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Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Steve Katz of Blood, Sweat & Tears and the Blues
Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected]. -
Muni 20081106
MUNI 20081106 JAZZ ROCK, FUSION… 01 Ballet (Mike Gibbs) 4:55 Gary Burton Quartet : Gary Burton-vibes; Larry Coryell-g; Steve Swallow-b; Roy Haynes-dr. New York, April 18, 1967. RCA LSP-3835. 02 It’s All Becoming So Clear Now (Mike Mainieri) 5:25 Mike Mainieri -vib; Jeremy Steig-fl; Joe Beck-elg; Sam Brown-elg,acg; Warren Bernhardt-p,org; Hal Gaylor-b; Chuck Rainey-elb; Donald MacDonald-dr. Published 1969. Solid State SS 18049. 03 Little Church (Miles Davis) 3:17 Miles Davis -tp; Steve Grossman-ss; Chick Corea, Herbie Hancock-elp; Keith Jarrett-org; John McLaughlin-g; Dave Holland-b,elb; Jack DeJohnette-dr; Airto Moreira-perc; Hermeto Pascoal-dr,whistling,voc,elp. New York, June 4, 1970. Columbia C2K 65135. 04 Medley: Gemini (Miles Davis) /Double Image (Joe Zawinul) 5:56 Miles Davis -tp; Wayne Shorter-ss; Joe Zawinul, Chick Corea-elp; John McLaughlin-g; Dave Holland-b; Khalil Balakrishna-sitar; Billy Cobham, Jack DeJohnette-dr; Airto Moreira-perc. New York, February 6, 1970. Columbia C2K 65135. 05 Milky Way (Wayne Shorter-Joe Zawinul) 2:33 06 Umbrellas (Miroslav Vitouš-W. Shorter-J. Zawinul) 3:26 Weather Report : Wayne Shorter -ss,ts; Miroslav Vitouš-b; Joe Zawinul -p,kb; Alphonse Mouzon-dr; Airto Moreira-perc. 1971. Columbia 468212 2. 07 Birds of Fire (John McLaughlin) 5:39 Mahavishnu Orchestra : John McLaughlin -g; Jerry Goodman-vio; Jan Hammer-kb,Moog syn; Rick Laird-b; Billy Cobham-dr. New York, 1973. Columbia KC 31996. 08 La Fiesta (Chick Corea) 7:49 Return to Forever : Joe Farrell-ss; Chick Corea -elp; Stanley Clarke-b; Airto Moreira-dr,perc; Flora Purim-perc. -
391 À 437 .Cwk
Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop. -
Epk Sk Copy 2.Pages
The Legendary STEVE KATZ In an Evening Of Story and Song Guitarist/singer/songwriter/storyteller Steve Katz has played on an enviable string of recordings during the 1960s and '70s in acoustic folk, jazz, blues, R&B, hard rock, and almost every other popular genre that's come along in America since the start of the 1960s. Katz was born in Brooklyn, NY in 1945 and grew up in the upstate city of Schenectady. Already a gifted musician in his early teens, he was good enough to get hired for a local television program called Teenage Barn, doing his versions of pop hits of the late '50s. As he got older, Steve was drawn to folk music and blues. He studied traditional American guitar styles with Dave Van Ronk and the Rev. Gary Davis. Eventually, he became part of a circle of similarly minded folk and blues enthusiasts who formed the Even Dozen Jug Band, which also included John Sebastian, Maria Muldaur, David Grisman, and Stefan Grossman. After moving to Greenwich Village, Steve Katz became an established part of the Village music scene, eventually joining The Blues Project, New York City's first major home-grown contribution to blues- rock. The Blues Project had an impact on music that far exceeded their relatively modest record sales. Katz was part of the Blues Project lineup that played the Monterey Pop Festival. Later that same year, with Blues Project bandmate, Al Kooper, Katz founded the original Blood Sweat & Tears. He recorded five albums with the band. Throughout the end of the 1960s and early 70s, Katz performed at countless historic venues including the Fillmore East, and several major rock festivals including Woodstock. -
Manuel Nobriga 3
ORAL HISTORY INTERVIEW #448-3 with Manuel Nobriga (MN) March 23, 1993 Waipahu, O`ahu BY: Warren Nishimoto (WN) WN: This is an interview with Mr. Manuel Nobriga on March 23, 1993, at his home in Waipahu, O`ahu. The interviewer is Warren Nishimoto. Okay, why don't we begin. Today let's talk about World War II in Waipahu. MN: In Waipahu, World War II as I remember. In the morning between seven and eight o'clock, something like that. The kids were all ready to go to church. Then there's lot of people kind of gathering in the ballpark. We didn't know what the heck happened. We look, the smoke in the yard [i.e., Pearl Harbor Navy Yard] and all. Then somebody said, “Attack, attack from Japan!” Something like that. Then a little shooting came in. Some plane came over and hit two people way in the corner of the ballpark. One must have died because they picked one and the other one they left him there. And I don't know what became of him. And in the meantime, some airplane or something there was a shot came right in my yard. I didn't know that they were shooting. I said, “I thought the leaf from the mango tree fell down.” But afterwards I figured that it must have been a bullet. [Reports of strafing of the O`ahu Sugar Co. mill, hospital, store, warehouses, and cane fields were confirmed, as well as injuries. But no deaths were reported in Waipahu, due to either Japanese or American planes.] WN: They actually hit your house? MN: Hit in the---in my yard, back of the house. -
