LOST WEST END VINTAGE.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

LOST WEST END VINTAGE.Pdf CARISSIMA Palace Theatre Music: Hans May | Book & Lyrics: Eric Maschwitz Opened: March 10th 1948 (466 performances) Disc 1 | Track 4 ‘Carissima’ (Performed by Lester Ferguson) Disc 2 | Track 1 ‘Selections from Carissima’ – ‘Intro / Festa Bella / Venice In Spring / Two In A Gondola / Galop / Far In The Blue / Drinking Song / I’ll Be Waiting For Love / Carissima / Santa Rosa’ (Performed by the Theatre Orchestra – Conducted by Hans May) Noted film composer Hans May left his native Austria in 1935, exiled in Britain he composed the musical ‘Dancing City’ which had a short run at London’s Coliseum. Continuing to score for numerous films in the United Kingdom, including the hit ‘Brighton Rock’, he achieved great success in 1948 with the musical ‘Carissima’ which opened at London’s Palace Theatre in March 1948 running for over 400 performances. Set in Venice, the plot focuses on Italian tenor Paolo Marinelli (played by Lester Ferguson) who is pursued by Lisa an American advertising executive (played by Shirl Conway) to sing in her perfume commercials on radio. Marinelli disguises himself as a gondolier to avoid Lisa and inadvertently the couple find themselves attracted to one another, however the romance is short-lived when his deception is uncovered. Marinelli later finds success on Broadway, reuniting with Lisa and returning to Venice. The show’s star Lester Ferguson recorded two songs from ‘Carissima’ issued on a 78rpm record by HMV. Instrumental selections from Hans May’s score were also presented on record, conducted by the composer. CAGE ME A PEACOCK Strand Theatre Music: Eve Lynd | Book & Lyrics: Noel Langley Opened: June 18th 1948 Transferred to the Cambridge Theatre: December 6th 1948 (337 performances) Disc 2 | Track 2 ‘Time Alone Will Tell’ (Performed by The Melody Maids) ‘Cage Me A Peacock’ was the first novel by South African author and screenwriter Noel Langley. Published in 1935, the novel was a satirical version of The Rape of Lucretia and became an instant hit with readers. Langley adapted the novel, first as a play and then as a musical, with a score by Eve Lynd, starring Bill O’Connor, Linda Gray, Yolande Donlan and Simon Lack. ‘Cage Me A Peacock’ opened at London’s Strand Theatre in June 1948 before transferring to the Cambridge Theatre in December 1948, running in total for over 300 performances. Although the somewhat controversial themes of the original novel had been toned down for the musical adaptation, the show was a critical success and proved popular with theatregoers. Although no recordings with the original cast were issued, the vocal group ‘The Melody Maids’ released a recording of ‘Time Alone Will Tell’ from the score on Decca. ACE OF CLUBS Cambridge Theatre Music & Lyrics: Noel Coward Opened: July 7th 1950 (211 performances) Disc 1 | Track 2 ‘Chase Me Charlie / Evening In Summer / I Like America’ (performed by Pat Kirkwood, Sylvia Cecil, Graham Payn) ‘Ace of Clubs’ featured music and lyrics by Noel Coward who also directed the production. The show was first presented by Tom Arnold at the Palace Theatre, Manchester on 16 May 1950 and after a limited run in Liverpool, transferred to London’s Cambridge Theatre on July 7th running for 211 performances. The show is set in a 1949 London nightclub called "Ace of Clubs". Nightclub singer Pinkie Leroy falls in love with a sailor, however Pinkie and her lover get mixed up with gangsters, a lost package and a missing diamond necklace. In the end, the police arrest the perpetrators, and Pinkie gets her man. The original London cast members recorded selections of the show's songs as medleys issued across two 78rpm records on the HMV label. DEAR MISS PHOEBE Phoenix Theatre Music: Harry Parr-Davies | Book & Lyrics: Christopher Hassall Opened: October 13th 