged students to par- influence when the UNC-system ticipate in the tuition discussion Board of Governors votes on by communicating at the campus tuition proposals on Feb. 10. level and by sending emails to At a meeting Wednesday night, members of the board. students pushed UNC-system “I don’t know if it will have a President Thomas Ross for more difference if they vote,” he said. representation at board meetings, “But the board is trying hard to so they can be more active in the make sure students have a voice.” tuition debate. He said students also have a But Ross said it would be diffi- representative on the board to cult to know if students will influ- whom they can relay their con- ence the board’s decision when cerns. they vote in eight days. Atul Bhula, the president Wednesday’s meeting was orga- of the Association of Student nized after student groups emailed Governments, is the sole non-vot- Ross asking to work with him on ing student member of the board. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
CPC-2014-516.Pdf
TABLE OF CONTENTS Project Analysis ........................................................................................................ A-1 Project Summary Conclusion Findings ...................................................................................................................... F-1 HPOZ Ordinance Findings General Plan/Charter Findings CEQA Findings Public Hearing and Communications ....................................................................... P-1 EXHIBITS: A – Boundary/Contributor Status Map B – Historic Resources Survey – As approved by the Cultural Heritage Commission on 8/21/14 C – Proposed 52nd Place Tifal Brothers Tract HPOZ Preservation Plan D – Categorical Exemption PROJECT ANALYSIS Project Summary Adoption of the proposed 52nd Place Tifal Brothers Tract HPOZ would place the properties along E. 52nd Place, bounded by Avalon Boulevard to the west and McKinley Avenue to the east, under the regulations of Los Angeles Municipal Code (LAMC) Section 12.20.3, the HPOZ Ordinance. Adoption of the HPOZ includes the certification of a Historic Resources Survey and adoption of a Preservation Plan to accompany the ordinance. The proposed 52nd Place Tifal Brothers Tract Historic Preservation Overlay Zone (HPOZ) contains predominantly one-story, single-family residences built between 1911 and 1914, designed and constructed by the firm of Gustav, Charles, and William Tifal. The majority of buildings retain their historic design and features representative of the Craftsman architectural style implemented in the development of the tract. The structures have retained integrity in design and materials, in large part as a testament to their quality, craftsmanship, and maintenance. After a series of demolitions on 52nd Place, former City Councilmember Jan Perry introduced a Council Motion on July 15, 2008 (CF 08-1855) that instructed the Department of City Planning to develop an HPOZ for the area as a way to protect its historic resources. -
Current Archeology in Texas November 2010
TEXAS HISTORICAL COMMISSION NOVEMER 2010, VOLUME 12, NUMBER 2 ARCHEOLOGY IN TEXAS IN THIS ISSUE USS Westfield 1 McGloin Bluff Site 8 NEWS AND EVENTS SHA Conference 16 Scheduled in Austin THC Acquires 16 Indian Mound Nursery First THC Curatorial 17 Facility Certified THC Announces 17 Preservation Plan Borgens Is New 17 Marine Archeologist Texas Coast Investigations 18 City of Austin Merit Award 19 Figure 1.This image of USS Westfield , dated December 16, 1862, is a detail of the only known, contemporaneous, first-hand depiction of the vessel. (Unknown artist, courtesy Memphis and Shelby County Bull Hill Cemetery 20 Room, Memphis Public Library and Information Center) Dedication Preservation Fellows Work 22 on Archeology Projects Brown Heads Casa Navarro 23 USS Westfield Archeology Programs Update 24 Archeological Records 24 The Loss and Rediscovery of a Civil War Digitized Ferry-Gunboat in Galveston Bay TAS Annual Meeting Held 25 TexSite 3.0 Is Here 25 Amy Borgens and Robert Gearhart TAM Celebrates Heritage 2 6 SS Westfield was the flagship of the West Gulf Blockading Squadron that REGIONAL AND cruised the Gulf coast between Pensacola, Fla., and the Rio Grande, Texas, STEWARD NEWS during the early years of the Civil War. Westfield was a rare example of a Regional 28 U.S. Navy warship: a Staten Island ferry that had been purchased by the Archeologists’ Reports U U.S. government and converted into a heavily armed gunboat. The steam-powered TASN Named 32 vessel was stationed at Galveston Bay in late 1862 and destroyed by its own commander Preserve America Steward during the Battle of Galveston on January 1, 1863. -