AVANT-POP 101. Here's a List of Works That Helped to Shape Avant-Pop Ideology and Aesthetics, Along with Books, Albums, Films, T
Larry McCaffery AVANT-POP 101. Here's a list of works that helped to shape Avant-Pop ideology and aesthetics, along with books, albums, films, television shows, works of criticism, and other cultural artifacts by the Avant-Pop artists themselves, in roughly chronological order. PRECURSORS: The Odyssey (Homer, c. 700 B.C.). Homer's The Odyssey had it all: a memorable, larger-than-life super-hero (Ulysses); a war grand enough that its name alone (Trojan) is still used to sell condoms; descriptions of travels through exotic places; hideous bad-guys (like the Cyclops) and bad gals (Circe); an enduring love affair (Penelope); a happy ending. Commentators have long regarded The Odyssey as Western literature's first epic and masterpiece. What hasn't been noted until now, however, is that its central features—for instance, its blend of high seriousness with popular culture, a self-conscious narrator, magical realism, appropriation, plagiarism, casual blending of historical materials with purely invented ones, foregrounding of its own artifice, reflexivity, the use of montage and jump cuts—also made it the first postmodern, A-P masterpiece, as well. Choju giga (Bishop Toba, 12th century). Choju giga—or the "Animal Scrolls," as Toba's work is known—was a narrative picture scroll that portrayed, among other things, Walt Disney-style anthropomorphized animals engaged in a series of wild (and occasionally wildly erotic) antics that mocked Toba's own calling (the Buddhist clergy); in its surrealist blend of nightmare and revelry, Toba Choju giga can rightly be said to be the origins not only of cartoons but of an avant-pop aesthetics of cartoon forms that successfully serve "serious" purposes of satire, philosophical speculation and social commentary. -
).1Ar..R. O UT ETTE
ISSUE 256 A i t u sFEBRUARY 26, 1979 ..).1Ar..R. O UT ETTE ho signed these guys?" into the production of erstwhile That's the time-honored gospel singer Mavis Staples's W response to much of the solo albu m — which brings up a music that comes pouring out of major A&R problem. the vinyl pipelines each month, "If you're doing black music and anyone who's ever received, today and it's not disco," Wexler say, a fresh-pressed Jobriath says, "you've got a hell of a albu m in the mail can surely problem on your hands. I mean, sympathize. so many doors seem to be closing In an effort to throw some light on the artist & repertoire Meaning radio? Exactly: "It's business — that process by almost a cliche. Everything's so which artists are sought out, formularized; there's no more signed, and ultimately marketed inn free-form, there's no place to go, — Walrus conducted a survey of there's no underground. And of key major-label A&R personnel course a very terrible thing to on both coasts. How do they deal with is the virtual Coventry perceive their job? What are that black music has been put their special problems in into by FM radio — by the world, evaluating new talent? What I mean. Sure it's demographics, does the public want? How does and its the advertisers and radio help — or hinder — them? people playing safe. But if this The answers were illu minating, isn't another reversion to racism to say the least. -
U.S. Postal Service: New Canton Post Office Is ' Done Deal '
P\vnio*itn District y - V . I M S .Mmn Strm _ Hytfftoath, MI 48170-1687- 7 5 < t Crier Vol. 23 No. 12 ©PCCC Inc. 223 S. Main Street April 24, 1996 -M y m o u th r M i m i T m T o p t a p p e r U.S. Postal Service: New Canton post office is ‘ done deal ’ BY BOB KIRKBRIDE r— Following years of lobbying, V - y. % phone calls and negotiation, ^ US. POSTAGE Canton is finally? getting a post office of its own. , Canton officials are guarded * 0.32 ? ly optimistic about the new post /ssO fflj office. It wouldn’t be the first time Canton’s plans for a full service postal branch of its own were dashed at the last minute. Construction on the proposed Canton post office is But Lou Eberhardt, spokesper expected to begin in 1997. (Crier illustration by son for the U.S. Postal Service Brandy Sereno) Chicago District said the project Canton Supervisor Tom Yack. “It will be is a “done deal.” placed where it will best serve the com Eberhardt said the Canton post office munity. W e’re looking' at the Canton would be the first funding priority for Center corridor between Cherry Hill and 1997. The post office will be full service Warren roads. That site seems to make with retail sales and postal delivery routes the most sense.” from the site. It’s been a long road for the many Canton Clerk Terry Bennett said the Canton residents, administration and gov original plans for the Canton post office ernment officials who have gone to bat to were expanded to reflect the growth in secure a full service post office for the the community and are in postal officials’ community. -