1950 (238 performances) Disc 2 | Track 5 ‘I Leave My Heart In An English Garden’ (performed by Edmund Hockridge 'Dear Miss Phoebe' was a musical adaptation of the 1901 J.M. Barrie play 'Quality Street'. Set during the Napoleonic war, the plot centres on sisters Susan and Phoebe (played by Carol Raye and Olga Lindo) and Phoebe's love interest Valentine (played by Peter Graves) who leaves to fight in the war, returning ten years later. To test Valentine's genuine affection for her after his decade long absence, Phoebe poses as her imaginary niece. The musical had a respectable run at the Phoenix theatre and Harry Parr- Davies' composition 'I Leave My Heart In An English Garden' became popular outside of the show when covered by numerous artists including Edmund Hockridge who recorded a version for his 1956 EP 'Edmund Hockridge Sings For You' on HMV. BLUE FOR A BOY His Majesty’s Theatre Music: Harry Parr-Davies | Lyrics: Harold Purcell Opened: November 30th 1950 (664 performances) Disc 2 | Track 3 ‘Blue For A Boy’ (performed by Pearl Carr and Dick James) Described as a “musical romp”, ‘Blue For A Boy’ was devised as a vehicle for comedians Fred Emney and Richard Hearne. Featuring music by Harry Parr-Davies, the show debuted just six weeks after Parr- Davies’ musical ‘Dear Miss Phoebe’ opened at the Phoenix Theatre. ‘Blue For A Boy’ proved a resounding success and ran for over 600 performances. Although no recordings of the show’s songs were produced with the original cast members, popular vocalists Pearl Carr and Dick James recorded a cover of the show’s title song, released on 78 by Decca Records. GAY’S THE WORLD Saville Theatre Music: Ivor Novello | Lyrics: Alan Melville Opened: February 16th 1951 (504 performances) Disc 1 | Track 1 ‘It’s Bound To Be Right On The Night’ (performed by Cicely Courtneidge) 'Gay's The Word' is noted as being the final musical composed by Ivor Novello. Featuring lyrics by Alan Melville, the show was tailored as a star vehicle for Cicely Courtneidge who plays Gay Daventry, a bankrupt operetta producer and actress who opens a drama school at her country house after her latest theatrical venture flops. Gay’s drama school also proves to be unsuccessful and becomes a front for two smugglers to conceal their illegal activities. The musical concludes with Gay making a successful return to the stage, accompanied by her students. Alongside Courtneidge the show starred Lizbeth Webb, Thorley Walters, Dunstan Hart and Molly Lumley. Several of the show's songs were recorded by the Original London Cast and issued across several 78rpm records on Columbia. 'Gay's The Word' was most recently revived in 2012 at London's Finborough Theatre. ZIP GOES A MILLION Palace Theatre Music: George Posford | Lyrics: Eric Maschwitz Opened: October 20th 1951 (544 performances) Disc 1 | Track 3 ‘Zip Goes a Million / Running Away to Land’ (performed by George Formby and Warde Donovan) Disc 2 | Track 4 ‘Ordinary People’ (performed by Reg Dixon) Disc 2 | Track 25 ‘Ordinary People’ – Live Recording (performed by George Formby and Petula Clark) 'Zip Goes A Million' was a musical adaptation of the 1902 novel 'Brewster's Millions' by G. B. McCutcheon, featuring music by George Posford and book and lyrics by Eric Maschwitz. The plot centres on Percy Piggott, a window cleaner who inherits a million dollar fortune. In order to receive the full amount he has to spend a million dollars in double-quick time, and without anyone suspecting that he is trying to get rid of the money. Piggot embarks on several radical schemes to spend the money including investing in a show, playing the stock market and waging on a variety of race horses. The show was built around the talents of popular entertainer George Formby who played Percy Piggot alongside Sara Gregory, Wallas Eaton and Barbara Perry. 