Backlash Over Blair's School Revolution
Section:GDN BE PaGe:1 Edition Date:050912 Edition:01 Zone:S Sent at 11/9/2005 19:33 cYanmaGentaYellowblack Chris Patten: How the Tories lost the plot This Section Page 32 Lady Macbeth, four-letter needle- work and learning from Cate Blanchett. Judi Dench in her prime Simon Schama: G2, page 22 Amy Jenkins: America will never The me generation be the same again is now in charge G2 Page 8 G2 Page 2 £0.60 Monday 12.09.05 Published in London and Manchester guardian.co.uk Bad’day mate Aussies lose their grip Column five Backlash over The shape of things Blair’s school to come revolution Alan Rusbridger elcome to the Berliner Guardian. No, City academy plans condemned we won’t go on calling it that by ex-education secretary Morris for long, and Wyes, it’s an inel- An acceleration of plans to reform state education authorities as “commissioners egant name. education, including the speeding up of of education and champions of stan- We tried many alternatives, related the creation of the independently funded dards”, rather than direct providers. either to size or to the European origins city academy schools, will be announced The academies replace failing schools, of the format. In the end, “the Berliner” today by Tony Blair. normally on new sites, in challenging stuck. But in a short time we hope we But the increasingly controversial inner-city areas. The number of acade- can revert to being simply the Guardian. nature of the policy was highlighted when mies will rise to between 40 and 50 by Many things about today’s paper are the former education secretary Estelle next September. -
16 Artist Index BILLJ~OYD (Cont'd) Artist Index 17 MILTON BROWN
16 Artist Index Artist Index 17 BILLJ~OYD (cont'd) MILTON BROWN (cont'd) Bb 33-0501-B 071185-1 Jennie Lou (Bill Boyd-J.C. Case)-1 82800-1 071186-1 Tumble Weed Trail (featured in PRC film "Tumble Do The Hula Lou (Dan Parker)-1 Bb B-5485-A, Weed Trail") (Bill Boyd-Dick Reynolds)-1 Bb B-9014-A MW M-4539-A, 071187-1 Put Your Troubles Down The Hatch (Bill Boyd• 82801-1 M-4756-A Marvin Montgomery) -3 Bb 33-0501-A Garbage Man Blues (Dan Parker) -1,3 Bb B-5558-B, 071188-1 Home Coming Waltz Bb B-890Q-A, 82802-1 MWM-4759-A RCA 2Q-2069-A Four, Five Or Six Times (Dan Parker) -1,3* Bb B-5485-B, 071189-1 Over The Waves Waltz (J. Rosas) Bb B-8900-B, MW M-4539-B, RCA 2Q-2068-B M-4756-B Reverse of RCA 2Q-2069 is post-war Bill Boyd title. First pressings of Bb B-5444 were issued as by The Fort Worth Boys with "Milton Brown & his Musical Brownies" in parentheses. On this issue, co-writer for "Oh You Pretty Woman" is listed as Joe Davis. 1937 issues of 82801 ("staff' Bluebird design) list title as "Garage Man Blues." JIM BOYD & AUDREY DAVIS (The Kansas Hill Billies) September 30, 1934; Fort Worth, Texas August 8, 1934; Texas Hotel, San Antonio, Texas. Jim Boyd, guitarllead vocal; Audrey Davis, fiddle/harmony vocal. Milton Brown, vocal-1; Cecil Brower, fiddle; Derwood Brown, guitar/vocal-2; Fred "Papa" Calhoun, piano; Wanna Coffman, bass; Ted Grantham, fiddle; Ocie Stockard, tenor banjo; Band backing vocal -3. -
FRIENDS of THC BOARD of DIRECTORS Name Address City State Zip Work Home Mobile Email Email Code Killis P
FRIENDS OF THC BOARD OF DIRECTORS Name Address City State Zip Work Home Mobile Email Email Code Killis P. Almond 342 Wilkens San TX 78210 210-532-3212 512-532-3212 [email protected] Avenue Antonio Peggy Cope Bailey 3023 Chevy Houston TX 77019 713-523-4552 713-301-7846 [email protected] Chase Drive Jane Barnhill 4800 Old Brenham TX 77833 979-836-6717 [email protected] Chappell Hill Road Jan Felts Bullock 3001 Gilbert Austin TX 78703 512-499-0624 512-970-5719 [email protected] Street Diane D. Bumpas 5306 Surrey Dallas TX 75209 214-350-1582 [email protected] Circle Lareatha H. Clay 1411 Pecos Dallas TX 75204 214-914-8137 [email protected] [email protected] Street Dianne Duncan Tucker 2199 Troon Houston TX 77019 