Residence Life Handbook
1 Residence Life Handbook WELCOME TO RESIDENCE LIFE AT PBA Psalm 133:1- “How good and pleasant it is when brothers live in unity.” Living in a Christian community is one of the most rewarding and important facets of the PBA educational experience. Community living will provide many opportunities for you to better connect to PBA and establish lifelong relationships. You will have numerous opportunities for activities, retreats, Workship, and student leadership. PBA is committed to providing a residence hall experience that focuses on establishing a Christian community of love, respect, fellowship and biblical accountability. The mission of Residence Life is to challenge and support the holistic development of residential students in the context of a Christian learning community that seeks to serve through the unconditional love of Christ. The first few days of residence hall living are filled with many exciting challenges and opportunities. It is important to take the time to get to know the Residence Life staff for your residence hall, your neighbors and roommate, as well as getting settled into your new home. We encourage you to create a place where you feel comfortable. The following information, policies, and guidelines have been established to guide your on-campus living experience. The Residence Halls Baxter Hall (women only) is a four-story residence hall located just west of the library building. This hall contains 120 suite-style rooms and houses 240 students. Baxter Hall provides lounge areas, computer labs and laundry facilities on each floor. A study room and TV room are provided in the main lobby area. -
B I O G R a P H Y B I O G R a P H Y
B I O G R A P H Y B I O G R A P H Y T H E A S I D E S 1 The High Reel 2.43 2 Dearg Doom 3.06 3 More Than You Can Chew* 3.09 4 Nighttown Boy** 3.10 5 King Of The Fairies 3.21 6 (If That’s What You Want) That’s What You Get** 4.56 7 Warm Sweet Breath Of Love 3.27 8 The Power And The Glory* 4.00 9 Speed The Plough 3.32 10 The Man Who Built America 3.39 11 Loneliness 4.19 T H E B S I D E S 12 Furniture 5.13 13 The Shamrock Shore 4.35 14 Faster Than The Hound 5.39 15 We Bring The Summer With Us 2.30 16 Sunburst 4.37 17 The Snakes’ Farewell To The Emerald Isle 5.32 18 King Of Morning, Queen Of Day 4.32 19 Sir Festus Burke 2.18 20 Bridge From Heart To Heart 2.50 21 Red River Rock (live) 1.49 22 Long Weekend 3.39 23 Homesick 4.05 3 & 8 are original single remixes * 4 & 6 are original single edits ** 3, 4, 8, 19, 20 & 21 previously unreleased on CD 2 One of the greatest and most important bands ever to come out of Ireland, Horslips pioneered a whole new style of music: Celtic Rock, a fusion of traditional music and powerful, electric rock’n’roll, packed with melodic hooks and virtuosity. Founded in 1970, Horslips released 12 genre-dening albums and toured relentlessly through out Ireland, the UK, Europe and North America over their original 10 year career. -
Blood Sweat and 3 Years Album Zip Download Blood Sweat and 3 Years Album Zip Download
blood sweat and 3 years album zip download Blood sweat and 3 years album zip download. Artist: Cash Cash Album: Blood, Sweat and 3 Years Released: 2016 Style: Powerpop. Format: MP3 320Kbps. Tracklist: 01 – How To Love 02 – Broken Drum 03 – Millionaire 04 – Hero 05 – Devil 06 – Aftershock 07 – The Gun 08 – Turn 09 – Escarole 10 – Lightning 11 – Arrows In The Dark 12 – We Will Live 13 – Bada Boom 14 – Take Me Home 15 – Sweat 16 – Surrender. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD HITFILE: DOWNLOAD. Blood, Sweat & Tears 3. Blood, Sweat & Tears had a hard act to follow in recording their third album. Nevertheless, BS&T constructed a convincing, if not quite as impressive, companion to their previous hit. David Clayton-Thomas remained an enthusiastic blues shouter, and the band still managed to put together lively arrangements, especially on the Top 40 hits "Hi-De-Ho" and "Lucretia Mac Evil." Elsewhere, they re-created the previous album's jazzing up of Laura Nyro ("He's a Runner") and Traffic ("40,000 Headmen"), although their pretentiousness, on the extended "Symphony/Sympathy for the Devil," and their tendency to borrow other artists' better-known material (James Taylor's "Fire and Rain") rather than generating more of their own, were warning signs for the future. In the meantime, BS&T 3 was another chart-topping gold hit. BLOOD, SWEAT & TEARS. BLOOD SWEAT & TEARS Blood, Sweat & Tears ratings distribution. BLOOD SWEAT & TEARS Blood, Sweat & Tears reviews. Collaborators/Experts Reviews. History has not been as kind as it might, and arguably should, have been to Blood Sweat and Tears.