'Zip Goes A Million' first opened at the Coventry Hippodrome in September 1951 before playing the Manchester Palace Theatre ahead of its West End transfer, opening at the Palace Theatre on October 21st 1951. The show was a resounding success with critics, running a total of 544 performances. Six months into the London run, Formby suffered a heart attack and was forced to leave the production. His replacement was comedian Reg Dixon who remained with the production until it closed in 1953. Formby along with the original London cast members recorded highlights from 'Zip Goes A Million', issued across three 78rpm records on HMV. Formby's replacement Reg Dixon also recorded 'Ordinary People' from the show for Decca. Formby later performed ‘Ordinary People’ on a live broadcast in 1957 with popular singer Petula Clark. THE GLORIOUS DAYS Palace Theatre Music: Harry Parr Davies | Lyrics: Harold Purcell Opened: February 28th 1953 (357 performances) Disc 1 | Track 4 The Glorious Days – Part One: ‘Glorious Days / Drink To Me With Thine Eyes / Soldiers Of The Queen’ (performed by Anna Neagle with The Rita Williams Singers) Disc 1 | Track 5 The Glorious Days – Part Two: ‘Lovely Lady / K-K-K-Katy / Swanee / Keep The Home Fires Burning’ (performed by Anna Neagle with The Rita Williams Singers) ‘The Glorious Days’ was conceived by producer Tom Arnold to coincide with the 1953 Coronation celebrations. The musical marked a triumphant stage return for Anna Neagle who played Carol Beaumont, a wartime ambulance driver who experiences a series of fantasy flashbacks after being knocked unconscious during a London air raid. In the flashbacks, Neagle plays numerous characters ranging from Nell Gwynn to Queen Victoria. Alongside Anna Neagle, the show starred James Carney (as King Charles), Olaf Olsen (as Prince Albert) and Peters Graves. The production featured original music by Harry Parr Davies (his final musical) with lyrics by Harold Purcell, the show also included several standards. In April 1953, the BBC broadcast a performance of ‘The Glorious Days’ from the Palace Theatre.
Recommended publications
  • CBC Times 500507.PDF
    Miss Verna E. Weber, BERGEN, Alta. PRAIRIE REGION SCHEDULE May 7·13, 1950 Issued Each Week by the Canadian Broadcasting Corporation VOLUME III No. 19 ISSUED AT WINNIPEG. APRrt 28 !Ie PER COPY SI.OO PER YEAR This Week: Land Of Supposing (Page 2) * Edmund Hockridge (Page 3) * Variety Time (Page 4) * English Composers (Page 5) * Sir Basil Brooke (Page 6) * PEECII anu dr;lmatirs ha"e been BETH S LocIU:l\DII::'!> (."()n~llll1in~ intf.'TE"SlS since her girl. hood days in Regina. and she wa~n't far into her teens when she ht>gan applying her skill to radio work in Calgary and \Vinnipcg. SIlt' went to Toronto in 1946 and h currently heard as "~Iom" in Alan and .\le. and IIdl'n ~Ianning in Bract' \'oljage. * * * Beth Lockerbie. on our ('O\er this wt.'ck, has onf' of tIle wannl'St voit.'t's in Canadian mdio. a thor· ough Unin''TSity training in speech :md dramatics, and a \Va)' with chiJdH'n. So it is not surprising that her current acth·ities should inc,.'luul:' the widely contrasting roles of "Mmll" in thE' wt"t"kly family drama series Alan and Me, and thl' young heroine of the ~10nda)--to-Frid:lY Jaytimf' drama BrULe \ ·oyage. She also appcl.lrs frequently ill the Stage series, Bllckingham 1'1lealre und Forel Theatre, and Toronto theatre-gm'rs have seen her in the sta~{(' productions of various drama grullps. Beth Lockerbie She has been interested in all phases of dramatics sinec her childhood in I\egiua, enrolling Thert~ she clividt'd lll:'r time hctwL"{'n l!ipeech classes, nipeg chool of Radio" Dramatics-~hrough which in the drama :\nd speech COurse at Regina College, stage work with amateur groups, and organizing she produc(.'d student.;' radio features for three and continuing at Emerson College in Boston, n and directing one of the first radio schools in the ye-ars.