713-524-5298 713-824-6708 [email protected] Road Sarita Hixon 3412 Houston TX 77027 713-622-9024 713-805-1697 [email protected] Meadowlake Lane Lewis A. Jones 601 Clark Cove Buda TX 78610 512-312-2872 512-657-3120 [email protected] Harriet Latimer 9 Bash Place Houston TX 77027 713-526-5397 [email protected] John Mayfield 3824 Avenue F Austin TX 78751 512-322-9207 512-482-0509 512-750-6448 [email protected] Lynn McBee 3912 Miramar Dallas TX 75205 214-707-7065 [email protected] [email protected] Avenue Bonnie McKee P.O. Box 120 Saint Jo TX 76265 940-995-2349 214-803-6635 [email protected] John L. Nau P.O. Box 2743 Houston TX 77252 713-855-6330 [email protected] [email protected] Virginia S. -
Instrumental Newsletter
EDITION #20 – September 2008 SPECIAL "SHADOZ" ISSUE!! "Shadoz 2008" marked our 6th anniversary, as well as the 50th anniversary of Cliff and The Shadows. Yet another new venue, and, from all reports the best yet. On a sad note, we recently lost one of our Shadoz friends, Don Hill. Don played drums for Harry's Webb and The Vikings last year, and was one of the 'stalwarts' of Shadoz in recent times. R.I.P. Don. TONY KIEK (Keyboards) and GEORGE LEWIS (Guitar) were fresh from a tour of the UK, where they appeared at a number of Shadows clubs. They were gracious enough to help out by filling the 'dreaded' opening spot. Their set was a wonderful introduction to the day, and they featured some great sounds with WONDERFUL LAND / FANDANGO (with WALTZING MATILDA intro) / DANCES WITH WOLVES / THING-ME-JIG / RODRIGO'S CONCERTO / GOING HOME (THEME FROM 'LOCAL HERO') / THE SAVAGE / SPRING IS NEARLY HERE Whilst Tony and George travelled down from Sydney, no less a feat were the next band, who have travelled from overseas – Phillip Island! - ROB WATSON (Bass) was formerly with Melbourne group "The Avengers", TONY MERCER (Lead Guitar) also played with various Melbourne groups before "retiring" to the island and forming "SHAZAM", MIKE McCABE (Rhythm) worked in England in the 60's with "Hardtack", MARTY SAUNDERS (Drums) played with the popular showband "Out To Lunch" amongst others, and JEFF CULLEN (Lead vocals and rhythm guitar) sang with The Aztecs in Sydney before Billy Thorpe, then with The Rat Finks. A nice mix of Shads and non-Shads numbers included ADVENTURES IN PARADISE / MAN OF MYSTERY / ATLANTIS / THE CRUEL SEA / THE RISE AND FALL OF FLINGEL BUNT / GENIE WITH THE LIGHT BROWN LAMP / IT'S A MAN'S WORLD / THE SAVAGE / CINCINNATTI FIREBALL (voc) / LOVE POTION NO.9 (voc) / THE WANDERER (voc) / THE STRANGER / WALK DON'T RUN One of the joys of "Shadoz" is the ability to welcome newcomers to our shindig. -
Universidad Pedagógica Nacional Facultad De Bellas Artes Aprendizaje De Lenguas Extranjeras (Inglés) a Través Del Teatro
Universidad Pedagógica Nacional Facultad de Bellas Artes Aprendizaje de Lenguas Extranjeras (Inglés) a través del Teatro. Universidad Pedagógica Nacional Facultad de Bellas Artes Proyecto de Grado Licenciatura en Artes Escénicas EL APRENDIZAJE DE UNA LENGUA EXTRANJERA (INGLÉS) A TRAVÉS DEL TEATRO Estudio de caso en el campo del teatro bilingüe: Grupo The E Theater de la Universidad Nacional de Colombia Presentado por: Camilo Suárez Ramos Asesor: Literato. Hernando Parra Rojas Bogotá D.C., Octubre de 2012 Camilo Suárez Ramos Proyecto de Grado en Artes escénicas 2 Universidad Pedagógica Nacional Facultad de Bellas Artes Aprendizaje de Lenguas Extranjeras (Inglés) a través del Teatro. EL APRENDIZAJE DE UNA LENGUA EXTRANJERA (INGLÉS) A TRAVÉS DEL TEATRO Estudio de caso: Grupo The E Theater de la Universidad Nacional de Colombia Camilo Suárez Ramos Proyecto de Grado en Artes escénicas i Universidad Pedagógica Nacional Facultad de Bellas Artes Aprendizaje de Lenguas Extranjeras (Inglés) a través del Teatro. FORMATO RESUMEN ANALÍTICO EN EDUCACIÓN - RAE Código: FOR020GIB Versión: 01 Fecha de Aprobación: 10-10-2012 Página ii de 144 1. Información General Tipo de documento Trabajo de grado Universidad Pedagógica Nacional. Biblioteca Facultad de Acceso al documento Bellas Artes Aprendizaje de una lengua extranjera (inglés) a través de Titulo del documento teatro. Autor(es) Suárez Ramos, Camilo. Director Parra Rojas, Hernando. Publicación Bogotá. Universidad Pedagógica Nacional. 2012. 136 p. Unidad Patrocinante Lenguas extranjeras, teatro, aprendizaje,