    [Show full text]
  • Kirk Douglas in Cat and Mouse! the Flame of Love
    They just pushed him too far! Kirk Douglas in Cat and Mouse! Also on release this month: The Flame of Love Seven Nights in Japan Charley Moon The Extra Day Ballad in Blue Don’t Bother to Knock Spring in Park Lane Wonderful Things Memoirs of a Survivor Those Were the Days Up Jumped a Swagman Home at Seven Nothing But the Best Julie Christie stars in an award-winning adaptation of Doris Lessing’s famous dystopian novel. This complex, haunting science-fiction feature is presented in a Set in the exotic surroundings of Russia before the First brand-new transfer from the original film elements in World War, The Flame of Love tells the tragic story of the its as-exhibited theatrical aspect ratio. doomed love between a young Chinese dancing girl and the adjutant to a Russian Grand Duke. One of five British films Set in Britain at an unspecified point in the near- featuring Chinese-American actress Anna May Wong, The future, Memoirs of a Survivor tells the story of ‘D’, a Flame of Love (also known as Hai-Tang) was the star’s first housewife trying to carry on after a cataclysmic war ‘talkie’, made during her stay in London in the early 1930s, that has left society in a state of collapse. Rubbish is when Hollywood’s proscription of love scenes between piled high in the streets among near-derelict buildings Asian and Caucasian actors deprived Wong of leading roles. covered with graffiti; the electricity supply is variable, and water is now collected from a van.
    [Show full text]
  • George H. Clutsam
    GEORGE H. CLUTSAM George Clutsam published his first composition at age nine and in his early twenties toured with various minstrel shows through Australasia and the East. After moving to England in 1887 he established himself as an accompanist and composer of both serious and light music. Among his works were several operas and a number of musical comedies, burlesques and plays. His biggest success was the Shubert-inspired 1922 musical play Lilac Time (later Blossom Time, 1942), for which he arranged Shubert's music and composed additional music. Described by one London critic as being musically one "of the moderns" and "a close student of Strauss and Debussy [whose] work revealed great mastery of orchestral possibilities and many clever touches of instrumental humour," George Howard Clutsam was born in Sydney on 26 September 1866. His early life saw him exposed to and involved in many different styles of music. He is believed to have moved around with his parents quite often during his early years, spending periods of time in Sydney and Victoria before they moved to New Zealand in the late 1870s. It was in that country that Clutsam developed his passion for music through piano lessons and a desire to compose. An Australasian writer records in this respect that "Master G. Clutsam, a native of Victoria, but now of Dunedin… and who is only nine years old, has composed and published a piece for the pianoforte entitled "La Pluie De Printemps" (11 Oct. 1879, 647). Although the writer was incorrect in respect of Clutsam's age (he would have been 13 years old) it is clear that the young pianist/composer was already on the road to a career that would eventually see him accepted as one of the leading popular composers of London around the turn of the century.
    [Show full text]
  • Guild Gmbh Switzerland GUILD MUSIC GLCD 5223 Contrasts, Volume 2
    GUILD MUSIC GLCD 5223 Contrasts, Volume 2 2014 Guild GmbH GLCD 5223 © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GLCD 5223 Contrasts, Volume 2 CONTRASTS: FROM THE 1960s BACK TO THE 1920s – Volume 2 GLCD 5179 Portrait of My Love GLCD 5199 Three Great American Light Orchestras GLCD 5180 Bright and Breezy GLCD 5200 A Glorious Century of Light Music 1 Gala Premiere (Laurie Johnson) 2:49 GLCD 5181 The Lost Transcriptions – Vol. 2 GLCD 5201 Fiddles and Bows GROUP-FIFTY ORCHESTRA Conducted by LAURIE JOHNSON – KPM 109 1962 GLCD 5182 A Second A-Z of Light Music GLCD 5202 Cinema Classics GLCD 5183 A Return Trip to the Library GLCD 5203 Great British Composers – Vol. 2 GLCD 5184 The Lost Transcriptions – Vol. 3 GLCD 5204 Salon, Light & Novelty Orchestras 2 La Dolce Vita (Nino Rota, arr. Brian Fahey) 2:48 GLCD 5185 Christmas Celebration GLCD 5205 Here’s To Holidays CYRIL ORNADEL AND THE STARLIGHT SYMPHONY – MGM SE 4033 1962 GLCD 5186 Light Music While You Work – Vol. 3 GLCD 5206 Non-Stop To Nowhere GLCD 5187 Light and Easy GLCD 5207 Ça C’est Paris 3 Travel Topic (Robert Farnon) 2:24 GLCD 5188 The Art of the Arranger – Vol. 1 GLCD 5208 The Lost Transcriptions – Vol. 4 GLCD 5189 Holidays for Strings GLCD 5209 My Dream is Yours QUEEN’S HALL LIGHT ORCHESTRA Conducted by ROBERT FARNON – Chappell C 738 1962 GLCD 5190 Continental Flavour – Vol. 2 GLCD 5210 Invitation to the Dance GLCD 5191 Strings Afire GLCD 5211 Light Music While You Work – Vol. 5 4 “Young At Heart” – Theme from the film (Johnny Richards; Carolyn Leigh) 3:07 GLCD 5192 Stereo into the Sixties GLCD 5212 Bright Lights RUSS CONWAY, piano, with TONY OSBORNE AND HIS ORCHESTRA and GLCD 5193 The Art of the Arranger – Vol.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • Demarcating Dramaturgy
    Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement.
    [Show full text]
  • Signed the Portfolio
    May 2018 The Portfolio Issue 8 SPM08 Signed SGA092 £600 £120 per month for 5 months Set of 10 Multi-signed 1968 single stamp Anniversary covers (mainly TUC with a few Votes for Women). Signatures include Dorothy Hodgkin, Vic Feather, Jimmy Knapp & Tom Jackson John Edmonds is a former trade union official in the United Kingdom. On graduation, Rodney Kevan Bickerstaffe (1945 -2017) was a British trade unionist. He he found work as a research assistant with the National Union of General and was General Secretary of the National Union of Public Employees (1982-1993) Municipal Workers, moving on to become a field officer, then a National Industrial and UNISON (1996-2001), Britain’s largest trade union at the time. He later Officer. In 1986, Edmonds became General Secretary of the union, by then known became president of the UK National Pensioners Convention (2001-2005). as the GMB. In this role, he became known as a critic of Tony Blair’s leadership of the Elizabeth Conway Symons, Baroness Symons of Vernham Dean, PC is a Labour Party. He stood down as leader in 2003, one year ahead of schedule. British politician and former General Secretary of the FDA Trade Union and John Stephen Monks, Baron Monks is a Labour Co-operative member of the a Minister of State. She was created a Labour life peer as Baroness Symons House of Lords and was the General Secretary of the Trades Union Congress of Vernham Dean, of Vernham Dean in the County of Hampshire on 7 October (TUC) in the UK from 1993 until 2003, when he became the General Secretary 1996.
    [Show full text]
  • Cole Albert Porter (June 9, 1891 October 15, 1964) Was An
    Cole Albert Porter (June 9, 1891 October 15, 1964) was an American composer and songwriter. Born to a wealthy family in Indiana, he defied the wishes of his dom ineering grandfather and took up music as a profession. Classically trained, he was drawn towards musical theatre. After a slow start, he began to achieve succe ss in the 1920s, and by the 1930s he was one of the major songwriters for the Br oadway musical stage. Unlike many successful Broadway composers, Porter wrote th e lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 30s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It w on the first Tony Award for Best Musical. Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Any thing Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night an d Day","Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I 've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to D ance (1936), which featured the song "You'd Be So Easy to Love", Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957).
    [Show full text]
  • RAMO CAN SAVE the WORLD Ays the Bishop of Chelmsford
    RADIO PICTORIAL, May 12,1939. No. 278 rTJLXEMB0URG Registered at the G.P.O. as a Newspaper NORMANDY PARIS : LYONS : EIREANN PROGRAMMES May 14-May 20 EVERY FRIDAY lipt* RAMO CAN SAVE THE WORLD ays The Bishop of Chelmsford Interview with Radio Favourite NORMAN LONG We're the News -Narks" by the ESTERN BROS. LISTENING in the BALKANS All about the ROYAL BROADCASTS B.B.C. JACK HULBERT and PROGRAMME CICELY COURTNEIDGE SEE PAGE 37 GUIDE Photo :Courtesy Goumont British RADIO PICTORIAL May 12, 1939 DON CARLOS RADIO'S Golden Tenor can be heard in a new series of programmes presented by Armour's from Normandy on Wednesdays at 9.15 a.m. and Luxem- bourg, Thursdays, 10.15 a.in. Supporting are Eddie Carroll and his Orchestra, Michael Moore, the impersonator, and such famous guest artistes as Leonard Henry, Hazell and Day, Bennett and Williams, Rudy Starita... 2 May 12, 1939 RADIO PICTORIAL we..-.-e-ere....- No. 278 ...........-.. RADIO PICTORIALviEiktiffretijoi The All -Family Radio Magazine Published by BERNARD JONES PUBLICATIONS, LTD. 37-38 Chancery Lane. W.C.2. HOLborn 6158 MANAGING EDITOR K. P.HUNT ASST. EDITOR JESSIE E. KIRK IN THEY say the only time a IftE,41Rii certain singer ever got an encore was when he was born.He was a twin. Because,sweetheart,allB.B.C. AND now they tell us, though we announcers have tobe perfectlittle don't believeit,that Charlie We ran into a Scottish comedian gentlemen. Kunz has bought a bicycle with a and a strip -tease girl the other day, loud and soft pedal.
    [Show full text]
  • S011630 Brettenham House Brochure V10.Indd
    Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep.
    [Show full text]
  • Summer 1998 National Sound Archive
    THE BULLETIN OF THE NATIONAL SOUND ARCHIVE ‘playback’ PLAYBACK is the bulletin of the British Library National Sound Archive (NSA). It is published free of charge three playbacktimes a year, with information on the NSA's current and future activities, and news from the world of sound archives and audio PLAYBACK: Editor Alan Ward, manager Production PLAYBACK:Alan Editor Richard Fairman, Layout Liz Joseph preservation. Comments are welcome and should be addressed to the editor at the NSA. We have a special mailing list for PLAYBACK. Please write, phone, fax or e-mail us, or complete and send in the tear-off slip at the end of this issue (if you have not done so already) if you wish to receive future issues through the post. The National Sound Archive is one of the largest sound archives in the world and is based at the British Library’s new building at St. Pancras. For further information contact The British Library National Sound Archive 96 Euston Road, London NW1 2DB ISSN 0952-2360 Tel:0171-412 7440. Fax: 0171-412 7441 SUMMER 1998 e-mail: [email protected] Anna Kravchyshyn in her home in Slavsko, Ukraine, recorded by the NSA’s oral history section (photo Tim Smith, Bradford Heritage Recording Unit) NATIONAL SOUND ARCHIVE 19 what’s happening Bradford Industrial Museum, Moorside Road, Bradford BD2 3HP and most bookshops (Dewi Lewis Publishing, £13.95). ■ Major items from NSA collections now feature for the first time in the British Library’s permanent exhibitions, reopened ■ The NSA’s former HQ building at 29 Exhibition at St.
    [Show full text]